Autore	Frampton Hollis <1936-1984.>
Pubbl/distr/stampa	Cambridge, MA, : MIT Press, ©2009
Descrizione fisica	xx, 331 p. : ill. (some col.)
Disciplina	791.43
Altri autori (Persone)	JenkinsBruce <1952->
Collana	The MIT Press writing art series
Soggetto topico	Motion pictures Cinematography Photography Arts
Soggetto non controllato	HUMANITIES/Literature & Criticism
ISBN	0-262-31105-4 1-282-24071-4 9786612240713 0-262-25491-3
Formato	Materiale a stampa
Livello bibliografico	Monografia
Lingua di pubblicazione	eng
Record Nr.	UNINA-9910780430103321

Pubbl/distr/stampa	Paderborn, Germany : , : Wilhelm Fink GmbH, , [2016]
Descrizione fisica	1 online resource
Disciplina	791.43
Collana	Schriftenreihe des DFG-Graduiertenkollegs "Das Wissen der Künste"
Soggetto topico	Motion pictures Cinematography
ISBN	3-8467-5914-7
Formato	Materiale a stampa
Livello bibliografico	Monografia
Lingua di pubblicazione	ger
Nota di contenuto	Preliminary Material / Heide Barrenechea, Marcel Finke and Moritz Schumm -- Vorwort zur Schriftenreihe / Heide Barrenechea, Marcel Finke and Moritz Schumm -- Periphere Visionen, Wissen und die Denkfigur des Randes / Heide Barrenechea, Marcel Finke and Moritz Schumm -- An den Rändern der Sichtbarkeit / Emmanuel Alloa -- Die Peripherie Abtasten. Zum Blickregime des horizontalen Kameraschwenks / Volker Pantenburg -- „Was eigentlich interessiert, scheint immer gerade neben oder hinter Dem Gezeigten zu liegen.“Ausgestellte Un/Sichtbarkeiten der Fotografie / Martina Dobbe -- Glas, Glanz, Gleissen. Randbemerkungen zur Fotografie / Marcel Finke -- Hinter den Spiegeln. Virtualität, Rekursion und virtuelle Bilder im 19. Jahrhundert / Eva Wilson -- Corpographische Koordinaten. Zero Dark Thirty und United 93 zwischen Sehen, Hören und Wissen / Eileen Rositzka -- „The beginning of the end of the end of the beginning has begun.“ Sehen und Wissen an den Rändern von Wes Andersons The Grand Budapest Hotel / Moritz Schumm -- Ränder des Urbanen. Zur Politik des städtischen Raums bei Michel de Certeau und Bruno Latour / Antonia von Schöning -- Stateless State. Marginale Bewegungen, Handlungsformen des Fiktionalen und Politischen in Eric Baudelaires Letters to Max / Lilian Haberer -- Hybride Sichtbarkeit. Irritierende Uneindeutigkeiten in der frühen palästinensischen Bildnisfotografie / Heide Barrenechea -- Bilder des Protests. Über die „Woman in the Blue Bra“ und relationale Zeugenschaft / Kathrin Peters -- Pascals Wette, die Revolution und V for Vendetta / Hanno Berger -- Bildnachweise / Heide Barrenechea, Marcel Finke and Moritz Schumm -- Zu Den Autorinnen und Autoren / Heide Barrenechea, Marcel Finke and Moritz Schumm.
Record Nr.	UNINA-9910795296103321

Autore	Ward Peter <1936-, >
Edizione	[2nd ed.]
Pubbl/distr/stampa	Oxford ; ; Boston : , : Focal Press, , 2003
Descrizione fisica	1 online resource (281 p.)
Disciplina	778.53 778.53 21
Soggetto topico	Cinematography Motion pictures - Production and direction Television - Production and direction Composition (Photography)
Soggetto genere / forma	Electronic books.
ISBN	1-136-04505-8 1-136-04506-6 1-281-01252-1 9786611012526 0-08-049769-1
Formato	Materiale a stampa
Livello bibliografico	Monografia
Lingua di pubblicazione	eng
Nota di contenuto	Picture Composition for Film and Television; Copyright; Contents; Preface; 1 Invisible technique; Learning the ropes; A moving photograph; Continuity cinema; The shot; The creation of 'invisible' technique; Standard camerwork conventions; Realistic representation; Mechanical reproduction; Framing a shot; Composition; Does the shot work?; Intuition; 'I see what you mean!'; Why composition is important; Control of composition; Visual design techniques; Cultural influences; Changing fashions; Summary; 2 Alternative technique; Jump cuts; Alternatives; It's magic; Realism and imagination The film moment is always nowWhy people dislike the rejection of standard conventions; Storytelling; Don't wake me up; Definition of alternative conventions; Conventions; Summary; 3 The lens, the eye and perception; Introduction; The imprint of the lens; The eye and a lens; Size constancy; How do we understand what we are looking at?; Characteristics of perception; Summary; 4 The lens and perspective; Perception and depth; Depth indicators and their relationship to the lens; Focal length; Angle of view; Depth-of-field; fno; Zoom; Focus; The structural skeleton of a shot Horizon line and camera height as a compositional deviceControlling space with choice of lens angle/camera distance; The internal space of a shot; Production style and lens angle; Estimating distance; Accentuating depth; Summary; 5 Visual design; Introduction; Movement; Sound; Controlling composition; Design techniques; Grouping and organization; Balance; Figure and ground; Shape; Line; Rhythm and visual beat; Pattern; Interest; Direction; Colour; Scale; Abstraction; Understanding an image; Summary; 6 Frame; Composition and the frame; Frame - an invisible focus of power; Static viewpoint A hard cut-offLimited depth and perspective indicators; Monochrome; The edge of frame as a reference; Frames within frames; A second frame; Frame and divided interest; Summary; 7 The shape of the screen; Aspect ratio; The shape of the screen and composition; Viewfinder as an editing tool; Could it have been different?; The invention of a world format standard; Widescreen returns; Design of the TV aspect ratio; HDTV; The need for a universal video format; 16:9 television widescreen; A reasonable compromise between competing aspect ratios; The divine proportion Widescreen - the shape of a banknoteSummary of film and television formats mentioned; 8 Widescreen composition and film; Finding ways to compose for the new shape; Widescreen advantages; Selling off the redundant format; Pan and scan; Cinematographers alarmed; Boom in shot; The growth of multiplexes; Common topline and super 35; Summary; 9 Widescreen composition and TV; Introduction; Letterboxing; Aspect ratio conversion; Protect and save; Shooting for two formats; Composing for 16:9; Fidgety zooms; Transitional period; The viewer takes control; Inserting 4:3 material into a 16:9 production Compilation programmes
Record Nr.	UNINA-9910457511003321

Pubbl/distr/stampa	New York, N.Y., : Hachette Filipacchi Media, 2008-[2017]
Descrizione fisica	1 online resource
Disciplina	770
Soggetto topico	Photography Cinematography
Soggetto genere / forma	Periodicals.
Formato	Materiale a stampa
Livello bibliografico	Periodico
Lingua di pubblicazione	eng
Altri titoli varianti	Popular photography & imaging Pop photo
Record Nr.	UNISA-996336312403316

Autore	Buckley E. C.
Pubbl/distr/stampa	Washington, [D.C.] : , : National Advisory Committee for Aeronautics, , 1934
Descrizione fisica	1 online resource (8 pages, 4 unnumbered pages) : illustrations
Collana	Technical note / National Advisory Committee for Aeronautics
Soggetto topico	Airplanes - Motors (Diesel) Atomization Fuel - Combustion Chronophotography Cinematography
Formato	Materiale a stampa
Livello bibliografico	Monografia
Lingua di pubblicazione	eng
Record Nr.	UNINA-9910715344703321