Autore	Miller Michael <1958->
Pubbl/distr/stampa	Alpha
Disciplina	781.3
Soggetto topico	Composition (Music)
ISBN	1-61564-472-5
Formato	Materiale a stampa
Livello bibliografico	Monografia
Lingua di pubblicazione	eng
Altri titoli varianti	Complete Idiot's Guide to Music Composition
Record Nr.	UNINA-9910148728403321

Edizione	[1st ed.]
Pubbl/distr/stampa	Cham : , : Springer International Publishing AG, , 2024
Descrizione fisica	1 online resource (432 pages)
Disciplina	780.82
Altri autori (Persone)	KouvarasLinda Ioanna WilliamsNatalie <1977-> GrenfellMaria <1969->
Soggetto topico	Women composers Composition (Music)
ISBN	3-031-23922-9
Formato	Materiale a stampa
Livello bibliografico	Monografia
Lingua di pubblicazione	eng
Nota di contenuto	Intro -- Acknowledgements -- Contents -- Notes on Contributors -- List of Figures -- Chapter 1: Introduction: The "Post(?)-Feminist" Moment in Contemporary Classical Music -- The Composer, Herself: Contemporary Snapshots of the Creative Process-Overview -- Part I: Activist Musical Projects and Cross-Cultural Collaborations -- "Reluctant" / "Emergent" / "Concerted" Feminism -- Cross-Cultural Composition -- Intersectional Feminism -- Part II: Philosophical and Phenomenological Dimensions of Musical Time -- Part III: Musical Awakenings-Reflecting Back, Projecting Forward -- Mentoring -- Advice to Emerging Composers -- "'Unambiguous' Feminist Deconstructivist Triumph[s]" -- How "Post-" is the Current Era, Regarding the Need for Feminism in New Music? -- XX Marks the Spot[light-for Now!]: "The Composer, Herself" -- References -- Part I: Activist Musical Projects and Cross-Cultural Collaborations -- Chapter 2: Borrowing From the Bard -- Introduction -- Circumstances Leading to the Commission of the Piece -- The Composition Process -- Performance Week Process and Confronting the Venue Space -- Choice of the Five Texts -- Confronting the Feminist Stage as a Female Composer in the Twenty-First Century -- Shakespeare and the Hivemind -- References -- Chapter 3: Letters to Clara: A Contemporary Composer's Homage to a Woman Pioneer -- Letters to Clara (2018) -- Approaching Intertextuality -- Piano Queen: The Love of Music (Movement 1) -- Whispered Breath: The Love of Schumann (Movement 2) -- Frei Aber Einsam: The Love of Brahms (Movement 3) -- Regenlied: Her Death and Eternal Memory (Movement 4) -- Conclusion -- References -- Chapter 4: Holding, Handling, Moulding and Setting the Inner Thoughts of another, in Hidden Thoughts I: Do I Matter? -- Hidden Thoughts -- Collecting the Text -- Emotional and Musical Processes -- The Role of the Instruments. Conclusion -- References -- Chapter 5: Walking the Line: Emancipating the Complex Female Voice in Recent Operas by Missy Mazzoli -- Introduction -- References -- Chapter 6: Composing with, Composition by: A Set of Compositional Practices -- Introduction -- The Composer's Role -- Where Is the Audience? -- Collaborative Creation and Participation -- The Continuum -- Earth Plays: The Beginnings and After Life -- Messages for You and Akiko Iwasaki -- Earth Plays Movement III and Beyond to Earth Plays V -- Conclusion -- References -- Chapter 7: Harmonia Mundi: Creating a New Work of Music Theatre to Speak to the Current World Chaos -- Introduction -- References -- Chapter 8: Blocking Out Noise: Metamorphosis and Identity in the Recent Chamber Music of Vivian Fung -- Introduction -- Chamber Music -- Compositional Approaches -- Corona Morphs, for Mixed Chamber Ensemble (2020) -- The Creative Future -- References -- Chapter 9: Across Te tai o Rehua: Writing for the taonga pūoro of Aotearoa -- Context -- Pre-Colonisation Māori Society and Oral Tradition -- 1970s Māori Resurgence, Post-Arrival of the Missionaries in New Zealand in the Late Eighteenth Century -- Hineraukatauri, Goddess of Music and Entertainment, and New Sound Worlds -- Turning Points in Compositional Language -- Appreciating te reo Māori (the Māori language) -- References -- Chapter 10: An Overview of my Compositional Practice and Collaborations in China -- Introduction -- Writing Music -- Writing Music, Writing Words -- Challenges and Future Projects -- Chapter 11: Luck, Grief, Hospitality: Re-Routing Power Relationships in Music -- Luck -- Grief -- Hospitality -- Where Is "Home"? -- Re-Routing Power Relationships -- References -- Chapter 12: In Search of the Artistic Moment: Interdisciplinary Collaboration and "The Space Between" from an Australian Female Composer's Perspective. The Artistic Moment -- Personal Creative History -- References -- Part II: Philosophical and Phenomenological Dimensions of Musical Time -- Chapter 13: Finding Time, Finding Space: An Autoethnography of Compositional Praxis -- Introduction: Claiming the Space -- Moments in Time and Space -- Discussion and Contextual Exploration of Three Works -- Ebb Tide (2016) -- Finding What's There (2017) -- Journeywork (2018-) -- Conclusion: Finding Myself-Converging Paths -- References -- Chapter 14: A Compositional Life in Time: The Recent Operas of Elena Kats-Chernin -- Introduction -- A Life in Composition -- Whiteley (2019) -- Compositional Process -- Mechanics of Composition -- Composing Children's Opera -- Instruments Within Opera -- Operatic Development -- A Compositional Life in Time -- Summary -- References -- Chapter 15: Einstein's Dream: At the Threshold Between Science and Art -- Musical Time -- Technology and the Creative Process -- "The Greatest Scientists Are Artists as Well" (Einstein) -- Einstein's Dream (2005) -- Controlling Time -- Spatial Notation -- So-What Was Einstein's Dream? -- References -- Chapter 16: The Pendulum Process: Point of Balance -- Introduction -- Ruisselant (1991) -- Silva (2012) -- Conclusion -- References -- Chapter 17: Casting Musical Spells: Time, Passion, and Inevitability in the Music of Shulamit Ran -- Introduction -- Women in Composition -- Programming Contemporary Music -- Compositional Process in the String Quartets -- String Quartets and the Influence of Bach -- Connecting with Listeners -- Compositional Aesthetics -- References -- Chapter 18: Low Frequency as Concept in The Music of Cat Hope -- Introduction -- Arriving at a Practice -- Low Frequency as Concept -- Low Frequency as Instrument -- The Timbre of Low Frequency Sound -- Low Frequency as Structure -- Conclusion -- References. Chapter 19: A Drone Opera Recast: Threat, Allure, Promise -- Introduction -- Key Conceptual Elements: Extensions, Retentions and Distillations -- Audience Co-creation of Some of the Libretto -- The Dodsworth Method, from Soprano Judith Dodsworth -- Key Musical Elements: Extensions, Retentions and Distillations -- References -- Part III: Musical Awakenings: Reflecting Back, Projecting Forward -- Chapter 20: Composing the Rolls-Royce: A Composer's Adventures in Orchestral Composition -- Musical Background and Experience -- An Accidental Student Abroad: Studying in the USA -- Welcome to Australia -- Mentoring Future Composers -- References -- Chapter 21: Finding a Reason: A Composer's Pathway Forged Through Social Justice Advocacy -- Introduction -- Navigating Inexperience and Discrimination -- New Horizons -- Queer Choirs -- Publications -- San Francisco -- Australia and South Africa -- New Compositional Paths -- Writing on Domestic Abuse -- Coming Full Circle -- References -- Untitled -- Chapter 22: "When It Comes to Music Notation, I'm a Type Triple-A Composer!" -- Introduction -- Chapter 23: How My Music Is Made: "Tantôt Libre, Tantôt Recherché" -- Introduction -- But Stars Remaining (1971) -- The Same Day Dawns (1974) -- Columbia Falls (1975) -- The Old Woman of Beare (1981) -- A Penny for A Song (1981) -- Extension of My Chromatic Language: Microtonality and Diatonic Modality -- The Story of Mary O'Neill (1986) -- Blood Wedding (1992) -- Light Passing (1992) -- Chamber Operas -- Seminal Influences -- Current Perspective: libre…recherché -- References -- Chapter 24: Carnivals of Voice, Musical Playgrounds: Music from Text in Works of Andrée Greenwell -- Introduction -- Green Room Music: A Flexible Platform to Produce My Own Works -- Playing with Voice in Long-Form Works -- Current Work -- References. Chapter 25: The Mirror: A Novel in Reflections-Excerpts -- Introduction -- (1) -- (2) -- (3) -- Ritornello I -- Chapter 26: Sometimes Dreams Do Come True: Thea Musgrave's Exploration of Dramatic-Abstract Forms in her Instrumental Music -- Introduction -- Exploration of Works -- Concerto for Orchestra (1967), Program Note by Susan Bradshaw -- Concerto for Clarinet (1968), Summary by Thea Musgrave -- Night Music (1969) -- Memento Vitae (1970) -- Concerto for Horn (1971) -- Viola Concerto (1973) -- Trumpet Concerto (2019) -- References -- Chapter 27: My Awakening as Composer-No Adjective -- Early Years -- Graduate School and Beyond: Composer! -- The Issue of Adjectives -- Conclusion: Maintaining Balance -- Score Excerpts-Judith Lang Zaimont -- References -- Chapter 28: Epilogue -- Index.
Record Nr.	UNINA-9910767525003321

Autore	Noble Alistair
Pubbl/distr/stampa	Burlington, : Ashgate, 2013
Descrizione fisica	1 online resource (228 p.)
Disciplina	780.92
Soggetto topico	Composition (Music)
Soggetto genere / forma	Electronic books.
ISBN	1-317-16267-6 1-317-16266-8 1-299-26355-0 1-4094-5165-8
Formato	Materiale a stampa
Livello bibliografico	Monografia
Lingua di pubblicazione	eng
Nota di contenuto	Cover; Contents; List of Figures and Tables; Acknowledgements; 1 Listening to Process, Playing the System; 2 'to create music as if on a canvas': Intermission 5 (1952); 3 Piano Piece 1952: 'a discipline of vagueness'; 4 Intermission 6 (1953): 'the outlines of becoming'; 5 'Primitive Designs': Hearing and Thinking through Intersection 3; 6 Playing Feldman; Bibliography; Index
Record Nr.	UNINA-9910465610403321

Autore	Morricone Ennio
Pubbl/distr/stampa	Lanham : , : Scarecrow Press, , [2013]
Descrizione fisica	1 online resource (311 p.)
Disciplina	781.54213
Altri autori (Persone)	AndersonGillian B. <1943-> MiceliSergio
Soggetto topico	Composition (Music) Motion picture music - Instruction and study Motion picture music
Soggetto genere / forma	Electronic books.
ISBN	0-8108-9240-5 0-8108-9242-1
Formato	Materiale a stampa
Livello bibliografico	Monografia
Lingua di pubblicazione	eng
Nota di contenuto	Contents; Translator's Note; Editor's Note; Acknowledgments; Abbreviations; 1 Introduction; 2 Audiovisual Analysis-Part 1; 3 Production Procedures; 4 Audiovisual Analysis-Part 2; 5 Premix and Final Mix; 6 Compositional Elements; 7 Questions and Answers; Appendix 1: Composing for the Cinema; Appendix 2: Writing for the Cinema; Filmography; Bibliography [to 1999]; Index; About the Authors and Translator
Record Nr.	UNINA-9910453340103321

Pubbl/distr/stampa	Parkville, Vic., : Faculty of Music, University of Melbourne, 1991-
Descrizione fisica	1 online resource
Soggetto topico	Music Composition (Music)
Soggetto genere / forma	Periodicals.
Formato	Materiale a stampa
Livello bibliografico	Periodico
Lingua di pubblicazione	eng
Record Nr.	UNINA-9910220750103321