The language and style of film criticism / / edited by Alex Clayton and Andrew Klevan |
Pubbl/distr/stampa | Abingdon, Oxon : , : Routledge, , 2011 |
Descrizione fisica | 1 online resource (209 p.) |
Disciplina | 808/.066791 |
Altri autori (Persone) |
ClaytonAlex
KlevanAndrew |
Soggetto topico |
Film criticism
Motion pictures - Philosophy |
ISBN |
1-136-72828-7
1-283-24171-4 9786613241719 1-136-72829-5 0-203-81731-1 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | The Language and Style of Flim Criticism; Copyright; Contents; List of figures; Contributors; Introduction: the language and style of film criticism; 1 Coming to terms; 2 Questioning style; 3 Incursions; 4 Description; 5 Writing about performance: the film critic as actor; 6 Silence and stasis; 7 Four against the house; 8 Being seized; 9 Memories that don't seem mine; 10 La caméra-stylo: notes on video criticism and cinephilia; Index |
Record Nr. | UNINA-9910781384203321 |
Abingdon, Oxon : , : Routledge, , 2011 | ||
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Lo trovi qui: Univ. Federico II | ||
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The language and style of film criticism / / edited by Alex Clayton and Andrew Klevan |
Pubbl/distr/stampa | Abingdon, Oxon : , : Routledge, , 2011 |
Descrizione fisica | 1 online resource (209 p.) |
Disciplina | 808/.066791 |
Altri autori (Persone) |
ClaytonAlex
KlevanAndrew |
Soggetto topico |
Film criticism
Motion pictures - Philosophy |
ISBN |
1-136-72828-7
1-283-24171-4 9786613241719 1-136-72829-5 0-203-81731-1 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | The Language and Style of Flim Criticism; Copyright; Contents; List of figures; Contributors; Introduction: the language and style of film criticism; 1 Coming to terms; 2 Questioning style; 3 Incursions; 4 Description; 5 Writing about performance: the film critic as actor; 6 Silence and stasis; 7 Four against the house; 8 Being seized; 9 Memories that don't seem mine; 10 La caméra-stylo: notes on video criticism and cinephilia; Index |
Record Nr. | UNINA-9910810512103321 |
Abingdon, Oxon : , : Routledge, , 2011 | ||
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Lo trovi qui: Univ. Federico II | ||
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Last Day Every Day: Figural Thinking from Auerbach and Kracauer to Agamben and Brenez / Adrian Martin |
Autore | Martin Adrian <1959-> |
Pubbl/distr/stampa | Baltimore, Maryland : , : Project Muse, , 2020 |
Descrizione fisica | 1 online resource (38 pages) ; : illustrations; PDF, digital file(s) |
Disciplina | 791.43 |
Soggetto topico |
Motion pictures - Philosophy
Film criticism |
Soggetto genere / forma | Electronic books. |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Record Nr. | UNINA-9910140448903321 |
Martin Adrian <1959->
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Baltimore, Maryland : , : Project Muse, , 2020 | ||
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Lo trovi qui: Univ. Federico II | ||
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Making meaning [[electronic resource] ] : inference and rhetoric in the interpretation of cinema / / David Bordwell |
Autore | Bordwell David |
Pubbl/distr/stampa | Cambridge, MA, : Harvard University Press, 1989 |
Descrizione fisica | xvi, 334 p. : ill |
Disciplina | 791.43/01/5 |
Collana | Harvard film studies |
Soggetto topico |
Film criticism
Motion pictures |
Soggetto genere / forma | Electronic books. |
ISBN | 0-674-02853-8 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Frontmatter -- Contents -- Preface -- 1. Making Films Mean -- Interpretation as Construction -- Meaning Made -- Interpretive Doctrines -- 2. Routines and Practices -- Introduction -- Interpretation Inc. -- The Logic of Discovery or Problem-Solving -- The Logic of Justification or Rhetoric -- An Anatomy of Interpretation -- 3. Interpretation as Explication -- The French Connection -- Explication Academicized -- Picture Planes -- Meaning and Unity -- 4. Symptomatic Interpretation -- Introduction -- Culture Dream and Lauren Bacall -- Myth as Antinomy -- Systeme a la Mode -- The Contradictory Text -- Symptoms and Explications -- 5. Semantic Fields -- Introduction -- Meanings in Structures -- Structures of Meaning -- The Role of Semantic Fields -- 6. Schemata and Heuristics -- Mapping as Making -- Knowledge Structures and Routines -- Mapping as Modeling -- 7. Two Basic Schemata -- Is There a Class for This Text? -- Making Films Personal -- 8. Text Schemata -- Introduction -- A Bull's-Eye Schema -- Meaning Inside Out and Outside In -- Textual Trajectories -- Doctrines into Diachronies -- 9. Interpretation as Rhetoric -- Introduction -- Sample Strategies -- Theory Talk -- 10. Rhetoric in Action: Seven Models of Psycho -- Jean Douchet, "Hitch and His Public" (1960) -- Robin Wood, "Psycho," Hitchcock's Films (1965) -- Raymond Durgnat, "Inside Norman Bates," Films and Feelings (1967) -- V. F. Perkins, "The World and Its Image," Film as Film (1972) -- Raymond Bellour, "Psychosis, Neurosis, Perversion" (1979) -- Barbara Klinger, "Psycho: The Institutionalization of Female Sexuality" (1982) -- Leland Poague, "Links in a Chain: Psycho and Film Classicism" (1986) -- 11. Why Not to Read a Film -- The Ends of Interpretation -- The End of Interpretation? -- Prospects for a Poetics -- Notes -- Index |
Record Nr. | UNINA-9910451274103321 |
Bordwell David
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Cambridge, MA, : Harvard University Press, 1989 | ||
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Lo trovi qui: Univ. Federico II | ||
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Making meaning : inference and rhetoric in the interpretation of cinema / / David Bordwell |
Autore | Bordwell David |
Pubbl/distr/stampa | Cambridge, Mass. : , : Harvard University Press, , 1989 |
Descrizione fisica | 1 online resource (xvi, 334 pages) : ill |
Disciplina | 791.43/01/5 |
Collana | Harvard film studies |
Soggetto topico |
Film criticism
Motion pictures |
ISBN | 0-674-02853-8 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Front matter -- Contents -- Preface -- 1. Making Films Mean -- Interpretation as Construction -- Meaning Made -- Interpretive Doctrines -- 2. Routines and Practices -- Introduction -- Interpretation Inc. -- The Logic of Discovery or Problem-Solving -- The Logic of Justification or Rhetoric -- An Anatomy of Interpretation -- 3. Interpretation as Explication -- The French Connection -- Explication Academicized -- Picture Planes -- Meaning and Unity -- 4. Symptomatic Interpretation -- Introduction -- Culture Dream and Lauren Bacall -- Myth as Antinomy -- Systeme a la Mode -- The Contradictory Text -- Symptoms and Explications -- 5. Semantic Fields -- Introduction -- Meanings in Structures -- Structures of Meaning -- The Role of Semantic Fields -- 6. Schemata and Heuristics -- Mapping as Making -- Knowledge Structures and Routines -- Mapping as Modeling -- 7. Two Basic Schemata -- Is There a Class for This Text? -- Making Films Personal -- 8. Text Schemata -- Introduction -- A Bull's-Eye Schema -- Meaning Inside Out and Outside In -- Textual Trajectories -- Doctrines into Diachronies -- 9. Interpretation as Rhetoric -- Introduction -- Sample Strategies -- Theory Talk -- 10. Rhetoric in Action: Seven Models of Psycho -- Jean Douchet, "Hitch and His Public" (1960) -- Robin Wood, "Psycho," Hitchcock's Films (1965) -- Raymond Durgnat, "Inside Norman Bates," Films and Feelings (1967) -- V. F. Perkins, "The World and Its Image," Film as Film (1972) -- Raymond Bellour, "Psychosis, Neurosis, Perversion" (1979) -- Barbara Klinger, "Psycho: The Institutionalization of Female Sexuality" (1982) -- Leland Poague, "Links in a Chain: Psycho and Film Classicism" (1986) -- 11. Why Not to Read a Film -- The Ends of Interpretation -- The End of Interpretation? -- Prospects for a Poetics -- Notes -- Index |
Record Nr. | UNINA-9910777459703321 |
Bordwell David
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Cambridge, Mass. : , : Harvard University Press, , 1989 | ||
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Lo trovi qui: Univ. Federico II | ||
|
Making meaning : inference and rhetoric in the interpretation of cinema / / David Bordwell |
Autore | Bordwell David |
Pubbl/distr/stampa | Cambridge, Mass. : , : Harvard University Press, , 1989 |
Descrizione fisica | 1 online resource (xvi, 334 pages) : ill |
Disciplina | 791.43/01/5 |
Collana | Harvard film studies |
Soggetto topico |
Film criticism
Motion pictures |
ISBN | 0-674-02853-8 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Front matter -- Contents -- Preface -- 1. Making Films Mean -- Interpretation as Construction -- Meaning Made -- Interpretive Doctrines -- 2. Routines and Practices -- Introduction -- Interpretation Inc. -- The Logic of Discovery or Problem-Solving -- The Logic of Justification or Rhetoric -- An Anatomy of Interpretation -- 3. Interpretation as Explication -- The French Connection -- Explication Academicized -- Picture Planes -- Meaning and Unity -- 4. Symptomatic Interpretation -- Introduction -- Culture Dream and Lauren Bacall -- Myth as Antinomy -- Systeme a la Mode -- The Contradictory Text -- Symptoms and Explications -- 5. Semantic Fields -- Introduction -- Meanings in Structures -- Structures of Meaning -- The Role of Semantic Fields -- 6. Schemata and Heuristics -- Mapping as Making -- Knowledge Structures and Routines -- Mapping as Modeling -- 7. Two Basic Schemata -- Is There a Class for This Text? -- Making Films Personal -- 8. Text Schemata -- Introduction -- A Bull's-Eye Schema -- Meaning Inside Out and Outside In -- Textual Trajectories -- Doctrines into Diachronies -- 9. Interpretation as Rhetoric -- Introduction -- Sample Strategies -- Theory Talk -- 10. Rhetoric in Action: Seven Models of Psycho -- Jean Douchet, "Hitch and His Public" (1960) -- Robin Wood, "Psycho," Hitchcock's Films (1965) -- Raymond Durgnat, "Inside Norman Bates," Films and Feelings (1967) -- V. F. Perkins, "The World and Its Image," Film as Film (1972) -- Raymond Bellour, "Psychosis, Neurosis, Perversion" (1979) -- Barbara Klinger, "Psycho: The Institutionalization of Female Sexuality" (1982) -- Leland Poague, "Links in a Chain: Psycho and Film Classicism" (1986) -- 11. Why Not to Read a Film -- The Ends of Interpretation -- The End of Interpretation? -- Prospects for a Poetics -- Notes -- Index |
Record Nr. | UNINA-9910821420303321 |
Bordwell David
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Cambridge, Mass. : , : Harvard University Press, , 1989 | ||
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Lo trovi qui: Univ. Federico II | ||
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Mind the screen [[electronic resource] ] : media concepts according to Thomas Elsaesser / / edited by Jaap Kooijman, Patricia Pisters and Wanda Stauven |
Pubbl/distr/stampa | Amsterdam, : Amsterdam University Press, c2008 |
Descrizione fisica | 1 online resource (375 p.) |
Disciplina | 302.2343 |
Altri autori (Persone) |
PistersPatricia
StrauvenWanda |
Soggetto topico |
Film criticism
Mass media criticism |
ISBN |
1-282-38734-0
9786612387340 90-485-0646-8 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Table of Contents; A Looking Glass for Old and New Screens; ACT I: Melodrama, Memory, Mind Game; Cinephilia in Transition; Theorizing Melodrama; Of Surfaces and Depths; Failed Tragedy and Traumatic Love in IngmarBergman's Shame; Mediated Memories; Running on Failure; Into the Mind and Out to the World; A Critical Mind; Intermezzo: Scholars, Dreams, and Memory Tapes; ACT II: Europe-Hollywood-Europe; The Cheetah of Cinema; Bear Life; Constitutive Contingencies; Lili and Rachel; Amsterdamned Global Village; Soundtracks of Double Occupancy; Hollywood Face to Face with the World
To Be or Not to Be Post-ClassicalBumper Stories; Intermezzo "Where Were You When ...?" or "I Phone,Therefore I Am"; ACT III: Archaeology, Avant-Garde, Archive; Reflections in a Laserdisc; S/M; Consumer Technology after Surveillance Theory; Migratory Terrorism; The Echo Chamber of History; Displacing the Colonial Archive; Found Footage, Performance, Reenactment; Digital Convergence Ten Years Later; Notes on Contributors; Key Publications by Thomas Elsaesser |
Record Nr. | UNINA-9910140023203321 |
Amsterdam, : Amsterdam University Press, c2008 | ||
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Lo trovi qui: Univ. Federico II | ||
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Movie : a journal of film criticism |
Pubbl/distr/stampa | Warwick, England, : Universities of Warwick, Reading and Oxford |
Descrizione fisica | 1 online resource |
Soggetto topico |
Motion pictures
Film criticism |
Soggetto genere / forma | Periodicals. |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Periodico |
Lingua di pubblicazione | eng |
Record Nr. | UNINA-9910132374003321 |
Warwick, England, : Universities of Warwick, Reading and Oxford | ||
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Lo trovi qui: Univ. Federico II | ||
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The mystical gaze of the cinema : the films of Peter Weir / / Richard Leonard |
Autore | Leonard Richard |
Pubbl/distr/stampa | Carlton, Victoria : , : Melbourne University Press, , 2009 |
Descrizione fisica | 1 online resource (ix, 300 pages) |
Disciplina | 791.43015 |
Collana | MUP Academic Monographs |
Soggetto topico | Film criticism |
Soggetto genere / forma | Electronic books. |
ISBN | 0-522-85994-1 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Record Nr. | UNINA-9910480078703321 |
Leonard Richard
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Carlton, Victoria : , : Melbourne University Press, , 2009 | ||
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Lo trovi qui: Univ. Federico II | ||
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The mystical gaze of the cinema : the films of Peter Weir / / Richard Leonard |
Autore | Leonard Richard |
Pubbl/distr/stampa | Carlton, Victoria : , : Melbourne University Press, , 2009 |
Descrizione fisica | 1 online resource (ix, 300 pages) |
Disciplina | 791.43015 |
Collana | MUP Academic Monographs |
Soggetto topico | Film criticism |
ISBN | 0-522-85994-1 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Record Nr. | UNINA-9910780749203321 |
Leonard Richard
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Carlton, Victoria : , : Melbourne University Press, , 2009 | ||
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Lo trovi qui: Univ. Federico II | ||
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