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Watching Films [[electronic resource] ] : New Perspectives on Movie-Going, Exhibition and Reception
Watching Films [[electronic resource] ] : New Perspectives on Movie-Going, Exhibition and Reception
Autore Aveyard Karina
Pubbl/distr/stampa Bristol, : Intellect Books Ltd, 2013
Descrizione fisica 1 online resource (442 p.)
Disciplina 791.43015
Altri autori (Persone) MoranAlbert
Soggetto topico Film criticism
Motion pictures -- Appreciation
Motion picture audiences - History
Motion picture industry
Music, Dance, Drama & Film
Film
Soggetto genere / forma Electronic books.
ISBN 1-78320-042-1
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione eng
Nota di contenuto Cover ; Half Title ; Title ; Copyright ; Dedication ; Contents; Foreword; Figures and Tables; Acknowledgements; About the Contributors; Introduction: New Perspectives on Movie-going, Exhibition and Reception ; Part I: Theoretical Perspectives ; Chapter 1: Cinema, Modernity and Audiences: Revisiting and Expanding the Debate; Chapter 2: What is a Cinema? Death, Closure and the Database; Chapter 3: A Poetics of Film-audience Reception? Barbara Deming Goes to the Movies; Chapter 4: The Porous Boundaries of Newsreel Memory Research
Chapter 5: Why are Children the Most Important Audience for Pornography in Australia?Part II: The Film Industry - Systems and Practices ; Chapter 6: Local Promotion of a 'Picture Personality': A Case Study of the Vitagraph Girl ; Chapter 7: 'Calamity Howling': The Advent of Television and Australian Cinema Exhibition; Chapter 8; A Nation of Film-goers: Audiences, Exhibition and Distribution in New Zealand; Chapter 9: The Critical Reception of Certified Copy: Original Art or Copy of a Rom-com?; Part III: Movie Theatres - From Picture Palace to the Multiplex
From Out-of-town to the Edge and Back to the Centre: Multiplexes in Britain from the 1990sPart IV: On the Margins ; Chapter 15: The Place of Rural Exhibition: Makeshift Cinema-going and the Highlands and Islands Film Guild (Scotland); Chapter 16: 'A Popcorn-free Zone': Distinctions in Independent Film Exhibition in Wellington, New Zealand; Chapter 17: Getting to See Women's Cinema; Chapter 18: Shifting Fandoms of Film, Community and Family; Part V: Just Watching Movies? ; Chapter 19: Watching Popular Films in the Netherlands, 1934-36
Chapter 20: Contemporary Italian Film-goers and Their CriticsChapter 21: Imagining a 'Decent Crowd' at the Indian Multiplex; Chapter 22: The VHS Generation and their Movie Experiences; Index; Back Cover
Record Nr. UNINA-9910463791803321
Aveyard Karina  
Bristol, : Intellect Books Ltd, 2013
Materiale a stampa
Lo trovi qui: Univ. Federico II
Opac: Controlla la disponibilità qui
Watching Films [[electronic resource] ] : New Perspectives on Movie-Going, Exhibition and Reception
Watching Films [[electronic resource] ] : New Perspectives on Movie-Going, Exhibition and Reception
Autore Aveyard Karina
Pubbl/distr/stampa Bristol, : Intellect Books Ltd, 2013
Descrizione fisica 1 online resource (442 p.)
Disciplina 791.43015
Altri autori (Persone) MoranAlbert
Soggetto topico Film criticism
Motion pictures -- Appreciation
Motion picture audiences - History
Motion picture industry
Music, Dance, Drama & Film
Film
ISBN 1-78320-042-1
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione eng
Nota di contenuto Cover ; Half Title ; Title ; Copyright ; Dedication ; Contents; Foreword; Figures and Tables; Acknowledgements; About the Contributors; Introduction: New Perspectives on Movie-going, Exhibition and Reception ; Part I: Theoretical Perspectives ; Chapter 1: Cinema, Modernity and Audiences: Revisiting and Expanding the Debate; Chapter 2: What is a Cinema? Death, Closure and the Database; Chapter 3: A Poetics of Film-audience Reception? Barbara Deming Goes to the Movies; Chapter 4: The Porous Boundaries of Newsreel Memory Research
Chapter 5: Why are Children the Most Important Audience for Pornography in Australia?Part II: The Film Industry - Systems and Practices ; Chapter 6: Local Promotion of a 'Picture Personality': A Case Study of the Vitagraph Girl ; Chapter 7: 'Calamity Howling': The Advent of Television and Australian Cinema Exhibition; Chapter 8; A Nation of Film-goers: Audiences, Exhibition and Distribution in New Zealand; Chapter 9: The Critical Reception of Certified Copy: Original Art or Copy of a Rom-com?; Part III: Movie Theatres - From Picture Palace to the Multiplex
From Out-of-town to the Edge and Back to the Centre: Multiplexes in Britain from the 1990sPart IV: On the Margins ; Chapter 15: The Place of Rural Exhibition: Makeshift Cinema-going and the Highlands and Islands Film Guild (Scotland); Chapter 16: 'A Popcorn-free Zone': Distinctions in Independent Film Exhibition in Wellington, New Zealand; Chapter 17: Getting to See Women's Cinema; Chapter 18: Shifting Fandoms of Film, Community and Family; Part V: Just Watching Movies? ; Chapter 19: Watching Popular Films in the Netherlands, 1934-36
Chapter 20: Contemporary Italian Film-goers and Their CriticsChapter 21: Imagining a 'Decent Crowd' at the Indian Multiplex; Chapter 22: The VHS Generation and their Movie Experiences; Index; Back Cover
Record Nr. UNINA-9910787320603321
Aveyard Karina  
Bristol, : Intellect Books Ltd, 2013
Materiale a stampa
Lo trovi qui: Univ. Federico II
Opac: Controlla la disponibilità qui
Watching Films [[electronic resource] ] : New Perspectives on Movie-Going, Exhibition and Reception
Watching Films [[electronic resource] ] : New Perspectives on Movie-Going, Exhibition and Reception
Autore Aveyard Karina
Edizione [1st ed.]
Pubbl/distr/stampa Bristol, : Intellect Books Ltd, 2013
Descrizione fisica 1 online resource (442 p.)
Disciplina 791.43015
Altri autori (Persone) MoranAlbert
Soggetto topico Film criticism
Motion pictures -- Appreciation
Motion picture audiences - History
Motion picture industry
Music, Dance, Drama & Film
Film
ISBN 1-78320-042-1
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione eng
Nota di contenuto Cover ; Half Title ; Title ; Copyright ; Dedication ; Contents; Foreword; Figures and Tables; Acknowledgements; About the Contributors; Introduction: New Perspectives on Movie-going, Exhibition and Reception ; Part I: Theoretical Perspectives ; Chapter 1: Cinema, Modernity and Audiences: Revisiting and Expanding the Debate; Chapter 2: What is a Cinema? Death, Closure and the Database; Chapter 3: A Poetics of Film-audience Reception? Barbara Deming Goes to the Movies; Chapter 4: The Porous Boundaries of Newsreel Memory Research
Chapter 5: Why are Children the Most Important Audience for Pornography in Australia?Part II: The Film Industry - Systems and Practices ; Chapter 6: Local Promotion of a 'Picture Personality': A Case Study of the Vitagraph Girl ; Chapter 7: 'Calamity Howling': The Advent of Television and Australian Cinema Exhibition; Chapter 8; A Nation of Film-goers: Audiences, Exhibition and Distribution in New Zealand; Chapter 9: The Critical Reception of Certified Copy: Original Art or Copy of a Rom-com?; Part III: Movie Theatres - From Picture Palace to the Multiplex
From Out-of-town to the Edge and Back to the Centre: Multiplexes in Britain from the 1990sPart IV: On the Margins ; Chapter 15: The Place of Rural Exhibition: Makeshift Cinema-going and the Highlands and Islands Film Guild (Scotland); Chapter 16: 'A Popcorn-free Zone': Distinctions in Independent Film Exhibition in Wellington, New Zealand; Chapter 17: Getting to See Women's Cinema; Chapter 18: Shifting Fandoms of Film, Community and Family; Part V: Just Watching Movies? ; Chapter 19: Watching Popular Films in the Netherlands, 1934-36
Chapter 20: Contemporary Italian Film-goers and Their CriticsChapter 21: Imagining a 'Decent Crowd' at the Indian Multiplex; Chapter 22: The VHS Generation and their Movie Experiences; Index; Back Cover
Record Nr. UNINA-9910812542503321
Aveyard Karina  
Bristol, : Intellect Books Ltd, 2013
Materiale a stampa
Lo trovi qui: Univ. Federico II
Opac: Controlla la disponibilità qui
Die zeit, die bleibt : audiovisuelle artikulationen der auseinandersetzung mit einer infausten prognose im fiktionalen film / / Birgit Lippert, Winfried Marotzki, and Johannes Fromme
Die zeit, die bleibt : audiovisuelle artikulationen der auseinandersetzung mit einer infausten prognose im fiktionalen film / / Birgit Lippert, Winfried Marotzki, and Johannes Fromme
Autore Lippert Birgit
Pubbl/distr/stampa Stuttgart, Germany : , : Ibidem Verlag, , [2020]
Descrizione fisica 1 online resource (183 pages)
Disciplina 791.43
Collana Magdeburger Schriftenreihe zur Medienbildung
Soggetto topico Motion pictures
Film criticism
ISBN 3-8382-6489-4
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione ger
Nota di contenuto Intro -- 1. Einleitung -- 1.1 Der Tod in der Moderne -- 1.2 Forschungsinteresse und Forschungsfrage -- 1.3 Aufbau des Buches -- 2. Gegenstand der Forschung -- 2.1 Eingrenzung des Feldes -- 2.1.1 Das Forschungsfeld im Überblick -- 2.1.2 Eingrenzung nach Perspektive, Krankheit und Prognose -- 2.1.3 Fokus: Krebs und Spielfilm -- 2.2 Forschungsstand -- 2.2.1 Literatur -- 2.2.2 Tagungen und Ausstellungen -- 3. Methodik -- 3.1 Neoformalistische Filmanalyse -- 3.2 Grounded Theory -- 3.3 Zusammenfassung der Arbeitsweise -- 4. Analyse -- 4.1 Kategoriensystem -- 4.1.1 Erste Dimension: Der/Die Erkrankte -- 4.1.2 Zweite Dimension: Das persönliche Umfeld -- 4.1.3 Dritte Dimension: Grenzreflexion -- 4.1.4 Vierte Dimension: Zeitnutzung -- 4.2 Prolog: Die Diagnose -- 4.3 Erstes Muster: Der organisierte Familienmensch -- 4.3.1 Mustercharakteristiken -- 4.3.2 "Mein Leben ohne mich" -- 4.3.3 Zusammenfassung -- 4.4 Zweites Muster: Der tragische Held -- 4.4.1 Mustercharakteristiken -- 4.4.2 "Ikiru" -- 4.4.3 Zusammenfassung -- 4.5 Drittes Muster: Auseinandersetzung durch Katalysator -- 4.5.1 Mustercharakteristiken -- 4.5.2 "Oskar und die Dame in Rosa" -- 4.5.3 Zusammenfassung -- 4.6 Viertes Muster: Das selbstbestimmte Sterben -- 4.6.1 Mustercharakteristiken -- 4.6.2 "Die Invasion der Barbaren" -- 4.6.3 Zusammenfassung -- 5. Diskussion -- 5.1 Zusammenfassung der Muster -- 5.2 Diskussion der Muster im Kontext von Modernisierungstheorien -- 5.3 Ausblick -- I. Quellenverzeichnis -- Literatur -- Filme -- Serien -- II. Abbildungsverzeichnis -- Grafiken -- Screenshots -- III. Tabellenverzeichnis.
Record Nr. UNINA-9910794348203321
Lippert Birgit  
Stuttgart, Germany : , : Ibidem Verlag, , [2020]
Materiale a stampa
Lo trovi qui: Univ. Federico II
Opac: Controlla la disponibilità qui
Die zeit, die bleibt : audiovisuelle artikulationen der auseinandersetzung mit einer infausten prognose im fiktionalen film / / Birgit Lippert, Winfried Marotzki, and Johannes Fromme
Die zeit, die bleibt : audiovisuelle artikulationen der auseinandersetzung mit einer infausten prognose im fiktionalen film / / Birgit Lippert, Winfried Marotzki, and Johannes Fromme
Autore Lippert Birgit
Pubbl/distr/stampa Stuttgart, Germany : , : Ibidem Verlag, , [2020]
Descrizione fisica 1 online resource (183 pages)
Disciplina 791.43
Collana Magdeburger Schriftenreihe zur Medienbildung
Soggetto topico Motion pictures
Film criticism
ISBN 3-8382-6489-4
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione ger
Nota di contenuto Intro -- 1. Einleitung -- 1.1 Der Tod in der Moderne -- 1.2 Forschungsinteresse und Forschungsfrage -- 1.3 Aufbau des Buches -- 2. Gegenstand der Forschung -- 2.1 Eingrenzung des Feldes -- 2.1.1 Das Forschungsfeld im Überblick -- 2.1.2 Eingrenzung nach Perspektive, Krankheit und Prognose -- 2.1.3 Fokus: Krebs und Spielfilm -- 2.2 Forschungsstand -- 2.2.1 Literatur -- 2.2.2 Tagungen und Ausstellungen -- 3. Methodik -- 3.1 Neoformalistische Filmanalyse -- 3.2 Grounded Theory -- 3.3 Zusammenfassung der Arbeitsweise -- 4. Analyse -- 4.1 Kategoriensystem -- 4.1.1 Erste Dimension: Der/Die Erkrankte -- 4.1.2 Zweite Dimension: Das persönliche Umfeld -- 4.1.3 Dritte Dimension: Grenzreflexion -- 4.1.4 Vierte Dimension: Zeitnutzung -- 4.2 Prolog: Die Diagnose -- 4.3 Erstes Muster: Der organisierte Familienmensch -- 4.3.1 Mustercharakteristiken -- 4.3.2 "Mein Leben ohne mich" -- 4.3.3 Zusammenfassung -- 4.4 Zweites Muster: Der tragische Held -- 4.4.1 Mustercharakteristiken -- 4.4.2 "Ikiru" -- 4.4.3 Zusammenfassung -- 4.5 Drittes Muster: Auseinandersetzung durch Katalysator -- 4.5.1 Mustercharakteristiken -- 4.5.2 "Oskar und die Dame in Rosa" -- 4.5.3 Zusammenfassung -- 4.6 Viertes Muster: Das selbstbestimmte Sterben -- 4.6.1 Mustercharakteristiken -- 4.6.2 "Die Invasion der Barbaren" -- 4.6.3 Zusammenfassung -- 5. Diskussion -- 5.1 Zusammenfassung der Muster -- 5.2 Diskussion der Muster im Kontext von Modernisierungstheorien -- 5.3 Ausblick -- I. Quellenverzeichnis -- Literatur -- Filme -- Serien -- II. Abbildungsverzeichnis -- Grafiken -- Screenshots -- III. Tabellenverzeichnis.
Record Nr. UNINA-9910810338803321
Lippert Birgit  
Stuttgart, Germany : , : Ibidem Verlag, , [2020]
Materiale a stampa
Lo trovi qui: Univ. Federico II
Opac: Controlla la disponibilità qui
¿Cómo analizar una película desde el punto de vista narrativo? / / Jordi Sánchez-Navarro and Lola Lapaz Castillo
¿Cómo analizar una película desde el punto de vista narrativo? / / Jordi Sánchez-Navarro and Lola Lapaz Castillo
Autore Sánchez Navarro Jordi
Pubbl/distr/stampa Barcelona : , : Editorial UOC, , 2015
Descrizione fisica 1 online resource (100 p.)
Disciplina 401.41
Collana H2pac Series
Soggetto topico Discourse analysis, Narrative
Film criticism
Motion pictures - Evaluation
ISBN 84-9064-448-9
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione spa
Record Nr. UNINA-9910795225503321
Sánchez Navarro Jordi  
Barcelona : , : Editorial UOC, , 2015
Materiale a stampa
Lo trovi qui: Univ. Federico II
Opac: Controlla la disponibilità qui
¿Cómo analizar una película desde el punto de vista narrativo? / / Jordi Sánchez-Navarro and Lola Lapaz Castillo
¿Cómo analizar una película desde el punto de vista narrativo? / / Jordi Sánchez-Navarro and Lola Lapaz Castillo
Autore Sánchez Navarro Jordi
Pubbl/distr/stampa Barcelona : , : Editorial UOC, , 2015
Descrizione fisica 1 online resource (100 p.)
Disciplina 401.41
Collana H2pac Series
Soggetto topico Discourse analysis, Narrative
Film criticism
Motion pictures - Evaluation
ISBN 84-9064-448-9
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione spa
Record Nr. UNINA-9910811531803321
Sánchez Navarro Jordi  
Barcelona : , : Editorial UOC, , 2015
Materiale a stampa
Lo trovi qui: Univ. Federico II
Opac: Controlla la disponibilità qui
Éléments d'initiation à la critique cinématographique
Éléments d'initiation à la critique cinématographique
Autore Mollo Olinga Jean-Marie
Pubbl/distr/stampa [Place of publication not identified], : L'Harmattan, 2012
Soggetto topico Film criticism
Music, Dance, Drama & Film
Film
ISBN 2-296-97640-9
2-296-49817-5
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione fre
Record Nr. UNINA-9910155187303321
Mollo Olinga Jean-Marie  
[Place of publication not identified], : L'Harmattan, 2012
Materiale a stampa
Lo trovi qui: Univ. Federico II
Opac: Controlla la disponibilità qui
Último Dia Todos os Dias: E Outros Escritos sobre Cinema e Filosofia / Adrian Martin ; tradução de Rita Benis
Último Dia Todos os Dias: E Outros Escritos sobre Cinema e Filosofia / Adrian Martin ; tradução de Rita Benis
Autore Martin Adrian <1959->
Pubbl/distr/stampa Baltimore, Maryland : , : Project Muse, , 2020
Descrizione fisica 1 online resource (56 pages) : PDF, digital file(s)
Soggetto topico Motion pictures - Philosophy
Film criticism
Soggetto genere / forma Electronic books.
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione por
Nota di contenuto Figuras num Jardim : o efeito dominó / Cristina Álvarez López -- Último dia todos os dias : pensamento figural, de Auerbach e Kracauer a Agamben e Brenez / Adrian Martin -- Avatares do encontro / Adrian Martin.
Record Nr. UNINA-9910131520303321
Martin Adrian <1959->  
Baltimore, Maryland : , : Project Muse, , 2020
Materiale a stampa
Lo trovi qui: Univ. Federico II
Opac: Controlla la disponibilità qui
Último día cada día: Y otro escrito sobre cine y filosofía / Adrian Martin ; traducción de Cristina Álvarez López
Último día cada día: Y otro escrito sobre cine y filosofía / Adrian Martin ; traducción de Cristina Álvarez López
Autore Martin Adrian <1959->
Pubbl/distr/stampa Baltimore, Maryland : , : Project Muse, , 2020
Descrizione fisica 1 online resource (52 pages) : PDF, digital file(s)
Soggetto topico Motion pictures - Philosophy
Film criticism
Soggetto genere / forma Electronic books.
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione spa
Nota di contenuto Último día cada día : pensamiento figural de Auerbach y Kracauer a Agamben y Brenez -- Avatares del encuentro
Record Nr. UNINA-9910140443103321
Martin Adrian <1959->  
Baltimore, Maryland : , : Project Muse, , 2020
Materiale a stampa
Lo trovi qui: Univ. Federico II
Opac: Controlla la disponibilità qui