Gaudi [[electronic resource] ] : architect and artist / / Jeremy Roe |
Autore | Roe Jeremy M. N |
Pubbl/distr/stampa | London, : Parkstone, 2006 |
Descrizione fisica | 207 p. : col. ill |
Collana | Temporis collection |
Soggetto topico | Architects - Spain |
Soggetto genere / forma | Biographies. |
ISBN | 1-78042-967-3 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Record Nr. | UNINA-9910795397703321 |
Roe Jeremy M. N | ||
London, : Parkstone, 2006 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Gaudi : architect and artist / / Jeremy Roe |
Autore | Roe Jeremy M. N |
Edizione | [1st ed.] |
Pubbl/distr/stampa | London, : Parkstone, 2006 |
Descrizione fisica | 207 p. : col. ill |
Disciplina | 720.92 |
Collana | Temporis collection |
Soggetto topico | Architects - Spain |
Soggetto genere / forma | Biographies. |
ISBN | 1-78042-967-3 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Intro -- Essential Gaudí -- Perspectives on the Life of Antoni Gaudí -- Gaudí's Childhood -- Architectural Studies in Barcelona -- Gaudí's Character and Thought -- Architecture and Catalan Identity -- Religion and Spirituality -- Gaudí's Death and Barcelona's Tributes to his Life -- Gaudí's Barcelona -- Gaudí and the Architecture of his Day -- Modernisme -- Barcelona: The Growth of a Modern City -- Theories of Architecture and the Search for a Modern Style -- Architecture and Ideology -- Gaudí and the Ideals of the Industrial Age -- The Celebration of the Values of Catalonia and Modernity -- Preserving Past Values and Practices in the Modern Era -- Shops and Streetlamps: Gaudí's Urban Projects -- Transforming Domestic Space -- Casa Vicens -- El Capricho -- Casa de los Botines -- Casa Calvet -- Bellesguard -- Houses for Two Friends and a Painter -- Casa Batlló -- Casa Milà -- Gaudí's Ecclesiastical Architecture -- Early Studies and Altarpieces -- First Church Designs -- A New Façade for Barcelona's Cathedral -- Two Altarpieces -- Representing Ecclesiastical Authority: the Bishop's Palace, Astorga -- A Contemplative Style: College for the Company of St Teresa -- The Catholic Missions, Tangier -- Two Projects for His Hometown -- A Sculptural Installation -- Restoring Tradition in Mallorca -- Unfinished Projects -- The Creative Encounter of Gaudí and Güell -- The First Project: a Dragon for a Country House -- The Güell Palace -- The Güell Colony Crypt -- The Güell Park -- The Sagrada Familia -- Gaudí's Vision -- The Nativity Façade -- Working on the Sagrada Familia -- In the Shadow of the Cathedral: the Sagrada Familia Schools -- Biography -- List of Illustrations. |
Record Nr. | UNINA-9910808940203321 |
Roe Jeremy M. N | ||
London, : Parkstone, 2006 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Greek sculpture [[electronic resource] ] : its spirit and its principles / / Edmund von Mach |
Autore | Mach Edmund von <1870-1927.> |
Pubbl/distr/stampa | New York, : Parkstone, 2006 |
Descrizione fisica | 1 online resource (256 p.) |
Disciplina | 722.8 |
Collana | Temporis collection |
Soggetto topico |
Sculpture, Greek
Sculptors - Greece |
Soggetto genere / forma | Electronic books. |
ISBN |
1-283-95421-4
1-283-95811-2 1-78042-977-0 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | INTRODUCTION; FUNDAMENTAL CONSIDERATIONS; ART CONDITIONS BEFORE THE 7thCENTURY B.C. AND EARLY IGNORANCE; EARLY GREEK SCULPTURE; TRANSITIONAL PERIOD; THE PARTHENON; THE GREEK IDEAL; AUTUMN DAYS; NOTES; BIBLIOGRAPHY; LIST OF ILLUSTRATIONS |
Record Nr. | UNINA-9910462050603321 |
Mach Edmund von <1870-1927.> | ||
New York, : Parkstone, 2006 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Greek sculpture [[electronic resource] ] : its spirit and its principles / / Edmund von Mach |
Autore | Mach Edmund von <1870-1927.> |
Pubbl/distr/stampa | New York, : Parkstone, 2006 |
Descrizione fisica | 1 online resource (256 p.) |
Disciplina | 722.8 |
Collana | Temporis collection |
Soggetto topico |
Sculpture, Greek
Sculptors - Greece |
ISBN |
1-283-95421-4
1-283-95811-2 1-78042-977-0 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | INTRODUCTION; FUNDAMENTAL CONSIDERATIONS; ART CONDITIONS BEFORE THE 7thCENTURY B.C. AND EARLY IGNORANCE; EARLY GREEK SCULPTURE; TRANSITIONAL PERIOD; THE PARTHENON; THE GREEK IDEAL; AUTUMN DAYS; NOTES; BIBLIOGRAPHY; LIST OF ILLUSTRATIONS |
Record Nr. | UNINA-9910790342203321 |
Mach Edmund von <1870-1927.> | ||
New York, : Parkstone, 2006 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Greek sculpture [[electronic resource] ] : its spirit and its principles / / Edmund von Mach |
Autore | Mach Edmund von <1870-1927.> |
Edizione | [1st ed.] |
Pubbl/distr/stampa | New York, : Parkstone, 2006 |
Descrizione fisica | 1 online resource (256 p.) |
Disciplina | 722.8 |
Collana | Temporis collection |
Soggetto topico |
Sculpture, Greek
Sculptors - Greece |
ISBN |
1-283-95421-4
1-283-95811-2 1-78042-977-0 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | INTRODUCTION; FUNDAMENTAL CONSIDERATIONS; ART CONDITIONS BEFORE THE 7thCENTURY B.C. AND EARLY IGNORANCE; EARLY GREEK SCULPTURE; TRANSITIONAL PERIOD; THE PARTHENON; THE GREEK IDEAL; AUTUMN DAYS; NOTES; BIBLIOGRAPHY; LIST OF ILLUSTRATIONS |
Record Nr. | UNINA-9910807226803321 |
Mach Edmund von <1870-1927.> | ||
New York, : Parkstone, 2006 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Jackson Pollock [[electronic resource] ] : veiling the image / / Donald Wigal |
Autore | Wigal Donald <1933-> |
Pubbl/distr/stampa | New York, : Parkstone, c2006 |
Descrizione fisica | 1 online resource (256 p.) |
Disciplina | 759.13 |
Collana | Temporis collection |
Soggetto topico | Painters - United States |
Soggetto genere / forma | Electronic books. |
ISBN |
1-283-95410-9
1-78042-973-8 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
ACKNOWLEDGEMENT; DEDICATION; CONTENTS; FOREWORD; INTRODUCTION; Reproductions; Titles of Paintings; Biographies; Historical Context; Portraits; Cycles; THE MYTH OF THE ARTIST COWBOY; Birth; Cody; Fiction; The Real McCoy; Stranger Than Fiction; The Pollock Family; Religion; Pollock the Cowboy; Family Politics; Early Veils; The Advent of Abstract Expressionism; The Early Influences; Pre-teen Art Education; Uprooted Again; Teenage Years; Early Vision of Career; Roots of Alcoholic Behaviour; Benton; American Art; The Need for an American Artist; The Movie: Pollock; Dean of Art; Lee Krasner
Guggenheim's Early SightingsGuggenheim's Autobiographies; Closing of Art of This Century; One-Man Shows; Guggenheim's Profits; Farmhouse; The Studio Floor; Blue Poles in PollockSquared; Farmhouse; The Studio Floor; Blue Poles in PollockSquared; Pollock-Krasner House; Theosophy; Coming of Rage; Inarticulate Communicator; Technique Described; The Orozco Mural; New York City; Benton Revisited; Legends; Old Friends; Benton as Role Model; Art Students League; Writing Home; Father's Death; New York Again; Rita Benton; Seeking Money; Advent of Originality; The Mexican Muralists Trying to Unveil the Image of PollockSiqueiros; Unusual Paints; Eureka!; Meeting Krasner; Psychoanalysis; The Drunk; In the Shadow of Picasso; Classic Influences; Other Influences; Originality; STRUGGLING DURING THE EARLY YEARS:MAKING ENERGY VISIBLE; Political Issues; Greenwich Village; Rebirth; Moby Dick; Peggy Guggenheim; Howard Putzel; Suicides; Reviewing Influences; "I Am Nature."; Shift of Influence Centres; A New Process; The Advent of Fame; Automatism; Surrealists; The Unconscious; Money Matters; First One-Man Show; Pattern Within the Pattern; Beginning to Change the World; Mural Pollock's SensitivityKrasner's Productivity; The Atomic Age; Global Art Village; She-Wolf; Guardians of the Secret; Less Popular Works; Holiday; Between One-Man Shows; Second One-Man Show; Cincinnati Again; Third Solo, Second at AOTC; Broadening the Horizon; Marriage; Productivity; Creative Block; The Gestural Veiling; Stealing the Soul; Final AOTC; Betty Parsons; Life Magazine; Easel versus Mural; Lucifer; Very Active Year; 'In' the Painting; Signature; In the Mood; Out of the Web; Music; Alcoholism; Seventh One-Man Show, Second at Parsons; Pollock, the Sculptor; Tony Smith; Alfonso Ossorio The 'Intrasubjectives'Abstract Expressionism; BRILLIANT PEAK YEARS: ART AS SELF-DISCOVERY; Venice; Number 1A, 1948; Lavender Mist; All-Over; Clement Greenberg; John Graham; Harold RosenbergEarly in his career, Rosenberg; Despair and Technical Maturation; 'The Irascibles'; The Irascibles' Photo; Shows in Italy; New Yorkers versus Parisians; No Chaos; Hans Namuth; Relapse; Parsons Revisited; Pollock in Vogue; Unveiling the Image; The Club; Communication skills; Pollock: Number One; The Composite; Less Veiled: More Shows; Convergence; Tracking Blue Poles; More International Exposure The 1954 Show |
Record Nr. | UNINA-9910461135003321 |
Wigal Donald <1933-> | ||
New York, : Parkstone, c2006 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Jackson Pollock : veiling the image / / Donald Wigal |
Autore | Wigal Donald <1933-> |
Pubbl/distr/stampa | New York : , : Parkstone, , 2006 |
Descrizione fisica | 1 online resource (256 pages) : illustrations |
Disciplina | 759.13 |
Collana | Temporis collection |
Soggetto topico | Painters - United States |
Soggetto genere / forma | Biographies. |
ISBN |
1-283-95410-9
1-78042-973-8 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
ACKNOWLEDGEMENT; DEDICATION; CONTENTS; FOREWORD; INTRODUCTION; Reproductions; Titles of Paintings; Biographies; Historical Context; Portraits; Cycles; THE MYTH OF THE ARTIST COWBOY; Birth; Cody; Fiction; The Real McCoy; Stranger Than Fiction; The Pollock Family; Religion; Pollock the Cowboy; Family Politics; Early Veils; The Advent of Abstract Expressionism; The Early Influences; Pre-teen Art Education; Uprooted Again; Teenage Years; Early Vision of Career; Roots of Alcoholic Behaviour; Benton; American Art; The Need for an American Artist; The Movie: Pollock; Dean of Art; Lee Krasner
Guggenheim's Early Sightings; Guggenheim's Autobiographies; Closing of Art of This Century; One-Man Shows; Guggenheim's Profits; Farmhouse; The Studio Floor; Blue Poles in PollockSquared; Farmhouse; The Studio Floor; Blue Poles in PollockSquared; Pollock-Krasner House; Theosophy; Coming of Rage; Inarticulate Communicator; Technique Described; The Orozco Mural; New York City; Benton Revisited; Legends; Old Friends; Benton as Role Model; Art Students League; Writing Home; Father's Death; New York Again; Rita Benton; Seeking Money; Advent of Originality; The Mexican Muralists Trying to Unveil the Image of Pollock; Siqueiros; Unusual Paints; Eureka!; Meeting Krasner; Psychoanalysis; The Drunk; In the Shadow of Picasso; Classic Influences; Other Influences; Originality; STRUGGLING DURING THE EARLY YEARS:MAKING ENERGY VISIBLE; Political Issues; Greenwich Village; Rebirth; Moby Dick; Peggy Guggenheim; Howard Putzel; Suicides; Reviewing Influences; "I Am Nature."; Shift of Influence Centres; A New Process; The Advent of Fame; Automatism; Surrealists; The Unconscious; Money Matters; First One-Man Show; Pattern Within the Pattern; Beginning to Change the World; Mural Pollock's Sensitivity; Krasner's Productivity; The Atomic Age; Global Art Village; She-Wolf; Guardians of the Secret; Less Popular Works; Holiday; Between One-Man Shows; Second One-Man Show; Cincinnati Again; Third Solo, Second at AOTC; Broadening the Horizon; Marriage; Productivity; Creative Block; The Gestural Veiling; Stealing the Soul; Final AOTC; Betty Parsons; Life Magazine; Easel versus Mural; Lucifer; Very Active Year; 'In' the Painting; Signature; In the Mood; Out of the Web; Music; Alcoholism; Seventh One-Man Show, Second at Parsons; Pollock, the Sculptor; Tony Smith; Alfonso Ossorio The 'Intrasubjectives'; Abstract Expressionism; BRILLIANT PEAK YEARS: ART AS SELF-DISCOVERY; Venice; Number 1A, 1948; Lavender Mist; All-Over; Clement Greenberg; John Graham; Harold RosenbergEarly in his career, Rosenberg; Despair and Technical Maturation; 'The Irascibles'; The Irascibles' Photo; Shows in Italy; New Yorkers versus Parisians; No Chaos; Hans Namuth; Relapse; Parsons Revisited; Pollock in Vogue; Unveiling the Image; The Club; Communication skills; Pollock: Number One; The Composite; Less Veiled: More Shows; Convergence; Tracking Blue Poles; More International Exposure; The 1954 Show |
Record Nr. | UNINA-9910790291903321 |
Wigal Donald <1933-> | ||
New York : , : Parkstone, , 2006 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Jackson Pollock : veiling the image / / Donald Wigal |
Autore | Wigal Donald <1933-> |
Edizione | [1st ed.] |
Pubbl/distr/stampa | New York : , : Parkstone, , 2006 |
Descrizione fisica | 1 online resource (256 pages) : illustrations |
Disciplina | 759.13 |
Collana | Temporis collection |
Soggetto topico | Painters - United States |
Soggetto genere / forma | Biographies. |
ISBN |
1-283-95410-9
1-78042-973-8 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
ACKNOWLEDGEMENT; DEDICATION; CONTENTS; FOREWORD; INTRODUCTION; Reproductions; Titles of Paintings; Biographies; Historical Context; Portraits; Cycles; THE MYTH OF THE ARTIST COWBOY; Birth; Cody; Fiction; The Real McCoy; Stranger Than Fiction; The Pollock Family; Religion; Pollock the Cowboy; Family Politics; Early Veils; The Advent of Abstract Expressionism; The Early Influences; Pre-teen Art Education; Uprooted Again; Teenage Years; Early Vision of Career; Roots of Alcoholic Behaviour; Benton; American Art; The Need for an American Artist; The Movie: Pollock; Dean of Art; Lee Krasner
Guggenheim's Early Sightings; Guggenheim's Autobiographies; Closing of Art of This Century; One-Man Shows; Guggenheim's Profits; Farmhouse; The Studio Floor; Blue Poles in PollockSquared; Farmhouse; The Studio Floor; Blue Poles in PollockSquared; Pollock-Krasner House; Theosophy; Coming of Rage; Inarticulate Communicator; Technique Described; The Orozco Mural; New York City; Benton Revisited; Legends; Old Friends; Benton as Role Model; Art Students League; Writing Home; Father's Death; New York Again; Rita Benton; Seeking Money; Advent of Originality; The Mexican Muralists Trying to Unveil the Image of Pollock; Siqueiros; Unusual Paints; Eureka!; Meeting Krasner; Psychoanalysis; The Drunk; In the Shadow of Picasso; Classic Influences; Other Influences; Originality; STRUGGLING DURING THE EARLY YEARS:MAKING ENERGY VISIBLE; Political Issues; Greenwich Village; Rebirth; Moby Dick; Peggy Guggenheim; Howard Putzel; Suicides; Reviewing Influences; "I Am Nature."; Shift of Influence Centres; A New Process; The Advent of Fame; Automatism; Surrealists; The Unconscious; Money Matters; First One-Man Show; Pattern Within the Pattern; Beginning to Change the World; Mural Pollock's Sensitivity; Krasner's Productivity; The Atomic Age; Global Art Village; She-Wolf; Guardians of the Secret; Less Popular Works; Holiday; Between One-Man Shows; Second One-Man Show; Cincinnati Again; Third Solo, Second at AOTC; Broadening the Horizon; Marriage; Productivity; Creative Block; The Gestural Veiling; Stealing the Soul; Final AOTC; Betty Parsons; Life Magazine; Easel versus Mural; Lucifer; Very Active Year; 'In' the Painting; Signature; In the Mood; Out of the Web; Music; Alcoholism; Seventh One-Man Show, Second at Parsons; Pollock, the Sculptor; Tony Smith; Alfonso Ossorio The 'Intrasubjectives'; Abstract Expressionism; BRILLIANT PEAK YEARS: ART AS SELF-DISCOVERY; Venice; Number 1A, 1948; Lavender Mist; All-Over; Clement Greenberg; John Graham; Harold RosenbergEarly in his career, Rosenberg; Despair and Technical Maturation; 'The Irascibles'; The Irascibles' Photo; Shows in Italy; New Yorkers versus Parisians; No Chaos; Hans Namuth; Relapse; Parsons Revisited; Pollock in Vogue; Unveiling the Image; The Club; Communication skills; Pollock: Number One; The Composite; Less Veiled: More Shows; Convergence; Tracking Blue Poles; More International Exposure; The 1954 Show |
Record Nr. | UNINA-9910827625803321 |
Wigal Donald <1933-> | ||
New York : , : Parkstone, , 2006 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Jasper Johns [[electronic resource] /] / Catherine Craft |
Autore | Craft Catherine |
Pubbl/distr/stampa | New York, : Parkstone, c2009 |
Descrizione fisica | 1 online resource (256 p.) |
Disciplina | 709.24 |
Altri autori (Persone) | JohnsJasper <1930-> |
Collana | Temporis collection |
Soggetto genere / forma | Electronic books. |
ISBN |
1-283-95767-1
1-78042-997-5 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Contents; Acknowledgments; Being an Artist; The Birth of an Artist; Private and Public; The Changing Focus of the Eye; The Freedom of Objects; Changing Moods; The Artist and his Viewers; Marcel Duchamp: Thought in Art; Multiple Impressions; Not Designed, But Taken; Printing and Painting; Untitled and Related Works; Thought, Embodied; Creation and Destruction; Dropping the Reserve; Something Happening; Shifting Meanings; Picasso: Different Kinds of Qualities; Second Childhood; Knowing and Not Knowing; Dropping the Reserve?; Grace; Catenary; Within; Conclusion; Notes; Bibliography
List of Illustrations |
Record Nr. | UNINA-9910462041203321 |
Craft Catherine | ||
New York, : Parkstone, c2009 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Jasper Johns [[electronic resource] /] / Catherine Craft |
Autore | Craft Catherine |
Pubbl/distr/stampa | New York, : Parkstone, c2009 |
Descrizione fisica | 1 online resource (256 p.) |
Disciplina | 709.24 |
Altri autori (Persone) | JohnsJasper <1930-> |
Collana | Temporis collection |
Soggetto topico | Artists - United States |
Soggetto genere / forma | Biographies. |
ISBN |
1-283-95767-1
1-78042-997-5 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Contents; Acknowledgments; Being an Artist; The Birth of an Artist; Private and Public; The Changing Focus of the Eye; The Freedom of Objects; Changing Moods; The Artist and his Viewers; Marcel Duchamp: Thought in Art; Multiple Impressions; Not Designed, But Taken; Printing and Painting; Untitled and Related Works; Thought, Embodied; Creation and Destruction; Dropping the Reserve; Something Happening; Shifting Meanings; Picasso: Different Kinds of Qualities; Second Childhood; Knowing and Not Knowing; Dropping the Reserve?; Grace; Catenary; Within; Conclusion; Notes; Bibliography
List of Illustrations |
Record Nr. | UNINA-9910790339803321 |
Craft Catherine | ||
New York, : Parkstone, c2009 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|