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Pragmatist Philosophy and Dance : Interdisciplinary Dance Research in the American South / / by Eric Mullis
| Pragmatist Philosophy and Dance : Interdisciplinary Dance Research in the American South / / by Eric Mullis |
| Autore | Mullis Eric |
| Edizione | [1st ed. 2019.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2019 |
| Descrizione fisica | 1 online resource (256 pages) : illustrations |
| Disciplina | 792.8 |
| Collana | Performance Philosophy |
| Soggetto topico |
Dance
Performing arts Theater Pragmatism Performing Arts National/Regional Theatre and Performance Contemporary Theatre |
| ISBN | 3-030-29314-9 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Sources beyond the Pale -- 2. Pragmatist Methods: Experimental Inquiry, Somaesthetics, and Performance Praxis -- 3. Religious History: Spirit Poured out on all Flesh -- 4. Dance History: The Rolling Deep -- 5. Ethnographic Research: Signs Follow Them That Believe -- 6. Movement Research: The Most Originally Mine -- 7. Religious Experience: William James, Ecstasy, and Christian Fundamentalism -- 8. Conclusions: On Pragmatist Performance Philosophy. |
| Record Nr. | UNINA-9910484573103321 |
Mullis Eric
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| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2019 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Rape on the Contemporary Stage / / by Lisa Fitzpatrick
| Rape on the Contemporary Stage / / by Lisa Fitzpatrick |
| Autore | Fitzpatrick Lisa |
| Edizione | [1st ed. 2018.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2018 |
| Descrizione fisica | 1 online resource (IX, 281 p.) |
| Disciplina | 812.609 |
| Soggetto topico |
Theater
Performing arts Sex and law Contemporary Theatre Performing Arts Gender, Sexuality and Law |
| ISBN | 3-319-70845-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Introduction -- 2. Rape on the Naturalistic Stage: the example of Miss Julie -- 3. Women Playwrights: Subverting Representational Strategies -- 4. The Body of a Woman as a Battlefield: Rape and Conflict -- 5. Eroticism, Vulnerability, and Affect -- 6. In Extremis: Staging Rape in the 2010s -- 7. Conclusion. |
| Record Nr. | UNINA-9910300020503321 |
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Fitzpatrick Lisa
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| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2018 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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The Reasonable Audience : Theatre Etiquette, Behaviour Policing, and the Live Performance Experience / / by Kirsty Sedgman
| The Reasonable Audience : Theatre Etiquette, Behaviour Policing, and the Live Performance Experience / / by Kirsty Sedgman |
| Autore | Sedgman Kirsty |
| Edizione | [1st ed. 2018.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Pivot, , 2018 |
| Descrizione fisica | 1 online resource (178 pages) |
| Disciplina | 709.040755019 |
| Soggetto topico |
Theater
Performing arts Contemporary Theatre Performing Arts Theatre Industry |
| ISBN | 3-319-99166-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Introduction -- 2. The Theatre Contract -- 3. Audience Attention & Aesthetic Experience -- 4. A Defence of Theatre Etiquette -- 5. On the Reasonable Audience -- 6. Marked/Unmarked Bodies. |
| Record Nr. | UNINA-9910300006403321 |
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Sedgman Kirsty
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| Cham : , : Springer International Publishing : , : Imprint : Palgrave Pivot, , 2018 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Restaging Feminisms / / by Elaine Aston
| Restaging Feminisms / / by Elaine Aston |
| Autore | Aston Elaine |
| Edizione | [1st ed. 2020.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Pivot, , 2020 |
| Descrizione fisica | 1 online resource |
| Disciplina |
792.082
792 |
| Collana | Palgrave pivot |
| Soggetto topico |
Performing arts
Theater Feminist theory Performing Arts Contemporary Theatre Feminism |
| ISBN |
9783030405892
3030405893 3-030-40589-3 3030405885 9783030405885 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Restaging Feminisms -- 2. Reviewing the Drama of Liberal Feminism -- 3. Acting Together: A Chorus of Radical-Feminist Protest -- 4. Towards the Great Moving Left Show? Recitals of Socialist Feminism. |
| Record Nr. | UNINA-9910484047303321 |
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Aston Elaine
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| Cham : , : Springer International Publishing : , : Imprint : Palgrave Pivot, , 2020 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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The Road to Wicked : The Marketing and Consumption of Oz from L. Frank Baum to Broadway / / by Kent Drummond, Susan Aronstein, Terri L. Rittenburg
| The Road to Wicked : The Marketing and Consumption of Oz from L. Frank Baum to Broadway / / by Kent Drummond, Susan Aronstein, Terri L. Rittenburg |
| Autore | Drummond Kent |
| Edizione | [1st ed. 2018.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2018 |
| Descrizione fisica | 1 online resource (XI, 336 p. 5 illus. in color.) |
| Disciplina | 791.436 |
| Soggetto topico |
Popular Culture
Theater Industrial management Children's literature Theatre Industry Media Management Children's Literature Contemporary Theatre |
| ISBN | 3-319-93106-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. We’re Off to See the Wizard: In Search of Cultural Sustainability -- 2. The Wonderful Wizard of Marketing: L. Frank Baum as Producer and Promoter -- 3. Extending the Yellow Brick Road: More Books and a Technicolor Rainbow -- 4. Of Living Rooms and Libraries: Oz’s Journey from Fairy Tale to Myth -- 5. Expanding the Map: Oz in the Public Domain -- 6. Telling and Selling: The Untold Story of the Witches of Oz -- 7. “My Entire Body was Shaking”: Consumers Respond to Wicked -- 8. “The Audience Unites in One Big ‘Yes!’”: Theater Professionals Reflect on Wicked -- 9. Pulling Back the Curtain: Wicked Experiences -- 10. Whither Oz?: Stepping Into the 21st Century -- 11. At the Gates of the Emerald City: Towards a New Theory of Cultural Sustainability. |
| Record Nr. | UNINA-9910300033303321 |
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Drummond Kent
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| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2018 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Robert Lepage’s Scenographic Dramaturgy : The Aesthetic Signature at Work / / by Melissa Poll
| Robert Lepage’s Scenographic Dramaturgy : The Aesthetic Signature at Work / / by Melissa Poll |
| Autore | Poll Melissa |
| Edizione | [1st ed. 2018.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2018 |
| Descrizione fisica | 1 online resource (XI, 199 p. 33 illus., 21 illus. in color.) |
| Disciplina | 792.0233092 |
| Collana | Adaptation in Theatre and Performance |
| Soggetto topico |
Theater
Theater—Production and direction Actors Contemporary Theatre Theatre Direction and Production Performers and Practitioners |
| ISBN | 3-319-73368-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Introduction -- 2. Scenographic Dramaturgy & Auteuring Adaptations -- 3. The Nightingale and Other Short Fables: Re-Authoring Atypical Opera -- 4. Making Music Visible: Robert Lepage Adapts Aspects of Siegfried Without Shifting a Word -- 5. Adapting ‘Le Grand Will’ in Wendake: Ex Machina and the Huron-Wendat Nation’s La Tempête -- 6. Re-‘Writing’ The Dragons’ Trilogy and Needles & Opium for the Twenty-First Century: Robert Lepage’s Auto-Adaptations -- 7 Conclusion. |
| Record Nr. | UNINA-9910300037603321 |
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Poll Melissa
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| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2018 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Shifting Corporealities in Contemporary Performance : Danger, Im/mobility and Politics / / edited by Marina Gržinić, Aneta Stojnić
| Shifting Corporealities in Contemporary Performance : Danger, Im/mobility and Politics / / edited by Marina Gržinić, Aneta Stojnić |
| Edizione | [1st ed. 2018.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2018 |
| Descrizione fisica | 1 online resource (334 pages) |
| Disciplina | 338.9270943 |
| Collana | Avant-Gardes in Performance |
| Soggetto topico |
Theater
Performing arts Contemporary Theatre Global/International Theatre and Performance Performing Arts |
| ISBN | 3-319-78343-2 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Marina Gržinić, Aneta Stojnić; Reclaiming the Body: Fem Positions Repoliticized -- 2. Frank B. Wilderson, III; “We’re Trying to Destroy the World”: Anti-Blackness & Police Violence After Ferguson -- 3. Ramsay Burt; Revolutionary Performances: Reading Adham Hafez’s blog -- 4. Adham Hafez; amchoreo blog 2011: Just to remember, some weeks ago -- 5. Johannes Birringer; Standing Still Dancing in a Circle: Performance Dissent and Failed Gestures in Public Protest -- 6. Jasmina Tumbas; Countering Persecution, Misconceptions, and Nationalism: Roma Identity and Contemporary Activist Art -- 7. Ana Vujanović; Performing Ideology: Communitas and Immunitas -- 8. Goran Petrović Lotina; Reconstructing the Bodies: Between the Politics of Order and the Politics of Disorder -- 9. Kristof van Baarle; The Mascot as Neoliberal Body: Kris Verdonck’s UNTITLED -- 10. Brahma Prakash; “Dangerous” Choreopolitics of Labouring Bodies: Biopolitics and Choreopolitics in Conflict in the act of Jana Natya Mandali in India -- 11. Bojana Matejić; The Appearance of Truth in Art: Body, Subjectivation and the Generic Life -- 12. Stephen Wilmer; Invisible Mothers: Biopolitical Control in Ireland -- 13. Lewis R. Gordon; Disciplining as a Human Science -- 14. Joachim Ben Yakoub; Performing Self-sacrifice, Despite Everything or Despite Oneself? Embodying a Necro-political Space of Appearance in the Tunisian Revolution -- 15. Stacey Prickett; Post Millennial Choreographic Challenges: Survival, Celebration and Critique -- 16. Konstantina Georgelou; Form-of-Life as Radical Togetherness: “New Materialist” Expansions of Choreography -- 17. Katherine Behar; Modeling Big Data -- 18. Bojan Đorđev; Not Red, but Blood! -- 19. Adela Jušić and Lana Čmajčanin; I Will Never Talk About War Again -- 20. Jelena Jureša; Notes on PMS -- 21. Tanja Ury; Artistic Freedom. |
| Record Nr. | UNINA-9910300036103321 |
| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2018 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Staging Loss : Performance as Commemoration / / edited by Michael Pinchbeck, Andrew Westerside
| Staging Loss : Performance as Commemoration / / edited by Michael Pinchbeck, Andrew Westerside |
| Edizione | [1st ed. 2018.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2018 |
| Descrizione fisica | 1 online resource (271 pages) |
| Disciplina | 943.00148 |
| Soggetto topico |
Theater
Performing arts Contemporary Theatre Performing Arts National/Regional Theatre and Performance |
| ISBN | 3-319-97970-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Staging loss: an introduction -- 2. There is some corner of a Lincolnshire field…: locating commemoration in the performance of Leaving Home; Andrew Westerside -- 3. Watching with mother: ‘rejourning’ the wartime memories of a Wren, 1946/2016; Karen Savage and Justin Smith -- 4. Commemoration: sacred differentiation of time and space in three WWI projects; Helen Newall -- 5. Making Bolero: dramaturgies of remembrance; Michael Pinchbeck -- 6. Andrew Bovell in the History Wars: Australia's continuing cultural crisis of remembering and forgetting; Donald Pulford -- 7. After them, the flood: remembering, performance and the writing of history; Dan Ellin and Conan Lawrence -- 8. Cheers, Grandad! Third Angel’s Cape Wrath and The Lad Lit Project as acts of remembrance; Alexander Kelly -- 9. On Leaving the House: the loss of self and the search for “the freedom of being” in The Wooster Group’s Vieux Carré; Andrew Quick -- 10. The God, the owner & the master: staging rites of passage in the maritime crossing the line ceremony; Lisa Gaughan -- 11. Staging absence and the (un)making of memory in A Duet Without You; Chloé Déchery -- 12. Trace: shame and the art of mourning; Louie Jenkins -- 13. The performative ritual of loss: marking the intangible; Clare Parry-Jones -- 14. Searching shadows, lighting bones: commemorative performance as a radical, open-ended and ethical action; Emily Orley -- 15. Conclusion: Some words speak of events. Other words, events make us speak. |
| Record Nr. | UNINA-9910300016903321 |
| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2018 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Teaching Postdramatic Theatre : Anxieties, Aporias and Disclosures / / by Glenn D'Cruz
| Teaching Postdramatic Theatre : Anxieties, Aporias and Disclosures / / by Glenn D'Cruz |
| Autore | D'Cruz Glenn |
| Edizione | [1st ed. 2018.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2018 |
| Descrizione fisica | 1 online resource (208 pages) : illustrations |
| Disciplina | 792.02807 |
| Soggetto topico |
Theater
Art education Contemporary Theatre Creativity and Arts Education |
| ISBN | 3-319-71685-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Pedagogy, Politics and the Personal -- 1. John Laws/Sade: Postmodern or Postdramatic? -- 2. From Drama to Theatre to Performance Studies -- 3. Ganesh Versus the Third Reich as Pedagogical Parable -- 4. Attempts On Her Life: A Postdramatic Learning Play? -- 5. Teaching History and (Gender) Politics: The Hamletmachine and The Princess Plays -- 6. Devising Postdramatic Theatre in the Academy -- 7. An Enemy of Postdramatic Theatre? Or What I think about when I think about teaching Postdramatic Theatre. |
| Record Nr. | UNINA-9910300025203321 |
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D'Cruz Glenn
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| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2018 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Theatre, Performance and Change / / edited by Stephani Etheridge Woodson, Tamara Underiner
| Theatre, Performance and Change / / edited by Stephani Etheridge Woodson, Tamara Underiner |
| Edizione | [1st ed. 2018.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2018 |
| Descrizione fisica | 1 online resource (LV, 344 p. 4 illus.) |
| Disciplina | 790 |
| Soggetto topico |
Performing arts
Theater Actors Performing Arts Contemporary Theatre Performers and Practitioners |
| ISBN | 3-319-65828-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Stephani Etheridge Woodson and Tamara Underiner; Introduction -- 2. Daniel Banks; Taking the Mic: Hip Hop’s Call for Change -- 3. Paul Bonin-Rodriguez & Charlotte M. Canning; Rehearsing Citizenship: Performance as Public Practice in the Undergraduate Curriculum -- 4. David Calder; Street Performers Working for Change -- 5. Young Ai Choi; The Third Space: Inter-cultural Youth Performance as a Catalyst for Change -- 6. Jan Cohen-Cruz; Uncommon Partnerships -- 7. Kathryn Dawson; Reflections on School Change through the Arts -- 8. Linda Essig; n=1 -- 9. John Fletcher; Denouement: Notes on the End(s) of Activism -- 10. Marcela A. Fuentes; Making Change: Performance and the Workings of the Event -- 11. Lorenzo Garcia; Adding to the Dialogue with Latina/o Plays for Young Audiences -- 12. Nadine George-Graves; An Environment of Cascading Consequences -- 13. Jamie Haft; Creating a Populist Theatre -- 14. Norifumi Hida; Laying the groundwork for dramatic results: ASSITEJ’s Next Generation -- 15. Jorge A. Huerta; Fifty Years of Chicano Theatre: Mapping the Face(s) of the New American Theatre -- 16. Lisa Jackson-Schebetta; In the Heights at the University of Pittsburgh: Failures, Successes and Change -- 17. Elizabeth Johnson; Choreography, Connections and Change -- 18. Daniel A. Kelin, II; The Journey Matters: Agency through Artistry -- 19. Michal Kobialka; “Of Change” -- 20. Bridget Kiger Lee and Patricia Enciso; Testing the Waters of Change in the Classroom: The Case for Incremental Transformation in Teacher Practice -- 21. Stephanie Lein Walseth; Racial Justice Activism and Equitable Partnerships: Theories of Change from Theatres of Color -- 22. Robert H. Leonard; Theatre and Social Imaginaries -- 23. Ruby Lerner; Radical Creativity as a Lever for Social Change: Why It Matters, What It Takes -- 24. Scott Magelssen; Why Do They Think this is Okay? Defending Performance as a Means for Change -- 25. Mary McAvoy; What We Left Behind in our Race to the Top: Education Reform Goes Metaformative -- 26. Talleri A. McRae; The Aesthetics of Inclusion -- 27. Carlos Morton;Changes, Everything Changes (Cambia, todo cambia) -- 28. Tobin Nellhaus; Big History -- 29. Michael Rohd: 100 Questions/3 ideas/1 story/and a ghost -- 30. Jon D. Rossini; Shift 2 -- 31. Alan Sikes; “The Odéon is Open” Performative Politics and the Paris 1968 Uprising -- 32. Dani Snyder-Young; Despite artists’ intentions, emancipated spectatorship reinforces audience members’ existing attitudes and beliefs -- 33. Caridad Svich; The breath of change or how to stay awake when the world desires sleep and other thoughts about theatre, performance and Bowie’s Ch-changes -- 34. E.J. Westlake; The Waning of Affect, the End of the Liberal Project, and the Rehearsal of Social Change: a Page from the Millennial Playbook -- 35. W. B. Worthen; (Inter)disciplinary Change -- 36. Patricia Ybarra; The Administrator as Activist -- 37. Stephani Etheridge Woodson and Tamara Underiner. And…? |
| Record Nr. | UNINA-9910300003203321 |
| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2018 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Soggetto topico
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Contemporary Theatre
(53)
- Theater (52)
- Performing arts (42)
- Performing Arts (41)
- National/Regional Theatre and Performance (17)