Watching Films [[electronic resource] ] : New Perspectives on Movie-Going, Exhibition and Reception |
Autore | Aveyard Karina |
Pubbl/distr/stampa | Bristol, : Intellect Books Ltd, 2013 |
Descrizione fisica | 1 online resource (442 p.) |
Disciplina | 791.43015 |
Altri autori (Persone) | MoranAlbert |
Soggetto topico |
Film criticism
Motion pictures -- Appreciation Motion picture audiences - History Motion picture industry Music, Dance, Drama & Film Film |
Soggetto genere / forma | Electronic books. |
ISBN | 1-78320-042-1 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Cover ; Half Title ; Title ; Copyright ; Dedication ; Contents; Foreword; Figures and Tables; Acknowledgements; About the Contributors; Introduction: New Perspectives on Movie-going, Exhibition and Reception ; Part I: Theoretical Perspectives ; Chapter 1: Cinema, Modernity and Audiences: Revisiting and Expanding the Debate; Chapter 2: What is a Cinema? Death, Closure and the Database; Chapter 3: A Poetics of Film-audience Reception? Barbara Deming Goes to the Movies; Chapter 4: The Porous Boundaries of Newsreel Memory Research
Chapter 5: Why are Children the Most Important Audience for Pornography in Australia?Part II: The Film Industry - Systems and Practices ; Chapter 6: Local Promotion of a 'Picture Personality': A Case Study of the Vitagraph Girl ; Chapter 7: 'Calamity Howling': The Advent of Television and Australian Cinema Exhibition; Chapter 8; A Nation of Film-goers: Audiences, Exhibition and Distribution in New Zealand; Chapter 9: The Critical Reception of Certified Copy: Original Art or Copy of a Rom-com?; Part III: Movie Theatres - From Picture Palace to the Multiplex From Out-of-town to the Edge and Back to the Centre: Multiplexes in Britain from the 1990sPart IV: On the Margins ; Chapter 15: The Place of Rural Exhibition: Makeshift Cinema-going and the Highlands and Islands Film Guild (Scotland); Chapter 16: 'A Popcorn-free Zone': Distinctions in Independent Film Exhibition in Wellington, New Zealand; Chapter 17: Getting to See Women's Cinema; Chapter 18: Shifting Fandoms of Film, Community and Family; Part V: Just Watching Movies? ; Chapter 19: Watching Popular Films in the Netherlands, 1934-36 Chapter 20: Contemporary Italian Film-goers and Their CriticsChapter 21: Imagining a 'Decent Crowd' at the Indian Multiplex; Chapter 22: The VHS Generation and their Movie Experiences; Index; Back Cover |
Record Nr. | UNINA-9910463791803321 |
Aveyard Karina
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Bristol, : Intellect Books Ltd, 2013 | ||
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Lo trovi qui: Univ. Federico II | ||
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Watching Films [[electronic resource] ] : New Perspectives on Movie-Going, Exhibition and Reception |
Autore | Aveyard Karina |
Pubbl/distr/stampa | Bristol, : Intellect Books Ltd, 2013 |
Descrizione fisica | 1 online resource (442 p.) |
Disciplina | 791.43015 |
Altri autori (Persone) | MoranAlbert |
Soggetto topico |
Film criticism
Motion pictures -- Appreciation Motion picture audiences - History Motion picture industry Music, Dance, Drama & Film Film |
ISBN | 1-78320-042-1 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Cover ; Half Title ; Title ; Copyright ; Dedication ; Contents; Foreword; Figures and Tables; Acknowledgements; About the Contributors; Introduction: New Perspectives on Movie-going, Exhibition and Reception ; Part I: Theoretical Perspectives ; Chapter 1: Cinema, Modernity and Audiences: Revisiting and Expanding the Debate; Chapter 2: What is a Cinema? Death, Closure and the Database; Chapter 3: A Poetics of Film-audience Reception? Barbara Deming Goes to the Movies; Chapter 4: The Porous Boundaries of Newsreel Memory Research
Chapter 5: Why are Children the Most Important Audience for Pornography in Australia?Part II: The Film Industry - Systems and Practices ; Chapter 6: Local Promotion of a 'Picture Personality': A Case Study of the Vitagraph Girl ; Chapter 7: 'Calamity Howling': The Advent of Television and Australian Cinema Exhibition; Chapter 8; A Nation of Film-goers: Audiences, Exhibition and Distribution in New Zealand; Chapter 9: The Critical Reception of Certified Copy: Original Art or Copy of a Rom-com?; Part III: Movie Theatres - From Picture Palace to the Multiplex From Out-of-town to the Edge and Back to the Centre: Multiplexes in Britain from the 1990sPart IV: On the Margins ; Chapter 15: The Place of Rural Exhibition: Makeshift Cinema-going and the Highlands and Islands Film Guild (Scotland); Chapter 16: 'A Popcorn-free Zone': Distinctions in Independent Film Exhibition in Wellington, New Zealand; Chapter 17: Getting to See Women's Cinema; Chapter 18: Shifting Fandoms of Film, Community and Family; Part V: Just Watching Movies? ; Chapter 19: Watching Popular Films in the Netherlands, 1934-36 Chapter 20: Contemporary Italian Film-goers and Their CriticsChapter 21: Imagining a 'Decent Crowd' at the Indian Multiplex; Chapter 22: The VHS Generation and their Movie Experiences; Index; Back Cover |
Record Nr. | UNINA-9910787320603321 |
Aveyard Karina
![]() |
||
Bristol, : Intellect Books Ltd, 2013 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
|
Watching Films [[electronic resource] ] : New Perspectives on Movie-Going, Exhibition and Reception |
Autore | Aveyard Karina |
Edizione | [1st ed.] |
Pubbl/distr/stampa | Bristol, : Intellect Books Ltd, 2013 |
Descrizione fisica | 1 online resource (442 p.) |
Disciplina | 791.43015 |
Altri autori (Persone) | MoranAlbert |
Soggetto topico |
Film criticism
Motion pictures -- Appreciation Motion picture audiences - History Motion picture industry Music, Dance, Drama & Film Film |
ISBN | 1-78320-042-1 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Cover ; Half Title ; Title ; Copyright ; Dedication ; Contents; Foreword; Figures and Tables; Acknowledgements; About the Contributors; Introduction: New Perspectives on Movie-going, Exhibition and Reception ; Part I: Theoretical Perspectives ; Chapter 1: Cinema, Modernity and Audiences: Revisiting and Expanding the Debate; Chapter 2: What is a Cinema? Death, Closure and the Database; Chapter 3: A Poetics of Film-audience Reception? Barbara Deming Goes to the Movies; Chapter 4: The Porous Boundaries of Newsreel Memory Research
Chapter 5: Why are Children the Most Important Audience for Pornography in Australia?Part II: The Film Industry - Systems and Practices ; Chapter 6: Local Promotion of a 'Picture Personality': A Case Study of the Vitagraph Girl ; Chapter 7: 'Calamity Howling': The Advent of Television and Australian Cinema Exhibition; Chapter 8; A Nation of Film-goers: Audiences, Exhibition and Distribution in New Zealand; Chapter 9: The Critical Reception of Certified Copy: Original Art or Copy of a Rom-com?; Part III: Movie Theatres - From Picture Palace to the Multiplex From Out-of-town to the Edge and Back to the Centre: Multiplexes in Britain from the 1990sPart IV: On the Margins ; Chapter 15: The Place of Rural Exhibition: Makeshift Cinema-going and the Highlands and Islands Film Guild (Scotland); Chapter 16: 'A Popcorn-free Zone': Distinctions in Independent Film Exhibition in Wellington, New Zealand; Chapter 17: Getting to See Women's Cinema; Chapter 18: Shifting Fandoms of Film, Community and Family; Part V: Just Watching Movies? ; Chapter 19: Watching Popular Films in the Netherlands, 1934-36 Chapter 20: Contemporary Italian Film-goers and Their CriticsChapter 21: Imagining a 'Decent Crowd' at the Indian Multiplex; Chapter 22: The VHS Generation and their Movie Experiences; Index; Back Cover |
Record Nr. | UNINA-9910812542503321 |
Aveyard Karina
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||
Bristol, : Intellect Books Ltd, 2013 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
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Die zeit, die bleibt : audiovisuelle artikulationen der auseinandersetzung mit einer infausten prognose im fiktionalen film / / Birgit Lippert, Winfried Marotzki, and Johannes Fromme |
Autore | Lippert Birgit |
Pubbl/distr/stampa | Stuttgart, Germany : , : Ibidem Verlag, , [2020] |
Descrizione fisica | 1 online resource (183 pages) |
Disciplina | 791.43 |
Collana | Magdeburger Schriftenreihe zur Medienbildung |
Soggetto topico |
Motion pictures
Film criticism |
ISBN | 3-8382-6489-4 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | ger |
Nota di contenuto | Intro -- 1. Einleitung -- 1.1 Der Tod in der Moderne -- 1.2 Forschungsinteresse und Forschungsfrage -- 1.3 Aufbau des Buches -- 2. Gegenstand der Forschung -- 2.1 Eingrenzung des Feldes -- 2.1.1 Das Forschungsfeld im Überblick -- 2.1.2 Eingrenzung nach Perspektive, Krankheit und Prognose -- 2.1.3 Fokus: Krebs und Spielfilm -- 2.2 Forschungsstand -- 2.2.1 Literatur -- 2.2.2 Tagungen und Ausstellungen -- 3. Methodik -- 3.1 Neoformalistische Filmanalyse -- 3.2 Grounded Theory -- 3.3 Zusammenfassung der Arbeitsweise -- 4. Analyse -- 4.1 Kategoriensystem -- 4.1.1 Erste Dimension: Der/Die Erkrankte -- 4.1.2 Zweite Dimension: Das persönliche Umfeld -- 4.1.3 Dritte Dimension: Grenzreflexion -- 4.1.4 Vierte Dimension: Zeitnutzung -- 4.2 Prolog: Die Diagnose -- 4.3 Erstes Muster: Der organisierte Familienmensch -- 4.3.1 Mustercharakteristiken -- 4.3.2 "Mein Leben ohne mich" -- 4.3.3 Zusammenfassung -- 4.4 Zweites Muster: Der tragische Held -- 4.4.1 Mustercharakteristiken -- 4.4.2 "Ikiru" -- 4.4.3 Zusammenfassung -- 4.5 Drittes Muster: Auseinandersetzung durch Katalysator -- 4.5.1 Mustercharakteristiken -- 4.5.2 "Oskar und die Dame in Rosa" -- 4.5.3 Zusammenfassung -- 4.6 Viertes Muster: Das selbstbestimmte Sterben -- 4.6.1 Mustercharakteristiken -- 4.6.2 "Die Invasion der Barbaren" -- 4.6.3 Zusammenfassung -- 5. Diskussion -- 5.1 Zusammenfassung der Muster -- 5.2 Diskussion der Muster im Kontext von Modernisierungstheorien -- 5.3 Ausblick -- I. Quellenverzeichnis -- Literatur -- Filme -- Serien -- II. Abbildungsverzeichnis -- Grafiken -- Screenshots -- III. Tabellenverzeichnis. |
Record Nr. | UNINA-9910794348203321 |
Lippert Birgit
![]() |
||
Stuttgart, Germany : , : Ibidem Verlag, , [2020] | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
|
Die zeit, die bleibt : audiovisuelle artikulationen der auseinandersetzung mit einer infausten prognose im fiktionalen film / / Birgit Lippert, Winfried Marotzki, and Johannes Fromme |
Autore | Lippert Birgit |
Pubbl/distr/stampa | Stuttgart, Germany : , : Ibidem Verlag, , [2020] |
Descrizione fisica | 1 online resource (183 pages) |
Disciplina | 791.43 |
Collana | Magdeburger Schriftenreihe zur Medienbildung |
Soggetto topico |
Motion pictures
Film criticism |
ISBN | 3-8382-6489-4 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | ger |
Nota di contenuto | Intro -- 1. Einleitung -- 1.1 Der Tod in der Moderne -- 1.2 Forschungsinteresse und Forschungsfrage -- 1.3 Aufbau des Buches -- 2. Gegenstand der Forschung -- 2.1 Eingrenzung des Feldes -- 2.1.1 Das Forschungsfeld im Überblick -- 2.1.2 Eingrenzung nach Perspektive, Krankheit und Prognose -- 2.1.3 Fokus: Krebs und Spielfilm -- 2.2 Forschungsstand -- 2.2.1 Literatur -- 2.2.2 Tagungen und Ausstellungen -- 3. Methodik -- 3.1 Neoformalistische Filmanalyse -- 3.2 Grounded Theory -- 3.3 Zusammenfassung der Arbeitsweise -- 4. Analyse -- 4.1 Kategoriensystem -- 4.1.1 Erste Dimension: Der/Die Erkrankte -- 4.1.2 Zweite Dimension: Das persönliche Umfeld -- 4.1.3 Dritte Dimension: Grenzreflexion -- 4.1.4 Vierte Dimension: Zeitnutzung -- 4.2 Prolog: Die Diagnose -- 4.3 Erstes Muster: Der organisierte Familienmensch -- 4.3.1 Mustercharakteristiken -- 4.3.2 "Mein Leben ohne mich" -- 4.3.3 Zusammenfassung -- 4.4 Zweites Muster: Der tragische Held -- 4.4.1 Mustercharakteristiken -- 4.4.2 "Ikiru" -- 4.4.3 Zusammenfassung -- 4.5 Drittes Muster: Auseinandersetzung durch Katalysator -- 4.5.1 Mustercharakteristiken -- 4.5.2 "Oskar und die Dame in Rosa" -- 4.5.3 Zusammenfassung -- 4.6 Viertes Muster: Das selbstbestimmte Sterben -- 4.6.1 Mustercharakteristiken -- 4.6.2 "Die Invasion der Barbaren" -- 4.6.3 Zusammenfassung -- 5. Diskussion -- 5.1 Zusammenfassung der Muster -- 5.2 Diskussion der Muster im Kontext von Modernisierungstheorien -- 5.3 Ausblick -- I. Quellenverzeichnis -- Literatur -- Filme -- Serien -- II. Abbildungsverzeichnis -- Grafiken -- Screenshots -- III. Tabellenverzeichnis. |
Record Nr. | UNINA-9910810338803321 |
Lippert Birgit
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||
Stuttgart, Germany : , : Ibidem Verlag, , [2020] | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
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¿Cómo analizar una película desde el punto de vista narrativo? / / Jordi Sánchez-Navarro and Lola Lapaz Castillo |
Autore | Sánchez Navarro Jordi |
Pubbl/distr/stampa | Barcelona : , : Editorial UOC, , 2015 |
Descrizione fisica | 1 online resource (100 p.) |
Disciplina | 401.41 |
Collana | H2pac Series |
Soggetto topico |
Discourse analysis, Narrative
Film criticism Motion pictures - Evaluation |
ISBN | 84-9064-448-9 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | spa |
Record Nr. | UNINA-9910795225503321 |
Sánchez Navarro Jordi
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Barcelona : , : Editorial UOC, , 2015 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
|
¿Cómo analizar una película desde el punto de vista narrativo? / / Jordi Sánchez-Navarro and Lola Lapaz Castillo |
Autore | Sánchez Navarro Jordi |
Pubbl/distr/stampa | Barcelona : , : Editorial UOC, , 2015 |
Descrizione fisica | 1 online resource (100 p.) |
Disciplina | 401.41 |
Collana | H2pac Series |
Soggetto topico |
Discourse analysis, Narrative
Film criticism Motion pictures - Evaluation |
ISBN | 84-9064-448-9 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | spa |
Record Nr. | UNINA-9910811531803321 |
Sánchez Navarro Jordi
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Barcelona : , : Editorial UOC, , 2015 | ||
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Lo trovi qui: Univ. Federico II | ||
|
Éléments d'initiation à la critique cinématographique |
Autore | Mollo Olinga Jean-Marie |
Pubbl/distr/stampa | [Place of publication not identified], : L'Harmattan, 2012 |
Soggetto topico |
Film criticism
Music, Dance, Drama & Film Film |
ISBN |
2-296-97640-9
2-296-49817-5 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | fre |
Record Nr. | UNINA-9910155187303321 |
Mollo Olinga Jean-Marie
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[Place of publication not identified], : L'Harmattan, 2012 | ||
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Lo trovi qui: Univ. Federico II | ||
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Último Dia Todos os Dias: E Outros Escritos sobre Cinema e Filosofia / Adrian Martin ; tradução de Rita Benis |
Autore | Martin Adrian <1959-> |
Pubbl/distr/stampa | Baltimore, Maryland : , : Project Muse, , 2020 |
Descrizione fisica | 1 online resource (56 pages) : PDF, digital file(s) |
Soggetto topico |
Motion pictures - Philosophy
Film criticism |
Soggetto genere / forma | Electronic books. |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | por |
Nota di contenuto | Figuras num Jardim : o efeito dominó / Cristina Álvarez López -- Último dia todos os dias : pensamento figural, de Auerbach e Kracauer a Agamben e Brenez / Adrian Martin -- Avatares do encontro / Adrian Martin. |
Record Nr. | UNINA-9910131520303321 |
Martin Adrian <1959->
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Baltimore, Maryland : , : Project Muse, , 2020 | ||
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Lo trovi qui: Univ. Federico II | ||
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Último día cada día: Y otro escrito sobre cine y filosofía / Adrian Martin ; traducción de Cristina Álvarez López |
Autore | Martin Adrian <1959-> |
Pubbl/distr/stampa | Baltimore, Maryland : , : Project Muse, , 2020 |
Descrizione fisica | 1 online resource (52 pages) : PDF, digital file(s) |
Soggetto topico |
Motion pictures - Philosophy
Film criticism |
Soggetto genere / forma | Electronic books. |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | spa |
Nota di contenuto | Último día cada día : pensamiento figural de Auerbach y Kracauer a Agamben y Brenez -- Avatares del encuentro |
Record Nr. | UNINA-9910140443103321 |
Martin Adrian <1959->
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Baltimore, Maryland : , : Project Muse, , 2020 | ||
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Lo trovi qui: Univ. Federico II | ||
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