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Digging : the Afro-American soul of American classical music / / Amiri Baraka
| Digging : the Afro-American soul of American classical music / / Amiri Baraka |
| Autore | Baraka Amiri <1934-2014.> |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2009 |
| Descrizione fisica | 1 online resource (425 p.) |
| Disciplina | 780.89/96073 |
| Collana | Music of the African diaspora |
| Soggetto topico |
African Americans - Music - History and criticism
Music - History and criticism African American musicians |
| Soggetto non controllato |
african american culture
african american history african american music alan shorter america popular song american classical music autobiography black aesthetic blues aesthetic bruce springsteen charlie parker duke ellington fred hopkins great american song book jazz criticism jazz music jazz john coltrane jon jang malachi thompson max roach miles davis music musical analysis musicians political commentary political history rhythm social change wynton marsalis |
| ISBN |
1-282-36086-8
9786612360862 0-520-94309-0 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Digging -- Frontmatter -- MUSIC OF THE AFRICAN DIASPORA -- Contents -- Introduction -- Part One: Essays -- 1. Griot/Djali: Poetry, Music, History, Message -- 2. Miles Later -- 3. The "Blues Aesthetic" and the "Black Aesthetic": Aesthetics as the Continuing Political History of a Culture -- 4. Blues People: Looking Both Ways -- 5. Rhythm -- 6. The American Popular Song: "The Great American Song Book" -- 7. Blues Line -- 8. Cosby and the Music -- 9. Nina Returns -- 10. Jazz Criticism and Its Effect on the Music -- 11. Not "the Boss": Bruce Springsteen -- 12. Wynton Marsalis: Black Codes (from the Underground) -- 13. "The International Business of Jazz" and the Need for the Cooperative and Collective Self-Development of an International People's Culture -- 14. Newark's' "Coast" and the Hidden Legacy of Urban Culture -- 15. Black Music as a Force for Social Change -- 16. What You Mean, Du Wop? -- 17. Classical American Music -- 18. Singers and the Music: A Theater Piece -- 19. Newark's Influence on American Music -- 20. Ritual and Performance -- 21. Bopera Theory -- 22. "Jazz and the White Critic": Thirty Years Later -- 23. Random Notes on the Last Decade -- Part Two: Great Musicians -- 24. Panthalassa: Miles Davis -- 25. When Miles Split! -- 26. David Murray, Ming's Samba -- 27. David Murray, Fo Deuk Revue -- 28. David Murray, Addenda to a Concert -- 29. On Reissuing Trane -- 30. John Coltrane: Why His Legacy Continues -- 31. Some Memories of Alan Shorter: Interview with Wayne Shorter -- 32. High Art: Art Tatum -- 33. Max Roach at the Iridium -- 34. Paris Max -- 35. The Great Max Roach -- 36. Billie Holiday -- 37. The High Priest of BeBop -- 38. Eric Dolphy: A Note -- 39. Jackie Mc -- 40. It Ain't about You -- 41. You Ever Hear Albert Ayler? -- 42. Albert's Will -- 43. Sassy Was Definitely Not the Avon Lady -- 44. Fred -- 45. Fred Hopkins's Memorial -- 46. Duke Ellington: The Music's "Great Spirit" -- 47. Duke Was a Very Great Pianist! -- 48. Blind Tom: The Continuity of Americana -- 49. Don Pullen Leaves Us -- 50. Black History Month Rediscovers "the Music" in New York City -- 51. Black History Month Rediscovers "the Music," Part 2: The Charles Tolliver Big Band at the Jazz Standard -- 52. Wonderful Stevie -- 53. Abbey Lincoln -- 54. Four Tough Good-byes: Jackie McLean, John Hicks, Hilton Ruiz, Halim Suliman -- Part Three: Notes, Reviews, and Observations -- 55. Impulse Sampler, Act on Impulse -- 56. Ralph Peterson -- 57. Andrew Cyrille, Good to Go -- 58. Odean Pope Saxophone Choir, Epitome -- 59. Ravi Coltrane, Moving Pictures -- 60. Donal Fox and David Murray, Ugly Beauty -- 61. Tyrone Jefferson, Connections -- 62. James Moody -- 63. Barry Harris: In the Tradition -- 64. Pharoah Sanders, Shukuru -- 65. Don Pullen-George Adams Quartet, Breakthrough -- 66. Von and Chico Freeman, Freeman and Freeman -- 67. Alan Shorter, Orgasm -- 68. The Work Man: Reggie Workman -- 69. Roscoe Mitchell and the Note Factory -- 70. Jimmy Scott, But Beautiful -- 71. Malachi Thompson, Talking Horns -- 72. The Nexus Orchestra, Seize the Time -- 73. Three Fresh Ticklers -- 74. Rodney Kendrick, Last Chance for Common Sense -- 75. Jazz Times Review, Multiple Artists -- 76. More Young Bloods to the Rescue! -- 77. Vijay Iyer, Memorophilia -- 78. TriFactor, If You Believe -- 79. Live Lessons -- 80. New York Art Quintet -- 81. Peter Brötzmann, Nipples, and Joe McPhee, Nation Time -- 82. Jon Jang and David Murray, River of Life -- 83. Trio Three, Encounter -- 84. Jackie Mc-Coming and Going |
| Record Nr. | UNINA-9910813301003321 |
Baraka Amiri <1934-2014.>
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| Berkeley, : University of California Press, c2009 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Disturbing the peace [[electronic resource] ] : Black culture and the police power after slavery / / Bryan Wagner
| Disturbing the peace [[electronic resource] ] : Black culture and the police power after slavery / / Bryan Wagner |
| Autore | Wagner Bryan |
| Pubbl/distr/stampa | Cambridge, Mass., : Harvard University Press, 2009 |
| Descrizione fisica | 1 online resource (318 p.) |
| Disciplina | 305.896/073 |
| Soggetto topico |
African Americans - Social life and customs
African Americans - Music - History and criticism Legends - History and criticism Ballads - History and criticism Police power - Southern States - History Police-community relations - Southern States - History African Americans - History - 1863-1877 African Americans - History - 1877-1964 |
| Soggetto genere / forma | Electronic books. |
| ISBN | 0-674-05476-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | The Black tradition from Ida B. Wells to Robert Charles -- The strange career of bras-coupé -- Uncle Remus and the Atlanta Police Department -- The Black tradition from George W. Johnson to Ozella Jones. |
| Record Nr. | UNINA-9910460221603321 |
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Wagner Bryan
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| Cambridge, Mass., : Harvard University Press, 2009 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Disturbing the peace [[electronic resource] ] : Black culture and the police power after slavery / / Bryan Wagner
| Disturbing the peace [[electronic resource] ] : Black culture and the police power after slavery / / Bryan Wagner |
| Autore | Wagner Bryan |
| Pubbl/distr/stampa | Cambridge, Mass., : Harvard University Press, 2009 |
| Descrizione fisica | 1 online resource (318 p.) |
| Disciplina | 305.896/073 |
| Soggetto topico |
African Americans - Social life and customs
African Americans - Music - History and criticism Legends - History and criticism Ballads - History and criticism Police power - Southern States - History Police-community relations - Southern States - History African Americans - History - 1863-1877 African Americans - History - 1877-1964 |
| ISBN | 0-674-05476-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | The Black tradition from Ida B. Wells to Robert Charles -- The strange career of bras-coupé -- Uncle Remus and the Atlanta Police Department -- The Black tradition from George W. Johnson to Ozella Jones. |
| Record Nr. | UNINA-9910785013103321 |
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Wagner Bryan
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| Cambridge, Mass., : Harvard University Press, 2009 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Disturbing the peace [[electronic resource] ] : Black culture and the police power after slavery / / Bryan Wagner
| Disturbing the peace [[electronic resource] ] : Black culture and the police power after slavery / / Bryan Wagner |
| Autore | Wagner Bryan |
| Pubbl/distr/stampa | Cambridge, Mass., : Harvard University Press, 2009 |
| Descrizione fisica | 1 online resource (318 p.) |
| Disciplina | 305.896/073 |
| Soggetto topico |
African Americans - Social life and customs
African Americans - Music - History and criticism Legends - History and criticism Ballads - History and criticism Police power - Southern States - History Police-community relations - Southern States - History African Americans - History - 1863-1877 African Americans - History - 1877-1964 |
| ISBN | 0-674-05476-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | The Black tradition from Ida B. Wells to Robert Charles -- The strange career of bras-coupé -- Uncle Remus and the Atlanta Police Department -- The Black tradition from George W. Johnson to Ozella Jones. |
| Record Nr. | UNINA-9910826271603321 |
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Wagner Bryan
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| Cambridge, Mass., : Harvard University Press, 2009 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Ethnomusicologizing : essays on music in the new paradigms / / William C. Banfield
| Ethnomusicologizing : essays on music in the new paradigms / / William C. Banfield |
| Autore | Banfield William C. <1961-> |
| Pubbl/distr/stampa | Lanham, Maryland : , : Rowman & Littlefield, , 2015 |
| Descrizione fisica | 1 online resource (447 p.) |
| Disciplina | 780.89 |
| Collana | African American Cultural Theory and Heritage |
| Soggetto topico |
African Americans - Music - History and criticism
Popular music - United States - History and criticism Jazz - History and criticism Ethnomusicology |
| ISBN | 1-4422-2972-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
CONTENTS; A NOTE OF DEFINITION; PRELUDE: Keeping the Core Creative Spirit-Soul; Part I. THEORY: Aesthetic Theories, Teaching, and Approaches; CHAPTER ONE. ETHNOMUSICOLOGIZING AND CULTURAL RELEVANCY; CHAPTER TWO. ETHNOMUSICOLOGY STUDIES IN MUSIC CULTURE; CHAPTER THREE. POPULAR MUSIC CULTURE: How to Teach and Reach within Popular Music; CHAPTER FOUR. (BLACK) MUSIC MATTERS; CHAPTER FIVE. NOTES FROM CUBA: November 2012-February 2013; CHAPTER SIX. THE "I" THEORY; Photospread 1; Part II. HISTORY: Backbones and Songs; CHAPTER SEVEN. A PROGRESSIVE VIEW OF AMERICAN POPULAR MUSIC HISTORY, 1948-2014
CHAPTER EIGHT. AMERICAN MAVERICKS: InterviewCHAPTER NINE. HARLEM RENAISSANCE, 1920-1935: Artistry, Aesthetics, Politics, and Popular Culture; Photospread 2; INTERLUDES; Photospread 3; CHAPTER TEN. LETTERS; CHAPTER ELEVEN. "YOU REALLY SHOULD GIVE ME SOME MONEY"; Part III. CULTURE: New Standards, Cultural Critique; CHAPTER TWELVE. WAKE UP! WHAT TIME IS IT REALLY? WHO TURNS IT UP, DOWN, AND BACK?: Values on the Cultural Dial; CHAPTER THIRTEEN. DOES OUR MUSIC STILL BRING THE GOOD NEWS OF THE DAY?; CHAPTER FOURTEEN. ON THE CRISIS IN THE POPULAR ARTS AND SOCIETY: Steps Ahead CHAPTER FIFTEEN. GEORGE LEWIS REVIEWCHAPTER SIXTEEN. DON'T USE THE "J-WORD": Jazz and Its Connections to Culture and Meaning; CHAPTER SEVENTEEN. CULTURE REFLECTIONS OF A CITIZEN: Can Somebody Wake Me Up?; CHAPTER EIGHTEEN. HEALING AND ESCAPE FROM ZOMBIELAND; CHAPTER NINETEEN. CRITICAL CULTURAL CONCERNS TODAY; CHAPTER TWENTY. THE SONGS WE NEED TO BE HEARING AGAIN: Music Culture and a Musician's Credo to Citizenry; Photospread 4; POSTLUDE: Afterthought on Ethnomusicologizing; ACKNOWLEDGMENTS; INDEX; ABOUT THE AUTHOR |
| Record Nr. | UNINA-9910797318803321 |
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Banfield William C. <1961->
|
||
| Lanham, Maryland : , : Rowman & Littlefield, , 2015 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Ethnomusicologizing : essays on music in the new paradigms / / William C. Banfield
| Ethnomusicologizing : essays on music in the new paradigms / / William C. Banfield |
| Autore | Banfield William C. <1961-> |
| Pubbl/distr/stampa | Lanham, Maryland : , : Rowman & Littlefield, , 2015 |
| Descrizione fisica | 1 online resource (447 p.) |
| Disciplina | 780.89 |
| Collana | African American Cultural Theory and Heritage |
| Soggetto topico |
African Americans - Music - History and criticism
Popular music - United States - History and criticism Jazz - History and criticism Ethnomusicology |
| ISBN | 1-4422-2972-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
CONTENTS; A NOTE OF DEFINITION; PRELUDE: Keeping the Core Creative Spirit-Soul; Part I. THEORY: Aesthetic Theories, Teaching, and Approaches; CHAPTER ONE. ETHNOMUSICOLOGIZING AND CULTURAL RELEVANCY; CHAPTER TWO. ETHNOMUSICOLOGY STUDIES IN MUSIC CULTURE; CHAPTER THREE. POPULAR MUSIC CULTURE: How to Teach and Reach within Popular Music; CHAPTER FOUR. (BLACK) MUSIC MATTERS; CHAPTER FIVE. NOTES FROM CUBA: November 2012-February 2013; CHAPTER SIX. THE "I" THEORY; Photospread 1; Part II. HISTORY: Backbones and Songs; CHAPTER SEVEN. A PROGRESSIVE VIEW OF AMERICAN POPULAR MUSIC HISTORY, 1948-2014
CHAPTER EIGHT. AMERICAN MAVERICKS: InterviewCHAPTER NINE. HARLEM RENAISSANCE, 1920-1935: Artistry, Aesthetics, Politics, and Popular Culture; Photospread 2; INTERLUDES; Photospread 3; CHAPTER TEN. LETTERS; CHAPTER ELEVEN. "YOU REALLY SHOULD GIVE ME SOME MONEY"; Part III. CULTURE: New Standards, Cultural Critique; CHAPTER TWELVE. WAKE UP! WHAT TIME IS IT REALLY? WHO TURNS IT UP, DOWN, AND BACK?: Values on the Cultural Dial; CHAPTER THIRTEEN. DOES OUR MUSIC STILL BRING THE GOOD NEWS OF THE DAY?; CHAPTER FOURTEEN. ON THE CRISIS IN THE POPULAR ARTS AND SOCIETY: Steps Ahead CHAPTER FIFTEEN. GEORGE LEWIS REVIEWCHAPTER SIXTEEN. DON'T USE THE "J-WORD": Jazz and Its Connections to Culture and Meaning; CHAPTER SEVENTEEN. CULTURE REFLECTIONS OF A CITIZEN: Can Somebody Wake Me Up?; CHAPTER EIGHTEEN. HEALING AND ESCAPE FROM ZOMBIELAND; CHAPTER NINETEEN. CRITICAL CULTURAL CONCERNS TODAY; CHAPTER TWENTY. THE SONGS WE NEED TO BE HEARING AGAIN: Music Culture and a Musician's Credo to Citizenry; Photospread 4; POSTLUDE: Afterthought on Ethnomusicologizing; ACKNOWLEDGMENTS; INDEX; ABOUT THE AUTHOR |
| Record Nr. | UNINA-9910820790703321 |
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Banfield William C. <1961->
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| Lanham, Maryland : , : Rowman & Littlefield, , 2015 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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The hip hop movement [[electronic resource] ] : from R&B and the civil rights movement to rap and the hip hop generation / / Reiland Rabaka
| The hip hop movement [[electronic resource] ] : from R&B and the civil rights movement to rap and the hip hop generation / / Reiland Rabaka |
| Autore | Rabaka Reiland <1972-> |
| Pubbl/distr/stampa | Lanham, Md., : Lexington Books, 2013 |
| Descrizione fisica | 1 online resource (516 p.) |
| Disciplina | 782.4216490973 |
| Soggetto topico |
African Americans - Music - History and criticism
Popular music - United States - History and criticism Popular music - Social aspects - United States - History - 20th century Rap (Music) - History and criticism Hip-hop |
| Soggetto genere / forma | Electronic books. |
| ISBN |
0-7391-8243-9
0-7391-8117-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Contents; Introlude; Introduction; I: The Soundtracks of the Civil Rights Movement, 1945-1965; Remix 1: Rhythm & Blues; Remix 2: Rock & Roll; II: The Soundtracks of the Black Power Movement, 1965-1980; Remix 3: Soul; Remix 4: Funk; III: The Soundtracks and Social Visions of the Hip Hop Movement, 1980-Present; Remix 5: The Hip Hop Movement; Bibliography; Index; About the Author |
| Record Nr. | UNINA-9910452544103321 |
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Rabaka Reiland <1972->
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| Lanham, Md., : Lexington Books, 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The hip hop movement [[electronic resource] ] : from R&B and the civil rights movement to rap and the hip hop generation / / Reiland Rabaka
| The hip hop movement [[electronic resource] ] : from R&B and the civil rights movement to rap and the hip hop generation / / Reiland Rabaka |
| Autore | Rabaka Reiland <1972-> |
| Pubbl/distr/stampa | Lanham, Md., : Lexington Books, 2013 |
| Descrizione fisica | 1 online resource (516 p.) |
| Disciplina | 782.4216490973 |
| Soggetto topico |
African Americans - Music - History and criticism
Popular music - United States - History and criticism Popular music - Social aspects - United States - History - 20th century Rap (Music) - History and criticism Hip-hop |
| ISBN |
0-7391-8243-9
0-7391-8117-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Contents; Introlude; Introduction; I: The Soundtracks of the Civil Rights Movement, 1945-1965; Remix 1: Rhythm & Blues; Remix 2: Rock & Roll; II: The Soundtracks of the Black Power Movement, 1965-1980; Remix 3: Soul; Remix 4: Funk; III: The Soundtracks and Social Visions of the Hip Hop Movement, 1980-Present; Remix 5: The Hip Hop Movement; Bibliography; Index; About the Author |
| Record Nr. | UNINA-9910779972603321 |
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Rabaka Reiland <1972->
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||
| Lanham, Md., : Lexington Books, 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The hip hop movement [[electronic resource] ] : from R&B and the civil rights movement to rap and the hip hop generation / / Reiland Rabaka
| The hip hop movement [[electronic resource] ] : from R&B and the civil rights movement to rap and the hip hop generation / / Reiland Rabaka |
| Autore | Rabaka Reiland <1972-> |
| Pubbl/distr/stampa | Lanham, Md., : Lexington Books, 2013 |
| Descrizione fisica | 1 online resource (516 p.) |
| Disciplina | 782.4216490973 |
| Soggetto topico |
African Americans - Music - History and criticism
Popular music - United States - History and criticism Popular music - Social aspects - United States - History - 20th century Rap (Music) - History and criticism Hip-hop |
| ISBN |
0-7391-8243-9
0-7391-8117-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Contents; Introlude; Introduction; I: The Soundtracks of the Civil Rights Movement, 1945-1965; Remix 1: Rhythm & Blues; Remix 2: Rock & Roll; II: The Soundtracks of the Black Power Movement, 1965-1980; Remix 3: Soul; Remix 4: Funk; III: The Soundtracks and Social Visions of the Hip Hop Movement, 1980-Present; Remix 5: The Hip Hop Movement; Bibliography; Index; About the Author |
| Record Nr. | UNINA-9910818258103321 |
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Rabaka Reiland <1972->
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| Lanham, Md., : Lexington Books, 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Issues in African American music : power, gender, race, representation / / edited by Portia K. Maultsby and Mellonee V. Burnim
| Issues in African American music : power, gender, race, representation / / edited by Portia K. Maultsby and Mellonee V. Burnim |
| Pubbl/distr/stampa | New York, N.Y. ; ; London : , : Routledge, , 2017 |
| Descrizione fisica | 1 online resource (528 pages) |
| Disciplina | 780.89/96073 |
| Altri autori (Persone) |
BurnimMellonee V <1950-> (Mellonee Victoria)
MaultsbyPortia K |
| Soggetto topico |
African Americans - Music - History and criticism
African American musicians Music - African American influences |
| ISBN |
1-315-47209-0
1-315-47207-4 1-315-47208-2 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | pt. I. Interpreting music -- pt. II. Mass mediation -- pt. III. Gender -- pt. IV. Musical agency : African American music as resistance. |
| Record Nr. | UNINA-9910148609503321 |
| New York, N.Y. ; ; London : , : Routledge, , 2017 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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