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Contemporary African Dance Theatre [[electronic resource] ] : Phenomenology, Whiteness, and the Gaze / / by Sabine Sörgel
| Contemporary African Dance Theatre [[electronic resource] ] : Phenomenology, Whiteness, and the Gaze / / by Sabine Sörgel |
| Autore | Sörgel Sabine |
| Edizione | [1st ed. 2020.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2020 |
| Descrizione fisica | 1 online resource (ix, 174 pages) : illustrations |
| Disciplina | 305.8 |
| Collana | New World Choreographies |
| Soggetto topico |
Dance
Performing arts Theater Actors Ethnology—Africa Performing Arts Contemporary Theatre Performers and Practitioners Applied Theatre African Culture |
| ISBN |
9783030415013
3030415015 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. This is Not a Book About African Dance -- 2. Sources and Vocabularies of Contemporary African Dance Theatre Aesthetics -- 3. White Supremacy, Necropolitics, and Anti-Capitalist Dance -- 4. Mistaken Identity: Deconstructing White Beauty and Gender Politics -- 5. Collaborative Blindness: Funding, Failure and the Ethics of Collaboration -- 6. This is a Book About Whiteness and the Gaze. |
| Record Nr. | UNINA-9910483373803321 |
Sörgel Sabine
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| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2020 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Dance Leadership [[electronic resource] ] : Theory Into Practice / / by Jane M. Alexandre
| Dance Leadership [[electronic resource] ] : Theory Into Practice / / by Jane M. Alexandre |
| Autore | Alexandre Jane M |
| Edizione | [1st ed. 2017.] |
| Pubbl/distr/stampa | London : , : Palgrave Macmillan UK : , : Imprint : Palgrave Macmillan, , 2017 |
| Descrizione fisica | 1 online resource (X, 212 p. 33 illus., 29 illus. in color.) |
| Disciplina | 792.8 |
| Soggetto topico |
Dance
Theater—Production and direction Performing arts Theater Actors Theatre Direction and Production Performing Arts Contemporary Theatre Performers and Practitioners |
| ISBN | 1-137-57592-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction -- Chapter 1. Toward a Theoretical View of Dance Leadership -- Chapter 2. “We Think Differently in the Landscape of Dance" -- Chapter 3. “I Wanted to Be a Dance Company and not a Social Project" -- Chapter 4. “The Outcome Will Be Exciting If the Process Is Exciting" -- Chapter 5. “We Found There Were Issues We Had to Address” -- Chapter 6. “I Want to Ask Questions That Are Normally Swept Under the Carpet” -- Chapter 7. “Dance Points Us into Life” -- Chapter 8. Circling Back, Moving Forward -- Chapter 9. Enhancing the Theory -- Chapter 10. Conclusion. Bibliography. |
| Record Nr. | UNINA-9910164899903321 |
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Alexandre Jane M
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| London : , : Palgrave Macmillan UK : , : Imprint : Palgrave Macmillan, , 2017 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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David Greig’s Holed Theatre [[electronic resource] ] : Globalization, Ethics and the Spectator / / by Verónica Rodríguez
| David Greig’s Holed Theatre [[electronic resource] ] : Globalization, Ethics and the Spectator / / by Verónica Rodríguez |
| Autore | Rodríguez Verónica |
| Edizione | [1st ed. 2019.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2019 |
| Descrizione fisica | 1 online resource (XVIII, 283 p. 1 illus.) |
| Disciplina | 792 |
| Soggetto topico |
Theater
Performing arts Ethics Contemporary Theatre Performing Arts |
| ISBN | 3-030-06182-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Introduction: A Shamanic Semionaut -- 2. Holed Theatre as Response to Globalization -- 3. From Ethics to the Politics of Aesthethics -- 4. Affect and the Holed Spectator: Ecology of Transfers -- 5. Europe: Globalization’s Inferiors -- 6. The Architect: Blowing Up Architectures of Power -- 7. The Cosmonaut’s Last Message to the Woman He Once Loved in the Former Soviet Union: “All this Fucking Beautiful Stuff” -- 8. San Diego: Stitching up the Globe -- 9. The American Pilot: A Precarious Restoration to ‘the Real’ -- 10. Damascus: Trouma -- 11. Fragile: Sharing Doing and Spatial Transcorporeality -- 12. The Events: Confounding Spacecraft – Here -- 13. Conclusion: World-Forming Theatre. |
| Record Nr. | UNINA-9910484147503321 |
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Rodríguez Verónica
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| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2019 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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debbie tucker green [[electronic resource] ] : Critical Perspectives / / edited by Siân Adiseshiah, Jacqueline Bolton
| debbie tucker green [[electronic resource] ] : Critical Perspectives / / edited by Siân Adiseshiah, Jacqueline Bolton |
| Edizione | [1st ed. 2020.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2020 |
| Descrizione fisica | 1 online resource (355 pages) |
| Disciplina | 791 |
| Soggetto topico |
Theater
Performing arts Theater—Production and direction Actors Contemporary Theatre Performing Arts Theatre Direction and Production National/Regional Theatre and Performance Theatre Industry Performers and Practitioners |
| ISBN | 3-030-34581-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Chapter 1: ‘change ain’t fuckin polite, scuse my language’: situating debbie tucker green -- Part I: Dramaturgies of Resistance -- Chapter 2: Black Rage: Diasporic Empathy and Ritual in debbie tucker green’s hang -- Chapter 3: ‘What about the burn their bra bitches?’: debbie tucker green as the Willfully Emotional Subject -- Chapter 4: debbie tucker green and (the Dialectics of) Dispossession: Reframing the Ethical Encounter -- Chapter 5: Engaging with Human Rights: truth and reconciliation and hang -- Chapter 6: ‘I’m a black woman. I write black characters’: Black Mothers, the Police, and Social Justice in random and hang -- Chapter 7: ‘Almost, but not quite’: Reconciling debbie tucker green’s Dramaturgy with British Playwriting Studies -- Chapter 8: Yarns and Yearnings: Story-Layering, Signifyin’, and debbie tucker green’s Black-Feminist Anger -- Part II: Affective Encounters -- Chapter 9: sticking in the throat/keyword bitch: aesthetic discharge in debbie tucker green’s stoning mary and hang -- Chapter 10: Jumping to (and away from) Conclusions: Rhythm and Temporality in debbie tucker green’s Drama -- Chapter 11: Trading Voice and Voicing Trades: Musicality in debbie tucker green’s trade -- Chapter 12: ‘Hearing Voices’: Performing the Mind in debbie tucker green’s Dramatic-Poetics -- Chapter 13: Cartographies of Silence in debbie tucker green's truth and reconciliation -- Chapter 14: debbie tucker green and the Work of Mourning -- Chapter 15: Reflections on hang. |
| Record Nr. | UNINA-9910484433603321 |
| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2020 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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English Theatre and Social Abjection [[electronic resource] ] : A Divided Nation / / by Nadine Holdsworth
| English Theatre and Social Abjection [[electronic resource] ] : A Divided Nation / / by Nadine Holdsworth |
| Autore | Holdsworth Nadine |
| Edizione | [1st ed. 2020.] |
| Pubbl/distr/stampa | London : , : Palgrave Macmillan UK : , : Imprint : Palgrave Macmillan, , 2020 |
| Descrizione fisica | 1 online resource (245 pages) : illustrations |
| Disciplina | 306.4848 |
| Collana | Contemporary Performance InterActions |
| Soggetto topico |
Performing arts
Theater Actors Performing Arts Theatre Industry Contemporary Theatre National/Regional Theatre and Performance Performers and Practitioners Theatre and Performance Studies |
| ISBN | 1-137-59777-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Introduction - A Divided Nation: Theatre and Social Abjection -- 2. Chapter One - ‘Anti-Northern Prejudice’: Representing the Northern Subaltern -- 3. Chapter Two - ‘You’re All the Same, Lads with Bricks’: Riots and Rioters -- 4. Chapter Three - Blighting these Green and Pleasant Lands: Gypsies and Travellers -- 5. Chapter Four - ‘The Beast that Lies Dormant in the Belly of Our Country’: Race, Nation and Belonging -- . |
| Record Nr. | UNINA-9910483586903321 |
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Holdsworth Nadine
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| London : , : Palgrave Macmillan UK : , : Imprint : Palgrave Macmillan, , 2020 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Immersive Embodiment [[electronic resource] ] : Theatres of Mislocalized Sensation / / by Liam Jarvis
| Immersive Embodiment [[electronic resource] ] : Theatres of Mislocalized Sensation / / by Liam Jarvis |
| Autore | Jarvis Liam |
| Edizione | [1st ed. 2019.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2019 |
| Descrizione fisica | 1 online resource (268 pages) |
| Disciplina | 792 |
| Collana | Palgrave Studies in Performance and Technology |
| Soggetto topico |
Theater
Performing arts Applied Theatre Contemporary Theatre Performing Arts |
| ISBN | 3-030-27971-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Chapter 1: Introduction -- Chapter 2: Proto-immersive Discourse & the ‘Theatrical Condition’ -- Chapter 3: The Immersive Promise of Becoming [with] the Other Body -- Chapter 4: Body-swapping: Self-attribution and Body Transfer Illusions (BTIs) -- Chapter 5: ‘Empathy Activism’ & Bodying Difference in Postdigital Culture: Jane Gauntlett’s In My Shoes & BeAnotherLab’s The Machine to be Another -- Chapter 6: Touching with a Virtualized Hand: Analogue’s Transports -- Chapter 7: The Suffering Avatar: Vicarity & Resistance in Body-tracked Multi-player Gaming -- Conclusion: The Theft of the Dragon Sabre: Bodies at Risk in Digital Reality. |
| Record Nr. | UNINA-9910484714503321 |
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Jarvis Liam
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| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2019 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Intercultural Aesthetics in Traditional Chinese Theatre [[electronic resource] ] : From 1978 to the Present / / by Wei Feng
| Intercultural Aesthetics in Traditional Chinese Theatre [[electronic resource] ] : From 1978 to the Present / / by Wei Feng |
| Autore | Feng Wei |
| Edizione | [1st ed. 2020.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2020 |
| Descrizione fisica | 1 online resource (284 pages) |
| Disciplina | 895.12009 |
| Soggetto topico |
Theater
Performing arts Contemporary Theatre National/Regional Theatre and Performance Global/International Theatre and Performance Performing Arts |
| ISBN | 3-030-40635-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Introduction -- 2. Chapter 1: ‘Egotistic’ Adaptations of King Lear: Intercultural Playwrights Haunted by Tradition -- 3. Chapter 2: Border-Crossing Chou Actors in Beckettian Jingju -- 4. Chapter 3: Expressionistic Chuanju: Ghosts and Scenography in Lady Macbeth -- 5. Audiences Freed from Illusion?: Brechtian Estrangement and Metatheatricality Displaced in Xiqu -- 6. Conclusion. |
| Record Nr. | UNINA-9910484488103321 |
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Feng Wei
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| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2020 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Intermedial Performance and Politics in the Public Sphere [[electronic resource] /] / edited by Katia Arfara, Aneta Mancewicz, Ralf Remshardt
| Intermedial Performance and Politics in the Public Sphere [[electronic resource] /] / edited by Katia Arfara, Aneta Mancewicz, Ralf Remshardt |
| Edizione | [1st ed. 2018.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2018 |
| Descrizione fisica | 1 online resource (XVIII, 267 p. 22 illus.) |
| Disciplina | 792.5 |
| Collana | Avant-Gardes in Performance |
| Soggetto topico |
Theater
Performing arts Contemporary Theatre Performing Arts Global/International Theatre and Performance |
| ISBN | 3-319-75343-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Introduction: In and Out: Intermedial Practice in the New Public Sphere; Katia Arfara, Aneta Mancewicz, Ralf Remshardt -- 2. Intermedial Theatre in a Mediatized Culture and Society; Chiel Kattenbelt -- 3. Intermedial Performance as a Public Sphere; Aneta Mancewicz -- 4. ‘Mirrors of Public Space.’ An Interview with Dries Verhoeven; Liesbeth Groot Nibbelink -- 5. Democracy with a Toothbrush: Protest, Performance, and the Public Sphere; Christopher Balme -- 6. Refugee Theatre in the (Inter)medial Matrix: Die Schutzbefohlenen and the Limits of Theatre as Public Sphere; Ralf Remshardt -- 7. ‘Heterotopian Transformations.’ An Interview with Akira Takayama; Natsuko Odate -- 8. Troubled Feedback Loop: The Rise and Fall of Estonia by Theatre NO99; Riina Oruaas -- 9. Between Art, Society, Representation, and Subjectivity: Wojtek Ziemilski’s Prolog. Anna R. Burzyńska -- 10. ‘The Intimacy of Public Space.’ An Interview with Kris Verdonck; Kristof van Baarle -- 11. Empire Strikes Back: The 2014 Maidan Revolution in Ukraine, Postmodern Spectatorship, and the Battle of Perception in the Public Sphere; Olga Danylyuk -- 12. The Politics of the Digital Public Sphere: On Rabih Mroué’s The Pixelated Revolution; Katia Arfara -- 13. ‘Almost Like a Teaching Play.’ An Interview with Daniel Wetzel/Rimini Protokoll; Florian Malzacher -- 14. Re-materialising the Theatrical Public Sphere through Intermediality in Grass Stage’s World Factory; Zheyu Wei -- 15. Intermediating Immanence: On Ho Tzu Nyen’s Ten Thousand Tigers; Mi You -- 16. ‘Reality is the Best Scenario.’ An Interview with BERLIN; Kurt Vanhoutte and Charlotte de Somviele. |
| Record Nr. | UNINA-9910300014103321 |
| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2018 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Intermedial Theater [[electronic resource] ] : Performance Philosophy, Transversal Poetics, and the Future of Affect / / by Bryan Reynolds
| Intermedial Theater [[electronic resource] ] : Performance Philosophy, Transversal Poetics, and the Future of Affect / / by Bryan Reynolds |
| Autore | Reynolds Bryan |
| Edizione | [1st ed. 2017.] |
| Pubbl/distr/stampa | London : , : Palgrave Macmillan UK : , : Imprint : Palgrave Macmillan, , 2017 |
| Descrizione fisica | 1 online resource (XVIII, 314 p. 30 illus., 26 illus. in color.) |
| Disciplina | 700 |
| Collana | Palgrave Studies in Performance and Technology |
| Soggetto topico |
Theater
Aesthetics Poetry Contemporary Theatre Global/International Theatre and Performance Poetry and Poetics |
| ISBN | 1-137-50838-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Introduction; Bryan Reynolds -- 2. Noodling the Nodals, Nodal Hamlet: Difference and Repetition, Extreme Performances, Remembering to Forget; Bryan Reynolds -- 3. Aspects of Intermediality: Objective Agency, Wonderment, and Transversal Refractions from the Age of Shakespeare; Bryan Reynolds (with sections by zooz [aka Bryan Reynolds and Sam Kolodezh] and Kristin Keating Fracchia & Bryan Reynolds) -- 4. The Fugitive Theater of Romeo Castellucci and Jan Lauwers after Nietzsche and with Guattari and Deleuze: Intermedial Operations, Animal Interventions, and Fractalactic Occurrences; Adam Bryx & Bryan Reynolds -- 5. Transversal Affectivity and the Lobster: Intimate Advances of Deleuze and Guattari, Rodrigo García and La Carnicería Teatro, Jan Lauwers and Needcompany, and Alice in Wonderland; Bryan Reynolds & Guy Zimmerman -- 6. Fractalicious! (Implosive Affects and Transversal Refractions); Bryan Reynolds -- 7. For the Love of Hamlet’s Headspace: Noodling with Deleuze, Thomas Ostermeier’s Nodals, and Allo-Realism; Sam Kolodezh & Bryan Reynolds -- Appendix 1: Glossary of Transversal Terms -- Appendix 2: Continuous (R)Evolutions: Thermodynamic Processes, Analog Hybridization, Transversal Becomings, and the Posthuman; zooz (James Intriligator & Bryan Reynolds) -- Index.-. |
| Record Nr. | UNINA-9910255064103321 |
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Reynolds Bryan
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| London : , : Palgrave Macmillan UK : , : Imprint : Palgrave Macmillan, , 2017 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Kinesthetic Spectatorship in the Theatre [[electronic resource] ] : Phenomenology, Cognition, Movement / / by Stanton B. Garner, Jr
| Kinesthetic Spectatorship in the Theatre [[electronic resource] ] : Phenomenology, Cognition, Movement / / by Stanton B. Garner, Jr |
| Autore | Garner Jr., Stanton B |
| Edizione | [1st ed. 2018.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2018 |
| Descrizione fisica | 1 online resource (286 pages) |
| Disciplina | 792.028 |
| Collana | Cognitive Studies in Literature and Performance |
| Soggetto topico |
Performing arts
Theater Actors Performing Arts Performers and Practitioners Contemporary Theatre |
| ISBN | 3-319-91794-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction -- Movement and Animation.-Movement, Difference, Ability -- Movement, Attention, and Intentionality.-Kinesthetic Resonance.-Language, Speech, Movement -- Empathy and Otherness. |
| Record Nr. | UNINA-9910300039403321 |
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Garner Jr., Stanton B
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| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2018 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Soggetto topico
-
Contemporary Theatre
(59)
- Theater (58)
- Performing arts (44)
- Performing Arts (43)
- National/Regional Theatre and Performance (19)