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First person Jewish [[electronic resource] /] / Alisa S. Lebow
| First person Jewish [[electronic resource] /] / Alisa S. Lebow |
| Autore | Lebow Alisa |
| Pubbl/distr/stampa | Minneapolis, : University of Minnesota Press, 2008 |
| Descrizione fisica | 1 online resource (240 p.) |
| Disciplina | 791.43/6529924 |
| Collana | Visible evidence |
| Soggetto topico |
Jews in motion pictures
Jewish motion picture producers and directors Documentary films - History and criticism Autobiography Identity (Psychology) in motion pictures Stereotypes (Social psychology) in motion pictures |
| Soggetto genere / forma | Electronic books. |
| ISBN | 0-8166-5643-6 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Memory Once Removed: indirect memory and transitive autobiography in Chantal Akerman's D'Est -- 2. Reframing the Jewish family -- 3. A treyf autocritique of autobiography -- 4. Ambivalence and ambiguity in queer Jewish subjectivity -- Conclusion: a limit case for Jewish autoethnography. |
| Record Nr. | UNINA-9910454186503321 |
Lebow Alisa
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| Minneapolis, : University of Minnesota Press, 2008 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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First person Jewish [[electronic resource] /] / Alisa S. Lebow
| First person Jewish [[electronic resource] /] / Alisa S. Lebow |
| Autore | Lebow Alisa |
| Pubbl/distr/stampa | Minneapolis, : University of Minnesota Press, 2008 |
| Descrizione fisica | 1 online resource (240 p.) |
| Disciplina | 791.43/6529924 |
| Collana | Visible evidence |
| Soggetto topico |
Jews in motion pictures
Jewish motion picture producers and directors Documentary films - History and criticism Autobiography Identity (Psychology) in motion pictures Stereotypes (Social psychology) in motion pictures |
| ISBN | 0-8166-5643-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Memory Once Removed: indirect memory and transitive autobiography in Chantal Akerman's D'Est -- 2. Reframing the Jewish family -- 3. A treyf autocritique of autobiography -- 4. Ambivalence and ambiguity in queer Jewish subjectivity -- Conclusion: a limit case for Jewish autoethnography. |
| Record Nr. | UNINA-9910782160303321 |
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Lebow Alisa
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| Minneapolis, : University of Minnesota Press, 2008 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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First person Jewish / / Alisa S. Lebow
| First person Jewish / / Alisa S. Lebow |
| Autore | Lebow Alisa |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Minneapolis, : University of Minnesota Press, 2008 |
| Descrizione fisica | 1 online resource (240 p.) |
| Disciplina | 791.43/6529924 |
| Collana | Visible evidence |
| Soggetto topico |
Jews in motion pictures
Jewish motion picture producers and directors Documentary films - History and criticism Autobiography Identity (Psychology) in motion pictures Stereotypes (Social psychology) in motion pictures |
| ISBN | 0-8166-5643-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Memory Once Removed: indirect memory and transitive autobiography in Chantal Akerman's D'Est -- 2. Reframing the Jewish family -- 3. A treyf autocritique of autobiography -- 4. Ambivalence and ambiguity in queer Jewish subjectivity -- Conclusion: a limit case for Jewish autoethnography. |
| Record Nr. | UNINA-9910826734203321 |
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Lebow Alisa
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| Minneapolis, : University of Minnesota Press, 2008 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Hollywood at the intersection of race and identity / / edited by Delia Malia Caparoso Konzett
| Hollywood at the intersection of race and identity / / edited by Delia Malia Caparoso Konzett |
| Autore | Konzett Delia Malia Caparoso |
| Pubbl/distr/stampa | New Brunswick : , : Rutgers University Press, , 2020 |
| Descrizione fisica | 1 online resource (371 pages) |
| Disciplina | 791.43653 |
| Soggetto topico |
Identity (Psychology) in motion pictures
Race in motion pictures Motion pictures - United States - History Intersectionality (Sociology) - United States |
| Soggetto non controllato | Hollywood, race, identity, intersectionality, ethnicity, gender, sexuality, nationality, cinema, movies, film, camera, video, aesthetics, ideology, film analysis, United States cinema, American cinema, Hollywood formula, representation |
| ISBN | 0-8135-9935-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- CONTENTS -- Introduction -- Part 1. HOLLYWOOD FORMULAS -- 1 Daydreams of Society -- 2 The Death of Lon Chaney -- 3 MGM’s Sleeping Lion -- 4 Yellowface, Minstrelsy, and Hollywood Happy Endings -- Part 2. GENRE AND RACE IN CLASSICAL HOLLYWOOD -- 5 “A Queer, Strangled Look” -- 6 By Herself -- 7 Disruptive Mother-Daughter Relationships -- 8 The Egotistical Sublime -- Part 3. RACE AND ETHNICITY IN POST–WORLD WAR II HOLLYWOOD -- 9 Women and Class Mobility in Classical Hollywood’s Immigrant Dramas -- 10 Hawai‘i Statehood, Indigeneity, and Go for Broke! (1951) -- 11 Savage Whiteness -- 12 Rita Moreno’s Hair -- Part 4. INTERSECTIONALITY, HOLLYWOOD, AND CONTEMPORARY POPULAR CULTURE -- 13 “Everything Glee in ‘America’ ” -- 14 Hip-Hop “Hearts” Ballet -- 15 Fakin’ da Funk (1997) and Gook (2017) -- 16 “Let Us Roam the Night Together” -- Acknowledgments -- Bibliography -- Notes on Contributors -- Index |
| Record Nr. | UNINA-9910793976803321 |
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Konzett Delia Malia Caparoso
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| New Brunswick : , : Rutgers University Press, , 2020 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Hollywood at the intersection of race and identity / / edited by Delia Malia Caparoso Konzett
| Hollywood at the intersection of race and identity / / edited by Delia Malia Caparoso Konzett |
| Autore | Konzett Delia Malia Caparoso |
| Pubbl/distr/stampa | New Brunswick : , : Rutgers University Press, , 2020 |
| Descrizione fisica | 1 online resource (371 pages) |
| Disciplina | 791.43653 |
| Soggetto topico |
Identity (Psychology) in motion pictures
Race in motion pictures Motion pictures - United States - History Intersectionality (Sociology) - United States |
| Soggetto non controllato | Hollywood, race, identity, intersectionality, ethnicity, gender, sexuality, nationality, cinema, movies, film, camera, video, aesthetics, ideology, film analysis, United States cinema, American cinema, Hollywood formula, representation |
| ISBN | 0-8135-9935-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- CONTENTS -- Introduction -- Part 1. HOLLYWOOD FORMULAS -- 1 Daydreams of Society -- 2 The Death of Lon Chaney -- 3 MGM’s Sleeping Lion -- 4 Yellowface, Minstrelsy, and Hollywood Happy Endings -- Part 2. GENRE AND RACE IN CLASSICAL HOLLYWOOD -- 5 “A Queer, Strangled Look” -- 6 By Herself -- 7 Disruptive Mother-Daughter Relationships -- 8 The Egotistical Sublime -- Part 3. RACE AND ETHNICITY IN POST–WORLD WAR II HOLLYWOOD -- 9 Women and Class Mobility in Classical Hollywood’s Immigrant Dramas -- 10 Hawai‘i Statehood, Indigeneity, and Go for Broke! (1951) -- 11 Savage Whiteness -- 12 Rita Moreno’s Hair -- Part 4. INTERSECTIONALITY, HOLLYWOOD, AND CONTEMPORARY POPULAR CULTURE -- 13 “Everything Glee in ‘America’ ” -- 14 Hip-Hop “Hearts” Ballet -- 15 Fakin’ da Funk (1997) and Gook (2017) -- 16 “Let Us Roam the Night Together” -- Acknowledgments -- Bibliography -- Notes on Contributors -- Index |
| Record Nr. | UNINA-9910817699403321 |
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Konzett Delia Malia Caparoso
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| New Brunswick : , : Rutgers University Press, , 2020 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Identity in animation : a journey into self, difference, culture and the body / / Jane Batkin
| Identity in animation : a journey into self, difference, culture and the body / / Jane Batkin |
| Autore | Batkin Jane |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | London ; ; New York : , : Routledge, , 2017 |
| Descrizione fisica | 1 online resource (193 pages) : illustrations |
| Disciplina |
791.43/653
791.4334 |
| Soggetto topico |
Identity (Psychology) in motion pictures
Animated films - History and criticism Cartoon characters - History |
| ISBN |
1-138-84978-2
1-315-72521-5 1-317-53324-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. The boop-oop-a-doop girl : culture, body and Betty Boop -- 2. Disney : self, patriarchy and punishment -- 3. Conflict and connection, body and performance how Looney Tunes broke out of the asylum -- 4. The case for Wallace and Gromit Britishness, horror, slapstick and the real -- 5. Who am I? Gender at play : guys in corsets, girls in love -- 6. The misfits : bodies, difference and wandering in the clayography films of Adam Elliot -- 7. Hayao Miyazaki : place, nostalgia, and adolescence -- 8. The 'thingness' of CG and the life of the object. |
| Record Nr. | UNINA-9910165051703321 |
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Batkin Jane
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| London ; ; New York : , : Routledge, , 2017 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Israeli Cinema [[electronic resource] ] : Identities in Motion / / edited by Miri Talmon and Yaron Peleg
| Israeli Cinema [[electronic resource] ] : Identities in Motion / / edited by Miri Talmon and Yaron Peleg |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Austin, : University of Texas Press, 2011 |
| Descrizione fisica | 1 online resource (392 p.) |
| Disciplina | 791.43095694 |
| Altri autori (Persone) |
PelegYaron
TalmonMiri |
| Collana | Jewish history, life, and culture |
| Soggetto topico |
Identity (Psychology) in motion pictures
Motion pictures - Israel |
| Soggetto genere / forma | Electronic books. |
| ISBN | 0-292-73560-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction -- The nation imagined on film. Filming the homeland: cinema in Eretz Israel and the Zionist movement, 1917-1939 / Ariel L. Feldestein -- Helmar Lerski in Israel / Jan-Christopher Horak -- Ecce Homo: The Transfiguration of Israeli Manhood in Israeli Films / Yaron Peleg -- War and Its Aftermath. From Hill to Hill: A Brief History of the Representation of War in Israeli Cinema / Uri S. Cohen -- From Hero to Victim: The Changing Image of the Soldier on the Israeli Screen / Eran Kaplan -- The Lady and the Death Mask / Judd Neeman -- Coping with the Legacy of Death: The War Widow in Israeli Films / Yael Zerubavel -- The Privatization of War Memory in Recent Israeli Cinema / Yael Munk -- An Ethno-Cultural Kaleidoscope. Disjointed Narratives in Contemporary Israeli Films / Nitzan Ben Shaul -- Trajectories of Mizrahi Cinema / Yaron Shemer -- Immigrant Cinema: Russian Israelis on Screens and behind the Cameras / Olga Gershenson -- Holocaust and Trauma. The Holocaust in Israeli Cinema as a Conflict between Survival and Morality / Ilan Avisar -- Near and Far: The Representation of Holocaust Survivors in Israeli Feature Films, 1945-2010 / Liat Steir-Livny -- Homonational Desires: Masculinity and Sexuality in the Cinema of Eytan Fox / Raz Yosef -- Jewish Orthodoxy Revisited. Negotiating Judaism in Contemporary Israeli Cinema: The Spiritual Style of My Father, My Lord / Dan Chyutin -- Seeking the Local, Engaging the Global: Women and Religious Oppression in a Minor Film / Nava Dushi -- Beaufort and My Father, My Lord: Traces of the Binding Myth and the Mother's Voice / Anat Zanger -- Filming the Palestinian Other. The Foreigner Within and the Question of Identity in Fictitious Marriage and Streets of Yesterday -- / sandra meiri -- a rave against the occupation?: speaking for the self and excluding the other in contemporary israeli political cinema / Dorit Naaman -- Borders in Motion: The Evolution of the Portrayal of the Israeli-Palestinian Conflict in Contemporary Israeli Cinema / Yael Ben-Zvi-Morad -- Smashing Up the Face of History: Trauma and Subversion in Kedma and Atash / Nurith Gertz and Gal Hermoni -- New Cinematic Discourses. Discursive Identities in the (R)evolution of the New Israeli Queer Cinema / Gilad Padva -- Kibbutz Films in Transition: From Morality to Ethics / Eldad Kedem -- The End of a World, the Beginning of a New World: The New Discourse of Authenticity and New Versions of Collective Memory in Israeli Cinema / Miri Talmon. |
| Record Nr. | UNINA-9910456426903321 |
| Austin, : University of Texas Press, 2011 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Israeli Cinema [[electronic resource] ] : Identities in Motion / / edited by Miri Talmon and Yaron Peleg
| Israeli Cinema [[electronic resource] ] : Identities in Motion / / edited by Miri Talmon and Yaron Peleg |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Austin, : University of Texas Press, 2011 |
| Descrizione fisica | 1 online resource (392 p.) |
| Disciplina | 791.43095694 |
| Altri autori (Persone) |
PelegYaron
TalmonMiri |
| Collana | Jewish history, life, and culture |
| Soggetto topico |
Identity (Psychology) in motion pictures
Motion pictures - Israel |
| Soggetto genere / forma | Electronic books. |
| ISBN | 0-292-73560-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction -- The nation imagined on film. Filming the homeland: cinema in Eretz Israel and the Zionist movement, 1917-1939 / Ariel L. Feldestein -- Helmar Lerski in Israel / Jan-Christopher Horak -- Ecce Homo: The Transfiguration of Israeli Manhood in Israeli Films / Yaron Peleg -- War and Its Aftermath. From Hill to Hill: A Brief History of the Representation of War in Israeli Cinema / Uri S. Cohen -- From Hero to Victim: The Changing Image of the Soldier on the Israeli Screen / Eran Kaplan -- The Lady and the Death Mask / Judd Neeman -- Coping with the Legacy of Death: The War Widow in Israeli Films / Yael Zerubavel -- The Privatization of War Memory in Recent Israeli Cinema / Yael Munk -- An Ethno-Cultural Kaleidoscope. Disjointed Narratives in Contemporary Israeli Films / Nitzan Ben Shaul -- Trajectories of Mizrahi Cinema / Yaron Shemer -- Immigrant Cinema: Russian Israelis on Screens and behind the Cameras / Olga Gershenson -- Holocaust and Trauma. The Holocaust in Israeli Cinema as a Conflict between Survival and Morality / Ilan Avisar -- Near and Far: The Representation of Holocaust Survivors in Israeli Feature Films, 1945-2010 / Liat Steir-Livny -- Homonational Desires: Masculinity and Sexuality in the Cinema of Eytan Fox / Raz Yosef -- Jewish Orthodoxy Revisited. Negotiating Judaism in Contemporary Israeli Cinema: The Spiritual Style of My Father, My Lord / Dan Chyutin -- Seeking the Local, Engaging the Global: Women and Religious Oppression in a Minor Film / Nava Dushi -- Beaufort and My Father, My Lord: Traces of the Binding Myth and the Mother's Voice / Anat Zanger -- Filming the Palestinian Other. The Foreigner Within and the Question of Identity in Fictitious Marriage and Streets of Yesterday -- / sandra meiri -- a rave against the occupation?: speaking for the self and excluding the other in contemporary israeli political cinema / Dorit Naaman -- Borders in Motion: The Evolution of the Portrayal of the Israeli-Palestinian Conflict in Contemporary Israeli Cinema / Yael Ben-Zvi-Morad -- Smashing Up the Face of History: Trauma and Subversion in Kedma and Atash / Nurith Gertz and Gal Hermoni -- New Cinematic Discourses. Discursive Identities in the (R)evolution of the New Israeli Queer Cinema / Gilad Padva -- Kibbutz Films in Transition: From Morality to Ethics / Eldad Kedem -- The End of a World, the Beginning of a New World: The New Discourse of Authenticity and New Versions of Collective Memory in Israeli Cinema / Miri Talmon. |
| Record Nr. | UNINA-9910781505503321 |
| Austin, : University of Texas Press, 2011 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Israeli Cinema [[electronic resource] ] : Identities in Motion / / edited by Miri Talmon and Yaron Peleg
| Israeli Cinema [[electronic resource] ] : Identities in Motion / / edited by Miri Talmon and Yaron Peleg |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Austin, : University of Texas Press, 2011 |
| Descrizione fisica | 1 online resource (392 p.) |
| Disciplina | 791.43095694 |
| Altri autori (Persone) |
PelegYaron
TalmonMiri |
| Collana | Jewish history, life, and culture |
| Soggetto topico |
Identity (Psychology) in motion pictures
Motion pictures - Israel |
| Soggetto genere / forma | Electronic books. |
| ISBN | 0-292-73560-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction -- The nation imagined on film. Filming the homeland: cinema in Eretz Israel and the Zionist movement, 1917-1939 / Ariel L. Feldestein -- Helmar Lerski in Israel / Jan-Christopher Horak -- Ecce Homo: The Transfiguration of Israeli Manhood in Israeli Films / Yaron Peleg -- War and Its Aftermath. From Hill to Hill: A Brief History of the Representation of War in Israeli Cinema / Uri S. Cohen -- From Hero to Victim: The Changing Image of the Soldier on the Israeli Screen / Eran Kaplan -- The Lady and the Death Mask / Judd Neeman -- Coping with the Legacy of Death: The War Widow in Israeli Films / Yael Zerubavel -- The Privatization of War Memory in Recent Israeli Cinema / Yael Munk -- An Ethno-Cultural Kaleidoscope. Disjointed Narratives in Contemporary Israeli Films / Nitzan Ben Shaul -- Trajectories of Mizrahi Cinema / Yaron Shemer -- Immigrant Cinema: Russian Israelis on Screens and behind the Cameras / Olga Gershenson -- Holocaust and Trauma. The Holocaust in Israeli Cinema as a Conflict between Survival and Morality / Ilan Avisar -- Near and Far: The Representation of Holocaust Survivors in Israeli Feature Films, 1945-2010 / Liat Steir-Livny -- Homonational Desires: Masculinity and Sexuality in the Cinema of Eytan Fox / Raz Yosef -- Jewish Orthodoxy Revisited. Negotiating Judaism in Contemporary Israeli Cinema: The Spiritual Style of My Father, My Lord / Dan Chyutin -- Seeking the Local, Engaging the Global: Women and Religious Oppression in a Minor Film / Nava Dushi -- Beaufort and My Father, My Lord: Traces of the Binding Myth and the Mother's Voice / Anat Zanger -- Filming the Palestinian Other. The Foreigner Within and the Question of Identity in Fictitious Marriage and Streets of Yesterday -- / sandra meiri -- a rave against the occupation?: speaking for the self and excluding the other in contemporary israeli political cinema / Dorit Naaman -- Borders in Motion: The Evolution of the Portrayal of the Israeli-Palestinian Conflict in Contemporary Israeli Cinema / Yael Ben-Zvi-Morad -- Smashing Up the Face of History: Trauma and Subversion in Kedma and Atash / Nurith Gertz and Gal Hermoni -- New Cinematic Discourses. Discursive Identities in the (R)evolution of the New Israeli Queer Cinema / Gilad Padva -- Kibbutz Films in Transition: From Morality to Ethics / Eldad Kedem -- The End of a World, the Beginning of a New World: The New Discourse of Authenticity and New Versions of Collective Memory in Israeli Cinema / Miri Talmon. |
| Record Nr. | UNINA-9910828485503321 |
| Austin, : University of Texas Press, 2011 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The persistence of the human : consciousness, meta-body and survival in contemporary film and literature / / by Matthew Escobar
| The persistence of the human : consciousness, meta-body and survival in contemporary film and literature / / by Matthew Escobar |
| Autore | Escobar Matthew |
| Pubbl/distr/stampa | Leiden, [Netherlands] ; ; Boston, [Massachusetts] : , : Brill, , 2016 |
| Descrizione fisica | 1 online resource (228 p.) |
| Disciplina | 809/.93353 |
| Collana | Consciousness, Literature and the Arts |
| Soggetto topico |
Identity (Psychology) in literature
Identity (Psychology) in motion pictures Human body in literature Self-perception in motion pictures Self-perception in literature Human body in motion pictures |
| Soggetto genere / forma | Electronic books. |
| ISBN | 90-04-32367-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Preliminary Material -- Introduction -- The Human, Consciousness and Its Temporality -- Testing the Human: Trauma, Memory and Consciousness -- The Phantom Limb: Specters, Trauma, and Meta-body -- Survival: Human and Posthuman -- Conclusion -- Bibliography -- Index. |
| Record Nr. | UNINA-9910493693203321 |
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Escobar Matthew
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| Leiden, [Netherlands] ; ; Boston, [Massachusetts] : , : Brill, , 2016 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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