The improvisation of musical dialogue : a phenomenology of music / / Bruce Ellis Benson [[electronic resource]] |
Autore | Benson Bruce Ellis <1960-> |
Pubbl/distr/stampa | Cambridge : , : Cambridge University Press, , 2003 |
Descrizione fisica | 1 online resource (xiv, 200 pages) : digital, PDF file(s) |
Disciplina | 781.4/3117 |
Soggetto topico |
Music - Philosophy and aesthetics
Improvisation (Music) |
ISBN |
1-107-13248-7
1-280-41848-6 1-139-14776-5 0-511-16999-X 0-511-06434-9 0-511-05801-2 0-511-29711-4 0-511-61592-2 0-511-07280-5 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Between composition and performance -- Composing : from Ursprung to Fassung letzter Hand -- Performing : the improvisation of preservation -- The Ergon with Energeia -- Being musical with the other. |
Record Nr. | UNINA-9910783125103321 |
Benson Bruce Ellis <1960->
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Cambridge : , : Cambridge University Press, , 2003 | ||
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Lo trovi qui: Univ. Federico II | ||
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The improvisation of musical dialogue : a phenomenology of music / / Bruce Ellis Benson [[electronic resource]] |
Autore | Benson Bruce Ellis <1960-> |
Pubbl/distr/stampa | Cambridge : , : Cambridge University Press, , 2003 |
Descrizione fisica | 1 online resource (xiv, 200 pages) : digital, PDF file(s) |
Disciplina | 781.4/3117 |
Soggetto topico |
Music - Philosophy and aesthetics
Improvisation (Music) |
ISBN |
1-107-13248-7
1-280-41848-6 1-139-14776-5 0-511-16999-X 0-511-06434-9 0-511-05801-2 0-511-29711-4 0-511-61592-2 0-511-07280-5 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Between composition and performance -- Composing : from Ursprung to Fassung letzter Hand -- Performing : the improvisation of preservation -- The Ergon with Energeia -- Being musical with the other. |
Record Nr. | UNINA-9910829181803321 |
Benson Bruce Ellis <1960->
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Cambridge : , : Cambridge University Press, , 2003 | ||
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Lo trovi qui: Univ. Federico II | ||
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Improvisation, creativity, and consciousness [[electronic resource] ] : jazz as integral template for music, education, and society / / Edward W. Sarath |
Autore | Sarath Ed |
Pubbl/distr/stampa | Albany, : State University of New York Press, c2013 |
Descrizione fisica | 1 online resource (489 p.) |
Disciplina | 781.65/11 |
Collana | Suny series in integral theory |
Soggetto topico |
Improvisation (Music)
Interdisciplinary research Jazz - Instruction and study Music - Psychological aspects |
Soggetto genere / forma | Electronic books. |
ISBN | 1-4384-4723-X |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | The AQAL framework -- Improvisation-driven growth of creativity and consciousness -- Meditation-driven growth of creativity and consciousness -- Integral evolutionary dynamics -- Jazz and the academy -- Invention -- Interaction -- Individuation -- Jazz -- The music school of the future -- Paradigmatic change and the 21st-century academy -- Planet earth takes a solo. |
Record Nr. | UNINA-9910453244103321 |
Sarath Ed
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Albany, : State University of New York Press, c2013 | ||
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Lo trovi qui: Univ. Federico II | ||
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Improvisation, creativity, and consciousness [[electronic resource] ] : jazz as integral template for music, education, and society / / Edward W. Sarath |
Autore | Sarath Ed |
Pubbl/distr/stampa | Albany, : State University of New York Press, c2013 |
Descrizione fisica | 1 online resource (489 p.) |
Disciplina | 781.65/11 |
Collana | Suny series in integral theory |
Soggetto topico |
Improvisation (Music)
Interdisciplinary research Jazz - Instruction and study Music - Psychological aspects |
ISBN | 1-4384-4723-X |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | The AQAL framework -- Improvisation-driven growth of creativity and consciousness -- Meditation-driven growth of creativity and consciousness -- Integral evolutionary dynamics -- Jazz and the academy -- Invention -- Interaction -- Individuation -- Jazz -- The music school of the future -- Paradigmatic change and the 21st-century academy -- Planet earth takes a solo. |
Record Nr. | UNINA-9910779603903321 |
Sarath Ed
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Albany, : State University of New York Press, c2013 | ||
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Lo trovi qui: Univ. Federico II | ||
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Improvisation, creativity, and consciousness [[electronic resource] ] : jazz as integral template for music, education, and society / / Edward W. Sarath |
Autore | Sarath Ed |
Edizione | [1st ed.] |
Pubbl/distr/stampa | Albany, : State University of New York Press, c2013 |
Descrizione fisica | 1 online resource (489 p.) |
Disciplina | 781.65/11 |
Collana | Suny series in integral theory |
Soggetto topico |
Improvisation (Music)
Interdisciplinary research Jazz - Instruction and study Music - Psychological aspects |
ISBN | 1-4384-4723-X |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | The AQAL framework -- Improvisation-driven growth of creativity and consciousness -- Meditation-driven growth of creativity and consciousness -- Integral evolutionary dynamics -- Jazz and the academy -- Invention -- Interaction -- Individuation -- Jazz -- The music school of the future -- Paradigmatic change and the 21st-century academy -- Planet earth takes a solo. |
Record Nr. | UNINA-9910818922203321 |
Sarath Ed
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Albany, : State University of New York Press, c2013 | ||
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Lo trovi qui: Univ. Federico II | ||
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Jamming the Classroom : Musical Improvisation and Pedagogical Practice |
Autore | Heble Ajay <1961-> |
Edizione | [1st ed.] |
Pubbl/distr/stampa | Ann Arbor : , : University of Michigan Press, , 2023 |
Descrizione fisica | 1 online resource (203 pages) |
Disciplina | 781.3/6 |
Altri autori (Persone) | StewartJesse |
Collana | Music and social justice |
Soggetto topico |
Improvisation (Music)
Music - Instruction and study Music - Social aspects |
ISBN | 0-472-90375-6 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Record Nr. | UNINA-9910737301203321 |
Heble Ajay <1961->
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Ann Arbor : , : University of Michigan Press, , 2023 | ||
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Lo trovi qui: Univ. Federico II | ||
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Justice as improvisation : the law of extempore / / Sara Ramshaw |
Autore | Ramshaw Sara |
Pubbl/distr/stampa | Abingdon, Oxon ; ; New York : , : Routledge, , 2013 |
Descrizione fisica | 1 online resource (209 p.) |
Disciplina | 340.11 |
Soggetto topico | Improvisation (Music) |
Soggetto genere / forma | Electronic books. |
ISBN |
0-203-07328-2
1-299-27877-9 1-135-10278-3 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Introduction: the law of the extempore -- The rise and reform of the New York City cabaret laws -- Deconstructive legal improvisation -- The wildness of jazz improvisation -- Demystifying improvisation -- The structure-freedom paradox in law -- Justice as improvisation. |
Record Nr. | UNINA-9910465639903321 |
Ramshaw Sara
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Abingdon, Oxon ; ; New York : , : Routledge, , 2013 | ||
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Lo trovi qui: Univ. Federico II | ||
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Justice as improvisation : the law of extempore / / Sara Ramshaw |
Autore | Ramshaw Sara |
Pubbl/distr/stampa | Abingdon, Oxon ; ; New York : , : Routledge, , 2013 |
Descrizione fisica | 1 online resource (209 p.) |
Disciplina | 340.11 |
Soggetto topico | Improvisation (Music) |
ISBN |
1-135-10277-5
0-203-07328-2 1-299-27877-9 1-135-10278-3 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Introduction: the law of the extempore -- The rise and reform of the New York City cabaret laws -- Deconstructive legal improvisation -- The wildness of jazz improvisation -- Demystifying improvisation -- The structure-freedom paradox in law -- Justice as improvisation. |
Record Nr. | UNINA-9910792192303321 |
Ramshaw Sara
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Abingdon, Oxon ; ; New York : , : Routledge, , 2013 | ||
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Lo trovi qui: Univ. Federico II | ||
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Justice as improvisation : the law of extempore / / Sara Ramshaw |
Autore | Ramshaw Sara |
Pubbl/distr/stampa | Abingdon, Oxon ; ; New York : , : Routledge, , 2013 |
Descrizione fisica | 1 online resource (209 p.) |
Disciplina | 340.11 |
Soggetto topico | Improvisation (Music) |
ISBN |
1-135-10277-5
0-203-07328-2 1-299-27877-9 1-135-10278-3 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Introduction: the law of the extempore -- The rise and reform of the New York City cabaret laws -- Deconstructive legal improvisation -- The wildness of jazz improvisation -- Demystifying improvisation -- The structure-freedom paradox in law -- Justice as improvisation. |
Record Nr. | UNINA-9910814987503321 |
Ramshaw Sara
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Abingdon, Oxon ; ; New York : , : Routledge, , 2013 | ||
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Lo trovi qui: Univ. Federico II | ||
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Music theory through improvisation [[electronic resource] ] : a new approach to musicianship training / / Edward Sarath |
Autore | Sarath Ed |
Pubbl/distr/stampa | New York ; ; Abingdon, Oxon, : Routledge, 2009 |
Descrizione fisica | 1 online resource (386 p.) |
Disciplina | 781 |
Soggetto topico |
Music theory
Jazz - Instruction and study Improvisation (Music) |
Soggetto genere / forma | Electronic books. |
ISBN |
1-135-21527-8
1-282-31548-X 9786612315480 0-203-87347-5 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Cover; Music Theory Through Improvisation; Title Page; Copyright Page; Table of Contents; Preface; Acknowledgments; Chapter 1 Improvisation Across Boundaries: A Trans-stylistic Approach; Getting Started; Non-syntactic Catalysts; Tension and Release, Variety and Unity, Motion and Stability; Melody; Ostinato, Motive, Sequence; Antecedent-consequent Structure; Melodic Contour; Pitch-based Melodic Improvising; Pulse-based Improvising; Form-based Improvising; Graphic Formal Analysis; The Inner Dimensions of Improvisation; Silence; Solo Pieces; Free or Open Collective Improvising; Clarity of Ideas
Transparency, Laying Out, and SoloingEndings; Culminating Exercises; Concluding Thoughts: Template for Artistic Development; Listening Resources; Further Reading; Chapter 2 Music Fundamentals; Staff, Clefs, Scales; Key Signatures; Major Scale; Minor Scale; Intervals; Modes; Pentatonic Scales; Aural Transposition; Melodic Cells; Aural Transposition with Pentatonic Scales; Chapter 3 Modality and Rhythm I: Time Feels; Importance of Aural Immersion; Core Elements of Time Feels; Further Aural Immersion Strategies; Modal Etude 1; Two-player Improvisation Practice Frameworks Rhythmic Templates for Time-feel Grooves and Melodic ImprovisingListening Resources: Time-feel-based Music with African and African-American Roots; Suggested Recordings; Further Reading; Chapter 4 Modality and Rhythm II: Small Group Framework; Call and Response; Strategies for Generating New Ideas; Mode-rhythmic Formats; Minor Blues; Indian Rhythmic Practices; Small Group Ensemble Performance and Project Format; Chapter 5 Basic Tonal Materials: Triads and Seventh Chords; Triads; Seventh Chords; Two Roman Numeral Systems; Inversions; Close Position and Open Position or Spread Voicings Keyboard RealizationFortification Exercises: Aural and Analytical; Modes; Modemaster Drills; Chapter 6 Harmonic Functions; Tonic-Subdominant-Dominant Functions; The Dominant Seventh Chord; Cadence; Keyboard Application; Improvising on the II-V-I Progression; Integrating Diverse Forms of Musical Knowledge; Chord-scale Analysis; II-V-I in Minor; Writing and Analysis Exercises; Voice Leading; Idiomatic Progressions; Turnarounds; Free-tonicization Strategies Level I; Chapter 7 Swing: Global Rhythmic Gateway; Elements of Swing; Swing Articulation; Blues; Transcription Format Scale and Chord Exercises for Cultivating the Swing ConceptChapter 8 Melodic Line Construction and Harmonization; Composing Melodic Lines on Chord Changes; Diatonic Target Notes; Problems with the Root of the Major Seventh Chord in the Melody; Melodic Analysis; Guide Tones; Written Application; Incorporating Guide Tones in Melodic Lines; Two Approaches to Composing Melodies on Chord Changes; Harmonizing Melodic Lines; Top-down Harmonization at the Keyboard; Harmonic Rhythm; Small Group Application; Chapter 9 Chord Inversion Present and Past; Chord Inversion in Jazz; Non-harmonic Tones Analysis of Bach Chorales |
Record Nr. | UNINA-9910455301803321 |
Sarath Ed
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New York ; ; Abingdon, Oxon, : Routledge, 2009 | ||
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Lo trovi qui: Univ. Federico II | ||
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