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Introduction to digital signal processing [[electronic resource] ] : computer musically speaking / / Tae Hong Park
| Introduction to digital signal processing [[electronic resource] ] : computer musically speaking / / Tae Hong Park |
| Autore | Park Tae Hong <1969-> |
| Pubbl/distr/stampa | Hackensack, N.J., : World Scientific, c2010 |
| Descrizione fisica | 1 online resource (xx, 429 p. ) : ill |
| Disciplina | 621.3822 |
| Soggetto topico |
Signal processing - Digital techniques
Computer sound processing Computer music |
| ISBN |
1-282-76020-3
9786612760204 981-279-028-4 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Acoustics, Hearing Limitations, and Sampling; Time-Domain Processes I; Time-Domain Processes II; Sine Waves; Linear-Time Invariant Systems; Frequency Response; Filters; Frequency-Domain I: Introduction to the Fourier Transform; Frequency-Domain II: Spectral Analysis and Synthesis. |
| Record Nr. | UNINA-9910780895803321 |
Park Tae Hong <1969->
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| Hackensack, N.J., : World Scientific, c2010 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Introduction to digital signal processing [[electronic resource] ] : computer musically speaking / / Tae Hong Park
| Introduction to digital signal processing [[electronic resource] ] : computer musically speaking / / Tae Hong Park |
| Autore | Park Tae Hong <1969-> |
| Pubbl/distr/stampa | Hackensack, N.J., : World Scientific, c2010 |
| Descrizione fisica | 1 online resource (xx, 429 p. ) : ill |
| Disciplina | 621.3822 |
| Soggetto topico |
Signal processing - Digital techniques
Computer sound processing Computer music |
| ISBN |
1-282-76020-3
9786612760204 981-279-028-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Acoustics, Hearing Limitations, and Sampling; Time-Domain Processes I; Time-Domain Processes II; Sine Waves; Linear-Time Invariant Systems; Frequency Response; Filters; Frequency-Domain I: Introduction to the Fourier Transform; Frequency-Domain II: Spectral Analysis and Synthesis. |
| Record Nr. | UNINA-9910816639503321 |
|
Park Tae Hong <1969->
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| Hackensack, N.J., : World Scientific, c2010 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
JavaScript for Sound Artists : Learn to Code with the Web Audio API
| JavaScript for Sound Artists : Learn to Code with the Web Audio API |
| Autore | William Turner; Steve Leonard |
| Edizione | [1st edition] |
| Pubbl/distr/stampa | Focal Press, 2017 |
| Descrizione fisica | 1 online resource (254 pages) |
| Disciplina | 006.5 |
| Soggetto topico |
Computer sound processing
JavaScript (Computer program language) Webcasting |
| ISBN |
1-315-65973-5
1-317-33494-9 1-317-33493-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Overview and setup -- 2. Getting started with JavaScript and the Web Audio API -- 3. Operators -- 4. Conditional statements and loops -- 5. Functions -- 6. Objects -- 7. Node graphs and oscillators -- 8. Using HTML and CSS to build user interfaces -- 9. DOM programming with JavaScript -- 10. Simplifying DOM programming with JQuery -- 11. Loading and playing audio files -- 12. Factories and constructors -- 13. Abstracting the file loader -- 14. The node graph and working with effects -- 15. The biquad filter node -- 16. The convolver node -- 17. Stereo panning, channel splitting, and merging -- 18. The delay node -- 19. Dynamic range compression -- 20. Time -- 21. Creating audio visualizations -- 22. Adding flexibility to the audio loader abstraction -- 23. Building a step sequencer -- 24. AJAX and JSON -- 25. The future of JavaScript and the Web Audio API. |
| Record Nr. | UNINA-9910162825003321 |
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William Turner; Steve Leonard
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| Focal Press, 2017 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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LMMS [[electronic resource] ] : a complete guide to dance music production: beginner's guide / / David Earl
| LMMS [[electronic resource] ] : a complete guide to dance music production: beginner's guide / / David Earl |
| Autore | Earl David <1951-> |
| Pubbl/distr/stampa | Birmingham, : Packt Publishing, 2012 |
| Descrizione fisica | 1 online resource (384 p.) |
| Disciplina | 006.6 |
| Soggetto topico |
Computer sound processing
Music - Computer programs |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-283-63734-0
1-84951-705-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Copyright; Credits; About the Author; About the Reviewers; www.PacktPub.com; Table of Contents; Preface; Chaper 1: Gearing Up: A Preflight Checklist; Getting a studio ready to thump; System requirements; Installing LMMS; Installing LMMS on Windows; Installing LMMS on Linux; Installing LMMS on Mac OS X 10.6 and above; LMMS resources or where's my stuff?; File management - keeping it together; Managing project versions; Time for action - saving our first project; Playing sessions at other studios; Setting up MIDI for LMMS; MIDI keyboards; Control surfaces; Setting up MIDI in Windows
Time for action - setting up MIDI in WindowsSetting up MIDI in Linux; Time for action - setting up MIDI in Linux using ALSA; Installing MIDI in Mac OS X; Getting sound out of LMMS; Getting on the mic; Dynamic microphone; The condenser microphone; A brief introduction to sound cards and audio interfaces; Great resources for inspiring sounds; Radiohead; Indaba music; Remix comps; CCmixter; Making custom samples; Avoiding painful microphone feedback; Time for action - recording with a microphone; The art of listening: controlling your listening environment Composing on the fly: laptop configurationsCutting out the world - choosing earbuds; Composing in a room with studio monitors; Computer noise, room noise, and hum; Corners are bad; Hardwood floors need a rug; Parallel walls aren't great; Absorption versus diffusion; Speaker choice and placement is important; Get a good chair; Summary; Chaper 2: Getting Our Feet Wet: Exploring LMMS; What kind of electronic musician are you?; Opening the LMMS default song and making noise!; Time for action - opening a new song template; The Main Menu bar; The Project menu; The Edit menu; The Tools menu The Help menuClicking through the toolbar; The top row of buttons on the left-hand side; The bottom row of buttons on the left-hand side; Other features of the toolbar; Exploring the goodies in the side bar; Using the Beats+Bassline Editor; Time for action - setting the stage to build a beat; Time for action - adding drums to the Beats+Bassline Editor; Time for action - creating a beat pattern; Our first tweaking of samples; Time for action - editing samples with the Audiofile processor; Time for action - adding elements and variation to our beat pattern Adding instruments to the Beats+Bassline Editor-BassTime for action - adding bass to the Beats+Bassline Editor; Our first tweaking of a synth; Time for action - editing note length and root pitch in the; Beats+Bassline Editor; Exploring the Piano Roll editor; Time for action - opening a pattern in the Piano Roll editor; Time for action - changing the pitch of the bassline; Using the Piano Roll in the Song Editor; Time for action - muting instruments in the; Beats+Bassline Editor; Time for action - enabling a Piano Roll in the Song Editor; Time for action - enabling a MIDI keyboard controller in the Song Editor |
| Record Nr. | UNINA-9910462545003321 |
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Earl David <1951->
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||
| Birmingham, : Packt Publishing, 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
LMMS [[electronic resource] ] : a complete guide to dance music production: beginner's guide / / David Earl
| LMMS [[electronic resource] ] : a complete guide to dance music production: beginner's guide / / David Earl |
| Autore | Earl David <1951-> |
| Pubbl/distr/stampa | Birmingham, : Packt Publishing, 2012 |
| Descrizione fisica | 1 online resource (384 p.) |
| Disciplina | 006.6 |
| Soggetto topico |
Computer sound processing
Music - Computer programs |
| ISBN |
1-283-63734-0
1-84951-705-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Copyright; Credits; About the Author; About the Reviewers; www.PacktPub.com; Table of Contents; Preface; Chaper 1: Gearing Up: A Preflight Checklist; Getting a studio ready to thump; System requirements; Installing LMMS; Installing LMMS on Windows; Installing LMMS on Linux; Installing LMMS on Mac OS X 10.6 and above; LMMS resources or where's my stuff?; File management - keeping it together; Managing project versions; Time for action - saving our first project; Playing sessions at other studios; Setting up MIDI for LMMS; MIDI keyboards; Control surfaces; Setting up MIDI in Windows
Time for action - setting up MIDI in WindowsSetting up MIDI in Linux; Time for action - setting up MIDI in Linux using ALSA; Installing MIDI in Mac OS X; Getting sound out of LMMS; Getting on the mic; Dynamic microphone; The condenser microphone; A brief introduction to sound cards and audio interfaces; Great resources for inspiring sounds; Radiohead; Indaba music; Remix comps; CCmixter; Making custom samples; Avoiding painful microphone feedback; Time for action - recording with a microphone; The art of listening: controlling your listening environment Composing on the fly: laptop configurationsCutting out the world - choosing earbuds; Composing in a room with studio monitors; Computer noise, room noise, and hum; Corners are bad; Hardwood floors need a rug; Parallel walls aren't great; Absorption versus diffusion; Speaker choice and placement is important; Get a good chair; Summary; Chaper 2: Getting Our Feet Wet: Exploring LMMS; What kind of electronic musician are you?; Opening the LMMS default song and making noise!; Time for action - opening a new song template; The Main Menu bar; The Project menu; The Edit menu; The Tools menu The Help menuClicking through the toolbar; The top row of buttons on the left-hand side; The bottom row of buttons on the left-hand side; Other features of the toolbar; Exploring the goodies in the side bar; Using the Beats+Bassline Editor; Time for action - setting the stage to build a beat; Time for action - adding drums to the Beats+Bassline Editor; Time for action - creating a beat pattern; Our first tweaking of samples; Time for action - editing samples with the Audiofile processor; Time for action - adding elements and variation to our beat pattern Adding instruments to the Beats+Bassline Editor-BassTime for action - adding bass to the Beats+Bassline Editor; Our first tweaking of a synth; Time for action - editing note length and root pitch in the; Beats+Bassline Editor; Exploring the Piano Roll editor; Time for action - opening a pattern in the Piano Roll editor; Time for action - changing the pitch of the bassline; Using the Piano Roll in the Song Editor; Time for action - muting instruments in the; Beats+Bassline Editor; Time for action - enabling a Piano Roll in the Song Editor; Time for action - enabling a MIDI keyboard controller in the Song Editor |
| Record Nr. | UNINA-9910785990003321 |
|
Earl David <1951->
|
||
| Birmingham, : Packt Publishing, 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
LMMS : a complete guide to dance music production: beginner's guide / / David Earl
| LMMS : a complete guide to dance music production: beginner's guide / / David Earl |
| Autore | Earl David <1951-> |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Birmingham, : Packt Publishing, 2012 |
| Descrizione fisica | 1 online resource (384 p.) |
| Disciplina | 006.6 |
| Soggetto topico |
Computer sound processing
Music - Computer programs |
| ISBN |
1-283-63734-0
1-84951-705-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Copyright; Credits; About the Author; About the Reviewers; www.PacktPub.com; Table of Contents; Preface; Chaper 1: Gearing Up: A Preflight Checklist; Getting a studio ready to thump; System requirements; Installing LMMS; Installing LMMS on Windows; Installing LMMS on Linux; Installing LMMS on Mac OS X 10.6 and above; LMMS resources or where's my stuff?; File management - keeping it together; Managing project versions; Time for action - saving our first project; Playing sessions at other studios; Setting up MIDI for LMMS; MIDI keyboards; Control surfaces; Setting up MIDI in Windows
Time for action - setting up MIDI in WindowsSetting up MIDI in Linux; Time for action - setting up MIDI in Linux using ALSA; Installing MIDI in Mac OS X; Getting sound out of LMMS; Getting on the mic; Dynamic microphone; The condenser microphone; A brief introduction to sound cards and audio interfaces; Great resources for inspiring sounds; Radiohead; Indaba music; Remix comps; CCmixter; Making custom samples; Avoiding painful microphone feedback; Time for action - recording with a microphone; The art of listening: controlling your listening environment Composing on the fly: laptop configurationsCutting out the world - choosing earbuds; Composing in a room with studio monitors; Computer noise, room noise, and hum; Corners are bad; Hardwood floors need a rug; Parallel walls aren't great; Absorption versus diffusion; Speaker choice and placement is important; Get a good chair; Summary; Chaper 2: Getting Our Feet Wet: Exploring LMMS; What kind of electronic musician are you?; Opening the LMMS default song and making noise!; Time for action - opening a new song template; The Main Menu bar; The Project menu; The Edit menu; The Tools menu The Help menuClicking through the toolbar; The top row of buttons on the left-hand side; The bottom row of buttons on the left-hand side; Other features of the toolbar; Exploring the goodies in the side bar; Using the Beats+Bassline Editor; Time for action - setting the stage to build a beat; Time for action - adding drums to the Beats+Bassline Editor; Time for action - creating a beat pattern; Our first tweaking of samples; Time for action - editing samples with the Audiofile processor; Time for action - adding elements and variation to our beat pattern Adding instruments to the Beats+Bassline Editor-BassTime for action - adding bass to the Beats+Bassline Editor; Our first tweaking of a synth; Time for action - editing note length and root pitch in the; Beats+Bassline Editor; Exploring the Piano Roll editor; Time for action - opening a pattern in the Piano Roll editor; Time for action - changing the pitch of the bassline; Using the Piano Roll in the Song Editor; Time for action - muting instruments in the; Beats+Bassline Editor; Time for action - enabling a Piano Roll in the Song Editor; Time for action - enabling a MIDI keyboard controller in the Song Editor |
| Record Nr. | UNINA-9910813898203321 |
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Earl David <1951->
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| Birmingham, : Packt Publishing, 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Macworld music & sound bible / by Christopher Yavelow ; foreword by Herbie Hancock
| Macworld music & sound bible / by Christopher Yavelow ; foreword by Herbie Hancock |
| Autore | Yavelow, Christopher |
| Pubbl/distr/stampa | San Mateo, Calif. : IDG Books, c1992 |
| Descrizione fisica | xlix, 1398 p. : ill. ; 24 cm |
| Disciplina | 780.285 |
| Soggetto topico |
Music - Data processing
Computer sound processing Macintosh (Computer) Computer composition |
| ISBN | 1878058185 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNISALENTO-991003294569707536 |
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Yavelow, Christopher
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| San Mateo, Calif. : IDG Books, c1992 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. del Salento | ||
| ||
Mixing and mastering in the box : the guide to making great mixes and final masters on your computer / / Steve Savage
| Mixing and mastering in the box : the guide to making great mixes and final masters on your computer / / Steve Savage |
| Autore | Savage Steve <1948-> |
| Pubbl/distr/stampa | Oxford, [England] ; ; New York, New York : , : Oxford University Press, , 2014 |
| Descrizione fisica | 1 online resource (316 pages) |
| Disciplina | 781.460285 |
| Soggetto topico |
Computer sound processing
Sound recordings - Remixing - Data processing Mastering (Sound recordings) - Data processing Sound - Recording and reproducing - Digital techniques Digital audio editors |
| Soggetto genere / forma | Electronic books. |
| ISBN |
0-19-938025-2
0-19-992931-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910465360603321 |
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Savage Steve <1948->
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| Oxford, [England] ; ; New York, New York : , : Oxford University Press, , 2014 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Mixing and mastering in the box : the guide to making great mixes and final masters on your computer / / Steve Savage
| Mixing and mastering in the box : the guide to making great mixes and final masters on your computer / / Steve Savage |
| Autore | Savage Steve <1948-> |
| Pubbl/distr/stampa | Oxford, [England] ; ; New York, New York : , : Oxford University Press, , 2014 |
| Descrizione fisica | 1 online resource (316 pages) |
| Disciplina | 781.460285 |
| Soggetto topico |
Computer sound processing
Sound recordings - Remixing - Data processing Mastering (Sound recordings) - Data processing Sound - Recording and reproducing - Digital techniques Digital audio editors |
| ISBN |
0-19-938025-2
0-19-992931-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910786522303321 |
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Savage Steve <1948->
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| Oxford, [England] ; ; New York, New York : , : Oxford University Press, , 2014 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Mixing and mastering in the box : the guide to making great mixes and final masters on your computer / / Steve Savage
| Mixing and mastering in the box : the guide to making great mixes and final masters on your computer / / Steve Savage |
| Autore | Savage Steve <1948-> |
| Pubbl/distr/stampa | Oxford, [England] ; ; New York, New York : , : Oxford University Press, , 2014 |
| Descrizione fisica | 1 online resource (316 pages) |
| Disciplina | 781.460285 |
| Soggetto topico |
Computer sound processing
Sound recordings - Remixing - Data processing Mastering (Sound recordings) - Data processing Sound - Recording and reproducing - Digital techniques Digital audio editors |
| ISBN |
0-19-938025-2
0-19-992931-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910818780403321 |
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Savage Steve <1948->
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| Oxford, [England] ; ; New York, New York : , : Oxford University Press, , 2014 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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