New Directions in Teaching Theatre Arts / / edited by Anne Fliotsos, Gail S. Medford |
Edizione | [1st ed. 2018.] |
Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2018 |
Descrizione fisica | 1 online resource (XIX, 310 p. 7 illus.) |
Disciplina | 792.071173 |
Soggetto topico |
Theater
Performing arts Actors Art education Contemporary Theatre Performing Arts Performers and Practitioners Creativity and Arts Education |
ISBN | 3-319-89767-5 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Record Nr. | UNINA-9910300035503321 |
Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2018 | ||
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Lo trovi qui: Univ. Federico II | ||
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New Media Dramaturgy : Performance, Media and New-Materialism / / by Peter Eckersall, Helena Grehan, Edward Scheer |
Autore | Eckersall Peter |
Edizione | [1st ed. 2017.] |
Pubbl/distr/stampa | London : , : Palgrave Macmillan UK : , : Imprint : Palgrave Macmillan, , 2017 |
Descrizione fisica | 1 online resource (XI, 236 p. 22 illus.) |
Disciplina | 790 |
Collana | New Dramaturgies |
Soggetto topico |
Performing arts
Theater Theater—Production and direction Performing Arts Contemporary Theatre Theatre Direction and Production |
ISBN | 1-137-55604-8 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | 1. Cue Black Shadow Effect: The New Media Dramaturgy Experience -- 2. The Virtual Machine: Projection in the Theatre -- 3. Organised Light and ‘Useful Lumens’ in Environmental Video Projection: Or the Meaning of Light -- 4. The Theatre of Atmospheres -- 5. Robots: Asleep, Awake, Alone, and in Love -- 6. The Theatrical Superfield: On Soundscapes and Acoustic Dramaturgy -- 7. XD: Reproducing Technological Experience -- 8. Play/Pause, FF/Rewind, End. Machine Times, End Times: Theatre, Live Film, and Video -- Bibliography -- Index.-. |
Record Nr. | UNINA-9910255063303321 |
Eckersall Peter
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London : , : Palgrave Macmillan UK : , : Imprint : Palgrave Macmillan, , 2017 | ||
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Lo trovi qui: Univ. Federico II | ||
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The Object of Comedy : Philosophies and Performances / / edited by Jamila M. H. Mascat, Gregor Moder |
Edizione | [1st ed. 2019.] |
Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2019 |
Descrizione fisica | 1 online resource (300 pages) : illustrations |
Disciplina |
809.2523
809.917 |
Collana | Performance Philosophy |
Soggetto topico |
Theater
Performing arts Philosophy Contemporary Theatre Performing Arts Philosophy, general |
ISBN | 3-030-27742-9 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Section 1 – Comic Philosophy -- Chapter 1. The uncanny and the comic. Freud avec Lubitsch – Mladen Dolar -- Chapter 2. How They Fought – Sandra Laugier -- Chapter 3. Hegel and the Misadventures of Consciousness. On Comedy and Revolutionary Partisanship – Jamila M. H. Mascat -- Chapter 4. The Aborted Object of Comedy & the Birth of the Subject. Socrates and Aristophanes’ Alliance – Rachel Aumiller -- Section 2 – Comic Psychoanalysis -- Chapter 5. The Three Moments of Comedy – Robert Pfaller -- Chapter 6. From Objects of Desire to Objects of Comedy in Chaplin’s Modern Times – Alfie Bown -- Chapter 7. Where Does Dirt Come From? – Alenka Zupančič -- Section 3 – Screening Comedy -- Chapter 8. Seriously Funny: Comedy and Authority in The Boss of it All – Benjamin Noys -- Chapter 9. Stoicism, Causality, Divine Providence and Comedy in Buster Keaton’s The General – Lisa Trahair -- Chapter 10. Bad Cops – Todd McGowan -- Section 4 – Performing Comedy -- Chapter 11. Richard Pryor, the Conedian – Alexi Kukuljevic -- Chapter 12. Comedy as Performance – Gregor Moder -- Chapter 13. After Death Comes Humour. On the Poetics of Alexander Vvedensky – Keti Chukhrov -- Chapter 14. Asking for It. An exchange – Cassandra Seltman and Vanessa Place -- Chapter 15. Of Organic Comedies. Interview with Romeo Castellucci – Jamila M.H. Mascat. |
Record Nr. | UNINA-9910483501503321 |
Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2019 | ||
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Lo trovi qui: Univ. Federico II | ||
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Oscar Wilde and Contemporary Irish Drama : Learning to be Oscar's Contemporary / / by Graham Price |
Autore | Price Graham |
Edizione | [1st ed. 2018.] |
Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2018 |
Descrizione fisica | 1 online resource (253 pages) |
Disciplina | 822.009 |
Soggetto topico |
Theater
British literature Contemporary Theatre National/Regional Theatre and Performance British and Irish Literature |
ISBN | 3-319-93345-0 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | 1. Introduction: The Future is what Artists Are -- 2. Brian Friel: The Liar as Artist -- 3. Thomas Kilroy: Biography but with the facts changed -- 4. Tom Murphy: We are all in the gutter, but some of us are looking at the stars -- 5. Frank McGuinness: To Hell with the truth so long as it rhymes -- 6. Marina Carr: All women become like their mothers. That is their tragedy. No man does. That’s his -- 7. Epilogue. |
Record Nr. | UNINA-9910300042403321 |
Price Graham
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Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2018 | ||
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Lo trovi qui: Univ. Federico II | ||
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Palestinian Theatre in the West Bank : Our Human Faces / / by Gabriel Varghese |
Autore | Varghese Gabriel |
Edizione | [1st ed. 2020.] |
Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2020 |
Descrizione fisica | 1 online resource (xi, 166 pages) |
Disciplina |
792
792.09 |
Soggetto topico |
Theater
National/Regional Theatre and Performance Contemporary Theatre |
ISBN | 3-030-30247-4 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Chapter 1: Introduction -- Chapter 2: Cultural intifada, beautiful resistance -- Chapter 3: Aren’t we human? -- Chapter 4: A stage of one’s own -- Chapter 5: Acting on the pain of others. |
Record Nr. | UNINA-9910485001703321 |
Varghese Gabriel
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Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2020 | ||
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Lo trovi qui: Univ. Federico II | ||
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The Palgrave Handbook of the History of Women on Stage / / edited by Jan Sewell, Clare Smout |
Edizione | [1st ed. 2019.] |
Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2019 |
Descrizione fisica | 1 online resource (850 pages) |
Disciplina |
792.0280922
792.09 |
Soggetto topico |
Theater—History
Theater Actors Performing arts Theatre History Performers and Practitioners Global/International Theatre and Performance Contemporary Theatre Performing Arts |
ISBN | 3-030-23828-8 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | 1. General Introduction; Jan Sewell and Clare Smout -- 2. Female Performers in the Greco-Roman World: An Introduction; Anne Duncan -- 3. The Roman Mimae: Female Performers in Ancient Rome; Anne Duncan -- 4. Ludism, Gender-Play and Roman Theatricality; Clare Foster -- 5. Women and Medieval Drama: Selected Sisters and Worshipful Wives; Sue Niebrzydowski -- 6. The First Italian Actresses, Isabella Andreini and the Commedia dell’Arte; Margaret Rose -- 7. Elizabeth I and the Dancing Stuart Queens: Female Agency and Subjectivity in Early Modern English Court Drama; Catherine Clifford -- 8. Margaret Cavendish’s Female Fairground Performers; M. A. Katritzky -- 9. Women Performers on English Stages 1660-1740; Jane Milling -- 10. Eighteenth-Century English Actresses: From Rustic Simplicity to Urban Sophistication; Laura J. Rosenthal -- 11. Late Eighteenth-Century English Actresses and Material Culture; Laura Engel -- 12. Performing the Nation State: Female Representation in Nineteenth-Century American Theatre and the American Cultural Imagination; Pam Cobrin -- 13. Death and the Working Woman: Actresses, Illness, and Labour from Rachel to Bernhardt; Roberta Barker -- 14. Ada Rehan: The Case of the Missing International Star; Lezlie C. Cross -- 15. Japanese Women on Stage: From Tradition to Modernity; Yamanashi Makiko -- 16. Leading Ladies on the Modern Greek Stage: Personal and Political Rivalries from Paraskevopoulou and Veroni to Kotopouli, Kyveli and Papadaki; Xenia Georgopoulou -- 17. British Actresses, 1900-1950: Professional Transformations; Maggie B. Gale -- 18. Serafima Birman, Sofia Giatsintova, Alla Tarasova and Olga Pyzhova: ‘Second Wave’ Russian and Soviet Actresses, Stanislavsky's System and the Moscow Art Theatre; Maria Ignatieva and Rose Whyman -- 19. Actress-Entrepreneurs of the Harlem Renaissance / New Negro Era: Anita Bush, Abbie Mitchell, Rose McClendon, Mercedes Gilbert, Venzella Jones; Cheryl Black -- 20. ‘Bad Girls’ of 1960s-1990s American Performance: Adrian Piper, Karen Finley and Carolee Schneemann; Dorothy Chansky -- 21. Birth, Copulation and Death: Feminist Theatre and Performance Practice across Four Decades; Anna Furse -- 22. Feminist Theatre: Putting Women Centre Stage; Sue Parrish -- 23. Theatre of Black Women: A Personal Account; Bernardine Evaristo -- 24. Women and Theatre, Birmingham: The Early Years (1984-1994); Polly Wright, with Jo Broadwood and Janice Connolly -- 25. Jenny Sealey of Graeae in Conversation with Clare Smout, February 2018: Gender and Disability; Jenny Sealey, with Clare Smout -- 26. Women on the Classical Kerala Stage: The Kutiyattam and Kathakali Traditions; Diane Daugherty -- 27. Negotiating Representations of Coloured Women in Post-Apartheid South African Performance; Amy Jephta -- 28. Great British Dames: Mature Actresses and their Negotiation of Celebrity in the Twenty-First Century; Mary Luckhurst -- 29. Feminist Dramaturgy in Practice: Lazarus Theatre Company’s Staging of Elizabeth Cary’s The Tragedy of Mariam; Sara Reimers and Elizabeth Schafer -- 30. Theatre Inside/Outside Prison: San Vittore Globe Theatre Company, Milan; Susan Marshall -- 31. Australasian Shakespeare: Race and the Female Star; Anna Kamaralli -- 32. Women Playing Shakespeare’s Men: Achieving Equality on the Twenty-First Century British Stage; Jami Rogers -- 33. Theatre, Education and Embodied Cognition: Young Women in a Changing World; Tracy Irish -- 34. Trans Women on Stage: Erasure, Resurgence and #notadebate; Emma Frankland. |
Record Nr. | UNINA-9910484596203321 |
Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2019 | ||
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Lo trovi qui: Univ. Federico II | ||
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Performance and the Disney Theme Park Experience : The Tourist as Actor / / edited by Jennifer A. Kokai, Tom Robson |
Edizione | [1st ed. 2019.] |
Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2019 |
Descrizione fisica | 1 online resource (xiv, 292 pages) |
Disciplina | 792.022 |
Soggetto topico |
Performing arts
Theater Popular Culture Performing Arts Contemporary Theatre National/Regional Theatre and Performance |
ISBN | 3-030-29322-X |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | 1. “Introduction” Co-Authored by Jennifer A. Kokai and Tom Robson Time, Tomorrowland, and Fantasy -- 2. “The Future Is Truly in the Past: The Regressive Nostalgia of Tomorrowland” by Tom Robson -- 3. “What’s Missing in FrontierLand?: American Indian Culture and Indexical Absence at Walt Disney World” by Victoria Lantz -- 4. “Staging Medieval Fantasy Through Tourism” by Christina Gutierrez-Dennehey Environments as Ideologies -- 5. “The Nemofication of Nature: Animals, Artificiality, and Affect at Disney World” by Jennifer A. Kokai -- 6. “Chinese Lions and Asian Beauties on Broadway Boulevard: Establishing a Satellite Broadway at Shanghai Disney” by Laura MacDonald -- 7. “Disney-fying Dixie: Queering the Laughing Place at Splash Mountain” by Chase Bringardner Liveness and AudioAnimation -- 8. “Dream Away: Disney’s Robot Dramas Revisited” by Li Cornfeld -- 9. “The Search for a Great, Big, Beautiful Tomorrow: Performing ‘Utopia’ with Non-Human Bodies in the Hall of Presidents” by Joseph D’Ambrosi -- 10. “The Royal Theatre Presents: Echoes of Melodrama and Minstrelsy” by Patrice Amon This Counter Identities -- 11. “Gated Amusement Parks, Disneyland, and the Codification of Colorblind Racism in the American Amusement Industry” by Jill Morris -- 12. “Club Villain: Transgression and Empowerment of Disney Villain Culture in the Happiest Place on Earth” by Christen Mandracchia -- 13. “The Park as Stage: Radical Consumer Performance” by Elizabeth Schiffler “Afterword” by Susan Bennett. |
Record Nr. | UNINA-9910484726603321 |
Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2019 | ||
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Lo trovi qui: Univ. Federico II | ||
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Performance for Resilience : Engaging Youth on Energy and Climate through Music, Movement, and Theatre / / by Beth Osnes |
Autore | Osnes Beth |
Edizione | [1st ed. 2017.] |
Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2017 |
Descrizione fisica | 1 online resource (XVIII, 158 p. 20 illus.) |
Disciplina | 302.54 |
Soggetto topico |
Theater
Environmental sociology Youth—Social life and customs Performing arts Contemporary Theatre Environmental Sociology Youth Culture Performing Arts |
ISBN | 3-319-67289-4 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | 1. Introduction to Shine -- 2. Design of Shine as a Method for Engagement -- 3. Outcomes from International Tour of Shine -- 4. Conclusion. |
Record Nr. | UNINA-9910255079203321 |
Osnes Beth
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Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2017 | ||
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Lo trovi qui: Univ. Federico II | ||
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Performance, Subjectivity, Cosmopolitanism / / by Yana Meerzon |
Autore | Meerzon Yana |
Edizione | [1st ed. 2020.] |
Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2020 |
Descrizione fisica | 1 online resource (292 pages) |
Disciplina |
306
301 |
Soggetto topico |
Theater
Performing arts Contemporary Theatre Global/International Theatre and Performance Performing Arts |
ISBN | 3-030-41410-8 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | 1. Introduction: Setting the Stage - Performing the Divided Self of a New Cosmopolitanism -- 2. Chapter One: Dramaturgies of the Self: Staging the Décalage of Vernacular Cosmopolitanism -- 3. Chapter Two: ‘Speaking in Tongues’: Staging Hospitality of (Non)Translation -- 4. Chapter Three: Dramaturgies of the Body: Staging Stranger-Fetishism in a Cosmopolitan Solo Performance -- 5. Chapter Four: Staging Cosmoprolis - Constructing the Chorus Play -- 6. Chapter Five: Dramaturgies of the Gaze: On the Intimate Realities of Cosmopolitanism -- 7. Chapter Six: Staging Affective Citizenship – Constructing Communities of Hope -- 8. Chapter Seven: How to Be a Cosmopolitan: Concluding Remarks. . |
Record Nr. | UNINA-9910484641403321 |
Meerzon Yana
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Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2020 | ||
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Lo trovi qui: Univ. Federico II | ||
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Performances of Suffering in Latin American Migration : Heroes, Martyrs and Saints / / by Ana Elena Puga, Víctor M. Espinosa |
Autore | Puga Ana Elena |
Edizione | [1st ed. 2020.] |
Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2020 |
Descrizione fisica | 1 online resource (xv, 372 pages) : illustrations, maps |
Disciplina |
869.09352069
862.0093552 |
Soggetto topico |
Theater
Performing arts Global/International Theatre and Performance National/Regional Theatre and Performance Contemporary Theatre Performing Arts |
ISBN | 3-030-37409-2 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Chapter 1: Introduction -- Part 1: Rescue -- Chapter 2:Heroic and Empathic Rescuers in Foundational Migrant Melodrama -- Chapter 3: Rescuers as Saints and Martyrs in Contemporary Migrant Melodrama -- Part 2: Mothers and Fathers -- Chapter 4: Madre Dolorosa: Casting Competitions in Mother Activism -- Chapter 5: Wounded Warriors: Corrective Castings in Male Activism -- Part 3: Children and Youth -- Chapter 6: Unaccompanied Migrant Children: Orphan-Martyrs in Motion -- Chapter 7: DREAMer Youth Artist-Activists: Queering Migrant Melodrama -- Chapter 8:Epilogue. |
Record Nr. | UNINA-9910484553503321 |
Puga Ana Elena
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Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2020 | ||
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Lo trovi qui: Univ. Federico II | ||
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