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Acts and apparitions : Discourses on the real in performance practice and theory, 1990–2010 / / Liz Tomlin
| Acts and apparitions : Discourses on the real in performance practice and theory, 1990–2010 / / Liz Tomlin |
| Autore | Tomlin Liz |
| Pubbl/distr/stampa | Manchester, England : , : Manchester University Press, , 2013 |
| Descrizione fisica | 1 online resource (241 pages) |
| Disciplina | 792.02/8 |
| Soggetto topico |
Authors and theater
Theater and philosophy Realism Theater - History - 21st century Theater - History - 20th century |
| Soggetto genere / forma | Electronic books. |
| ISBN | 1-5261-3074-2 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910480113603321 |
Tomlin Liz
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| Manchester, England : , : Manchester University Press, , 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Acts and apparitions : Discourses on the real in performance practice and theory, 1990–2010 / / Liz Tomlin
| Acts and apparitions : Discourses on the real in performance practice and theory, 1990–2010 / / Liz Tomlin |
| Autore | Tomlin Liz |
| Pubbl/distr/stampa | Manchester, England : , : Manchester University Press, , 2013 |
| Descrizione fisica | 1 online resource (241 pages) |
| Disciplina | 792.02/8 |
| Soggetto topico |
Authors and theater
Theater and philosophy Realism Theater - History - 21st century Theater - History - 20th century |
| Soggetto non controllato |
artistic development
documentary theatre tradition dramatic representation experiential realities performance practices performer philosophical development political implications postdramatic deconstructions poststructuralist narrative radicalism representational practice spectator theatrical representations verbatim methodologies |
| ISBN | 1-5261-3074-2 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- List of figures -- Acknowledgements -- Introduction -- Part I: The discursive act -- 1 Discourses of resistance: representation and the real in the twentieth-century avant-gardes -- 2 Deconstructing the postdramatic: questions of mimesis, authorship and representation -- Part II: Apparitions of the real -- 3 Quoting quotations: citational theory and contemporary characterisation -- 4 Representing the real: verbatim practice in a sceptical age -- 5 Re-membering the real: experiential challenges to the medium of theatrical representation -- 6 From spect-actor to corporate player: reconfigurations of twenty-first-century audiences -- Afterword -- References -- Index |
| Record Nr. | UNINA-9910793133303321 |
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Tomlin Liz
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| Manchester, England : , : Manchester University Press, , 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Acts and apparitions : Discourses on the real in performance practice and theory, 1990–2010 / / Liz Tomlin
| Acts and apparitions : Discourses on the real in performance practice and theory, 1990–2010 / / Liz Tomlin |
| Autore | Tomlin Liz |
| Pubbl/distr/stampa | Manchester, England : , : Manchester University Press, , 2013 |
| Descrizione fisica | 1 online resource (241 pages) |
| Disciplina | 792.02/8 |
| Soggetto topico |
Authors and theater
Theater and philosophy Realism Theater - History - 21st century Theater - History - 20th century |
| Soggetto non controllato |
artistic development
documentary theatre tradition dramatic representation experiential realities performance practices performer philosophical development political implications postdramatic deconstructions poststructuralist narrative radicalism representational practice spectator theatrical representations verbatim methodologies |
| ISBN | 1-5261-3074-2 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- List of figures -- Acknowledgements -- Introduction -- Part I: The discursive act -- 1 Discourses of resistance: representation and the real in the twentieth-century avant-gardes -- 2 Deconstructing the postdramatic: questions of mimesis, authorship and representation -- Part II: Apparitions of the real -- 3 Quoting quotations: citational theory and contemporary characterisation -- 4 Representing the real: verbatim practice in a sceptical age -- 5 Re-membering the real: experiential challenges to the medium of theatrical representation -- 6 From spect-actor to corporate player: reconfigurations of twenty-first-century audiences -- Afterword -- References -- Index |
| Record Nr. | UNINA-9910809328103321 |
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Tomlin Liz
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| Manchester, England : , : Manchester University Press, , 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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The anatomy of a choice : an actor's guide to text analysis / / Maura Vaughn
| The anatomy of a choice : an actor's guide to text analysis / / Maura Vaughn |
| Autore | Vaughn Maura |
| Pubbl/distr/stampa | Lanham, Maryland : , : University Press of America, , 2010 |
| Descrizione fisica | 1 online resource (144 p.) |
| Disciplina | 792.02/8 |
| Soggetto topico |
Acting
Drama - Technique Theater |
| Soggetto genere / forma | Electronic books. |
| ISBN | 0-7618-5110-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
The Anatomy of a Choice:; Dedication; Anatomy of a Choice Contents; FOREWORD; INTRODUCTION; CHAPTER ONE The First Word; CHAPTER TWO Reading the Play; First Reading-Defining the Story; Second Reading-Defining the Event; Third Reading-Defining the Character; Character Interview Worksheet; CHAPTER THREE What do I want?; The Super-objective; The Scene Objective; CHAPTER FOUR What is in my way?; Obstacle; CHAPTER FIVE What do I do to get what I want?; Beats; Tactics; Pivotal Point; CHAPTER SIX Creating the world of the character; Magic If; The Moment Before and the Moment After
The Inner Monologue and SubtextEndowment; Stage Business and Secondary Activity; Secret; CHAPTER SEVEN Into rehearsal; Bringing Choices to Life; Tools for Rehearsal; Rehearsal Journal; Troubleshooting-When Nothing is Working; The Final Word; APPENDIX The Anatomy of a Scene; A Streetcar Named Desire: Scene Ten1; ACKNOWLEDGEMENTS; NOTES; BIBLIOGRAPHY |
| Record Nr. | UNINA-9910457898103321 |
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Vaughn Maura
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| Lanham, Maryland : , : University Press of America, , 2010 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The anatomy of a choice : an actor's guide to text analysis / / Maura Vaughn
| The anatomy of a choice : an actor's guide to text analysis / / Maura Vaughn |
| Autore | Vaughn Maura |
| Pubbl/distr/stampa | Lanham, Maryland : , : University Press of America, , 2010 |
| Descrizione fisica | 1 online resource (144 p.) |
| Disciplina | 792.02/8 |
| Soggetto topico |
Acting
Drama - Technique Theater |
| ISBN | 0-7618-5110-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
The Anatomy of a Choice:; Dedication; Anatomy of a Choice Contents; FOREWORD; INTRODUCTION; CHAPTER ONE The First Word; CHAPTER TWO Reading the Play; First Reading-Defining the Story; Second Reading-Defining the Event; Third Reading-Defining the Character; Character Interview Worksheet; CHAPTER THREE What do I want?; The Super-objective; The Scene Objective; CHAPTER FOUR What is in my way?; Obstacle; CHAPTER FIVE What do I do to get what I want?; Beats; Tactics; Pivotal Point; CHAPTER SIX Creating the world of the character; Magic If; The Moment Before and the Moment After
The Inner Monologue and SubtextEndowment; Stage Business and Secondary Activity; Secret; CHAPTER SEVEN Into rehearsal; Bringing Choices to Life; Tools for Rehearsal; Rehearsal Journal; Troubleshooting-When Nothing is Working; The Final Word; APPENDIX The Anatomy of a Scene; A Streetcar Named Desire: Scene Ten1; ACKNOWLEDGEMENTS; NOTES; BIBLIOGRAPHY |
| Record Nr. | UNINA-9910781557803321 |
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Vaughn Maura
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| Lanham, Maryland : , : University Press of America, , 2010 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The anatomy of a choice : an actor's guide to text analysis / / Maura Vaughn
| The anatomy of a choice : an actor's guide to text analysis / / Maura Vaughn |
| Autore | Vaughn Maura |
| Pubbl/distr/stampa | Lanham, Maryland : , : University Press of America, , 2010 |
| Descrizione fisica | 1 online resource (144 p.) |
| Disciplina | 792.02/8 |
| Soggetto topico |
Acting
Drama - Technique Theater |
| ISBN | 0-7618-5110-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
The Anatomy of a Choice:; Dedication; Anatomy of a Choice Contents; FOREWORD; INTRODUCTION; CHAPTER ONE The First Word; CHAPTER TWO Reading the Play; First Reading-Defining the Story; Second Reading-Defining the Event; Third Reading-Defining the Character; Character Interview Worksheet; CHAPTER THREE What do I want?; The Super-objective; The Scene Objective; CHAPTER FOUR What is in my way?; Obstacle; CHAPTER FIVE What do I do to get what I want?; Beats; Tactics; Pivotal Point; CHAPTER SIX Creating the world of the character; Magic If; The Moment Before and the Moment After
The Inner Monologue and SubtextEndowment; Stage Business and Secondary Activity; Secret; CHAPTER SEVEN Into rehearsal; Bringing Choices to Life; Tools for Rehearsal; Rehearsal Journal; Troubleshooting-When Nothing is Working; The Final Word; APPENDIX The Anatomy of a Scene; A Streetcar Named Desire: Scene Ten1; ACKNOWLEDGEMENTS; NOTES; BIBLIOGRAPHY |
| Record Nr. | UNINA-9910817639503321 |
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Vaughn Maura
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| Lanham, Maryland : , : University Press of America, , 2010 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Black acting methods : critical approaches / / Sharrell D. Luckett with Tia M. Shaffer
| Black acting methods : critical approaches / / Sharrell D. Luckett with Tia M. Shaffer |
| Pubbl/distr/stampa | Abingdon, Oxon ; ; New York, N.Y. : , : Routledge, , 2017 |
| Descrizione fisica | 1 online resource (257 pages) : illustrations |
| Disciplina | 792.02/8 |
| Altri autori (Persone) |
LuckettSharrell D
ShafferTia M |
| Soggetto topico |
Acting
African American actors African Americans in the performing arts |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-138-90762-6
1-315-69498-0 1-317-44121-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Methods of social activism -- Methods of intervention -- Methods of cultural plurality -- Reflections from distinguished practitioners. |
| Record Nr. | UNINA-9910476777503321 |
| Abingdon, Oxon ; ; New York, N.Y. : , : Routledge, , 2017 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Bringing the body to the stage and screen [[electronic resource] ] : expressive movement for performers / / Annette Lust ; with movement consultant Jo Tomalin ; illustrations by C. Yeaton
| Bringing the body to the stage and screen [[electronic resource] ] : expressive movement for performers / / Annette Lust ; with movement consultant Jo Tomalin ; illustrations by C. Yeaton |
| Autore | Lust Annette |
| Pubbl/distr/stampa | Lanham, Md., : Scarecrow Press, 2012 |
| Descrizione fisica | 1 online resource (365 p.) |
| Disciplina | 792.02/8 |
| Altri autori (Persone) |
TomalinJo
YeatonC |
| Soggetto topico |
Movement (Acting)
Mime Movement, Aesthetics of |
| Soggetto genere / forma | Electronic books. |
| ISBN |
9780810881259
081088125X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction: goals and objectives for learning to move expressively -- Physical and expressive exercises for stage and screen movement, mime, pantomime, corporeal mime, improvisation, basic physical and expressive exercises, and utilizing movement to create a visual image. Definitions of stage and screen movement, mime, pantomime, corporeal mime, stage combat, physical theatre and physical improvisation -- Conducting a class and practicing on one's own -- Basic physical and expressive exercises: utilizing movement to create a visual image -- Subjects for improvisation, pantomimes, movement for acting, mime and text. Interviews and essays on mime and acting, mask, Decroux and contemporary theatre, street theatre, movement training, dance and the female body, puppetry, theatrical dance, clowning, body of theater, and film -- Improvisation -- Pantomimes and scenes for nonverbal acting -- "Physicalizing" the word -- Interviews and essays. A conversation with Bill Irwin on mime and acting -- Interview with Bernie Schürch and Floriana Frassetto of the Swiss Mummenschanz Company -- Interview with Geoff Hoyle on the mime-clown-actor's art -- Etienne Decroux and the contemporary theatre: Decroux corporeal mime / by Robert Fleshman -- "The Bond St. Theatre's use of physical street theatre: an interview with Joanna Sherman and Michael McGuigan -- Joan Schirle on movement training for the actor -- Ilka Schönbein: dance and the female body -- Liebe Wetzel and movement in puppetry -- Karina Epperlein: images and body expression in film: gift of the gods -- Theatrical dance / by Joe Goode -- Jeff Raz: the clown conservatory teaching of professional clowns in the 21st century -- Movement for puppeteers by Dr. Jo Tomalin -- Too much geniality: notes and quotes on a reappraisal: stage versus screen acting / by Ken Bullock -- The body of theater / by Mark Jackson -- How Charlie Chaplin spun stagecraft into cinematic gold / by Dan Kamin -- Epilogue. |
| Record Nr. | UNINA-9910461330203321 |
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Lust Annette
|
||
| Lanham, Md., : Scarecrow Press, 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Bringing the body to the stage and screen [[electronic resource] ] : expressive movement for performers / / Annette Lust ; with movement consultant Jo Tomalin ; illustrations by C. Yeaton
| Bringing the body to the stage and screen [[electronic resource] ] : expressive movement for performers / / Annette Lust ; with movement consultant Jo Tomalin ; illustrations by C. Yeaton |
| Autore | Lust Annette |
| Pubbl/distr/stampa | Lanham, Md., : Scarecrow Press, 2012 |
| Descrizione fisica | 1 online resource (365 p.) |
| Disciplina | 792.02/8 |
| Altri autori (Persone) |
TomalinJo
YeatonC |
| Soggetto topico |
Movement (Acting)
Mime Movement, Aesthetics of |
| ISBN |
9780810881259
081088125X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction: goals and objectives for learning to move expressively -- Physical and expressive exercises for stage and screen movement, mime, pantomime, corporeal mime, improvisation, basic physical and expressive exercises, and utilizing movement to create a visual image. Definitions of stage and screen movement, mime, pantomime, corporeal mime, stage combat, physical theatre and physical improvisation -- Conducting a class and practicing on one's own -- Basic physical and expressive exercises: utilizing movement to create a visual image -- Subjects for improvisation, pantomimes, movement for acting, mime and text. Interviews and essays on mime and acting, mask, Decroux and contemporary theatre, street theatre, movement training, dance and the female body, puppetry, theatrical dance, clowning, body of theater, and film -- Improvisation -- Pantomimes and scenes for nonverbal acting -- "Physicalizing" the word -- Interviews and essays. A conversation with Bill Irwin on mime and acting -- Interview with Bernie Schürch and Floriana Frassetto of the Swiss Mummenschanz Company -- Interview with Geoff Hoyle on the mime-clown-actor's art -- Etienne Decroux and the contemporary theatre: Decroux corporeal mime / by Robert Fleshman -- "The Bond St. Theatre's use of physical street theatre: an interview with Joanna Sherman and Michael McGuigan -- Joan Schirle on movement training for the actor -- Ilka Schönbein: dance and the female body -- Liebe Wetzel and movement in puppetry -- Karina Epperlein: images and body expression in film: gift of the gods -- Theatrical dance / by Joe Goode -- Jeff Raz: the clown conservatory teaching of professional clowns in the 21st century -- Movement for puppeteers by Dr. Jo Tomalin -- Too much geniality: notes and quotes on a reappraisal: stage versus screen acting / by Ken Bullock -- The body of theater / by Mark Jackson -- How Charlie Chaplin spun stagecraft into cinematic gold / by Dan Kamin -- Epilogue. |
| Record Nr. | UNINA-9910790471903321 |
|
Lust Annette
|
||
| Lanham, Md., : Scarecrow Press, 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Bringing the body to the stage and screen : expressive movement for performers / / Annette Lust ; with movement consultant Jo Tomalin ; illustrations by C. Yeaton
| Bringing the body to the stage and screen : expressive movement for performers / / Annette Lust ; with movement consultant Jo Tomalin ; illustrations by C. Yeaton |
| Autore | Lust Annette |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Lanham, Md., : Scarecrow Press, 2012 |
| Descrizione fisica | 1 online resource (365 p.) |
| Disciplina | 792.02/8 |
| Altri autori (Persone) |
TomalinJo
YeatonC |
| Soggetto topico |
Movement (Acting)
Mime Movement, Aesthetics of |
| ISBN |
9780810881259
081088125X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction: goals and objectives for learning to move expressively -- Physical and expressive exercises for stage and screen movement, mime, pantomime, corporeal mime, improvisation, basic physical and expressive exercises, and utilizing movement to create a visual image. Definitions of stage and screen movement, mime, pantomime, corporeal mime, stage combat, physical theatre and physical improvisation -- Conducting a class and practicing on one's own -- Basic physical and expressive exercises: utilizing movement to create a visual image -- Subjects for improvisation, pantomimes, movement for acting, mime and text. Interviews and essays on mime and acting, mask, Decroux and contemporary theatre, street theatre, movement training, dance and the female body, puppetry, theatrical dance, clowning, body of theater, and film -- Improvisation -- Pantomimes and scenes for nonverbal acting -- "Physicalizing" the word -- Interviews and essays. A conversation with Bill Irwin on mime and acting -- Interview with Bernie Schürch and Floriana Frassetto of the Swiss Mummenschanz Company -- Interview with Geoff Hoyle on the mime-clown-actor's art -- Etienne Decroux and the contemporary theatre: Decroux corporeal mime / by Robert Fleshman -- "The Bond St. Theatre's use of physical street theatre: an interview with Joanna Sherman and Michael McGuigan -- Joan Schirle on movement training for the actor -- Ilka Schönbein: dance and the female body -- Liebe Wetzel and movement in puppetry -- Karina Epperlein: images and body expression in film: gift of the gods -- Theatrical dance / by Joe Goode -- Jeff Raz: the clown conservatory teaching of professional clowns in the 21st century -- Movement for puppeteers by Dr. Jo Tomalin -- Too much geniality: notes and quotes on a reappraisal: stage versus screen acting / by Ken Bullock -- The body of theater / by Mark Jackson -- How Charlie Chaplin spun stagecraft into cinematic gold / by Dan Kamin -- Epilogue. |
| Record Nr. | UNINA-9910815393903321 |
|
Lust Annette
|
||
| Lanham, Md., : Scarecrow Press, 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
