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Do erro em composição / / Flo Menezes
| Do erro em composição / / Flo Menezes |
| Autore | Menezes Filho Florivaldo <1962-> |
| Pubbl/distr/stampa | São Paulo : , : Editora UNESP, , 2021 |
| Descrizione fisica | 1 online resource (182 pages) |
| Disciplina | 781.3 |
| Soggetto topico | Composition (Music) |
| ISBN | 9786557140529 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | por |
| Nota di contenuto | Front Matter - Elementos Pré - textuais - Páginas Iniciales -- Argumento [Argumentum] -- Introdução [Introductio] -- Parte I - Estudos de caso e acaso -- 1. Do lapso -- 2. Da falha -- 3. Da impropriedade -- 4. Do desvio -- 5. Do sacrifício -- 6. Do equívoco -- 7. Do engano -- 8. Da fenda ou fratura -- Parte II - Da conjunção de muitos erros em algum acerto fundamental -- 9. O caso Ferneyhough -- Parte III - De duas obsessões históricas -- Argumento -- 10. Da música que quer falar - ou da obsessão de um equívoco: o recitativo -- 11. Da música que quer conversar - ou da obsessão de uma impropriedade: a citação -- Conclusão [Conclusio] -- Referências bibliográficas. |
| Record Nr. | UNINA-9910741382803321 |
Menezes Filho Florivaldo <1962->
|
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| São Paulo : , : Editora UNESP, , 2021 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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How to write for percussion : a comprehensive guide to percussion composition / / Samuel Z. Solomon
| How to write for percussion : a comprehensive guide to percussion composition / / Samuel Z. Solomon |
| Autore | Solomon Samuel Z. |
| Edizione | [Second edition.] |
| Pubbl/distr/stampa | New York, New York : , : Oxford University Press, , 2016 |
| Descrizione fisica | 1 online resource (305 pages) |
| Disciplina | 786.8/13 |
| Soggetto topico |
Composition (Music)
Percussion instruments - Instruction and study |
| Soggetto genere / forma | Electronic books. |
| ISBN | 0-19-992035-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910465935003321 |
|
Solomon Samuel Z.
|
||
| New York, New York : , : Oxford University Press, , 2016 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
How to write for percussion : a comprehensive guide to percussion composition / / Samuel Z. Solomon
| How to write for percussion : a comprehensive guide to percussion composition / / Samuel Z. Solomon |
| Autore | Solomon Samuel Z. |
| Edizione | [Second edition.] |
| Pubbl/distr/stampa | New York, New York : , : Oxford University Press, , 2016 |
| Descrizione fisica | 1 online resource (305 pages) |
| Disciplina | 786.8/13 |
| Soggetto topico |
Composition (Music)
Percussion instruments - Instruction and study |
| ISBN |
0-19-049952-4
0-19-992035-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Introduction. How this book is organized ; Instruments covered ; Working with percussionists ; Location specifics ; The value of not reading this book.
General framework. A dysfunctional family. Comparison of family relationships -- The problem of pitch. The pitches of percussion ; The validations and limitations of novelty ; Three methods for indeterminately pitch instruments -- The written/improv divide. Expanding the color palette (to shrink the setup) ; The value of improvised and non-notated music -- Social composition. Write for people, not sounds ; Write what is wanted, not what to do ; Working with percussionists. General logistics. Instrument choice and management. Six stories, three sad and three happy ; Why use fewer instruments? ; How to consolidate ; Inexpensive instruments ; Exotic instruments ; Electronic percussion ; Multiple options for a specified instrument ; Instruments percussionists may not play ; Multiple percussionists ; Section setup ; Orchestra ; Wind ensemble ; Broadway pit ; Drum corps and marching bands ; Specialists ; Non-percussionists playing percussion ; Chairs and stands -- Issues of playability. Excessive polyphony ; How fast percussionists can play ; Unidiomatic writing : music that often requires memorization ; Dynamics ; Reaching the instruments ; Instruments with pedals ; Physical exertion and shaking ; Working with headphones or headset microphones. General notation. Basics of percussion parts and scores. Instrument list ; Instrument key ; Setup diagram ; Language ; Parts ; Cues ; Percussion in the conductor's score ; Dynamics -- Designing a notational system. Clefs ; Staves ; Noteheads ; Mixing determinately and indeterminately pitched instruments ; Key signatures ; What goes where on the staff ; The chicken or the egg? ; Unspecified instruments (indeterminate instrumentation) ; How much to notate ; Systems of notation for which there is no standard ; Return to a "normal" method of playing -- Note length, articulation, and phrasing. Note length chart ; Exact or inexact note-length indications ; Muting (muffling, dampening) ; Dead stroke ; Damper pedals ; Rolls -- Notations that are not recommended. Symbol notation ; Altered keyboard notation (timbre-staff). Beaters. To indicate or not to indicate? ; Beater lingo ; Logistical beater issues ; Sticks ; Mallets ; Triangle beaters and Knitting needles ; Brushes ; Rute sticks ; Chime hammers (Tubular bell hammers) ; Superball mallet ; Beaters as instruments ; Hands ; Bows -- Keyboard percussion. Ranges and construction ; Writing for keyboard percussion ; Stacked instruments ; Multiple players ; Extended techniques ; Miscellaneous. Drums. Sticks on drums ; Mallets on drums ; Hands on drums ; Playing on the rim or shell ; Beating spot ; Mutes ; Pitch bending ; Drum size ; Two-headed drums ; Multiple drums in setups ; Idiomatic writing for drums ; Timpani ; Tom-toms ; Snare drum, Field drum, and Tenor drum ; Concert bass drum and Pedal bass drum ; Bongos and Congas ; Timbales ; Roto-toms ; Frame drums ; Tambourines ; Djembe and Doumbek ; Boobams ; Drumset. Metal. Cymbals ; Gongs ; Finger cymbals ; Cowbells and Almglocken ; Temple bowls and Mixing bowls ; Brake drums, Metal pipes, Anvils, and Bell plates ; Thundersheet ; Junk metal, Tin cans, and Pots and pans ; Ribbon crasher ; Spring coil ; Church bells ; Hand bells ; Steel drums ; Tambourines ; Sleighbells ; Metal wind chimes, Mark tree, and Bell tree ; Flexatone ; Extended techniques. Wood. Woodblocks, Templeblocks, and Log drum ; Wooden planks ; Wood drums, Wooden boxes, Cajâon, and Mahler hammer ; Claves ; Castanets ; Rute ; Guiro ; Slapstick ; Ratchet ; Bamboo wind chimes -- Miscellaneous instruments. Bottles ; Cabasa ; Conch shell ; Crystal glasses ; Maracas and Shakers ; Rainstick ; Rice bowls and Flower pots ; Sandpaper blocks ; Sirens ; String drum and Cuica ; Stones and Prayer stones ; Thumb piano ; Vibraslap ; Wind chimes ; Whistles ; Wind machine -- Appendix A. Repertoire analysis. Percussion ensemble. Edgard Varáese, Ionisation (1929-1931) ; John Cage, Constructions (1939-1942) ; Iannis Xenakis, Persephassa (1969) ; Steve Reich, Drumming (1970-1971) ; Steve Mackey, It is time (2010) ; John Luther Adams, Inuksuit (2009) ; Ryan Streber, Cold pastoral (2004) ; Nico Muhly, Ta & clap (2004) ; Adam Silverman, Naked and on fire (2011) ; Paul Lansky, Travel diary (2007) -- Orchestral. Bâela Bartâok ; Sergei Prokofiev ; Maurice Ravel ; Gustav Mahler ; Dmitri Shostakovich ; Leonard Bernstein ; Carl Nielsen ; Jean Sibelius ; Wind Ensemble -- Smaller mixed ensemble. John Adams, Chamber symphony (1992) ; Stephan Hartke, Meanwhile (2007) ; Jacob Druckman, Come round (1992) ; Charles Wuorinen, New York notes (1982) ; Pierre Boulez, Sur incises (1996/1998) -- Percussion solo : Drums. Michio Kitazume, Side by side (1991) ; Elliott Carter, Eight pieces for four timpani (1950/1966) ; Casey Cangelosi, Meditation no. 1 (2011) -- Percussion solo : Keyboards. Jacob Druckman, Reflections on the nature of water (1986) ; Paul Simon, Amulet (2008) ; Steve Mackey, See ya Thursday (1992) ; Steve Swallow/Gary Burton, I'm your pal and Hullo Bolinas ; Donald Martino, Soliloquy (2003) -- Percussion solo : Multi-percussion. Iannis Xenakis, Psappha (1975) ; David Lang, Anvil chorus (1991) ; Roger Reynolds, Watershed (1995) ; Four Pieces for the author's "Setup #1" ; Nico Muhly, It's about time (2004) ; Michael Early, Raingutter (2007) ; Marcos Balter, Descarga (2006) ; Judd Greenstein, We shall be turned (2006) -- Percussion concerto. James MacMillan, Veni veni Emmanuel (1992) ; Einojuhani Rautavaara, Incantations (2008) ; Steven Mackey, Micro-concerto (1999) -- Orchestrating native sound. 505 8 $a Appendix B. Sample setups -- Appendix C. Extended techniques. Return to a "normal" method of playing ; Manipulations of timbre ; Striking unusual parts of an instrument ; Unusual usage of beaters ; Dead stroke ; Beating spot ; Bowing ; Friction roll ; Scrape ; Prepared instruments ; Pitch bending ; Vibrato ; Adding mass ; Sympathetic resonance ; Clusters ; Harmonics -- Appendix D. Pitch specification -- Appendix E. Dynamics -- Appendix F. Register -- Appendix G. Beaters -- Appendix H. Percussion family tree. Pitch clarity chart ; Note length chart ; Register chart ; Sound production chart ; The percussion family tree. |
| Record Nr. | UNINA-9910798031303321 |
|
Solomon Samuel Z.
|
||
| New York, New York : , : Oxford University Press, , 2016 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
How to write for percussion : a comprehensive guide to percussion composition / / Samuel Z. Solomon
| How to write for percussion : a comprehensive guide to percussion composition / / Samuel Z. Solomon |
| Autore | Solomon Samuel Z. |
| Edizione | [Second edition.] |
| Pubbl/distr/stampa | New York, New York : , : Oxford University Press, , 2016 |
| Descrizione fisica | 1 online resource (305 pages) |
| Disciplina | 786.8/13 |
| Soggetto topico |
Composition (Music)
Percussion instruments - Instruction and study |
| ISBN |
0-19-049952-4
0-19-992035-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Introduction. How this book is organized ; Instruments covered ; Working with percussionists ; Location specifics ; The value of not reading this book.
General framework. A dysfunctional family. Comparison of family relationships -- The problem of pitch. The pitches of percussion ; The validations and limitations of novelty ; Three methods for indeterminately pitch instruments -- The written/improv divide. Expanding the color palette (to shrink the setup) ; The value of improvised and non-notated music -- Social composition. Write for people, not sounds ; Write what is wanted, not what to do ; Working with percussionists. General logistics. Instrument choice and management. Six stories, three sad and three happy ; Why use fewer instruments? ; How to consolidate ; Inexpensive instruments ; Exotic instruments ; Electronic percussion ; Multiple options for a specified instrument ; Instruments percussionists may not play ; Multiple percussionists ; Section setup ; Orchestra ; Wind ensemble ; Broadway pit ; Drum corps and marching bands ; Specialists ; Non-percussionists playing percussion ; Chairs and stands -- Issues of playability. Excessive polyphony ; How fast percussionists can play ; Unidiomatic writing : music that often requires memorization ; Dynamics ; Reaching the instruments ; Instruments with pedals ; Physical exertion and shaking ; Working with headphones or headset microphones. General notation. Basics of percussion parts and scores. Instrument list ; Instrument key ; Setup diagram ; Language ; Parts ; Cues ; Percussion in the conductor's score ; Dynamics -- Designing a notational system. Clefs ; Staves ; Noteheads ; Mixing determinately and indeterminately pitched instruments ; Key signatures ; What goes where on the staff ; The chicken or the egg? ; Unspecified instruments (indeterminate instrumentation) ; How much to notate ; Systems of notation for which there is no standard ; Return to a "normal" method of playing -- Note length, articulation, and phrasing. Note length chart ; Exact or inexact note-length indications ; Muting (muffling, dampening) ; Dead stroke ; Damper pedals ; Rolls -- Notations that are not recommended. Symbol notation ; Altered keyboard notation (timbre-staff). Beaters. To indicate or not to indicate? ; Beater lingo ; Logistical beater issues ; Sticks ; Mallets ; Triangle beaters and Knitting needles ; Brushes ; Rute sticks ; Chime hammers (Tubular bell hammers) ; Superball mallet ; Beaters as instruments ; Hands ; Bows -- Keyboard percussion. Ranges and construction ; Writing for keyboard percussion ; Stacked instruments ; Multiple players ; Extended techniques ; Miscellaneous. Drums. Sticks on drums ; Mallets on drums ; Hands on drums ; Playing on the rim or shell ; Beating spot ; Mutes ; Pitch bending ; Drum size ; Two-headed drums ; Multiple drums in setups ; Idiomatic writing for drums ; Timpani ; Tom-toms ; Snare drum, Field drum, and Tenor drum ; Concert bass drum and Pedal bass drum ; Bongos and Congas ; Timbales ; Roto-toms ; Frame drums ; Tambourines ; Djembe and Doumbek ; Boobams ; Drumset. Metal. Cymbals ; Gongs ; Finger cymbals ; Cowbells and Almglocken ; Temple bowls and Mixing bowls ; Brake drums, Metal pipes, Anvils, and Bell plates ; Thundersheet ; Junk metal, Tin cans, and Pots and pans ; Ribbon crasher ; Spring coil ; Church bells ; Hand bells ; Steel drums ; Tambourines ; Sleighbells ; Metal wind chimes, Mark tree, and Bell tree ; Flexatone ; Extended techniques. Wood. Woodblocks, Templeblocks, and Log drum ; Wooden planks ; Wood drums, Wooden boxes, Cajâon, and Mahler hammer ; Claves ; Castanets ; Rute ; Guiro ; Slapstick ; Ratchet ; Bamboo wind chimes -- Miscellaneous instruments. Bottles ; Cabasa ; Conch shell ; Crystal glasses ; Maracas and Shakers ; Rainstick ; Rice bowls and Flower pots ; Sandpaper blocks ; Sirens ; String drum and Cuica ; Stones and Prayer stones ; Thumb piano ; Vibraslap ; Wind chimes ; Whistles ; Wind machine -- Appendix A. Repertoire analysis. Percussion ensemble. Edgard Varáese, Ionisation (1929-1931) ; John Cage, Constructions (1939-1942) ; Iannis Xenakis, Persephassa (1969) ; Steve Reich, Drumming (1970-1971) ; Steve Mackey, It is time (2010) ; John Luther Adams, Inuksuit (2009) ; Ryan Streber, Cold pastoral (2004) ; Nico Muhly, Ta & clap (2004) ; Adam Silverman, Naked and on fire (2011) ; Paul Lansky, Travel diary (2007) -- Orchestral. Bâela Bartâok ; Sergei Prokofiev ; Maurice Ravel ; Gustav Mahler ; Dmitri Shostakovich ; Leonard Bernstein ; Carl Nielsen ; Jean Sibelius ; Wind Ensemble -- Smaller mixed ensemble. John Adams, Chamber symphony (1992) ; Stephan Hartke, Meanwhile (2007) ; Jacob Druckman, Come round (1992) ; Charles Wuorinen, New York notes (1982) ; Pierre Boulez, Sur incises (1996/1998) -- Percussion solo : Drums. Michio Kitazume, Side by side (1991) ; Elliott Carter, Eight pieces for four timpani (1950/1966) ; Casey Cangelosi, Meditation no. 1 (2011) -- Percussion solo : Keyboards. Jacob Druckman, Reflections on the nature of water (1986) ; Paul Simon, Amulet (2008) ; Steve Mackey, See ya Thursday (1992) ; Steve Swallow/Gary Burton, I'm your pal and Hullo Bolinas ; Donald Martino, Soliloquy (2003) -- Percussion solo : Multi-percussion. Iannis Xenakis, Psappha (1975) ; David Lang, Anvil chorus (1991) ; Roger Reynolds, Watershed (1995) ; Four Pieces for the author's "Setup #1" ; Nico Muhly, It's about time (2004) ; Michael Early, Raingutter (2007) ; Marcos Balter, Descarga (2006) ; Judd Greenstein, We shall be turned (2006) -- Percussion concerto. James MacMillan, Veni veni Emmanuel (1992) ; Einojuhani Rautavaara, Incantations (2008) ; Steven Mackey, Micro-concerto (1999) -- Orchestrating native sound. 505 8 $a Appendix B. Sample setups -- Appendix C. Extended techniques. Return to a "normal" method of playing ; Manipulations of timbre ; Striking unusual parts of an instrument ; Unusual usage of beaters ; Dead stroke ; Beating spot ; Bowing ; Friction roll ; Scrape ; Prepared instruments ; Pitch bending ; Vibrato ; Adding mass ; Sympathetic resonance ; Clusters ; Harmonics -- Appendix D. Pitch specification -- Appendix E. Dynamics -- Appendix F. Register -- Appendix G. Beaters -- Appendix H. Percussion family tree. Pitch clarity chart ; Note length chart ; Register chart ; Sound production chart ; The percussion family tree. |
| Record Nr. | UNINA-9910821617503321 |
|
Solomon Samuel Z.
|
||
| New York, New York : , : Oxford University Press, , 2016 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Imaginer la composition musicale : Correspondance et entretiens (2010-2016) / Pascal Dusapin, Maxime McKinley
| Imaginer la composition musicale : Correspondance et entretiens (2010-2016) / Pascal Dusapin, Maxime McKinley |
| Autore | Dusapin Pascal |
| Pubbl/distr/stampa | Villeneuve d'Ascq, : Presses universitaires du Septentrion, 2017 |
| Descrizione fisica | 1 online resource (184 p.) |
| Disciplina | 780 |
| Altri autori (Persone) | McKinleyMaxime |
| Soggetto topico |
Composers - France
Composers - Québec (Province) Composition (Music) Komponist Komposition |
| ISBN | 2-7574-2008-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | fre |
| Record Nr. | UNINA-9910495831203321 |
|
Dusapin Pascal
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| Villeneuve d'Ascq, : Presses universitaires du Septentrion, 2017 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
International journal of contemporary composition
| International journal of contemporary composition |
| Pubbl/distr/stampa | Nesher, Israel, : International Association for Academic Research, 2012- |
| Descrizione fisica | 1 online resource |
| Soggetto topico |
Composition (Music)
Music - 20th century Music - 21st century Music |
| Soggetto genere / forma | Periodicals. |
| ISSN | 2304-4098 |
| Formato | Materiale a stampa |
| Livello bibliografico | Periodico |
| Lingua di pubblicazione | eng |
| Altri titoli varianti | IJCC |
| Record Nr. | UNINA-9910132532503321 |
| Nesher, Israel, : International Association for Academic Research, 2012- | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Jazz composition and arranging in the digital age / / Richard Sussman and Michael Abene
| Jazz composition and arranging in the digital age / / Richard Sussman and Michael Abene |
| Autore | Sussman Richard |
| Pubbl/distr/stampa | New York, NY : , : Oxford University Press, , [2012] |
| Descrizione fisica | 1 online resource (xxvi, 505 pages) : illustrations |
| Disciplina | 781.65/13 |
| Soggetto topico |
Composition (Music)
Instrumentation and orchestration (Band) Jazz - Instruction and study Musical notation - Computer programs Arrangement (Music) |
| Soggetto genere / forma | Electronic books. |
| ISBN |
9780199701162
9780195380996 (hardback) 9780195381009 0-19-970116-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Overview and basic information -- Arranging for small ensemble (3-6 horns + rhythm section) -- Arranging for large jazz ensemble (8 brass, 5 reeds, and rhythm). |
| Record Nr. | UNINA-9910466681003321 |
|
Sussman Richard
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| New York, NY : , : Oxford University Press, , [2012] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Jazz composition and arranging in the digital age / / Richard Sussman, Michael Abene
| Jazz composition and arranging in the digital age / / Richard Sussman, Michael Abene |
| Autore | Sussman Richard |
| Pubbl/distr/stampa | New York : , : Oxford University Press, , [2012] |
| Descrizione fisica | 1 online resource (xxvi, 505 pages) : illustrations |
| Disciplina | 781.37 |
| Soggetto topico |
Arrangement (Music)
Composition (Music) Jazz - Instruction and study |
| ISBN |
9780199701162
9780195380996 (hardback) 9780195381009 0-19-970116-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Overview and basic information -- Arranging for small ensemble (3-6 horns + rhythm section) -- Arranging for large jazz ensemble (8 brass, 5 reeds, and rhythm). |
| Record Nr. | UNINA-9910793392803321 |
|
Sussman Richard
|
||
| New York : , : Oxford University Press, , [2012] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Jazz composition and arranging in the digital age / / Richard Sussman, Michael Abene
| Jazz composition and arranging in the digital age / / Richard Sussman, Michael Abene |
| Autore | Sussman Richard |
| Pubbl/distr/stampa | New York : , : Oxford University Press, , [2012] |
| Descrizione fisica | 1 online resource (xxvi, 505 pages) : illustrations |
| Disciplina | 781.37 |
| Soggetto topico |
Arrangement (Music)
Composition (Music) Jazz - Instruction and study |
| ISBN |
9780199701162
9780195380996 (hardback) 9780195381009 0-19-970116-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Overview and basic information -- Arranging for small ensemble (3-6 horns + rhythm section) -- Arranging for large jazz ensemble (8 brass, 5 reeds, and rhythm). |
| Record Nr. | UNINA-9910818415303321 |
|
Sussman Richard
|
||
| New York : , : Oxford University Press, , [2012] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Joël-François Durand in the mirror land [[electronic resource] /] / edited by Jonathan W. Bernard
| Joël-François Durand in the mirror land [[electronic resource] /] / edited by Jonathan W. Bernard |
| Autore | Durand Joël-François |
| Pubbl/distr/stampa | Seattle, WA, : University of Washington Press, : In association with Perspectives of New Music, c2005 |
| Descrizione fisica | 1 online resource (279 p.) |
| Disciplina |
780/.92
B |
| Altri autori (Persone) | BernardJonathan W. <1951-> |
| Soggetto topico |
Music - Philosophy and aesthetics
Composition (Music) |
| Soggetto genere / forma | Electronic books. |
| ISBN | 0-295-80114-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910451980103321 |
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Durand Joël-François
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| Seattle, WA, : University of Washington Press, : In association with Perspectives of New Music, c2005 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
