Left Bank of the Hudson : Jersey City and the Artists of 111 1st Street / / David J. Goodwin ; foreword by D.W. Gibson |
Autore | Goodwin David J. |
Edizione | [First edition.] |
Pubbl/distr/stampa | New York : , : Fordham University Press, , 2017 |
Descrizione fisica | 1 online resource (201 pages) : illustrations, maps |
Disciplina | 307.7609749/270904 |
Soggetto topico |
ART / History / Contemporary (1945-)
HISTORY / United States / State & Local / Middle Atlantic (DC, DE, MD, NJ, NY, PA) SOCIAL SCIENCE / Sociology / Urban Lost architecture - New Jersey - Jersey City Artists' studios - New Jersey - Jersey City - History - 21th century Artists' studios - New Jersey - Jersey City - History - 20th century Gentrification - New Jersey - Jersey City - History - 21st century Gentrification - New Jersey - Jersey City - History - 20th century |
Soggetto non controllato |
Artists
Arts District Creative Class Gentrification Historic Preservation Jersey City Lorillard Tobacco Company New Jersey History Urban History Urban Politics |
ISBN | 0-8232-7805-0 |
Classificazione | SOC026030HIS036080ART015110 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Machine generated contents note: -- Introduction. Why Does 111 1st Street Matter? -- 1. The Lorillard Legacy -- 2. Crossing the Hudson -- 3. The Spaces in Between -- 4. Who Owns a Space? -- 5. When a Dream Dies -- 6. One Last Fight: Historic Preservation and 111 1st Street -- 7. What Might Be Learned -- Conclusion: Some Years Later -- Epilogue. The 111 1st Street Exodus: Where Are They Now? -- Appendix -- Acknowledgments -- Notes -- Bibliography -- Index. |
Record Nr. | UNINA-9910825046403321 |
Goodwin David J.
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New York : , : Fordham University Press, , 2017 | ||
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Lo trovi qui: Univ. Federico II | ||
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ROUTLEDGE COMPANION TO ART IN THE PUBLIC REALM [[electronic resource]] |
Pubbl/distr/stampa | [S.l.], : ROUTLEDGE, 2020 |
Descrizione fisica | 1 online resource (xx, 371 pages) : illustrations, map |
Disciplina | 701.0309051 |
Collana | Routledge companion |
Soggetto topico |
Art and society
Art and social action ART / History / Contemporary (1945-) ART / Art & Politics |
ISBN |
0-429-83381-4
0-429-83380-6 0-429-45047-8 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
PART I: Introduction 1. Expanding Our Collective Imagination Through Public Art and Social Practice Cameron Cartiere and Leon Tan PART II: Activation 2. Towards a Public of 'the Otherwise' Meenakshi Thirukode 3. Japan's Rural Art Festivals: The Echigo-Tsumari Paradigm Justin Jesty 4. Shaking the Snow Globe and Changing the City Melissa Laing 5. Political Art and Metaphoric Exchange Steven Cottingham 6. Gardens and Grains: Design Activations in the Public Realm Gretchen Coombs 7. ACT: Activating City Transience Maggie McCormick PART III: Social Justice 8. Art as Protest: The Forced Eviction of the Shijhou and Sa'owac Urban Indigenous Tribes in Taiwan Lu Pei-Yi 9. Participation Problematises: Together in Violence Anthony Schrag 10. As If: An Embodied Account Beatrice Catanzaro 11. Quiet Gestures, Gift Exchange, and Public Formations: The Work of D.A.N.C.E. Art Club and Public Share Lana Lopesi 12. Surviving Institutionalised Care: Accessibility as Social Practice Carmen Papalia PART IV: Memory and Identity 13. Suspended Memory: Ebbs and Flows in Attempts at Memorialising in Post-Apartheid South Africa Jay Pather 14. The Double Act of Flower Time Raqs Media Collective 15. (In)famous: Contemporary Lessons from History's Heroes Jennifer Wingate 16. Public Art, Cultural Identity, and the River of Oblivion José Quaresma 17. Luanda's Emotional Geography Fabio Vanin 18. The Imaginary Institution of Place: Notes on Art-led Place-Making as Aesthetic, Social, and Temporal Engineering Giusy Checola 19. The Battle of Public Sculptures: On Three Sculptures in Hong Kong Oscar Ho Hing-Kay 20. Public Art, Gentrification, and the Preservation of Black and BrownUrban Identity: The Case of Little Haiti, Miami -- an Interview with Muralist Serge Toussaint Martin Zebracki PART V: Ecology 21. Digging in the World: Art and Emergent Forms for Living Susanne Cockrell 22. Landscape, Eco-Arts Practice, and Digital Technology in the Public Art Realm Laura Lee Coles 23. Changing Space Lesia Prokopenko 24. Ensemble Practices Iain Biggs 25. Public Art Visions and Possibilities: From the View of a Practising Artist Betsy Damon 26. A Compass Rose for the Anthropocene: New Maps for Old -- the Art of Transforming Cultures for Sustainable Futures Beth Carruthers 27. In the Time of Art with Policy: The Practice of Helen Mayer Harrison and Newton Harrison Alongside Global Environmental Policy Since the 1970s Chris Fremantle, Anne Douglas, and Dave Pritchard 28. The Harrisons' Practice in the Context of Global Environmental Policy and Politics from the 1960s to 2019: A Timeline Chris Fremantle, Anne Douglas, and Dave Pritchard PART VI: Mapping Social Change 29. Mapping Art in the Public Realm 2008-2018 Cameron Cartiere, Leon Tan, and Elisha Masemann (map design, Geoff Campbell) |
Record Nr. | UNINA-9910794262503321 |
[S.l.], : ROUTLEDGE, 2020 | ||
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Lo trovi qui: Univ. Federico II | ||
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ROUTLEDGE COMPANION TO ART IN THE PUBLIC REALM [[electronic resource]] |
Pubbl/distr/stampa | [S.l.], : ROUTLEDGE, 2020 |
Descrizione fisica | 1 online resource (xx, 371 pages) : illustrations, map |
Disciplina | 701.0309051 |
Collana | Routledge companion |
Soggetto topico |
Art and society
Art and social action ART / History / Contemporary (1945-) ART / Art & Politics |
ISBN |
0-429-83381-4
0-429-83380-6 0-429-45047-8 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
PART I: Introduction 1. Expanding Our Collective Imagination Through Public Art and Social Practice Cameron Cartiere and Leon Tan PART II: Activation 2. Towards a Public of 'the Otherwise' Meenakshi Thirukode 3. Japan's Rural Art Festivals: The Echigo-Tsumari Paradigm Justin Jesty 4. Shaking the Snow Globe and Changing the City Melissa Laing 5. Political Art and Metaphoric Exchange Steven Cottingham 6. Gardens and Grains: Design Activations in the Public Realm Gretchen Coombs 7. ACT: Activating City Transience Maggie McCormick PART III: Social Justice 8. Art as Protest: The Forced Eviction of the Shijhou and Sa'owac Urban Indigenous Tribes in Taiwan Lu Pei-Yi 9. Participation Problematises: Together in Violence Anthony Schrag 10. As If: An Embodied Account Beatrice Catanzaro 11. Quiet Gestures, Gift Exchange, and Public Formations: The Work of D.A.N.C.E. Art Club and Public Share Lana Lopesi 12. Surviving Institutionalised Care: Accessibility as Social Practice Carmen Papalia PART IV: Memory and Identity 13. Suspended Memory: Ebbs and Flows in Attempts at Memorialising in Post-Apartheid South Africa Jay Pather 14. The Double Act of Flower Time Raqs Media Collective 15. (In)famous: Contemporary Lessons from History's Heroes Jennifer Wingate 16. Public Art, Cultural Identity, and the River of Oblivion José Quaresma 17. Luanda's Emotional Geography Fabio Vanin 18. The Imaginary Institution of Place: Notes on Art-led Place-Making as Aesthetic, Social, and Temporal Engineering Giusy Checola 19. The Battle of Public Sculptures: On Three Sculptures in Hong Kong Oscar Ho Hing-Kay 20. Public Art, Gentrification, and the Preservation of Black and BrownUrban Identity: The Case of Little Haiti, Miami -- an Interview with Muralist Serge Toussaint Martin Zebracki PART V: Ecology 21. Digging in the World: Art and Emergent Forms for Living Susanne Cockrell 22. Landscape, Eco-Arts Practice, and Digital Technology in the Public Art Realm Laura Lee Coles 23. Changing Space Lesia Prokopenko 24. Ensemble Practices Iain Biggs 25. Public Art Visions and Possibilities: From the View of a Practising Artist Betsy Damon 26. A Compass Rose for the Anthropocene: New Maps for Old -- the Art of Transforming Cultures for Sustainable Futures Beth Carruthers 27. In the Time of Art with Policy: The Practice of Helen Mayer Harrison and Newton Harrison Alongside Global Environmental Policy Since the 1970s Chris Fremantle, Anne Douglas, and Dave Pritchard 28. The Harrisons' Practice in the Context of Global Environmental Policy and Politics from the 1960s to 2019: A Timeline Chris Fremantle, Anne Douglas, and Dave Pritchard PART VI: Mapping Social Change 29. Mapping Art in the Public Realm 2008-2018 Cameron Cartiere, Leon Tan, and Elisha Masemann (map design, Geoff Campbell) |
Record Nr. | UNINA-9910807168003321 |
[S.l.], : ROUTLEDGE, 2020 | ||
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Lo trovi qui: Univ. Federico II | ||
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The Saburo Hasegawa Reader / / Dakin Hart, Mark Dean Johnson |
Pubbl/distr/stampa | Berkeley, CA : , : University of California Press, , [2019] |
Descrizione fisica | 1 online resource (xxxi, 170 pages) : illustrations; PDF, digital file(s) |
Disciplina | 709.2 |
Soggetto topico |
Art, Japanese - 20th century
ART / History / Contemporary (1945-) |
Soggetto non controllato |
20th century
american art american sculptor artists bilingual catalogue curator diverse media east asian art essayist friends global asia international touring exhibition introducing abstraction isamu noguchi japan manuscript most literate artist in japan multilingual conversationalist oil and ink painting photography postwar japan printmaking saber hasegawa teacher the noguchi museum transnationalism |
ISBN | 0-520-29899-3 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Frontmatter -- Contents -- Illustrations -- Preface -- Acknowledgments -- Introduction -- Note on Translation -- Saburo Hasegawa: A Brief Biography -- 1. The Controlled Accident -- 2. The Paintings of Saburo Hasegawa -- 3. Saburo Hasegawa: Master of the Controlled Accident -- 4. Saburo Hasegawa as a Leader in Modern Art in Japan -- 5. Selected Writings by Saburo Hasegawa -- 6. Remembrances of Former California College of Arts and Crafts Students -- 7. Selected Letters from Hasegawa to Isamu Noguchi, 1950-1951 -- 8. On Sesshu, 1934 -- 9. Sesshu, 1948 -- 10. The New Art, 1948 -- 11. Conversations with Isamu Noguchi June 8 and 9, 1950 -- 12. Days with Isamu Noguchi, 1950 -- 13. Rambling Words on Song-Yuan Flower-and-Bird Painting, 1950 -- 14. Mondrian: An Essay on the New Occident and the Old Orient, 1951 -- 15. Arp: An Essay on the New Occident and the Old Orient, 1951 -- 16. Letters from France and America: An Essay on the New Occident and the Old Orient, 1951 -- 17. Making the Katsura Imperial Villa Abstract, 1951 -- 18. Calligraphy and New Painting, 1952 -- 19. New Photography and Painting, 1953 -- 20. The Fate of American Artists, 1955 -- 21. Present-Day American Abstract Art, 1955 -- 22. Nationalism and Universalism in Japanese Art, 1955 -- Notes |
Record Nr. | UNINA-9910328152903321 |
Berkeley, CA : , : University of California Press, , [2019] | ||
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Lo trovi qui: Univ. Federico II | ||
|
The Saburo Hasegawa Reader / / Dakin Hart, Mark Dean Johnson |
Pubbl/distr/stampa | Berkeley, CA : , : University of California Press, , [2019] |
Descrizione fisica | 1 online resource (xxxi, 170 pages) : illustrations; PDF, digital file(s) |
Disciplina | 709.2 |
Soggetto topico |
Art, Japanese - 20th century
ART / History / Contemporary (1945-) |
Soggetto non controllato |
20th century
american art american sculptor artists bilingual catalogue curator diverse media east asian art essayist friends global asia international touring exhibition introducing abstraction isamu noguchi japan manuscript most literate artist in japan multilingual conversationalist oil and ink painting photography postwar japan printmaking saber hasegawa teacher the noguchi museum transnationalism |
ISBN | 0-520-29899-3 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Frontmatter -- Contents -- Illustrations -- Preface -- Acknowledgments -- Introduction -- Note on Translation -- Saburo Hasegawa: A Brief Biography -- 1. The Controlled Accident -- 2. The Paintings of Saburo Hasegawa -- 3. Saburo Hasegawa: Master of the Controlled Accident -- 4. Saburo Hasegawa as a Leader in Modern Art in Japan -- 5. Selected Writings by Saburo Hasegawa -- 6. Remembrances of Former California College of Arts and Crafts Students -- 7. Selected Letters from Hasegawa to Isamu Noguchi, 1950-1951 -- 8. On Sesshu, 1934 -- 9. Sesshu, 1948 -- 10. The New Art, 1948 -- 11. Conversations with Isamu Noguchi June 8 and 9, 1950 -- 12. Days with Isamu Noguchi, 1950 -- 13. Rambling Words on Song-Yuan Flower-and-Bird Painting, 1950 -- 14. Mondrian: An Essay on the New Occident and the Old Orient, 1951 -- 15. Arp: An Essay on the New Occident and the Old Orient, 1951 -- 16. Letters from France and America: An Essay on the New Occident and the Old Orient, 1951 -- 17. Making the Katsura Imperial Villa Abstract, 1951 -- 18. Calligraphy and New Painting, 1952 -- 19. New Photography and Painting, 1953 -- 20. The Fate of American Artists, 1955 -- 21. Present-Day American Abstract Art, 1955 -- 22. Nationalism and Universalism in Japanese Art, 1955 -- Notes |
Record Nr. | UNISA-996328037703316 |
Berkeley, CA : , : University of California Press, , [2019] | ||
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Lo trovi qui: Univ. di Salerno | ||
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