Autore	Rush David <1940->
Pubbl/distr/stampa	Carbondale, : Southern Illinois University Press, c2010
Descrizione fisica	1 online resource (191 p.)
Disciplina	808.2
Soggetto topico	Drama - Technique Playwriting
Soggetto genere / forma	Electronic books.
ISBN	1-280-69805-5 9786613675019 0-8093-8582-1
Formato	Materiale a stampa
Livello bibliografico	Monografia
Lingua di pubblicazione	eng
Nota di contenuto	Fundamentals -- Is it a play? -- The four keys -- Goals -- Obstacles -- Strategies -- Putting them together -- Plot -- Miniplay -- Dramatic questions -- Some advanced tricks -- Pigeon sister -- Exposition pig -- Miscellaneous tricks -- Characterization -- Epilogue: revisions.
Record Nr.	UNINA-9910461383803321

Pubbl/distr/stampa	Burlington, VT, : Ashgate, 2010
Descrizione fisica	1 online resource (272 p.)
Disciplina	822/.3
Altri autori (Persone)	ScottSarah (Sarah K.) StapletonM. L <1958-> (Michael L.)
Soggetto topico	Drama - Technique
Soggetto genere / forma	Electronic books.
ISBN	1-317-16645-0 1-317-16644-2 1-282-61478-9 9786612614781 0-7546-9793-2
Formato	Materiale a stampa
Livello bibliografico	Monografia
Lingua di pubblicazione	eng
Nota di contenuto	Cover; Contents; List of Contributors; Acknowledgments; IntroductionChristopher Marlowe the Craftsman:Lives, Stage, and Page; Part 1 Lives:Scholarship and Biography; 1 Marlowe Scholarship and Criticism:The Current Scene; 2 Marlowe Thinking Globally; 3 Reviewing What We Think We Knowabout Christopher Marlowe, Again; 4 Was Marlowe a Violent Man?; Part 2 Stage:Theater, Dramaturgy; 5 Edward II and Residual Allegory; 6 What Shakespeare Did toMarlowe in Private:Dido, Faustus, and Bottom; 7 The Jew of Malta and theDevelopment of City Comedy:"The Mean Passage of a History" 8 Speaking to the Audience:Direct Address in the Plays of Marloweand His ContemporariesPart 3 Page:Texts and Interpretations:Marlowe the Ovidian; 9 On the Eventfulness ofHero and Leander; 10 Marlowe's First Ovid:Certaine of Ovids Elegies; 11 Marlowe and Marston's Cursus; 12 Marlowe's Last Poem:Elegiac Aesthetics and the Epitaph onSir Roger Manwood; Page:Texts and Interpretations:Marlowe's Reach; 13 Hell is Discovered:The Roman Destination of Doctor Faustus; 14 Consuming Sorrow:Conversion and Consumption in Tamburlaine: Part One 15 Fractional Faustus:Edward Alleyn's Part in thePrinting of the A-TextBibliography; Index
Record Nr.	UNINA-9910459114003321

Autore	Lahr John <1941->
Pubbl/distr/stampa	London, England ; ; New York, New York : , : Bloomsbury Methuen Drama, , 1999
Descrizione fisica	1 online resource (198 p.)
Disciplina	822/.912
Collana	Biography and Autobiography
Soggetto topico	Drama - Technique
Soggetto genere / forma	Electronic books.
ISBN	1-4725-3796-3
Formato	Materiale a stampa
Livello bibliografico	Monografia
Lingua di pubblicazione	eng
Nota di contenuto	Cover; Contents; List of Illustrations; Acknowledgements; Noël Coward: Chronology; Introduction: Impresario of Himself; 1 The Politics of Charm; The Young Idea; The Vortex; Easy Virtue; Present Laughter; 2 Comedies of Bad Manners; Hay Fever; Private Lives; Design for Living; Hands Across the Sea; 3 'Savonarola in Evening Dress'?; Cavalcade; This Happy Breed; In Which We Serve; 4 Ghosts in the Fun Machine; Blithe Spirit; Relative Values; Nude with Violin; 5 Parting Shots; Waiting in the Wings; A Song at Twilight; Notes; Bibliography; Index; A; B; C; D; E; F; G; H; I; L; M; N; O; P; R; S; T; W Y
Record Nr.	UNINA-9910463439003321

Autore	Bleeker Maaike
Pubbl/distr/stampa	Cham, Switzerland : , : Palgrave Macmillan, , [2023]
Descrizione fisica	1 online resource (298 pages)
Disciplina	808.2
Collana	New dramaturgies
Soggetto topico	Drama - Technique Dramaturges
ISBN	9783031083037 9783031083020
Formato	Materiale a stampa
Livello bibliografico	Monografia
Lingua di pubblicazione	eng
Nota di contenuto	Intro -- Acknowledgments -- Praise for Doing Dramaturgy -- Contents -- List of Figures -- Chapter 1: Introduction -- 1.1 A Paradigm Shift -- 1.2 Thinking Through Practice -- 1.3 Dramaturgical Sensibility -- 1.4 The Making of My Thinking -- 1.5 About the Composition of This Book -- References -- Part I -- Chapter 2: Thinking Through Practice -- 2.1 Lessing and Institutional Dramaturgy -- 2.2 The Rise of the Director and Production Dramaturgy -- 2.3 Brecht and the Dramaturgical Concept -- 2.4 "New Dramaturgy" -- 2.5 From Product to Process -- 2.6 Making as Thinking Through Composition -- References -- Chapter 3: Doing Dramaturgy -- 3.1 Attending to Process -- 3.2 Inhabiting Process -- 3.2.1 Speculating -- 3.2.2 Analyzing -- 3.2.3 Feeding -- 3.2.4 Articulating -- 3.2.5 Questioning -- 3.2.6 Creating Conditions -- 3.2.7 Structuring -- 3.3 From Process to Planet -- 3.4 Enter the Dramaturg -- 3.5 Where to Begin? -- References -- Chapter 4: A Dramaturgical Mode of Looking -- 4.1 The Apparatus -- 4.2 Six Sets of Questions -- 4.2.1 The Space-Time Continuum That Is the Planet -- 4.2.2 Social Life on the Planet -- 4.2.3 Course of Events -- 4.2.4 Spectatorship -- 4.2.5 Echoes, Ghosts, Mirrors and Resonances -- 4.2.6 Macro Dramaturgical Concerns -- 4.3 Puzzles That Hold The Key -- References -- Part II -- Chapter 5: The Ghent Altarpiece-Milo Rau -- 5.1 The Small Planet Called The Ghent Altarpiece -- 5.1.1 Space-Time -- 5.1.2 Social Life -- 5.1.3 Course of Events -- 5.1.4 Spectatorship -- 5.1.5 Mirrors and Ghosts -- 5.1.6 Macro Dramaturgical Concerns -- 5.2 Beginnings, and from There -- 5.3 Thinking Through Practice -- 5.4 Doing Dramaturgy -- References -- Chapter 6: Chekhov's First Play-Dead Centre -- 6.1 The Small Planet Called Chekhov's First Play -- 6.1.1 Space-Time -- 6.1.2 Social Life -- 6.1.3 Course of Events -- 6.1.4 Spectatorship. 6.1.5 Mirrors and Ghosts -- 6.1.6 Macro Dramaturgical Concerns -- 6.2 Beginnings, and from There -- 6.3 Thinking Through Practice -- 6.4 Doing Dramaturgy -- References -- Chapter 7: Dear Winnie-Jr.cE.sA.r -- 7.1 The Small Planet Called Dear Winnie -- 7.1.1 Space-Time -- 7.1.2 Social Life -- 7.1.3 Course of Events -- 7.1.4 Spectatorship -- 7.1.5 Mirrors and Ghosts -- 7.1.6 Macro Dramaturgical Concerns -- 7.2 Beginnings, and from There -- 7.3 Thinking Through Practice -- 7.4 Doing Dramaturgy -- References -- Chapter 8: Complexity of Belonging-Anouk van Dijk and Falk Richter -- 8.1 The Small Planet Called Complexity of Belonging -- 8.1.1 Space-Time -- 8.1.2 Social Life -- 8.1.3 Course of Events -- 8.1.4 Spectatorship -- 8.1.5 Mirrors and Ghosts -- 8.1.6 Macro Dramaturgical Concerns -- 8.2 Beginnings, and from There -- 8.3 Thinking Through Practice -- 8.4 Doing Dramaturgy -- References -- Chapter 9: Lazarus-Ivo van Hove -- 9.1 The Small Planet Called Lazarus -- 9.1.1 Space-Time -- 9.1.2 Social Life -- 9.1.3 Course of Events -- 9.1.4 Spectatorship -- 9.1.5 Mirrors and Ghosts -- 9.1.6 Macro Dramaturgical Concerns -- 9.2 Beginnings, and from There -- 9.3 Thinking Through Practice -- 9.4 Doing Dramaturgy -- References -- Chapter 10: Le Corps du Ballet-EG\|PC -- 10.1 The Small Planet Called Le Corps du Ballet -- 10.1.1 Space-Time -- 10.1.2 Social Life -- 10.1.3 Course of Events -- 10.1.4 Spectatorship -- 10.1.5 Mirrors and Ghosts -- 10.1.6 Macro Dramaturgical Concerns -- 10.2 Beginnings, and from There -- 10.3 Thinking Through Practice -- 10.4 Doing Dramaturgy -- References -- Chapter 11: Estado Vegetal-Manuela Infante -- 11.1 The Small Planet Called Estado Vegetal -- 11.1.1 Space-Time -- 11.1.2 Social Life -- 11.1.3 Course of Events -- 11.1.4 Spectatorship -- 11.1.5 Mirrors and Ghosts -- 11.1.6 Macro Dramaturgical Concerns -- 11.2 Beginnings, and from There. 11.3 Thinking Through Practice -- 11.4 Doing Dramaturgy -- References -- Chapter 12: Conversations (at the end of the world)-Kris Verdonck -- 12.1 The Small Planet Called Conversations (at the end of the world) -- 12.1.1 Space-Time -- 12.1.2 Social Life -- 12.1.3 Course of Events -- 12.1.4 Spectatorship -- 12.1.5 Mirrors and Ghosts -- 12.1.6 Macro Dramaturgical Concerns -- 12.2 Beginnings, and from There -- 12.3 Thinking Through Practice -- 12.4 Doing Dramaturgy -- References -- Chapter 13: Phobiarama-Dries Verhoeven -- 13.1 The Small Planet Called Phobiarama -- 13.1.1 Space-Time -- 13.1.2 Social Life -- 13.1.3 Course of Events -- 13.1.4 Spectatorship -- 13.1.5 Mirrors and Ghosts -- 13.1.6 Macro Dramaturgical Concerns -- 13.2 Beginnings, and from There -- 13.3 Thinking Through Practice -- 13.4 Doing Dramaturgy -- References -- Chapter 14: All Inclusive-Julian Hetzel -- 14.1 The Small Planet Called All Inclusive -- 14.1.1 Space-Time -- 14.1.2 Social Life -- 14.1.3 Course of Events -- 14.1.4 Spectatorship -- 14.1.5 Mirrors and Ghosts -- 14.1.6 Macro Dramaturgical Concerns -- 14.2 Beginnings, and from There -- 14.3 Thinking Through Practice -- 14.4 Doing Dramaturgy -- References -- Chapter 15: WAR (Ein Kriegstanz)-Amanda Piña -- 15.1 The Small Planet Called WAR (Ein Kriegstanz) -- 15.1.1 Space-Time -- 15.1.2 Social Life -- 15.1.3 Course of Events -- 15.1.4 Spectatorship -- 15.1.5 Mirrors and Ghosts -- 15.1.6 Macro Dramaturgical Concerns -- 15.2 Beginnings, and from There -- 15.3 Thinking Through Practice -- 15.4 Doing Dramaturgy -- References -- Chapter 16: Kamp-Hotel Modern -- 16.1 The Small Planet Called Kamp -- 16.1.1 Space-Time -- 16.1.2 Social Life -- 16.1.3 Course of Events -- 16.1.4 Spectatorship -- 16.1.5 Ghosts and Mirrors -- 16.1.6 Macro Dramaturgical Concerns -- 16.2 Beginnings, and from There -- 16.3 Thinking Through Practice. 16.4 Doing Dramaturgy -- References -- Chapter 17: SPEAK!-Sanja Mitrović -- 17.1 The Small Planet Called SPEAK! -- 17.1.1 Space-Time -- 17.1.2 Social Life -- 17.1.3 Course of Events -- 17.1.4 Spectatorship -- 17.1.5 Mirrors and Ghosts -- 17.1.6 Macro Dramaturgical Concerns -- 17.2 Beginnings, and from There -- 17.3 Thinking Through Practice -- 17.4 Doing Dramaturgy -- Reference -- Chapter 18: I am LGB-The LGB Society of Mind -- 18.1 The Small Planet Called I am LGB -- 18.1.1 Space-Time -- 18.1.2 Social Life -- 18.1.3 Course of Events -- 18.1.4 Spectatorship -- 18.1.5 Mirrors and Ghosts -- 18.1.6 Macro Dramaturgical Concerns -- 18.2 Beginnings, and from There -- 18.3 Thinking Through Practice -- 18.4 Doing Dramaturgy -- References -- Chapter 19: Epilogue -- References -- Index.
Record Nr.	UNINA-9910637709203321