The Palgrave Handbook of the History of Women on Stage [[electronic resource] /] / edited by Jan Sewell, Clare Smout |
Edizione | [1st ed. 2019.] |
Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2019 |
Descrizione fisica | 1 online resource (850 pages) |
Disciplina | 792.0280922 |
Soggetto topico |
Theater—History
Theater Actors Performing arts Theatre History Performers and Practitioners Global/International Theatre and Performance Contemporary Theatre Performing Arts |
ISBN | 3-030-23828-8 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | 1. General Introduction; Jan Sewell and Clare Smout -- 2. Female Performers in the Greco-Roman World: An Introduction; Anne Duncan -- 3. The Roman Mimae: Female Performers in Ancient Rome; Anne Duncan -- 4. Ludism, Gender-Play and Roman Theatricality; Clare Foster -- 5. Women and Medieval Drama: Selected Sisters and Worshipful Wives; Sue Niebrzydowski -- 6. The First Italian Actresses, Isabella Andreini and the Commedia dell’Arte; Margaret Rose -- 7. Elizabeth I and the Dancing Stuart Queens: Female Agency and Subjectivity in Early Modern English Court Drama; Catherine Clifford -- 8. Margaret Cavendish’s Female Fairground Performers; M. A. Katritzky -- 9. Women Performers on English Stages 1660-1740; Jane Milling -- 10. Eighteenth-Century English Actresses: From Rustic Simplicity to Urban Sophistication; Laura J. Rosenthal -- 11. Late Eighteenth-Century English Actresses and Material Culture; Laura Engel -- 12. Performing the Nation State: Female Representation in Nineteenth-Century American Theatre and the American Cultural Imagination; Pam Cobrin -- 13. Death and the Working Woman: Actresses, Illness, and Labour from Rachel to Bernhardt; Roberta Barker -- 14. Ada Rehan: The Case of the Missing International Star; Lezlie C. Cross -- 15. Japanese Women on Stage: From Tradition to Modernity; Yamanashi Makiko -- 16. Leading Ladies on the Modern Greek Stage: Personal and Political Rivalries from Paraskevopoulou and Veroni to Kotopouli, Kyveli and Papadaki; Xenia Georgopoulou -- 17. British Actresses, 1900-1950: Professional Transformations; Maggie B. Gale -- 18. Serafima Birman, Sofia Giatsintova, Alla Tarasova and Olga Pyzhova: ‘Second Wave’ Russian and Soviet Actresses, Stanislavsky's System and the Moscow Art Theatre; Maria Ignatieva and Rose Whyman -- 19. Actress-Entrepreneurs of the Harlem Renaissance / New Negro Era: Anita Bush, Abbie Mitchell, Rose McClendon, Mercedes Gilbert, Venzella Jones; Cheryl Black -- 20. ‘Bad Girls’ of 1960s-1990s American Performance: Adrian Piper, Karen Finley and Carolee Schneemann; Dorothy Chansky -- 21. Birth, Copulation and Death: Feminist Theatre and Performance Practice across Four Decades; Anna Furse -- 22. Feminist Theatre: Putting Women Centre Stage; Sue Parrish -- 23. Theatre of Black Women: A Personal Account; Bernardine Evaristo -- 24. Women and Theatre, Birmingham: The Early Years (1984-1994); Polly Wright, with Jo Broadwood and Janice Connolly -- 25. Jenny Sealey of Graeae in Conversation with Clare Smout, February 2018: Gender and Disability; Jenny Sealey, with Clare Smout -- 26. Women on the Classical Kerala Stage: The Kutiyattam and Kathakali Traditions; Diane Daugherty -- 27. Negotiating Representations of Coloured Women in Post-Apartheid South African Performance; Amy Jephta -- 28. Great British Dames: Mature Actresses and their Negotiation of Celebrity in the Twenty-First Century; Mary Luckhurst -- 29. Feminist Dramaturgy in Practice: Lazarus Theatre Company’s Staging of Elizabeth Cary’s The Tragedy of Mariam; Sara Reimers and Elizabeth Schafer -- 30. Theatre Inside/Outside Prison: San Vittore Globe Theatre Company, Milan; Susan Marshall -- 31. Australasian Shakespeare: Race and the Female Star; Anna Kamaralli -- 32. Women Playing Shakespeare’s Men: Achieving Equality on the Twenty-First Century British Stage; Jami Rogers -- 33. Theatre, Education and Embodied Cognition: Young Women in a Changing World; Tracy Irish -- 34. Trans Women on Stage: Erasure, Resurgence and #notadebate; Emma Frankland. |
Record Nr. | UNINA-9910484596203321 |
Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2019 | ||
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Lo trovi qui: Univ. Federico II | ||
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Performance and the Disney Theme Park Experience [[electronic resource] ] : The Tourist as Actor / / edited by Jennifer A. Kokai, Tom Robson |
Edizione | [1st ed. 2019.] |
Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2019 |
Descrizione fisica | 1 online resource (xiv, 292 pages) |
Disciplina | 792.022 |
Soggetto topico |
Performing arts
Theater Popular Culture Performing Arts Contemporary Theatre National/Regional Theatre and Performance |
ISBN | 3-030-29322-X |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | 1. “Introduction” Co-Authored by Jennifer A. Kokai and Tom Robson Time, Tomorrowland, and Fantasy -- 2. “The Future Is Truly in the Past: The Regressive Nostalgia of Tomorrowland” by Tom Robson -- 3. “What’s Missing in FrontierLand?: American Indian Culture and Indexical Absence at Walt Disney World” by Victoria Lantz -- 4. “Staging Medieval Fantasy Through Tourism” by Christina Gutierrez-Dennehey Environments as Ideologies -- 5. “The Nemofication of Nature: Animals, Artificiality, and Affect at Disney World” by Jennifer A. Kokai -- 6. “Chinese Lions and Asian Beauties on Broadway Boulevard: Establishing a Satellite Broadway at Shanghai Disney” by Laura MacDonald -- 7. “Disney-fying Dixie: Queering the Laughing Place at Splash Mountain” by Chase Bringardner Liveness and AudioAnimation -- 8. “Dream Away: Disney’s Robot Dramas Revisited” by Li Cornfeld -- 9. “The Search for a Great, Big, Beautiful Tomorrow: Performing ‘Utopia’ with Non-Human Bodies in the Hall of Presidents” by Joseph D’Ambrosi -- 10. “The Royal Theatre Presents: Echoes of Melodrama and Minstrelsy” by Patrice Amon This Counter Identities -- 11. “Gated Amusement Parks, Disneyland, and the Codification of Colorblind Racism in the American Amusement Industry” by Jill Morris -- 12. “Club Villain: Transgression and Empowerment of Disney Villain Culture in the Happiest Place on Earth” by Christen Mandracchia -- 13. “The Park as Stage: Radical Consumer Performance” by Elizabeth Schiffler “Afterword” by Susan Bennett. |
Record Nr. | UNINA-9910484726603321 |
Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2019 | ||
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Lo trovi qui: Univ. Federico II | ||
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Performance for Resilience [[electronic resource] ] : Engaging Youth on Energy and Climate through Music, Movement, and Theatre / / by Beth Osnes |
Autore | Osnes Beth |
Edizione | [1st ed. 2017.] |
Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2017 |
Descrizione fisica | 1 online resource (XVIII, 158 p. 20 illus.) |
Disciplina | 302.54 |
Soggetto topico |
Theater
Environmental sociology Youth—Social life and customs Performing arts Contemporary Theatre Environmental Sociology Youth Culture Performing Arts |
ISBN | 3-319-67289-4 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | 1. Introduction to Shine -- 2. Design of Shine as a Method for Engagement -- 3. Outcomes from International Tour of Shine -- 4. Conclusion. |
Record Nr. | UNINA-9910255079203321 |
Osnes Beth
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Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2017 | ||
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Lo trovi qui: Univ. Federico II | ||
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Performance, Subjectivity, Cosmopolitanism [[electronic resource] /] / by Yana Meerzon |
Autore | Meerzon Yana |
Edizione | [1st ed. 2020.] |
Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2020 |
Descrizione fisica | 1 online resource (292 pages) |
Disciplina | 306 |
Soggetto topico |
Theater
Performing arts Contemporary Theatre Global/International Theatre and Performance Performing Arts |
ISBN | 3-030-41410-8 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | 1. Introduction: Setting the Stage - Performing the Divided Self of a New Cosmopolitanism -- 2. Chapter One: Dramaturgies of the Self: Staging the Décalage of Vernacular Cosmopolitanism -- 3. Chapter Two: ‘Speaking in Tongues’: Staging Hospitality of (Non)Translation -- 4. Chapter Three: Dramaturgies of the Body: Staging Stranger-Fetishism in a Cosmopolitan Solo Performance -- 5. Chapter Four: Staging Cosmoprolis - Constructing the Chorus Play -- 6. Chapter Five: Dramaturgies of the Gaze: On the Intimate Realities of Cosmopolitanism -- 7. Chapter Six: Staging Affective Citizenship – Constructing Communities of Hope -- 8. Chapter Seven: How to Be a Cosmopolitan: Concluding Remarks. . |
Record Nr. | UNINA-9910484641403321 |
Meerzon Yana
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Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2020 | ||
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Lo trovi qui: Univ. Federico II | ||
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Performances of Suffering in Latin American Migration [[electronic resource] ] : Heroes, Martyrs and Saints / / by Ana Elena Puga, Víctor M. Espinosa |
Autore | Puga Ana Elena |
Edizione | [1st ed. 2020.] |
Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2020 |
Descrizione fisica | 1 online resource (xv, 372 pages) : illustrations, maps |
Disciplina | 869.09352069 |
Soggetto topico |
Theater
Performing arts Global/International Theatre and Performance National/Regional Theatre and Performance Contemporary Theatre Performing Arts |
ISBN | 3-030-37409-2 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Chapter 1: Introduction -- Part 1: Rescue -- Chapter 2:Heroic and Empathic Rescuers in Foundational Migrant Melodrama -- Chapter 3: Rescuers as Saints and Martyrs in Contemporary Migrant Melodrama -- Part 2: Mothers and Fathers -- Chapter 4: Madre Dolorosa: Casting Competitions in Mother Activism -- Chapter 5: Wounded Warriors: Corrective Castings in Male Activism -- Part 3: Children and Youth -- Chapter 6: Unaccompanied Migrant Children: Orphan-Martyrs in Motion -- Chapter 7: DREAMer Youth Artist-Activists: Queering Migrant Melodrama -- Chapter 8:Epilogue. |
Record Nr. | UNINA-9910484553503321 |
Puga Ana Elena
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Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2020 | ||
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Lo trovi qui: Univ. Federico II | ||
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Performing Character in Modern Irish Drama [[electronic resource] ] : Between Art and Society / / by Michał Lachman |
Autore | Lachman Michał |
Edizione | [1st ed. 2018.] |
Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2018 |
Descrizione fisica | 1 online resource (xv, 312 pages) |
Disciplina | 820 |
Soggetto topico |
Theater—History
Theater British literature Theatre History Contemporary Theatre British and Irish Literature |
ISBN | 3-319-76535-3 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Record Nr. | UNINA-9910300010403321 |
Lachman Michał
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Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2018 | ||
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Lo trovi qui: Univ. Federico II | ||
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Performing Citizenship [[electronic resource] ] : Bodies, Agencies, Limitations / / edited by Paula Hildebrandt, Kerstin Evert, Sibylle Peters, Mirjam Schaub, Kathrin Wildner, Gesa Ziemer |
Edizione | [1st ed. 2019.] |
Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2019 |
Descrizione fisica | 1 online resource (XII, 318 p. 17 illus.) |
Disciplina | 792 |
Collana | Performance Philosophy |
Soggetto topico |
Theater
Performing arts Global/International Theatre and Performance Performing Arts Contemporary Theatre |
Soggetto genere / forma | Electronic books. |
ISBN | 3-319-97502-1 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | 1. Introduction; Paula Hildebrandt and Sibylle Peters -- 2. Yet Another Effort, Citizens, if you Want to Learn How to React!; Kai van Eikels -- 3. [An] Elephant in the room. Notes on the ‘Welcome City’ Hamburg; Paula Hildebrandt -- 4. Doing Rights with Things: the Art of Becoming Citizens; Engin Isin -- 5. Performing Citizenship - Gathering (in the) Movement; Liz Rech -- 6. On Bodies and the Need to Appropriate Them; Antje Velsinger -- 7. Silence, Motifs and Echoes – Acts of Listening in Postcolonial Hamburg; Katharina Kellermann -- 8. Claims for the Future: Indigenous Rights, Housing Rights, Land Rights, Women’s Rights; Elke Krasny -- 9. Spaces of Citizenship; Sergio Tamayo -- 10. Urban Citizenship – Spaces for Enacting Rights; Kathrin Wildner -- 11. A Space of Performing Citizenship – the Gängeviertel in Hamburg; Michael Ziehl -- 12. Performance as Delegation: Citizenship in ‘Lloyd's Assemblage’; Moritz Frischkorn -- 13. (Re)Labelling: Mimicry, Between Identification and Subjectivation; Thari Jungen -- 14. PARALOGISTICS. On People, Things and Oceans; geheimagentur and Sibylle Peters -- 15. Phyto-Performance and the Lost Gardens of Riga; Alan Read -- 16. Of Mice and Masks: How performing citizenship worked for a thousand years in the Venetian Republic and why the Age of Enlightenment brought it to an abrupt end; Mirjam Schaub -- 17. Perform, Citizen!: On the Resource of Visibility in Performative Practice, between Invitation and Imperative; Maike Gunsilius -- 18. Practices of Politicizing Listening (to Migration): 'The point of language will no longer only be about communication, but also about pleasure and politics'; Nanna Heidenreich -- 19. Childish Citizenship; Darren O’Donnell -- 20. I do. From Instruction to Agency: Designing of Vocational Orientation through Artistic Practice; Constanze Schmidt. |
Record Nr. | UNINA-9910372740703321 |
Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2019 | ||
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Lo trovi qui: Univ. Federico II | ||
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Performing Dream Homes [[electronic resource] ] : Theater and the Spatial Politics of the Domestic Sphere / / edited by Emily Klein, Jennifer-Scott Mobley, Jill Stevenson |
Edizione | [1st ed. 2019.] |
Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2019 |
Descrizione fisica | 1 online resource (XVI, 238 p. 19 illus.) |
Disciplina | 792 |
Soggetto topico |
Theater
Performing arts Contemporary Theatre Performing Arts National/Regional Theatre and Performance |
ISBN | 3-030-01581-5 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | 1. Emily Klein, Jennifer-Scott Mobley, and Jill Stevenson; Introduction: Welcome Home -- 2. Jocelyn L. Buckner; 'The History of America is the History of Private Property’: The Politics of Home in Clybourne Park and Beneatha’s Place -- 3. Lourdes Arciniega; Home as an Activist and Feminist Stage: Women’s Performative Agency in the Drama of Susan Glaspell -- 4. Amanda Clarke; Home Games: Contesting Domestic Geographies in Marie Jones’s A Night in November -- 5. Ann M. Shanahan; Making Room(s): Staging Plays about Women and Houses -- 6. Jessie Glover; Staging Recovery as Home Work in Rachel’s House -- 7. Ursula Neuerburg-Denzer; The Making of ‘Attawapiskat is no Exception’: Positions, Implications, and Affective Responses -- 8. Iris Smith Fischer; The Genius of a House: Grey Towers as Nineteenth-Century Stage for Twentieth-Century Conservationism -- 9. Chase Bringardner; Pitching Home: Medicine Shows and the Performance of the Domestic in Southern Appalachia -- 10. Emily Klein; Nostalgic Cartography: Performances of Hometown by Pittsburgh’s Squonk Opera and San Francisco’s Magic Bus -- 11. Coda: Home(less)ness. |
Record Nr. | UNINA-9910484071503321 |
Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2019 | ||
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Lo trovi qui: Univ. Federico II | ||
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Performing ice. / / Carolyn Philpott, Elizabeth Leane, Matt Delbridge |
Edizione | [1st ed. 2020.] |
Pubbl/distr/stampa | Cham, Switzerland : , : Palgrave Macmillan, , [2020] |
Descrizione fisica | 1 online resource (XIV, 238 p. 12 illus., 11 illus. in color.) |
Disciplina | 791.436538 |
Collana | Performing Landscapes |
Soggetto topico |
Performing arts
Theatre Direction and Production Contemporary Theatre |
ISBN | 3-030-47388-0 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | 1. Chapter 1: Performing Ice: Histories, Theories, Contexts; Elizabeth Leane (University of Tasmania, Australia), Carolyn Philpott (University of Tasmania, Australia). and Matt Delbridge (Deakin University, Australia) -- 2. Chapter 2: Staging the Construction of Place in Two Antarctic Plays; Hanne Nielsen (University of Tasmania, Australia) -- 3. Chapter 3: Figures in a Landscape; Douglas Quin (Syracuse University, USA) -- 4. Chapter 4: Mixing Ice: DJ Spooky’s Musical Portraits of the Arctic and Antarctic; Carolyn Philpott -- 5. Chapter 5: One Year Performance 1921-22, or Two Men in a Boat; Mike Pearson (University of Aberystwyth, UK) -- 6. Chapter 6: The Eco-Cruelty of the Great Finnish Famine of 1695-97: Artaud’s Anarchic Ethics at the Climax of the Little Ice Age; Riku Roihankorpi (University of Tampere, Finland) -- 7. Chapter 7: Immersion: The Aquatic Ice Body; Tace Kelly (Monash University, Australia) and Kit Wise (RMIT University, Australia) -- 8. Chapter 8: Performing Sovereignty over an Ice Continent; Elizabeth Leane (University of Tasmania, Australia) and Julia Jabour (University of Tasmania, Australia) -- 9. Chapter 9: The Gigaton Ice Theatre: Performing Ecoactivism in Antarctica; Leslie Roberts (California College of the Arts, USA) -- 10. Chapter 10: Hiking beyond Roads and Internet: Weather, Landscapes and Performance North of the Arctic Circle; Willmar Sauter (University of Stockholm, Sweden). |
Record Nr. | UNINA-9910484869403321 |
Cham, Switzerland : , : Palgrave Macmillan, , [2020] | ||
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Lo trovi qui: Univ. Federico II | ||
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Performing Ruins [[electronic resource] /] / by Simon Murray |
Autore | Murray Simon |
Edizione | [1st ed. 2020.] |
Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2020 |
Descrizione fisica | 1 online resource (xviii, 316 pages) : illustrations |
Disciplina | 720 |
Collana | Performing Landscapes |
Soggetto topico |
Performing arts
Theater Actors Performing Arts Contemporary Theatre Performers and Practitioners Applied Theatre |
ISBN | 3-030-40643-1 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | 1. Introduction: Ruining the Project, Subjectivities, Fields and Methods -- 2. Ruins in Context - Context in Ruins -- 3. Performing the Antiquary: Classical Ruins in the Greek Imaginary -- 4. Nature’s Ruins -- 5. Dissonance and Contestation: Ruining Heritage and its Alternatives -- 6. Legacies of War: Performing Balkan Ruins -- 7. Ruins of Capital -- 8. After Communism and the Cold War: a Ruined Inheritance -- 9. Conclusion: Ruining the Ruin or Pausing at a Partial View -- . |
Record Nr. | UNINA-9910483738303321 |
Murray Simon
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Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2020 | ||
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Lo trovi qui: Univ. Federico II | ||
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