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The explicit body in performance / / Rebecca Schneider
| The explicit body in performance / / Rebecca Schneider |
| Autore | Schneider Rebecca |
| Edizione | [1st edition] |
| Pubbl/distr/stampa | London : , : Routledge, , [1997] |
| Descrizione fisica | 1 online resource (249 pages) |
| Disciplina | 704.9428 |
| Soggetto topico |
Feminism and the arts
Women in art Performance art Arts, Modern - 20th century Women artists - Psychology |
| ISBN |
1-134-87692-0
1-280-32159-8 0-203-42107-8 1-134-87693-9 0-415-09025-3 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; The Explicit Body in Performance; Copyright; Contents; List of plates; Acknowledgments; Introduction; GHOST OF THE AVANT-GARDE; DESIRE AND THE SATIATE BODY; TWISTING THE MAP; 1 Binary terror and the body made explicit; RE-VAMPING THE GHOSTS OF MODERNISM; BESIDE HERSELF: POSTMODERN ARTISTS AND MODERN WHORES; EYE/BODY: CAROLEE SCHNEEMANN BESIDE HERSELF; 2 Logic of the twister, eye of the storm; IMPASSE: UNNATURAL ACTS; TWISTER: LOOKING INTO LOOKING OUT; 3 Permission to see; GENDER IN PERSPECTIVE: HAVE WE REALLY GONE BEYOND?; REFUSAL TO VANISH
GHOSTLY HORRORS: LOOKING AT THE PAST, SEEING THROUGH THE BODY4 The secret's eye; NO ACCIDENT: COMMODITY BODIES; EMBODYING DISEMBODIMENT; RADICAL SEX ACTIVISM, SATIABILITY, AND THE COMMODITY; TWO-WAY STREETWALKERS; EXPLOSIVE LITERALITY; LITERAL SHROUDS AND DREAMSCAPE RE-INTERMENTS; 5 After us the savage goddess; SEEING BACK THROUGH; PRIMITIVE TECHNIQUES; DARK CONTINENCE: READING THE THRALL AND THE THREAT; DARK INCONTINENCE: UBU ROJ AND SAVAGE PRIMITMSM; DADA'S BIG DRUM: PRIMITIVISM AND THE PERFORMATIVE; HARD PRIMITMSM, BASE MATTER, AND THE BLIND SPOT; LITERAL PRIMITIVES; 6 Seeing the big show FIRST, A STORY ABOUT DOUBT THAT INCLUDES AREVE RBERATIONWHITE NOSTALGIA, AUTHENTICITY, AND THE SPLIT SUBJECT; SPIDER WOMAN: THE EARLY DAYS; VIGILANT REPETITIONS, THE COMIC TURN, AND COUNTER-MIMICRY; THE IRRUPTION OF ""REAL STUFF"" AND THE POLITIC OF SACRALITY; THE IRRUPTION OF GRANDMOTHERS AND THE REALITY OF DREAMS; Epilog: returning from the dead; Notes; Works Cited; Index |
| Record Nr. | UNINA-9910455004103321 |
Schneider Rebecca
|
||
| London : , : Routledge, , [1997] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The explicit body in performance / / Rebecca Schneider
| The explicit body in performance / / Rebecca Schneider |
| Autore | Schneider Rebecca |
| Edizione | [1st edition] |
| Pubbl/distr/stampa | London ; ; New York : , : Routledge, , 1997 |
| Descrizione fisica | 1 online resource (249 pages) |
| Disciplina | 704.9428 |
| Soggetto topico |
Feminism and the arts
Women in art Performance art Arts, Modern - 20th century Women artists - Psychology |
| ISBN |
1-134-87692-0
1-280-32159-8 0-203-42107-8 1-134-87693-9 0-415-09025-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; The Explicit Body in Performance; Copyright; Contents; List of plates; Acknowledgments; Introduction; GHOST OF THE AVANT-GARDE; DESIRE AND THE SATIATE BODY; TWISTING THE MAP; 1 Binary terror and the body made explicit; RE-VAMPING THE GHOSTS OF MODERNISM; BESIDE HERSELF: POSTMODERN ARTISTS AND MODERN WHORES; EYE/BODY: CAROLEE SCHNEEMANN BESIDE HERSELF; 2 Logic of the twister, eye of the storm; IMPASSE: UNNATURAL ACTS; TWISTER: LOOKING INTO LOOKING OUT; 3 Permission to see; GENDER IN PERSPECTIVE: HAVE WE REALLY GONE BEYOND?; REFUSAL TO VANISH
GHOSTLY HORRORS: LOOKING AT THE PAST, SEEING THROUGH THE BODY4 The secret's eye; NO ACCIDENT: COMMODITY BODIES; EMBODYING DISEMBODIMENT; RADICAL SEX ACTIVISM, SATIABILITY, AND THE COMMODITY; TWO-WAY STREETWALKERS; EXPLOSIVE LITERALITY; LITERAL SHROUDS AND DREAMSCAPE RE-INTERMENTS; 5 After us the savage goddess; SEEING BACK THROUGH; PRIMITIVE TECHNIQUES; DARK CONTINENCE: READING THE THRALL AND THE THREAT; DARK INCONTINENCE: UBU ROJ AND SAVAGE PRIMITMSM; DADA'S BIG DRUM: PRIMITIVISM AND THE PERFORMATIVE; HARD PRIMITMSM, BASE MATTER, AND THE BLIND SPOT; LITERAL PRIMITIVES; 6 Seeing the big show FIRST, A STORY ABOUT DOUBT THAT INCLUDES AREVE RBERATIONWHITE NOSTALGIA, AUTHENTICITY, AND THE SPLIT SUBJECT; SPIDER WOMAN: THE EARLY DAYS; VIGILANT REPETITIONS, THE COMIC TURN, AND COUNTER-MIMICRY; THE IRRUPTION OF ""REAL STUFF"" AND THE POLITIC OF SACRALITY; THE IRRUPTION OF GRANDMOTHERS AND THE REALITY OF DREAMS; Epilog: returning from the dead; Notes; Works Cited; Index |
| Record Nr. | UNINA-9910779965603321 |
|
Schneider Rebecca
|
||
| London ; ; New York : , : Routledge, , 1997 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The explicit body in performance / / Rebecca Schneider
| The explicit body in performance / / Rebecca Schneider |
| Autore | Schneider Rebecca |
| Edizione | [1st edition] |
| Pubbl/distr/stampa | London ; ; New York : , : Routledge, , 1997 |
| Descrizione fisica | 1 online resource (249 pages) |
| Disciplina | 704.9428 |
| Soggetto topico |
Feminism and the arts
Women in art Performance art Arts, Modern - 20th century Women artists - Psychology |
| ISBN |
1-134-87692-0
1-280-32159-8 0-203-42107-8 1-134-87693-9 0-415-09025-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; The Explicit Body in Performance; Copyright; Contents; List of plates; Acknowledgments; Introduction; GHOST OF THE AVANT-GARDE; DESIRE AND THE SATIATE BODY; TWISTING THE MAP; 1 Binary terror and the body made explicit; RE-VAMPING THE GHOSTS OF MODERNISM; BESIDE HERSELF: POSTMODERN ARTISTS AND MODERN WHORES; EYE/BODY: CAROLEE SCHNEEMANN BESIDE HERSELF; 2 Logic of the twister, eye of the storm; IMPASSE: UNNATURAL ACTS; TWISTER: LOOKING INTO LOOKING OUT; 3 Permission to see; GENDER IN PERSPECTIVE: HAVE WE REALLY GONE BEYOND?; REFUSAL TO VANISH
GHOSTLY HORRORS: LOOKING AT THE PAST, SEEING THROUGH THE BODY4 The secret's eye; NO ACCIDENT: COMMODITY BODIES; EMBODYING DISEMBODIMENT; RADICAL SEX ACTIVISM, SATIABILITY, AND THE COMMODITY; TWO-WAY STREETWALKERS; EXPLOSIVE LITERALITY; LITERAL SHROUDS AND DREAMSCAPE RE-INTERMENTS; 5 After us the savage goddess; SEEING BACK THROUGH; PRIMITIVE TECHNIQUES; DARK CONTINENCE: READING THE THRALL AND THE THREAT; DARK INCONTINENCE: UBU ROJ AND SAVAGE PRIMITMSM; DADA'S BIG DRUM: PRIMITIVISM AND THE PERFORMATIVE; HARD PRIMITMSM, BASE MATTER, AND THE BLIND SPOT; LITERAL PRIMITIVES; 6 Seeing the big show FIRST, A STORY ABOUT DOUBT THAT INCLUDES AREVE RBERATIONWHITE NOSTALGIA, AUTHENTICITY, AND THE SPLIT SUBJECT; SPIDER WOMAN: THE EARLY DAYS; VIGILANT REPETITIONS, THE COMIC TURN, AND COUNTER-MIMICRY; THE IRRUPTION OF ""REAL STUFF"" AND THE POLITIC OF SACRALITY; THE IRRUPTION OF GRANDMOTHERS AND THE REALITY OF DREAMS; Epilog: returning from the dead; Notes; Works Cited; Index |
| Record Nr. | UNINA-9910828969803321 |
|
Schneider Rebecca
|
||
| London ; ; New York : , : Routledge, , 1997 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
