A short guide to writing about film / / Timothy Corrigan ; with Graham Corrigan |
Autore | Corrigan Timothy <1951-> |
Edizione | [Ninth, Global edition.] |
Pubbl/distr/stampa | Boston : , : Pearson, , [2015] |
Descrizione fisica | 1 online resource (208 pages) : illustrations, photographs |
Disciplina | 791.43015 |
Collana | Always Learning |
Soggetto topico | Film criticism |
ISBN | 1-292-07812-X |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Cover -- Title -- Copyright -- Content -- Preface -- 1-Introduction to Writing about the Movies -- Why Write about the Movies? -- Your Audience and the Aims of Film Criticism -- The Screening Report -- The Movie Review -- The Theoretical Essay -- The Critical Essay -- Opinion and Evaluation -- Exercises -- 2-Beginning to Think, Preparing to Watch, and Starting to Write -- Subject Matter and Meaning -- Silent Dialogue: Talking Back to the Movies -- Taking Notes -- Visual Memory and Reflection -- Exercises -- 3-Terms and Topics for Analyzing and Writing about Films -- Themes -- Film and the Other Arts -- Narrative -- Characters -- Point of View -- Comparative Essays and Adaptations -- Mise-en-Scène and Realism -- Realism -- Elements of Mise-en-Scène -- Composition and the Image -- The Shot -- The Edited Image -- Sound -- Animation, 3D, and New Media -- Sample Essay -- Exercises -- 4-Approaches to Writing about Film -- Film History -- National Cinemas -- Genres -- Auteurs -- Kinds of Formalism -- Ideology -- Sample Essays -- Exercises -- 5-Effective Writing Skills -- The Right Words -- Concrete Language -- Denotation and Connotation -- Tone -- Repetitions and Clichés -- Effective Sentences -- Economy -- Varied Sentence Structures -- Coherent Paragraphs -- Introductory Paragraphs -- Concluding Paragraphs -- Revisions and Proofreading -- Checklist for Writing an Effective Essay -- Exercises -- 6-Researching Sources and Information -- How to Begin Research -- The Materials of Research -- Primary Sources -- DVDs and Digital Downloads -- Scripts -- Secondary Sources: Books, Indexes, Journals, and Electronic Sources -- Film Research on the Internet -- Taking Notes on Secondary Sources -- Writing the Paper -- Sample Essays -- Exercises -- 7-Manuscript Form -- Manuscript Copy -- Last-Minute Corrections -- Quotations -- Acknowledging Sources.
Common Knowledge -- Documenting Sources -- Notes for Documentation -- Works Cited -- Notes Supplying Additional Commentary -- Common Conventions of Usage -- Names -- Titles -- Foreign Words and Quotation Marks -- Bias-Free Language -- Spelling -- Last Words -- Suggestions for Further Readings -- Appendix -- Glossary of Film Terms -- Works Cited -- Credits -- Index. |
Record Nr. | UNINA-9910154775103321 |
Corrigan Timothy <1951->
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Boston : , : Pearson, , [2015] | ||
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Lo trovi qui: Univ. Federico II | ||
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The tenth muse [[electronic resource] ] : writing about cinema in the modernist period / / Laura Marcus |
Autore | Marcus Laura |
Pubbl/distr/stampa | Oxford ; ; New York, : Oxford University Press, 2007 |
Descrizione fisica | 1 online resource (579 p.) |
Disciplina | 791.43015 |
Soggetto topico |
Film criticism
Motion pictures and literature Modernism (Literature) |
Soggetto genere / forma | Electronic books. |
ISBN |
1-281-34160-6
0-19-152808-0 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Contents; List of Illustrations; Epigraphs; Introduction; 1. The Things that Move: Early Film and Literature; 2. The Shadow on the Screen: Virginia Woolf and the Cinema; 3. 'A new form of true beauty': Aesthetics and Early Film Criticism; 4. 'The cinema mind': Film Criticism and Film Culture in 1920's Britain; 5. The Moment of Close Up; 6. Coda: The Coming of Sound; Abbreviations Used in Notes and Bibliography; Notes; Bibliography; Index |
Record Nr. | UNINA-9910451389403321 |
Marcus Laura
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Oxford ; ; New York, : Oxford University Press, 2007 | ||
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Lo trovi qui: Univ. Federico II | ||
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The tenth muse [[electronic resource] ] : writing about cinema in the modernist period / / Laura Marcus |
Autore | Marcus Laura |
Edizione | [1st ed.] |
Pubbl/distr/stampa | Oxford ; ; New York, : Oxford University Press, 2007 |
Descrizione fisica | 1 online resource (579 p.) |
Disciplina | 791.43015 |
Soggetto topico |
Film criticism
Motion pictures and literature Modernism (Literature) |
ISBN |
1-383-03644-6
1-281-34160-6 0-19-152808-0 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Contents; List of Illustrations; Epigraphs; Introduction; 1. The Things that Move: Early Film and Literature; 2. The Shadow on the Screen: Virginia Woolf and the Cinema; 3. 'A new form of true beauty': Aesthetics and Early Film Criticism; 4. 'The cinema mind': Film Criticism and Film Culture in 1920's Britain; 5. The Moment of Close Up; 6. Coda: The Coming of Sound; Abbreviations Used in Notes and Bibliography; Notes; Bibliography; Index |
Altri titoli varianti | Writing about cinema in the modernist period |
Record Nr. | UNINA-9910781827803321 |
Marcus Laura
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Oxford ; ; New York, : Oxford University Press, 2007 | ||
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Lo trovi qui: Univ. Federico II | ||
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The tenth muse [[electronic resource] ] : writing about cinema in the modernist period / / Laura Marcus |
Autore | Marcus Laura |
Edizione | [1st ed.] |
Pubbl/distr/stampa | Oxford ; ; New York, : Oxford University Press, 2007 |
Descrizione fisica | 1 online resource (579 p.) |
Disciplina | 791.43015 |
Soggetto topico |
Film criticism
Motion pictures and literature Modernism (Literature) |
ISBN |
1-383-03644-6
1-281-34160-6 0-19-152808-0 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Contents; List of Illustrations; Epigraphs; Introduction; 1. The Things that Move: Early Film and Literature; 2. The Shadow on the Screen: Virginia Woolf and the Cinema; 3. 'A new form of true beauty': Aesthetics and Early Film Criticism; 4. 'The cinema mind': Film Criticism and Film Culture in 1920's Britain; 5. The Moment of Close Up; 6. Coda: The Coming of Sound; Abbreviations Used in Notes and Bibliography; Notes; Bibliography; Index |
Altri titoli varianti | Writing about cinema in the modernist period |
Record Nr. | UNINA-9910816432603321 |
Marcus Laura
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Oxford ; ; New York, : Oxford University Press, 2007 | ||
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Lo trovi qui: Univ. Federico II | ||
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The Terministic Screen [[electronic resource] ] : Rhetorical Perspectives on Film |
Autore | Blakesley David |
Pubbl/distr/stampa | Carbondale, : Southern Illinois University Press, 2007 |
Descrizione fisica | 1 online resource (326 p.) |
Disciplina | 791.43 |
Soggetto topico |
Film criticism
Motion pictures -- Philosophy Motion pictures Rhetoric Motion pictures - Philosophy Film Music, Dance, Drama & Film |
Soggetto genere / forma | Electronic books. |
ISBN | 0-585-49958-6 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Cover; Title Page; Copyright; Contents; Acknowledgments; Introduction: The Rhetoric of Film and Film Studies by David Blakesley; Part One: Perspectives on Film and Film Theory as Rhetoric; 1. Mapping the Other: The English Patient, Colonial Rhetoric, and Cinematic Representation by Alan Nadel; 2. Rhetoric and the Early Work of Christian Metz: Augmenting Ideological Inquiry in Rhetorical Film Theory and Criticism by Ann Chisholm; 3. Temptation as Taboo: A Psychorhetorical Reading of The Last Temptation of Christ by Martin J. Medhurst
4. Hyperrhetoric and the Inventive Spectator: Remotivating The Fifth Element by Byron Hawk5. Time, Space, and Political Identity: Envisioning Community in Triumph of the Will by Ekaterina V. Haskins; 6. On Rhetorical Bodies: Hoop Dreams and Constitutional Discourse by James Roberts; Part Two: Rhetorical Perspectives on Film and Culture; 7. Looking for the Public in the Popular: The Hollywood Blacklist and the Rhetoric of Collective Memory by Thomas W. Benson; 8. Copycat, Serial Murder, and the (De)Terministic Screen Narrative by Philip L. Simpson 9. Opening the Text: Reading Gender, Christianity, and American Intervention in Deliverance by Davis W. Houck and Caroline J. S. Picart10. From "World Conspiracy" to "Cultural Imperialism": The History of Anti-Plutocratic Rhetoric in German Film by Friedemann Weidauer; Part Three: Perspectives on Films about Rhetoric; 11. Rhetorical Conditioning: The Manchurian Candidate by Bruce Krajewski; 12. Sophistry, Magic, and the Vilifying Rhetoric of The Usual Suspects by David Blakesley; 13. Textual Trouble in River City: Literacy, Rhetoric, and Consumerism in The Music Man by Harriet Malinowitz 14. Screen Play: Ethos and Dialectics in A Time to Kill by Granetta L. Richardson15. Postmodern Dialogics in Pulp Fiction: Jules, Ezekiel, and Double-Voiced Discourse by Kelly Ritter; Contributors; Index; Editor Biography; Back Cover |
Record Nr. | UNINA-9910455505103321 |
Blakesley David
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Carbondale, : Southern Illinois University Press, 2007 | ||
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Lo trovi qui: Univ. Federico II | ||
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The terministic screen [[electronic resource] ] : rhetorical perspectives on film |
Autore | Blakesley David |
Pubbl/distr/stampa | Carbondale, : Southern Illinois University Press, 2007 |
Descrizione fisica | 1 online resource (326 p.) |
Disciplina | 791.43 |
Soggetto topico |
Film criticism
Motion pictures -- Philosophy Motion pictures Rhetoric Motion pictures - Philosophy Film Music, Dance, Drama & Film |
ISBN | 0-585-49958-6 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Cover; Title Page; Copyright; Contents; Acknowledgments; Introduction: The Rhetoric of Film and Film Studies by David Blakesley; Part One: Perspectives on Film and Film Theory as Rhetoric; 1. Mapping the Other: The English Patient, Colonial Rhetoric, and Cinematic Representation by Alan Nadel; 2. Rhetoric and the Early Work of Christian Metz: Augmenting Ideological Inquiry in Rhetorical Film Theory and Criticism by Ann Chisholm; 3. Temptation as Taboo: A Psychorhetorical Reading of The Last Temptation of Christ by Martin J. Medhurst
4. Hyperrhetoric and the Inventive Spectator: Remotivating The Fifth Element by Byron Hawk5. Time, Space, and Political Identity: Envisioning Community in Triumph of the Will by Ekaterina V. Haskins; 6. On Rhetorical Bodies: Hoop Dreams and Constitutional Discourse by James Roberts; Part Two: Rhetorical Perspectives on Film and Culture; 7. Looking for the Public in the Popular: The Hollywood Blacklist and the Rhetoric of Collective Memory by Thomas W. Benson; 8. Copycat, Serial Murder, and the (De)Terministic Screen Narrative by Philip L. Simpson 9. Opening the Text: Reading Gender, Christianity, and American Intervention in Deliverance by Davis W. Houck and Caroline J. S. Picart10. From "World Conspiracy" to "Cultural Imperialism": The History of Anti-Plutocratic Rhetoric in German Film by Friedemann Weidauer; Part Three: Perspectives on Films about Rhetoric; 11. Rhetorical Conditioning: The Manchurian Candidate by Bruce Krajewski; 12. Sophistry, Magic, and the Vilifying Rhetoric of The Usual Suspects by David Blakesley; 13. Textual Trouble in River City: Literacy, Rhetoric, and Consumerism in The Music Man by Harriet Malinowitz 14. Screen Play: Ethos and Dialectics in A Time to Kill by Granetta L. Richardson15. Postmodern Dialogics in Pulp Fiction: Jules, Ezekiel, and Double-Voiced Discourse by Kelly Ritter; Contributors; Index; Editor Biography; Back Cover |
Record Nr. | UNINA-9910780236303321 |
Blakesley David
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Carbondale, : Southern Illinois University Press, 2007 | ||
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Lo trovi qui: Univ. Federico II | ||
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The terministic screen [[electronic resource] ] : rhetorical perspectives on film |
Autore | Blakesley David |
Pubbl/distr/stampa | Carbondale, : Southern Illinois University Press, 2007 |
Descrizione fisica | 1 online resource (326 p.) |
Disciplina | 791.43 |
Soggetto topico |
Film criticism
Motion pictures -- Philosophy Motion pictures Rhetoric Motion pictures - Philosophy Film Music, Dance, Drama & Film |
ISBN | 0-585-49958-6 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Cover; Title Page; Copyright; Contents; Acknowledgments; Introduction: The Rhetoric of Film and Film Studies by David Blakesley; Part One: Perspectives on Film and Film Theory as Rhetoric; 1. Mapping the Other: The English Patient, Colonial Rhetoric, and Cinematic Representation by Alan Nadel; 2. Rhetoric and the Early Work of Christian Metz: Augmenting Ideological Inquiry in Rhetorical Film Theory and Criticism by Ann Chisholm; 3. Temptation as Taboo: A Psychorhetorical Reading of The Last Temptation of Christ by Martin J. Medhurst
4. Hyperrhetoric and the Inventive Spectator: Remotivating The Fifth Element by Byron Hawk5. Time, Space, and Political Identity: Envisioning Community in Triumph of the Will by Ekaterina V. Haskins; 6. On Rhetorical Bodies: Hoop Dreams and Constitutional Discourse by James Roberts; Part Two: Rhetorical Perspectives on Film and Culture; 7. Looking for the Public in the Popular: The Hollywood Blacklist and the Rhetoric of Collective Memory by Thomas W. Benson; 8. Copycat, Serial Murder, and the (De)Terministic Screen Narrative by Philip L. Simpson 9. Opening the Text: Reading Gender, Christianity, and American Intervention in Deliverance by Davis W. Houck and Caroline J. S. Picart10. From "World Conspiracy" to "Cultural Imperialism": The History of Anti-Plutocratic Rhetoric in German Film by Friedemann Weidauer; Part Three: Perspectives on Films about Rhetoric; 11. Rhetorical Conditioning: The Manchurian Candidate by Bruce Krajewski; 12. Sophistry, Magic, and the Vilifying Rhetoric of The Usual Suspects by David Blakesley; 13. Textual Trouble in River City: Literacy, Rhetoric, and Consumerism in The Music Man by Harriet Malinowitz 14. Screen Play: Ethos and Dialectics in A Time to Kill by Granetta L. Richardson15. Postmodern Dialogics in Pulp Fiction: Jules, Ezekiel, and Double-Voiced Discourse by Kelly Ritter; Contributors; Index; Editor Biography; Back Cover |
Record Nr. | UNINA-9910815101803321 |
Blakesley David
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Carbondale, : Southern Illinois University Press, 2007 | ||
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Lo trovi qui: Univ. Federico II | ||
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Texte über Filme : Stilanalysen anhand von Filmrezensionen und filmbezogenen Texten / / Jiřina Malá |
Autore | Malá Jiřna <1957-> |
Pubbl/distr/stampa | Brno, [Czech Republic] : , : Filozofická fakulta, Masarykova univerzita, , 2016 |
Descrizione fisica | 1 online resource (221 pages) : illustrations, photographs |
Disciplina | 791.43015 |
Collana | Opera Facultatis Philosophicae Universitatis Masarykianae,Spisy Filozofické Fakulty Masarykovy Univerzity |
Soggetto topico |
Film criticism
Motion pictures - History and criticism German language - Style Czech language - Style Discourse analysis |
Soggetto genere / forma | Electronic books. |
ISBN | 80-210-8732-3 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | cze |
Record Nr. | UNINA-9910467017103321 |
Malá Jiřna <1957->
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Brno, [Czech Republic] : , : Filozofická fakulta, Masarykova univerzita, , 2016 | ||
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Lo trovi qui: Univ. Federico II | ||
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Texte über Filme : Stilanalysen anhand von Filmrezensionen und filmbezogenen Texten / / Jiřina Malá |
Autore | Malá Jiřna <1957-> |
Pubbl/distr/stampa | Brno, [Czech Republic] : , : Filozofická fakulta, Masarykova univerzita, , 2016 |
Descrizione fisica | 1 online resource (221 pages) : illustrations, photographs |
Disciplina | 791.43015 |
Collana | Opera Facultatis Philosophicae Universitatis Masarykianae,Spisy Filozofické Fakulty Masarykovy Univerzity |
Soggetto topico |
Film criticism
Motion pictures - History and criticism German language - Style Czech language - Style Discourse analysis |
ISBN | 80-210-8732-3 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | cze |
Record Nr. | UNINA-9910796500503321 |
Malá Jiřna <1957->
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Brno, [Czech Republic] : , : Filozofická fakulta, Masarykova univerzita, , 2016 | ||
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Lo trovi qui: Univ. Federico II | ||
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Texte über Filme : Stilanalysen anhand von Filmrezensionen und filmbezogenen Texten / / Jiřina Malá |
Autore | Malá Jiřna <1957-> |
Pubbl/distr/stampa | Brno, [Czech Republic] : , : Filozofická fakulta, Masarykova univerzita, , 2016 |
Descrizione fisica | 1 online resource (221 pages) : illustrations, photographs |
Disciplina | 791.43015 |
Collana | Opera Facultatis Philosophicae Universitatis Masarykianae,Spisy Filozofické Fakulty Masarykovy Univerzity |
Soggetto topico |
Film criticism
Motion pictures - History and criticism German language - Style Czech language - Style Discourse analysis |
ISBN | 80-210-8732-3 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | cze |
Record Nr. | UNINA-9910820726703321 |
Malá Jiřna <1957->
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Brno, [Czech Republic] : , : Filozofická fakulta, Masarykova univerzita, , 2016 | ||
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Lo trovi qui: Univ. Federico II | ||
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