Robert Lepage’s Scenographic Dramaturgy [[electronic resource] ] : The Aesthetic Signature at Work / / by Melissa Poll |
Autore | Poll Melissa |
Edizione | [1st ed. 2018.] |
Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2018 |
Descrizione fisica | 1 online resource (XI, 199 p. 33 illus., 21 illus. in color.) |
Disciplina | 792.0233092 |
Collana | Adaptation in Theatre and Performance |
Soggetto topico |
Theater
Theater—Production and direction Actors Contemporary Theatre Theatre Direction and Production Performers and Practitioners |
ISBN | 3-319-73368-0 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | 1. Introduction -- 2. Scenographic Dramaturgy & Auteuring Adaptations -- 3. The Nightingale and Other Short Fables: Re-Authoring Atypical Opera -- 4. Making Music Visible: Robert Lepage Adapts Aspects of Siegfried Without Shifting a Word -- 5. Adapting ‘Le Grand Will’ in Wendake: Ex Machina and the Huron-Wendat Nation’s La Tempête -- 6. Re-‘Writing’ The Dragons’ Trilogy and Needles & Opium for the Twenty-First Century: Robert Lepage’s Auto-Adaptations -- 7 Conclusion. |
Record Nr. | UNINA-9910300037603321 |
Poll Melissa | ||
Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2018 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
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Shifting Corporealities in Contemporary Performance [[electronic resource] ] : Danger, Im/mobility and Politics / / edited by Marina Gržinić, Aneta Stojnić |
Edizione | [1st ed. 2018.] |
Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2018 |
Descrizione fisica | 1 online resource (334 pages) |
Disciplina | 338.9270943 |
Collana | Avant-Gardes in Performance |
Soggetto topico |
Theater
Performing arts Contemporary Theatre Global/International Theatre and Performance Performing Arts |
ISBN | 3-319-78343-2 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | 1. Marina Gržinić, Aneta Stojnić; Reclaiming the Body: Fem Positions Repoliticized -- 2. Frank B. Wilderson, III; “We’re Trying to Destroy the World”: Anti-Blackness & Police Violence After Ferguson -- 3. Ramsay Burt; Revolutionary Performances: Reading Adham Hafez’s blog -- 4. Adham Hafez; amchoreo blog 2011: Just to remember, some weeks ago -- 5. Johannes Birringer; Standing Still Dancing in a Circle: Performance Dissent and Failed Gestures in Public Protest -- 6. Jasmina Tumbas; Countering Persecution, Misconceptions, and Nationalism: Roma Identity and Contemporary Activist Art -- 7. Ana Vujanović; Performing Ideology: Communitas and Immunitas -- 8. Goran Petrović Lotina; Reconstructing the Bodies: Between the Politics of Order and the Politics of Disorder -- 9. Kristof van Baarle; The Mascot as Neoliberal Body: Kris Verdonck’s UNTITLED -- 10. Brahma Prakash; “Dangerous” Choreopolitics of Labouring Bodies: Biopolitics and Choreopolitics in Conflict in the act of Jana Natya Mandali in India -- 11. Bojana Matejić; The Appearance of Truth in Art: Body, Subjectivation and the Generic Life -- 12. Stephen Wilmer; Invisible Mothers: Biopolitical Control in Ireland -- 13. Lewis R. Gordon; Disciplining as a Human Science -- 14. Joachim Ben Yakoub; Performing Self-sacrifice, Despite Everything or Despite Oneself? Embodying a Necro-political Space of Appearance in the Tunisian Revolution -- 15. Stacey Prickett; Post Millennial Choreographic Challenges: Survival, Celebration and Critique -- 16. Konstantina Georgelou; Form-of-Life as Radical Togetherness: “New Materialist” Expansions of Choreography -- 17. Katherine Behar; Modeling Big Data -- 18. Bojan Đorđev; Not Red, but Blood! -- 19. Adela Jušić and Lana Čmajčanin; I Will Never Talk About War Again -- 20. Jelena Jureša; Notes on PMS -- 21. Tanja Ury; Artistic Freedom. |
Record Nr. | UNINA-9910300036103321 |
Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2018 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
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Staging Loss [[electronic resource] ] : Performance as Commemoration / / edited by Michael Pinchbeck, Andrew Westerside |
Edizione | [1st ed. 2018.] |
Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2018 |
Descrizione fisica | 1 online resource (271 pages) |
Disciplina | 943.00148 |
Soggetto topico |
Theater
Performing arts Contemporary Theatre Performing Arts National/Regional Theatre and Performance |
ISBN | 3-319-97970-1 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | 1. Staging loss: an introduction -- 2. There is some corner of a Lincolnshire field…: locating commemoration in the performance of Leaving Home; Andrew Westerside -- 3. Watching with mother: ‘rejourning’ the wartime memories of a Wren, 1946/2016; Karen Savage and Justin Smith -- 4. Commemoration: sacred differentiation of time and space in three WWI projects; Helen Newall -- 5. Making Bolero: dramaturgies of remembrance; Michael Pinchbeck -- 6. Andrew Bovell in the History Wars: Australia's continuing cultural crisis of remembering and forgetting; Donald Pulford -- 7. After them, the flood: remembering, performance and the writing of history; Dan Ellin and Conan Lawrence -- 8. Cheers, Grandad! Third Angel’s Cape Wrath and The Lad Lit Project as acts of remembrance; Alexander Kelly -- 9. On Leaving the House: the loss of self and the search for “the freedom of being” in The Wooster Group’s Vieux Carré; Andrew Quick -- 10. The God, the owner & the master: staging rites of passage in the maritime crossing the line ceremony; Lisa Gaughan -- 11. Staging absence and the (un)making of memory in A Duet Without You; Chloé Déchery -- 12. Trace: shame and the art of mourning; Louie Jenkins -- 13. The performative ritual of loss: marking the intangible; Clare Parry-Jones -- 14. Searching shadows, lighting bones: commemorative performance as a radical, open-ended and ethical action; Emily Orley -- 15. Conclusion: Some words speak of events. Other words, events make us speak. |
Record Nr. | UNINA-9910300016903321 |
Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2018 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
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Teaching Postdramatic Theatre [[electronic resource] ] : Anxieties, Aporias and Disclosures / / by Glenn D'Cruz |
Autore | D'Cruz Glenn |
Edizione | [1st ed. 2018.] |
Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2018 |
Descrizione fisica | 1 online resource (208 pages) : illustrations |
Disciplina | 792.02807 |
Soggetto topico |
Theater
Art education Contemporary Theatre Creativity and Arts Education |
ISBN | 3-319-71685-9 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Pedagogy, Politics and the Personal -- 1. John Laws/Sade: Postmodern or Postdramatic? -- 2. From Drama to Theatre to Performance Studies -- 3. Ganesh Versus the Third Reich as Pedagogical Parable -- 4. Attempts On Her Life: A Postdramatic Learning Play? -- 5. Teaching History and (Gender) Politics: The Hamletmachine and The Princess Plays -- 6. Devising Postdramatic Theatre in the Academy -- 7. An Enemy of Postdramatic Theatre? Or What I think about when I think about teaching Postdramatic Theatre. |
Record Nr. | UNINA-9910300025203321 |
D'Cruz Glenn | ||
Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2018 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
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Theatre, Performance and Change [[electronic resource] /] / edited by Stephani Etheridge Woodson, Tamara Underiner |
Edizione | [1st ed. 2018.] |
Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2018 |
Descrizione fisica | 1 online resource (LV, 344 p. 4 illus.) |
Disciplina | 790 |
Soggetto topico |
Performing arts
Theater Actors Performing Arts Contemporary Theatre Performers and Practitioners |
ISBN | 3-319-65828-X |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | 1. Stephani Etheridge Woodson and Tamara Underiner; Introduction -- 2. Daniel Banks; Taking the Mic: Hip Hop’s Call for Change -- 3. Paul Bonin-Rodriguez & Charlotte M. Canning; Rehearsing Citizenship: Performance as Public Practice in the Undergraduate Curriculum -- 4. David Calder; Street Performers Working for Change -- 5. Young Ai Choi; The Third Space: Inter-cultural Youth Performance as a Catalyst for Change -- 6. Jan Cohen-Cruz; Uncommon Partnerships -- 7. Kathryn Dawson; Reflections on School Change through the Arts -- 8. Linda Essig; n=1 -- 9. John Fletcher; Denouement: Notes on the End(s) of Activism -- 10. Marcela A. Fuentes; Making Change: Performance and the Workings of the Event -- 11. Lorenzo Garcia; Adding to the Dialogue with Latina/o Plays for Young Audiences -- 12. Nadine George-Graves; An Environment of Cascading Consequences -- 13. Jamie Haft; Creating a Populist Theatre -- 14. Norifumi Hida; Laying the groundwork for dramatic results: ASSITEJ’s Next Generation -- 15. Jorge A. Huerta; Fifty Years of Chicano Theatre: Mapping the Face(s) of the New American Theatre -- 16. Lisa Jackson-Schebetta; In the Heights at the University of Pittsburgh: Failures, Successes and Change -- 17. Elizabeth Johnson; Choreography, Connections and Change -- 18. Daniel A. Kelin, II; The Journey Matters: Agency through Artistry -- 19. Michal Kobialka; “Of Change” -- 20. Bridget Kiger Lee and Patricia Enciso; Testing the Waters of Change in the Classroom: The Case for Incremental Transformation in Teacher Practice -- 21. Stephanie Lein Walseth; Racial Justice Activism and Equitable Partnerships: Theories of Change from Theatres of Color -- 22. Robert H. Leonard; Theatre and Social Imaginaries -- 23. Ruby Lerner; Radical Creativity as a Lever for Social Change: Why It Matters, What It Takes -- 24. Scott Magelssen; Why Do They Think this is Okay? Defending Performance as a Means for Change -- 25. Mary McAvoy; What We Left Behind in our Race to the Top: Education Reform Goes Metaformative -- 26. Talleri A. McRae; The Aesthetics of Inclusion -- 27. Carlos Morton;Changes, Everything Changes (Cambia, todo cambia) -- 28. Tobin Nellhaus; Big History -- 29. Michael Rohd: 100 Questions/3 ideas/1 story/and a ghost -- 30. Jon D. Rossini; Shift 2 -- 31. Alan Sikes; “The Odéon is Open” Performative Politics and the Paris 1968 Uprising -- 32. Dani Snyder-Young; Despite artists’ intentions, emancipated spectatorship reinforces audience members’ existing attitudes and beliefs -- 33. Caridad Svich; The breath of change or how to stay awake when the world desires sleep and other thoughts about theatre, performance and Bowie’s Ch-changes -- 34. E.J. Westlake; The Waning of Affect, the End of the Liberal Project, and the Rehearsal of Social Change: a Page from the Millennial Playbook -- 35. W. B. Worthen; (Inter)disciplinary Change -- 36. Patricia Ybarra; The Administrator as Activist -- 37. Stephani Etheridge Woodson and Tamara Underiner. And…? |
Record Nr. | UNINA-9910300003203321 |
Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2018 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
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Translated and Visiting Russian Theatre in Britain, 1945–2015 [[electronic resource] ] : A "Russia of the Theatrical Mind"? / / by Cynthia Marsh |
Autore | Marsh Cynthia |
Edizione | [1st ed. 2020.] |
Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2020 |
Descrizione fisica | 1 online resource (xvi, 392 pages) : illustrations |
Disciplina | 801.950947 |
Soggetto topico |
Performing arts
Theater Motion pictures Performing Arts Russian, Soviet, and East European History Contemporary Theatre Global/International Theatre and Performance Theatre Industry Adaptation Studies |
ISBN | 3-030-44333-7 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | 1. Setting the Scene -- 2. Gogol's Russia -- 3. From Merchant to Gentry Russia -- 4. Exposing Cultural Transfer -- 5. Confronting Modern Russias -- 6. Staging Russian Prose -- . |
Record Nr. | UNINA-9910484152903321 |
Marsh Cynthia | ||
Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2020 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
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Transnational Chinese Theatres [[electronic resource] ] : Intercultural Performance Networks in East Asia / / by Rossella Ferrari |
Autore | Ferrari Rossella |
Edizione | [1st ed. 2020.] |
Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2020 |
Descrizione fisica | 1 online resource (313 pages) |
Disciplina | 792.0951 |
Collana | Transnational Theatre Histories |
Soggetto topico |
Theater
Theater—History Performing arts National/Regional Theatre and Performance Contemporary Theatre Theatre History Performing Arts |
ISBN | 3-030-37273-1 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | 1. Chapter 1: Introduction: A Tale of Multiple Cities: Setting the Stage for Transnational Chinese Theatres -- 2. Chapter 2: Rhizomes, Radicants, and Journeys: Transnational Chinese Theatres as Networks of Intercultural Collaboration -- 3. Chapter 3: Hong Kong Transfers: Transmedial Travels in the Theatre of Relations -- 4. Chapter 4: Performing the 38th Parallel across the Taiwan Strait: Territorial Divides and Theatrical Dialogues in East Asia -- 5. Chapter 5: Trans-Asian Spectropoetics: Conjuring War and Violence on the Haunted Stage of History -- 6. Chapter 6: Epilogue: Out of Asia: Transnational Chinese Theatres’ Global Itineraries. |
Record Nr. | UNINA-9910484956903321 |
Ferrari Rossella | ||
Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2020 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
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Violent Women in Contemporary Theatres [[electronic resource] ] : Staging Resistance / / by Nancy Taylor Porter |
Autore | Taylor Porter Nancy |
Edizione | [1st ed. 2017.] |
Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2017 |
Descrizione fisica | 1 online resource (X, 410 p. 11 illus.) |
Disciplina | 792.082 |
Soggetto topico |
Theater
Women Culture Gender Contemporary Theatre Women's Studies Culture and Gender |
ISBN | 3-319-57006-4 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Acknowledgments.- Figures.- 1. Violent Women in Contemporary and Artistic Theatres -- 2. The Sex and Gender of Violence.- 3. From Alpha to Omega Women: Ancient Greek Origins and Contemporary Re-visions.- 4. From Monstrous to Miraculous: Violent Mothers and Daughters at Home on Stage -- 5. What Happened to the Angel in the House?: The Violent Female Lover.- 6. All the World's a Stage: The Street Fighter and the Boxer -- 7. From State-Sanctioned Power to Sexual Power: The Soldier and the Dominatrix -- 8. Babes With Blades: "Theatre That Leaves a Mark" -- 9. Epilogue.-. |
Record Nr. | UNINA-9910255086803321 |
Taylor Porter Nancy | ||
Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2017 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
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War as Performance [[electronic resource] ] : Conflicts in Iraq and Political Theatricality / / by Lindsey Mantoan |
Autore | Mantoan Lindsey |
Edizione | [1st ed. 2018.] |
Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2018 |
Descrizione fisica | 1 online resource (241 pages) : illustrations |
Disciplina | 956.70443 |
Soggetto topico |
Performing arts
Theater Peace United States—Politics and government United States—Study and teaching Performing Arts Contemporary Theatre Conflict Studies US Politics American Culture |
ISBN | 3-319-94367-7 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | 1. Introduction: The Intersection of War and Performance -- 2. Impresarios and Protestors: From the Bush Administration to Cindy Sheehan -- 3. Ancient Wars, Endless War: Adaptations of Greek Tragedy -- 4. Not Just “Over There”: Theater of the Real and Iraqi Voices -- 5. Ideologically Liberal and Formally Conservative: Satire, News, and Truthiness -- 6. War After the End: Post-Apocalyptic Narratives After 9/11 -- 7. Epilogue: War as Performance. |
Record Nr. | UNINA-9910300030803321 |
Mantoan Lindsey | ||
Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2018 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
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