Dada surrealism |
Pubbl/distr/stampa | Iowa City, Iowa : , : University of Iowa, , 1971- |
Disciplina | 709.04062 |
Soggetto topico |
Dadaism
Surrealism Arts, Modern - 20th century Arts, Modern - 21st century Arts, Modern Dada Surrealisme |
ISSN | 2372-6725 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Periodico |
Lingua di pubblicazione | eng |
Record Nr. | UNINA-9910132138203321 |
Iowa City, Iowa : , : University of Iowa, , 1971- | ||
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Lo trovi qui: Univ. Federico II | ||
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Decomposition : Post-Disciplinary Performance / / edited by Sue-Ellen Case, Philip Brett, and Susan Leigh Foster |
Pubbl/distr/stampa | Bloomington, Indiana ; ; Indianapolis, Indiana : , : Indiana University Press, , 2000 |
Descrizione fisica | 1 online resource (231 pages) : illustrations |
Disciplina | 790 |
Altri autori (Persone) |
FosterSusan Leigh
BrettPhilip CaseSue-Ellen |
Collana | Unnatural Acts : Theorizing the Performative |
Soggetto topico |
Sex in art
Arts, Modern - 20th century |
Soggetto genere / forma | Electronic books. |
ISBN | 0-253-21374-6 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Record Nr. | UNINA-9910154694003321 |
Bloomington, Indiana ; ; Indianapolis, Indiana : , : Indiana University Press, , 2000 | ||
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Lo trovi qui: Univ. Federico II | ||
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A dictionary of the American avant-gardes / / Richard Kostelanetz |
Autore | Kostelanetz Richard |
Pubbl/distr/stampa | London : , : Routledge, , 2019 |
Descrizione fisica | 1 online resource (211 pages) |
Disciplina | 700.973/0904 |
Soggetto topico |
Arts, American - 20th century
Arts, American - 21st century Arts, Modern - 20th century Arts, Modern - 21st century Avant-garde (Aesthetics) - United States Avant-garde (Aesthetics) - North America Artists - United States Artists - North America - Biography |
ISBN |
1-351-26704-3
1-351-26703-5 1-351-26702-7 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | The dictionary -- Biographical notes. |
Record Nr. | UNINA-9910793600103321 |
Kostelanetz Richard
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London : , : Routledge, , 2019 | ||
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Lo trovi qui: Univ. Federico II | ||
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A dictionary of the American avant-gardes / / Richard Kostelanetz |
Autore | Kostelanetz Richard |
Pubbl/distr/stampa | London : , : Routledge, , 2019 |
Descrizione fisica | 1 online resource (211 pages) |
Disciplina | 700.973/0904 |
Soggetto topico |
Arts, American - 20th century
Arts, American - 21st century Arts, Modern - 20th century Arts, Modern - 21st century Avant-garde (Aesthetics) - United States Avant-garde (Aesthetics) - North America Artists - United States Artists - North America - Biography |
ISBN |
1-351-26704-3
1-351-26703-5 1-351-26702-7 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | The dictionary -- Biographical notes. |
Record Nr. | UNINA-9910823162803321 |
Kostelanetz Richard
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London : , : Routledge, , 2019 | ||
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Lo trovi qui: Univ. Federico II | ||
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Digital performance [[electronic resource] ] : a history of new media in theater, dance, performance art, and installation / / Steve Dixon ; with contributions by Barry Smith |
Autore | Dixon Steve |
Pubbl/distr/stampa | Cambridge, MA, : MIT Press, c2007 |
Descrizione fisica | 1 online resource (832 p.) |
Disciplina | 700/.285 |
Collana | Leonardo |
Soggetto topico |
Technology and the arts
Digital media Arts, Modern - 20th century Performing arts - History - 20th century |
Soggetto genere / forma | Electronic books. |
ISBN |
0-262-30332-9
1-282-09859-4 9786612098598 0-262-27180-X |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Contents; Series Foreword; Preface; Acknowledgments; Ch 1 Introduction; Ch 2 The Genealogy of Digital Performance; Ch 3 Futurism and the Early-Twentieth-Century Avant-Garde; Ch 4 Multimedia Theater, 1911-1959; Ch 5 Performance and Technology Since 1960; Ch 6 Liveness; Ch 7 Postmodernism and Posthumanism; Ch 8 The Digital Revolution; Ch 9 Digital Dancing and Software Developments; Ch 10 Virtual Bodies; Ch 11 The Digital Double; Ch 12 Robots; Ch 13 Cyborgs; Ch 14 Digital Theater and Scenic Spectacle; Ch 15 Virtual Reality: The Search for Immersion
Ch 16 Liquid Architectures and Site-Specific Fractures in RealityCh 17 Telematics: Conjoining Remote Performance Spaces; Ch 18 Webcams: The Subversion of Surveillance; Ch 19 Online Performance: "Live" from Cyberspace; Ch 20 "Theater" in Cyberspace; Ch 21 Time; Ch 22 Memory; Ch 23 "Performing" Interactivity; Ch 24 Videogames; Ch 25 CD-ROMs; Ch 26 Conclusion; Notes; Bibliography; Index |
Record Nr. | UNINA-9910454495603321 |
Dixon Steve
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Cambridge, MA, : MIT Press, c2007 | ||
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Lo trovi qui: Univ. Federico II | ||
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Digital performance : a history of new media in theater, dance, performance art, and installation / / Steve Dixon ; with contributions by Barry Smith |
Autore | Dixon Steve |
Pubbl/distr/stampa | Cambridge, Mass. : , : MIT Press, , 2007 |
Descrizione fisica | 1 online resource (xv, 809 pages) : illustrations |
Disciplina | 700/.285 |
Altri autori (Persone) | SmithBarry <1944-> |
Collana | Leonardo |
Soggetto topico |
Technology and the arts
Digital media Arts, Modern - 20th century Performing arts - History - 20th century |
ISBN |
0-262-30332-9
1-282-09859-4 9786612098598 0-262-27180-X |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Contents; Series Foreword; Preface; Acknowledgments; Ch 1 Introduction; Ch 2 The Genealogy of Digital Performance; Ch 3 Futurism and the Early-Twentieth-Century Avant-Garde; Ch 4 Multimedia Theater, 1911-1959; Ch 5 Performance and Technology Since 1960; Ch 6 Liveness; Ch 7 Postmodernism and Posthumanism; Ch 8 The Digital Revolution; Ch 9 Digital Dancing and Software Developments; Ch 10 Virtual Bodies; Ch 11 The Digital Double; Ch 12 Robots; Ch 13 Cyborgs; Ch 14 Digital Theater and Scenic Spectacle; Ch 15 Virtual Reality: The Search for Immersion
Ch 16 Liquid Architectures and Site-Specific Fractures in Reality; Ch 17 Telematics: Conjoining Remote Performance Spaces; Ch 18 Webcams: The Subversion of Surveillance; Ch 19 Online Performance: "Live" from Cyberspace; Ch 20 "Theater" in Cyberspace; Ch 21 Time; Ch 22 Memory; Ch 23 "Performing" Interactivity; Ch 24 Videogames; Ch 25 CD-ROMs; Ch 26 Conclusion; Notes; Bibliography; Index |
Record Nr. | UNINA-9910782034903321 |
Dixon Steve
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Cambridge, Mass. : , : MIT Press, , 2007 | ||
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Lo trovi qui: Univ. Federico II | ||
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Digital performance : a history of new media in theater, dance, performance art, and installation / / Steve Dixon ; with contributions by Barry Smith |
Autore | Dixon Steve |
Pubbl/distr/stampa | Cambridge, Mass. : , : MIT Press, , 2007 |
Descrizione fisica | 1 online resource (xv, 809 pages) : illustrations |
Disciplina | 700/.285 |
Altri autori (Persone) | SmithBarry <1944-> |
Collana | Leonardo |
Soggetto topico |
Technology and the arts
Digital media Arts, Modern - 20th century Performing arts - History - 20th century |
ISBN |
0-262-30332-9
1-282-09859-4 9786612098598 0-262-27180-X |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Contents; Series Foreword; Preface; Acknowledgments; Ch 1 Introduction; Ch 2 The Genealogy of Digital Performance; Ch 3 Futurism and the Early-Twentieth-Century Avant-Garde; Ch 4 Multimedia Theater, 1911-1959; Ch 5 Performance and Technology Since 1960; Ch 6 Liveness; Ch 7 Postmodernism and Posthumanism; Ch 8 The Digital Revolution; Ch 9 Digital Dancing and Software Developments; Ch 10 Virtual Bodies; Ch 11 The Digital Double; Ch 12 Robots; Ch 13 Cyborgs; Ch 14 Digital Theater and Scenic Spectacle; Ch 15 Virtual Reality: The Search for Immersion
Ch 16 Liquid Architectures and Site-Specific Fractures in Reality; Ch 17 Telematics: Conjoining Remote Performance Spaces; Ch 18 Webcams: The Subversion of Surveillance; Ch 19 Online Performance: "Live" from Cyberspace; Ch 20 "Theater" in Cyberspace; Ch 21 Time; Ch 22 Memory; Ch 23 "Performing" Interactivity; Ch 24 Videogames; Ch 25 CD-ROMs; Ch 26 Conclusion; Notes; Bibliography; Index |
Record Nr. | UNINA-9910816459603321 |
Dixon Steve
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Cambridge, Mass. : , : MIT Press, , 2007 | ||
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Lo trovi qui: Univ. Federico II | ||
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Disordering the establishment : participatory art and institutional critique in France, 1958-1981 / / Lily Woodruff |
Autore | Woodruff Lily <1981-> |
Pubbl/distr/stampa | Durham : , : Duke University Press, , 2020 |
Descrizione fisica | 1 online resource (xiii, 322 pages) : illustrations |
Disciplina | 701.1809440904 |
Collana | Art history publication initiative |
Soggetto topico |
Arts and society - France
Interactive art - France Art - Political aspects - France Art criticism - France - History - 20th century Art, French - Government policy - France Arts, Modern - 20th century |
ISBN | 1-4780-1208-0 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | The Groupe de Recherche d'Art Visuel's social abstractions -- Daniel Buren's instrumental invisibility -- André Cadere's calligrams of institutional authority -- The Collectif d'Art Sociologique's sociological realism. |
Record Nr. | UNINA-9910524664803321 |
Woodruff Lily <1981->
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Durham : , : Duke University Press, , 2020 | ||
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Lo trovi qui: Univ. Federico II | ||
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The Edinburgh companion to Samuel Beckett and the arts / / edited by S. E. Gontarski |
Pubbl/distr/stampa | Edinburgh, Scotland : , : Edinburgh University Press, , 2014 |
Descrizione fisica | 1 online resource (521 p.) |
Disciplina | 828.91209 |
Soggetto topico | Arts, Modern - 20th century |
ISBN |
1-78402-538-0
0-7486-7570-1 |
Classificazione | IH 15721 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Contents; Introduction: Towards a Minoritarian Criticism - The Questions We Ask; Part 1: Art and Aesthetics; 1: 'Deux Besoins': Samuel Beckett and the Aesthetic Dilemma; Plate Section; 2: 'Siege Laid Again': Arikha's Gaze, Beckett's Painted Stage; 3: Convulsive Aesthetics: Beckett, Chaplin and Charcot; 4: Pain Degree Zero; Part 2: Fictions; 5: Sexual Indifference in the Three Novels; 6: A Neuropolitics of Subjectivity in Samuel Beckett's Three Novels; 7: Evening, Night and Other Shades of Dark: Beckett's Short Prose; Part 3: A European Context
8: French Beckett and French Literary Politics 1945-529: Beckett/Sade: texts for nothing; 10: Beckett's Masson: From Abstraction to Non-relation; 11: Beckett, Duthuit and Ongoing Dialogue; 12: Gloria SMH and Beckett's Linguistic Encryptions; 13: 'I am Writing a Manifesto Because I have nothing to say' (Soupault): Samuel Beckett and the Interwar Avant-Garde; 14: Beckett and Contemporary French Literature; Part 4: An Irish Context; 15: The 'Irish' Translation of Samuel Beckett's En Attendant Godot; 16: Odds, Ends, Beginnings: Samuel Beckett and Theatre Cultures in 1930s Dublin 17: 'Bid us sigh on from day to day': Beckett and the Irish Big HousePart 5: Film, Radio and Television; 18: A Womb with a View: FIlm as Regression Fantasy; 19: 'The Sound is Enough': Beckett's Radio Plays; Part 6: Language/Writing; 20: 'Was that a point?': Beckett's Punctuation; 21: Beckett's Unpublished Canon; 22: Textual Scars: Beckett, Genetic Criticism and Textual Scholarship; 23: Beckett's Ill Seen Ill Said: Reading the Subject, Subject to Reading; Part 7: Philosophies; 24: Beckett and Philosophy; 25: 'Ruse a by': Watt, the Rupture of the Everyday and Transcendental Empiricism 26: Beckett, Modernism and ChristianityPart 8: Theatre and Performance; 27: 'Oh Lovely Art': Beckett and Music; 28: Victimised Actors and Despotic Directors: Clichés of Theatre at Stake in Beckett's Catastrophe; 29: Staging the Modernist Monologue as Capable Negativity: Beckett's 'A Piece of Monologue' Between and Beyond Eliot and Joyce; 30: Designing Beckett: Jocelyn Herbert's Contribution to Samuel Beckett's Theatrical Aesthetics; 31: Dianoetic Laughter in Tragedy: Accepting Finitude - Beckett's Endgame; 32: Performing the Formless; Part 9: Global Beckett 33: 'Facing Other WIndows': Beckett in Brazil34: Beckett in Belgrade; 35: 'Struggling with a Dead Language': Language of Others in All That Fall and the Japanese Avant-Garde Theatre in the 1960s; List of Contributors; Index |
Record Nr. | UNINA-9910787995403321 |
Edinburgh, Scotland : , : Edinburgh University Press, , 2014 | ||
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Lo trovi qui: Univ. Federico II | ||
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The Edinburgh companion to Samuel Beckett and the arts / / edited by S. E. Gontarski |
Pubbl/distr/stampa | Edinburgh, Scotland : , : Edinburgh University Press, , 2014 |
Descrizione fisica | 1 online resource (521 p.) |
Disciplina | 828.91209 |
Soggetto topico | Arts, Modern - 20th century |
ISBN |
1-78402-538-0
0-7486-7570-1 |
Classificazione | IH 15721 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Contents; Introduction: Towards a Minoritarian Criticism - The Questions We Ask; Part 1: Art and Aesthetics; 1: 'Deux Besoins': Samuel Beckett and the Aesthetic Dilemma; Plate Section; 2: 'Siege Laid Again': Arikha's Gaze, Beckett's Painted Stage; 3: Convulsive Aesthetics: Beckett, Chaplin and Charcot; 4: Pain Degree Zero; Part 2: Fictions; 5: Sexual Indifference in the Three Novels; 6: A Neuropolitics of Subjectivity in Samuel Beckett's Three Novels; 7: Evening, Night and Other Shades of Dark: Beckett's Short Prose; Part 3: A European Context
8: French Beckett and French Literary Politics 1945-529: Beckett/Sade: texts for nothing; 10: Beckett's Masson: From Abstraction to Non-relation; 11: Beckett, Duthuit and Ongoing Dialogue; 12: Gloria SMH and Beckett's Linguistic Encryptions; 13: 'I am Writing a Manifesto Because I have nothing to say' (Soupault): Samuel Beckett and the Interwar Avant-Garde; 14: Beckett and Contemporary French Literature; Part 4: An Irish Context; 15: The 'Irish' Translation of Samuel Beckett's En Attendant Godot; 16: Odds, Ends, Beginnings: Samuel Beckett and Theatre Cultures in 1930s Dublin 17: 'Bid us sigh on from day to day': Beckett and the Irish Big HousePart 5: Film, Radio and Television; 18: A Womb with a View: FIlm as Regression Fantasy; 19: 'The Sound is Enough': Beckett's Radio Plays; Part 6: Language/Writing; 20: 'Was that a point?': Beckett's Punctuation; 21: Beckett's Unpublished Canon; 22: Textual Scars: Beckett, Genetic Criticism and Textual Scholarship; 23: Beckett's Ill Seen Ill Said: Reading the Subject, Subject to Reading; Part 7: Philosophies; 24: Beckett and Philosophy; 25: 'Ruse a by': Watt, the Rupture of the Everyday and Transcendental Empiricism 26: Beckett, Modernism and ChristianityPart 8: Theatre and Performance; 27: 'Oh Lovely Art': Beckett and Music; 28: Victimised Actors and Despotic Directors: Clichés of Theatre at Stake in Beckett's Catastrophe; 29: Staging the Modernist Monologue as Capable Negativity: Beckett's 'A Piece of Monologue' Between and Beyond Eliot and Joyce; 30: Designing Beckett: Jocelyn Herbert's Contribution to Samuel Beckett's Theatrical Aesthetics; 31: Dianoetic Laughter in Tragedy: Accepting Finitude - Beckett's Endgame; 32: Performing the Formless; Part 9: Global Beckett 33: 'Facing Other WIndows': Beckett in Brazil34: Beckett in Belgrade; 35: 'Struggling with a Dead Language': Language of Others in All That Fall and the Japanese Avant-Garde Theatre in the 1960s; List of Contributors; Index |
Record Nr. | UNINA-9910825140103321 |
Edinburgh, Scotland : , : Edinburgh University Press, , 2014 | ||
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Lo trovi qui: Univ. Federico II | ||
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