The digitization of cinematic visual effects [[electronic resource] ] : Hollywood's coming of age / / Rama Venkatasawmy |
Autore | Venkatasawmy Rama <1972-> |
Pubbl/distr/stampa | Lanham, : Lexington Books, 2012 |
Descrizione fisica | 1 online resource (345 p.) |
Disciplina | 791.430973 |
Soggetto topico |
Motion pictures - United States - History - 20th century
Cinematography - Special effects Digital cinematography |
ISBN |
1-299-14901-4
0-7391-7622-6 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | An overview of VFX-intensive filmmaking in 20th century Hollywood cinema -- Defining the object of enquiry -- "Effects" in Hollywood cinema -- Science, technology and Hollywood cinema -- The Hollywood cinema industry's coming of digital age -- Afterword -- Appendices: (A) A time-line of landmark (VFX-intensive) films, techno-scientific innovations, financial and industrial events that have contributed to the evolution of digital VFX in the Hollywood cinema industry up to the 1990s -- (B) Top 100 all-time domestic grosses (2012) -- (C) A basic glossary of analog and digital terminologies and key professions in the Hollywood cinema VFX industry. |
Record Nr. | UNINA-9910786145803321 |
Venkatasawmy Rama <1972->
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Lanham, : Lexington Books, 2012 | ||
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Lo trovi qui: Univ. Federico II | ||
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The digitization of cinematic visual effects : Hollywood's coming of age / / Rama Venkatasawmy |
Autore | Venkatasawmy Rama <1972-> |
Edizione | [1st ed.] |
Pubbl/distr/stampa | Lanham, : Lexington Books, 2012 |
Descrizione fisica | 1 online resource (345 p.) |
Disciplina | 791.430973 |
Soggetto topico |
Motion pictures - United States - History - 20th century
Cinematography - Special effects Digital cinematography |
ISBN |
1-299-14901-4
0-7391-7622-6 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | An overview of VFX-intensive filmmaking in 20th century Hollywood cinema -- Defining the object of enquiry -- "Effects" in Hollywood cinema -- Science, technology and Hollywood cinema -- The Hollywood cinema industry's coming of digital age -- Afterword -- Appendices: (A) A time-line of landmark (VFX-intensive) films, techno-scientific innovations, financial and industrial events that have contributed to the evolution of digital VFX in the Hollywood cinema industry up to the 1990s -- (B) Top 100 all-time domestic grosses (2012) -- (C) A basic glossary of analog and digital terminologies and key professions in the Hollywood cinema VFX industry. |
Record Nr. | UNINA-9910807704503321 |
Venkatasawmy Rama <1972->
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Lanham, : Lexington Books, 2012 | ||
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Lo trovi qui: Univ. Federico II | ||
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The DSLR Filmmaker's Handbook [[electronic resource] ] : Real-World Production Techniques |
Autore | Andersson Barry |
Edizione | [2nd ed.] |
Pubbl/distr/stampa | Hoboken, : Wiley, 2015 |
Descrizione fisica | 1 online resource (482 p.) |
Soggetto topico |
Digital video -- Handbooks, manuals, etc
High definition video recording -- Handbooks, manuals, etc Video recording -- Data processing -- Handbooks, manuals, etc Digital cinematography Digital cameras Video recording |
Soggetto genere / forma | Electronic books. |
ISBN | 1-118-98350-5 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Contents; Introduction; Chapter 1: Fundamentals of DSLR Film making; Features of DSLR Cameras; Sensor Size; Frame Rates; ISO Settings; Features of SLR Lenses; Aperture, f-stops, and t-stops; Cine-Style Lenses vs. Photo Lenses; Types of Lenses; How Sensor Size and Lenses Interact; Focal Length Multiplication Factors; Focal Length and Field of View; Angle of View and Magnification Factor; Chapter 2: Gear and Recommendations; What Camera Is Right for You?; Decisions in Choosing a Camera; Best Camera For...; Manual Controls; Lenses and Accessories; 50 mm Lens; Set of Prime Lenses; Trade-offs
Lens Brands Lens Mounts and Adapters; Matte Boxes; Filters; Lens Accessories; Viewing While Shooting; Lights; Studio Lighting; LED Lighting; Hardware-Store Lighting; Audio; Mixers; Microphones; Slate (Clapboard); Tripod and Dollies; Specialty Items and Miscellaneous; Camera Mounts; Follow Focus; Stabilizers and Handheld Rigs; Carrying Case; CF Cards and SD Cards; Batteries; Planning Your Gear Package; Low Budget; Independent Budget; Blockbuster Budget; The Next Three Things You Should Buy; Should You Buy or Rent?; Gear That Goes Together; Chapter 3: Testing and Custom Settings Camera-Specific Testing Testing ISO; Testing Exposure and Color; Testing Color Temperature and White Balance; Testing Frame Rate and Shutter Speed; Testing Recording Length Limitations and File Size Limitations; Testing File Formats and Codecs; Testing Equipment Interactions; Testing Lenses; Testing Filters, Hoods, and Matte Boxes; Testing Viewfinders and EVF; Testing Lighting: Color Temperature and Amount of Light; Using and Calibrating External Monitors; Testing Focus Pulling and Follow Focus; Remote Starting the Camera and Rigging in Unique Spots; Testing Camera Movement Testing Off-Camera Audio Testing Cables; More Things to Test; Using In-Camera Presets; Native Canon Picture-Style Settings; Changing the Camera Presets for Image Control; Customizing a Camera Preset; Creating a Unique Custom Setting from Scratch; Should You Bother Creating a Preset?; Settings That Prepare for Post-Production; Settings to Work without Post; Customizing Your Picture Style: Steps for Canon DSLR Cameras; Chapter 4: Cameras and Lenses on Location; Using Cameras on Location; Mixing Multiple Cameras, Makes, and Models; Powering Your Camera; Understanding Recording Time Limitations Managing Memory Cards Using Lenses on Location; Perspective; Depth of Field and Focus; Perceived Distance and Compression; Blur and Distortion; Sharpness; Image Stabilization and Vibration Reduction; Focusing; Methods of Pulling Focus; De-clicking a Lens; Zooming; Chapter 5: Camera Motion and Support; Camera Motion; Why Add Movement?; Restricting Movement; On-Screen Action and Position with Movement; Types of Camera Movement; Pan and Related Movements; Whip Pan; Zooming; Push-In; Pull-Back (or Pull-Out) and Widen-Out; Combined Push-In and Pan; Combined Push-In and Whip Pan; Circling Dolly Moves |
Record Nr. | UNINA-9910460219103321 |
Andersson Barry
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Hoboken, : Wiley, 2015 | ||
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Lo trovi qui: Univ. Federico II | ||
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The DSLR Filmmaker's Handbook [[electronic resource] ] : Real-World Production Techniques |
Autore | Andersson Barry |
Edizione | [2nd ed.] |
Pubbl/distr/stampa | Hoboken, : Wiley, 2015 |
Descrizione fisica | 1 online resource (482 p.) |
Soggetto topico |
Digital video -- Handbooks, manuals, etc
High definition video recording -- Handbooks, manuals, etc Video recording -- Data processing -- Handbooks, manuals, etc Digital cinematography Digital cameras Video recording |
ISBN | 1-118-98350-5 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Contents; Introduction; Chapter 1: Fundamentals of DSLR Film making; Features of DSLR Cameras; Sensor Size; Frame Rates; ISO Settings; Features of SLR Lenses; Aperture, f-stops, and t-stops; Cine-Style Lenses vs. Photo Lenses; Types of Lenses; How Sensor Size and Lenses Interact; Focal Length Multiplication Factors; Focal Length and Field of View; Angle of View and Magnification Factor; Chapter 2: Gear and Recommendations; What Camera Is Right for You?; Decisions in Choosing a Camera; Best Camera For...; Manual Controls; Lenses and Accessories; 50 mm Lens; Set of Prime Lenses; Trade-offs
Lens Brands Lens Mounts and Adapters; Matte Boxes; Filters; Lens Accessories; Viewing While Shooting; Lights; Studio Lighting; LED Lighting; Hardware-Store Lighting; Audio; Mixers; Microphones; Slate (Clapboard); Tripod and Dollies; Specialty Items and Miscellaneous; Camera Mounts; Follow Focus; Stabilizers and Handheld Rigs; Carrying Case; CF Cards and SD Cards; Batteries; Planning Your Gear Package; Low Budget; Independent Budget; Blockbuster Budget; The Next Three Things You Should Buy; Should You Buy or Rent?; Gear That Goes Together; Chapter 3: Testing and Custom Settings Camera-Specific Testing Testing ISO; Testing Exposure and Color; Testing Color Temperature and White Balance; Testing Frame Rate and Shutter Speed; Testing Recording Length Limitations and File Size Limitations; Testing File Formats and Codecs; Testing Equipment Interactions; Testing Lenses; Testing Filters, Hoods, and Matte Boxes; Testing Viewfinders and EVF; Testing Lighting: Color Temperature and Amount of Light; Using and Calibrating External Monitors; Testing Focus Pulling and Follow Focus; Remote Starting the Camera and Rigging in Unique Spots; Testing Camera Movement Testing Off-Camera Audio Testing Cables; More Things to Test; Using In-Camera Presets; Native Canon Picture-Style Settings; Changing the Camera Presets for Image Control; Customizing a Camera Preset; Creating a Unique Custom Setting from Scratch; Should You Bother Creating a Preset?; Settings That Prepare for Post-Production; Settings to Work without Post; Customizing Your Picture Style: Steps for Canon DSLR Cameras; Chapter 4: Cameras and Lenses on Location; Using Cameras on Location; Mixing Multiple Cameras, Makes, and Models; Powering Your Camera; Understanding Recording Time Limitations Managing Memory Cards Using Lenses on Location; Perspective; Depth of Field and Focus; Perceived Distance and Compression; Blur and Distortion; Sharpness; Image Stabilization and Vibration Reduction; Focusing; Methods of Pulling Focus; De-clicking a Lens; Zooming; Chapter 5: Camera Motion and Support; Camera Motion; Why Add Movement?; Restricting Movement; On-Screen Action and Position with Movement; Types of Camera Movement; Pan and Related Movements; Whip Pan; Zooming; Push-In; Pull-Back (or Pull-Out) and Widen-Out; Combined Push-In and Pan; Combined Push-In and Whip Pan; Circling Dolly Moves |
Record Nr. | UNINA-9910797054203321 |
Andersson Barry
![]() |
||
Hoboken, : Wiley, 2015 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
|
The DSLR Filmmaker's Handbook : Real-World Production Techniques |
Autore | Andersson Barry |
Edizione | [2nd ed.] |
Pubbl/distr/stampa | Hoboken, : Wiley, 2015 |
Descrizione fisica | 1 online resource (482 p.) |
Disciplina | 777 |
Soggetto topico |
Digital video -- Handbooks, manuals, etc
High definition video recording -- Handbooks, manuals, etc Video recording -- Data processing -- Handbooks, manuals, etc Digital cinematography Digital cameras Video recording |
ISBN | 1-118-98350-5 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Contents; Introduction; Chapter 1: Fundamentals of DSLR Film making; Features of DSLR Cameras; Sensor Size; Frame Rates; ISO Settings; Features of SLR Lenses; Aperture, f-stops, and t-stops; Cine-Style Lenses vs. Photo Lenses; Types of Lenses; How Sensor Size and Lenses Interact; Focal Length Multiplication Factors; Focal Length and Field of View; Angle of View and Magnification Factor; Chapter 2: Gear and Recommendations; What Camera Is Right for You?; Decisions in Choosing a Camera; Best Camera For...; Manual Controls; Lenses and Accessories; 50 mm Lens; Set of Prime Lenses; Trade-offs
Lens Brands Lens Mounts and Adapters; Matte Boxes; Filters; Lens Accessories; Viewing While Shooting; Lights; Studio Lighting; LED Lighting; Hardware-Store Lighting; Audio; Mixers; Microphones; Slate (Clapboard); Tripod and Dollies; Specialty Items and Miscellaneous; Camera Mounts; Follow Focus; Stabilizers and Handheld Rigs; Carrying Case; CF Cards and SD Cards; Batteries; Planning Your Gear Package; Low Budget; Independent Budget; Blockbuster Budget; The Next Three Things You Should Buy; Should You Buy or Rent?; Gear That Goes Together; Chapter 3: Testing and Custom Settings Camera-Specific Testing Testing ISO; Testing Exposure and Color; Testing Color Temperature and White Balance; Testing Frame Rate and Shutter Speed; Testing Recording Length Limitations and File Size Limitations; Testing File Formats and Codecs; Testing Equipment Interactions; Testing Lenses; Testing Filters, Hoods, and Matte Boxes; Testing Viewfinders and EVF; Testing Lighting: Color Temperature and Amount of Light; Using and Calibrating External Monitors; Testing Focus Pulling and Follow Focus; Remote Starting the Camera and Rigging in Unique Spots; Testing Camera Movement Testing Off-Camera Audio Testing Cables; More Things to Test; Using In-Camera Presets; Native Canon Picture-Style Settings; Changing the Camera Presets for Image Control; Customizing a Camera Preset; Creating a Unique Custom Setting from Scratch; Should You Bother Creating a Preset?; Settings That Prepare for Post-Production; Settings to Work without Post; Customizing Your Picture Style: Steps for Canon DSLR Cameras; Chapter 4: Cameras and Lenses on Location; Using Cameras on Location; Mixing Multiple Cameras, Makes, and Models; Powering Your Camera; Understanding Recording Time Limitations Managing Memory Cards Using Lenses on Location; Perspective; Depth of Field and Focus; Perceived Distance and Compression; Blur and Distortion; Sharpness; Image Stabilization and Vibration Reduction; Focusing; Methods of Pulling Focus; De-clicking a Lens; Zooming; Chapter 5: Camera Motion and Support; Camera Motion; Why Add Movement?; Restricting Movement; On-Screen Action and Position with Movement; Types of Camera Movement; Pan and Related Movements; Whip Pan; Zooming; Push-In; Pull-Back (or Pull-Out) and Widen-Out; Combined Push-In and Pan; Combined Push-In and Whip Pan; Circling Dolly Moves |
Record Nr. | UNINA-9910807634703321 |
Andersson Barry
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Hoboken, : Wiley, 2015 | ||
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Lo trovi qui: Univ. Federico II | ||
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EventDV : the authority for event videographers |
Pubbl/distr/stampa | Wilton, CT, : Online, 2005-©2011 |
Disciplina | 004.5 |
Soggetto topico |
Interactive multimedia - Publishing - United States
Digital cinematography Video recordings - Production and direction Vidéo - Production et réalisation Interactive multimedia - Publishing Video Technische vernieuwing |
Soggetto genere / forma | Periodicals. |
ISSN | 2169-0383 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Periodico |
Lingua di pubblicazione | eng |
Altri titoli varianti | Event DV |
Record Nr. | UNINA-9910146225703321 |
Wilton, CT, : Online, 2005-©2011 | ||
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Lo trovi qui: Univ. Federico II | ||
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EventDV : the authority for event videographers |
Pubbl/distr/stampa | Wilton, CT, : Online, 2005-©2011 |
Disciplina | 004.5 |
Soggetto topico |
Interactive multimedia - Publishing - United States
Digital cinematography Video recordings - Production and direction Vidéo - Production et réalisation Interactive multimedia - Publishing Video Technische vernieuwing |
Soggetto genere / forma | Periodicals. |
ISSN | 2169-0383 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Periodico |
Lingua di pubblicazione | eng |
Altri titoli varianti | Event DV |
Record Nr. | UNISA-996215361203316 |
Wilton, CT, : Online, 2005-©2011 | ||
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Lo trovi qui: Univ. di Salerno | ||
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Film- und serienfiguren als gefährten der kindheit? : digitalisierung und fernseherlebnisse aus akteursbezogener sicht - eine interviewgestützte analyse von kinderzeichnungen / / Sophie Lang |
Autore | Lang Sophie |
Edizione | [1st ed.] |
Pubbl/distr/stampa | Hamburg, Germany : , : Diplomica Verlag, , [2020] |
Descrizione fisica | 1 online resource (104 pages) |
Disciplina | 791.430973 |
Soggetto topico |
Motion pictures
Cinematography - Special effects Digital cinematography |
ISBN | 3-96146-243-7 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | ger |
Nota di contenuto | Film- und Serienfiguren als Gefährten der Kindheit? -- Inhaltsverzeichnis -- Abbildungsverzeichnis -- 1. Einleitung -- 2. Einordnung der Fragestellung und theoretische Fundierung -- 2.1. Digitale Medien als Teil der Lebenswelt von Kindern -- 2.2. Medienbildung in der Kindheit -- 2.3. Ästhetische Eindrücke von Kindern während Medienerlebnissen in Kinderfilmen und -serien -- 3. Methodisches Vorgehen der empirischen Untersuchung -- 3.1. Interviews mit Kindern im Elementarbereich -- 3.2. Analyse von Kinderzeichnungen nach Neuß -- 3.3. Qualitative Inhaltsanalyse nach Mayring -- 4. Darstellung der Ergebnisse -- 4.1. Vorstellungen der Kinder mit einer Analyse der Kinderzeichnungen -- 4.2. Auswertung und Interpretation der Kategorien -- 4.2.1 Eigenschaften der Figur -- 4.2.2 Besondere Fähigkeiten der Figur -- 4.2.3 Andere Figuren -- 4.2.4 Reaktionen des Medienerlebnisses auf das Kind -- 4.2.5 Settings des Medienerlebnisses -- 5 Reflexion des methodischen Vorgehens -- 6 Zusammenfassung und Reflexion der Ergebnisse -- 7 Ableitung von Handlungsansätzen für die kindheitspädagogische Praxis -- 7.1 Medienpädagogischer Handlungsansatz für pädagogische Fachkräfte -- 7.2 Alltagsbezogene Handlungsempfehlung für Eltern -- 8 Resümee mit Ausblick -- 9 Literaturverzeichnis -- Anhang 1 - Interviewleitfaden -- Anhang 2 - Transkripte der Interviews. |
Record Nr. | UNINA-9910794457603321 |
Lang Sophie
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Hamburg, Germany : , : Diplomica Verlag, , [2020] | ||
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Lo trovi qui: Univ. Federico II | ||
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Film- und serienfiguren als gefährten der kindheit? : digitalisierung und fernseherlebnisse aus akteursbezogener sicht - eine interviewgestützte analyse von kinderzeichnungen / / Sophie Lang |
Autore | Lang Sophie |
Edizione | [1st ed.] |
Pubbl/distr/stampa | Hamburg, Germany : , : Diplomica Verlag, , [2020] |
Descrizione fisica | 1 online resource (104 pages) |
Disciplina | 791.430973 |
Soggetto topico |
Motion pictures
Cinematography - Special effects Digital cinematography |
ISBN | 3-96146-243-7 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | ger |
Nota di contenuto | Film- und Serienfiguren als Gefährten der Kindheit? -- Inhaltsverzeichnis -- Abbildungsverzeichnis -- 1. Einleitung -- 2. Einordnung der Fragestellung und theoretische Fundierung -- 2.1. Digitale Medien als Teil der Lebenswelt von Kindern -- 2.2. Medienbildung in der Kindheit -- 2.3. Ästhetische Eindrücke von Kindern während Medienerlebnissen in Kinderfilmen und -serien -- 3. Methodisches Vorgehen der empirischen Untersuchung -- 3.1. Interviews mit Kindern im Elementarbereich -- 3.2. Analyse von Kinderzeichnungen nach Neuß -- 3.3. Qualitative Inhaltsanalyse nach Mayring -- 4. Darstellung der Ergebnisse -- 4.1. Vorstellungen der Kinder mit einer Analyse der Kinderzeichnungen -- 4.2. Auswertung und Interpretation der Kategorien -- 4.2.1 Eigenschaften der Figur -- 4.2.2 Besondere Fähigkeiten der Figur -- 4.2.3 Andere Figuren -- 4.2.4 Reaktionen des Medienerlebnisses auf das Kind -- 4.2.5 Settings des Medienerlebnisses -- 5 Reflexion des methodischen Vorgehens -- 6 Zusammenfassung und Reflexion der Ergebnisse -- 7 Ableitung von Handlungsansätzen für die kindheitspädagogische Praxis -- 7.1 Medienpädagogischer Handlungsansatz für pädagogische Fachkräfte -- 7.2 Alltagsbezogene Handlungsempfehlung für Eltern -- 8 Resümee mit Ausblick -- 9 Literaturverzeichnis -- Anhang 1 - Interviewleitfaden -- Anhang 2 - Transkripte der Interviews. |
Record Nr. | UNINA-9910819798103321 |
Lang Sophie
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Hamburg, Germany : , : Diplomica Verlag, , [2020] | ||
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Lo trovi qui: Univ. Federico II | ||
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La fotografia con le reflex digitali : recensioni di reflex digitali per aiutarti a scegliere la migliore fotocamera in base al tuo budget / / James Christiansen |
Autore | Christiansen James |
Pubbl/distr/stampa | [Place of publication not identified] : , : Creative Dynamics, LLC, , [2020] |
Descrizione fisica | 1 online resource (32 pages) |
Disciplina | 778.590285 |
Soggetto topico |
Single-lens reflex cameras
Digital cinematography |
ISBN | 1-0715-6230-4 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | ita |
Nota di contenuto | Intro -- Titolo Pagina -- Copyright Pagina -- La Fotografia con le Reflex Digitali | Recensioni di reflex digitali per aiutarti a scegliere la migliore fotocamera in base al tuo budget | Di James Christiansen. |
Record Nr. | UNINA-9910794314603321 |
Christiansen James
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[Place of publication not identified] : , : Creative Dynamics, LLC, , [2020] | ||
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Lo trovi qui: Univ. Federico II | ||
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