War Pictures : Cinema, Violence, and Style in Britain, 1939-1945 / / Kent Puckett |
Autore | Puckett Kent |
Edizione | [First edition.] |
Pubbl/distr/stampa | New York : , : Fordham University Press, , 2017 |
Descrizione fisica | 1 online resource (277 pages) |
Disciplina | 791.43658 |
Collana | World War II: the global, human, and ethical dimension |
Soggetto topico |
Motion pictures - Great Britain - History
World War, 1939-1945 - Motion pictures and the war |
Soggetto genere / forma | Electronic books. |
ISBN |
0-8232-7653-8
0-8232-7652-X 0-8232-8080-2 0-8232-7651-1 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Introduction -- "But what is it about?": the life and death of Colonel Blimp -- Pistol's two bodies: Henry V at war -- Celia Johnson's face: before and after brief encounter -- Epilogue: Derek Jarman's war. |
Record Nr. | UNISA-996478971003316 |
Puckett Kent | ||
New York : , : Fordham University Press, , 2017 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. di Salerno | ||
|
War Pictures : Cinema, Violence, and Style in Britain, 1939-1945 / / Kent Puckett |
Autore | Puckett Kent |
Edizione | [First edition.] |
Pubbl/distr/stampa | New York : , : Fordham University Press, , 2017 |
Descrizione fisica | 1 online resource (277 pages) |
Disciplina |
791.43658
791.43658405341 |
Collana | World War II: the global, human, and ethical dimension |
Soggetto topico |
Motion pictures - Great Britain - History
World War, 1939-1945 - Motion pictures and the war |
Soggetto genere / forma | Electronic books. |
ISBN |
0-8232-7653-8
0-8232-7652-X 0-8232-8080-2 0-8232-7651-1 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Introduction -- "But what is it about?": the life and death of Colonel Blimp -- Pistol's two bodies: Henry V at war -- Celia Johnson's face: before and after brief encounter -- Epilogue: Derek Jarman's war. |
Record Nr. | UNINA-9910267952603321 |
Puckett Kent | ||
New York : , : Fordham University Press, , 2017 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
War Representation in British Cinema and Television : From Suez to Thatcher, and Beyond / / by Kevin M. Flanagan |
Autore | Flanagan Kevin M |
Edizione | [1st ed. 2019.] |
Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2019 |
Descrizione fisica | 1 online resource (xi, 224 pages) : illustrations |
Disciplina | 791.43658 |
Collana | Britain and the World |
Soggetto topico |
Motion pictures—Great Britain
Ethnology—Europe World War, 1939-1945 Great Britain—History British Cinema and TV British Culture History of World War II and the Holocaust History of Britain and Ireland |
ISBN | 3-030-30203-2 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Chapter 1. Introduction: Towards an Alternative Tradition of War Representation -- Chapter 2. “For Christ’s Sake, We’re Surrounded!”: Tragedy, Bleakness, Cynicism and Existentialism in British War Cinema, 1957-1977 -- Chapter 3. Comic Alternatives to the “Pleasure Culture of War” -- Chapter 4. On Screen and at Arm’s Length: Social Class and the Simulation of Combat -- Chapter 5. The Bomb and After: Fantasies of Apocalypse and Decline -- Chapter 6. Conclusion: The Legacies of the 1960s and 1970s War Representation, From Thatcher to Brexit. |
Record Nr. | UNINA-9910483810003321 |
Flanagan Kevin M | ||
Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2019 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Watching human rights : the 101 best films / / Mark Gibney |
Autore | Gibney Mark |
Pubbl/distr/stampa | Abingdon, Oxon ; ; New York, N.Y. : , : Routledge, , 2016 |
Descrizione fisica | 1 online resource (230 p.) |
Disciplina | 791.43658 |
Collana | International studies intensives |
Soggetto topico |
Human rights in motion pictures
Motion pictures - Evaluation |
Soggetto genere / forma | Electronic books. |
ISBN |
1-317-24936-4
1-315-63121-0 1-317-24935-6 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Cover; Half Title; Title; Copyright; Dedication; Contents; Preface; Introduction; Part I Feature Films; 1 Schindler's List (Steven Spielberg, 1993); Also of Note; The Last Days (James Moll, 1998); Into the Arms of Strangers: Stories of the Kindertransport (Mark Jonathan Harris, 2000); Anne Frank Remembered (Jon Blair, 1995); 2 The Lives of Others (Florian Henckel von Donnersmarck, 2006); Also of Note; Fahrenheit 451 (François Truffaut, 1966); 3 Missing (Costa-Gavras, 1982); 4 The Official Story (Luis Puenzo, 1985); 5 The Killing Fields (Roland Joffé, 1984)
6 Once Were Warriors (Lee Tamahori, 1994)7 Hunger (Steve McQueen, 2008); Also of Note; In the Name of the Father (Jim Sheridan, 1993); 8 Precious: Based on the Novel ""Push"" by Sapphire (Lee Daniels, 2009); Also of Note; Love and Diane (Jennifer Dworkin, 2002); 9 Sometimes in April (Raoul Peck, 2005) and Hotel Rwanda (Terry George, 2004) (tie); 11 Dead Man Walking (Tim Robbins, 1995); Also of Note; Love Lived On Death Row (Linda Booker, 2007); After Innocence (Jessica Sanders, 2005); Pierrepoint: The Last Hangman (Adrian Shergold, 2005); 12 The Pianist (Roman Polanski, 2002); Also of Note A Film Unfinished (Yael Hersonski, 2010)13 Journey of Hope (Xavier Koller, 1990); Also of Note; In This World (Michael Winterbottom, 2002); 14 Midnight Cowboy (John Schlesinger, 1969); Also of Note; Winter's Bone (Debra Granik, 2010); Frozen River (Courtney Hunt, 2008); 15 Gandhi (Richard Attenborough, 1982); Also of Note; 1947: Earth (Deepa Mehta, 1998); 16 Slumdog Millionaire (Danny Boyle, 2008); Also of Note; Salaam Bombay (Mira Nair, 1988); Born into Brothels (Zana Briski and Ross Kauffman, 2004); 17 Milk (Gus Van Sant, 2008); Also of Note; The Times of Harvey Milk (Rob Epstein, 1984) Brokeback Mountain (Ang Lee, 2005)Before Night Falls (Julian Schnabel, 2000); La Mission (Peter Bratt, 2009); Fire (Deepa Mehta, 1996); 18 Norma Rae (Martin Ritt, 1979); Also of Note; Matewan (John Sayles, 1987); Bread and Roses (Ken Loach, 2000); 19 The Insider (Michael Mann, 1999); Also of Note; The China Syndrome (James Bridges, 1979); Silkwood (Mike Nichols, 1983); Erin Brockovich (Steven Soderbergh, 2000); 20 V for Vendetta (James McTeigue, 2006); 21 A Dry White Season (Euzhan Palcy, 1989); Also of Note; Cry Freedom (Richard Attenborough, 1987); 22 Philadelphia (Jonathan Demme, 1993) Also of NoteYesterday (Darrell Roodt, 2004); Life, Above All (Oliver Schmitz, 2010); 23 Good Night, and Good Luck (George Clooney, 2005); 24 To Kill a Mockingbird (Robert Mulligan, 1962); Also of Note; 12 Angry Men (Sidney Lumet, 1957); The Verdict (Sidney Lumet, 1982); A Time to Kill (Joel Schumacher, 1996); 25 Days of Glory (Indigènes) (Rachid Bouchareb, 2006); 26 District 9 (Neill Blomkamp, 2009); 27 Sophie's Choice (Alan J. Pakula, 1982); 28 Bloody Sunday (Paul Greengrass, 2002); 29 Omagh (Pete Travis, 2004); 30 Paradise Now (Hany Abu-Assad, 2005); Also of Note The Terrorist (Santosh Sivan, 1998) |
Record Nr. | UNINA-9910460958503321 |
Gibney Mark | ||
Abingdon, Oxon ; ; New York, N.Y. : , : Routledge, , 2016 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Watching human rights : the 101 best films / / Mark Gibney |
Autore | Gibney Mark |
Pubbl/distr/stampa | Abingdon, Oxon ; ; New York, N.Y. : , : Routledge, , 2016 |
Descrizione fisica | 1 online resource (230 p.) |
Disciplina | 791.43658 |
Collana | International studies intensives |
Soggetto topico |
Human rights in motion pictures
Motion pictures - Evaluation |
ISBN |
1-317-24936-4
1-315-63121-0 1-317-24935-6 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Cover; Half Title; Title; Copyright; Dedication; Contents; Preface; Introduction; Part I Feature Films; 1 Schindler's List (Steven Spielberg, 1993); Also of Note; The Last Days (James Moll, 1998); Into the Arms of Strangers: Stories of the Kindertransport (Mark Jonathan Harris, 2000); Anne Frank Remembered (Jon Blair, 1995); 2 The Lives of Others (Florian Henckel von Donnersmarck, 2006); Also of Note; Fahrenheit 451 (François Truffaut, 1966); 3 Missing (Costa-Gavras, 1982); 4 The Official Story (Luis Puenzo, 1985); 5 The Killing Fields (Roland Joffé, 1984)
6 Once Were Warriors (Lee Tamahori, 1994)7 Hunger (Steve McQueen, 2008); Also of Note; In the Name of the Father (Jim Sheridan, 1993); 8 Precious: Based on the Novel ""Push"" by Sapphire (Lee Daniels, 2009); Also of Note; Love and Diane (Jennifer Dworkin, 2002); 9 Sometimes in April (Raoul Peck, 2005) and Hotel Rwanda (Terry George, 2004) (tie); 11 Dead Man Walking (Tim Robbins, 1995); Also of Note; Love Lived On Death Row (Linda Booker, 2007); After Innocence (Jessica Sanders, 2005); Pierrepoint: The Last Hangman (Adrian Shergold, 2005); 12 The Pianist (Roman Polanski, 2002); Also of Note A Film Unfinished (Yael Hersonski, 2010)13 Journey of Hope (Xavier Koller, 1990); Also of Note; In This World (Michael Winterbottom, 2002); 14 Midnight Cowboy (John Schlesinger, 1969); Also of Note; Winter's Bone (Debra Granik, 2010); Frozen River (Courtney Hunt, 2008); 15 Gandhi (Richard Attenborough, 1982); Also of Note; 1947: Earth (Deepa Mehta, 1998); 16 Slumdog Millionaire (Danny Boyle, 2008); Also of Note; Salaam Bombay (Mira Nair, 1988); Born into Brothels (Zana Briski and Ross Kauffman, 2004); 17 Milk (Gus Van Sant, 2008); Also of Note; The Times of Harvey Milk (Rob Epstein, 1984) Brokeback Mountain (Ang Lee, 2005)Before Night Falls (Julian Schnabel, 2000); La Mission (Peter Bratt, 2009); Fire (Deepa Mehta, 1996); 18 Norma Rae (Martin Ritt, 1979); Also of Note; Matewan (John Sayles, 1987); Bread and Roses (Ken Loach, 2000); 19 The Insider (Michael Mann, 1999); Also of Note; The China Syndrome (James Bridges, 1979); Silkwood (Mike Nichols, 1983); Erin Brockovich (Steven Soderbergh, 2000); 20 V for Vendetta (James McTeigue, 2006); 21 A Dry White Season (Euzhan Palcy, 1989); Also of Note; Cry Freedom (Richard Attenborough, 1987); 22 Philadelphia (Jonathan Demme, 1993) Also of NoteYesterday (Darrell Roodt, 2004); Life, Above All (Oliver Schmitz, 2010); 23 Good Night, and Good Luck (George Clooney, 2005); 24 To Kill a Mockingbird (Robert Mulligan, 1962); Also of Note; 12 Angry Men (Sidney Lumet, 1957); The Verdict (Sidney Lumet, 1982); A Time to Kill (Joel Schumacher, 1996); 25 Days of Glory (Indigènes) (Rachid Bouchareb, 2006); 26 District 9 (Neill Blomkamp, 2009); 27 Sophie's Choice (Alan J. Pakula, 1982); 28 Bloody Sunday (Paul Greengrass, 2002); 29 Omagh (Pete Travis, 2004); 30 Paradise Now (Hany Abu-Assad, 2005); Also of Note The Terrorist (Santosh Sivan, 1998) |
Record Nr. | UNINA-9910797828403321 |
Gibney Mark | ||
Abingdon, Oxon ; ; New York, N.Y. : , : Routledge, , 2016 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Watching human rights : the 101 best films / / Mark Gibney |
Autore | Gibney Mark |
Edizione | [1st ed.] |
Pubbl/distr/stampa | Abingdon, Oxon ; ; New York, N.Y. : , : Routledge, , 2016 |
Descrizione fisica | 1 online resource (230 p.) |
Disciplina | 791.43658 |
Collana | International studies intensives |
Soggetto topico |
Human rights in motion pictures
Motion pictures - Evaluation |
ISBN |
1-317-24936-4
1-315-63121-0 1-317-24935-6 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Cover; Half Title; Title; Copyright; Dedication; Contents; Preface; Introduction; Part I Feature Films; 1 Schindler's List (Steven Spielberg, 1993); Also of Note; The Last Days (James Moll, 1998); Into the Arms of Strangers: Stories of the Kindertransport (Mark Jonathan Harris, 2000); Anne Frank Remembered (Jon Blair, 1995); 2 The Lives of Others (Florian Henckel von Donnersmarck, 2006); Also of Note; Fahrenheit 451 (François Truffaut, 1966); 3 Missing (Costa-Gavras, 1982); 4 The Official Story (Luis Puenzo, 1985); 5 The Killing Fields (Roland Joffé, 1984)
6 Once Were Warriors (Lee Tamahori, 1994)7 Hunger (Steve McQueen, 2008); Also of Note; In the Name of the Father (Jim Sheridan, 1993); 8 Precious: Based on the Novel ""Push"" by Sapphire (Lee Daniels, 2009); Also of Note; Love and Diane (Jennifer Dworkin, 2002); 9 Sometimes in April (Raoul Peck, 2005) and Hotel Rwanda (Terry George, 2004) (tie); 11 Dead Man Walking (Tim Robbins, 1995); Also of Note; Love Lived On Death Row (Linda Booker, 2007); After Innocence (Jessica Sanders, 2005); Pierrepoint: The Last Hangman (Adrian Shergold, 2005); 12 The Pianist (Roman Polanski, 2002); Also of Note A Film Unfinished (Yael Hersonski, 2010)13 Journey of Hope (Xavier Koller, 1990); Also of Note; In This World (Michael Winterbottom, 2002); 14 Midnight Cowboy (John Schlesinger, 1969); Also of Note; Winter's Bone (Debra Granik, 2010); Frozen River (Courtney Hunt, 2008); 15 Gandhi (Richard Attenborough, 1982); Also of Note; 1947: Earth (Deepa Mehta, 1998); 16 Slumdog Millionaire (Danny Boyle, 2008); Also of Note; Salaam Bombay (Mira Nair, 1988); Born into Brothels (Zana Briski and Ross Kauffman, 2004); 17 Milk (Gus Van Sant, 2008); Also of Note; The Times of Harvey Milk (Rob Epstein, 1984) Brokeback Mountain (Ang Lee, 2005)Before Night Falls (Julian Schnabel, 2000); La Mission (Peter Bratt, 2009); Fire (Deepa Mehta, 1996); 18 Norma Rae (Martin Ritt, 1979); Also of Note; Matewan (John Sayles, 1987); Bread and Roses (Ken Loach, 2000); 19 The Insider (Michael Mann, 1999); Also of Note; The China Syndrome (James Bridges, 1979); Silkwood (Mike Nichols, 1983); Erin Brockovich (Steven Soderbergh, 2000); 20 V for Vendetta (James McTeigue, 2006); 21 A Dry White Season (Euzhan Palcy, 1989); Also of Note; Cry Freedom (Richard Attenborough, 1987); 22 Philadelphia (Jonathan Demme, 1993) Also of NoteYesterday (Darrell Roodt, 2004); Life, Above All (Oliver Schmitz, 2010); 23 Good Night, and Good Luck (George Clooney, 2005); 24 To Kill a Mockingbird (Robert Mulligan, 1962); Also of Note; 12 Angry Men (Sidney Lumet, 1957); The Verdict (Sidney Lumet, 1982); A Time to Kill (Joel Schumacher, 1996); 25 Days of Glory (Indigènes) (Rachid Bouchareb, 2006); 26 District 9 (Neill Blomkamp, 2009); 27 Sophie's Choice (Alan J. Pakula, 1982); 28 Bloody Sunday (Paul Greengrass, 2002); 29 Omagh (Pete Travis, 2004); 30 Paradise Now (Hany Abu-Assad, 2005); Also of Note The Terrorist (Santosh Sivan, 1998) |
Record Nr. | UNINA-9910807781703321 |
Gibney Mark | ||
Abingdon, Oxon ; ; New York, N.Y. : , : Routledge, , 2016 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Women in European Holocaust Films : Perpetrators, Victims and Resisters / / by Ingrid Lewis |
Autore | Lewis Ingrid |
Edizione | [1st ed. 2017.] |
Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2017 |
Descrizione fisica | 1 online resource (XIII, 278 p. 27 illus.) |
Disciplina | 791.43658 |
Soggetto topico |
Culture
Gender World War, 1939-1945 Motion pictures—European influences Motion pictures—History Women Culture and Gender History of World War II and the Holocaust European Cinema and TV Film History Women's Studies |
ISBN | 3-319-65061-0 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | 1. Introduction -- 2. Part I Women and the Holocaust: The Silenced Gender? 2. The Silenced Gender Paradigm -- 3 Breaking the Silence on Women Perpetrators -- 4. Idealised or Ignored: Female Victims of the Holocaust -- 5. Invisible Resistance: Women’s Contribution -- 6. Part II The Cinematic Representation of Women as Perpetrators and Accomplices of Nazism 6. Violent, Erotic, Brainwashed: Stereotypes of Female Perpetrators in Holocaust: Films between 1945 and 2000.- 7. Uneven Representations: Complex Men and Poorly Drawn Women -- 8. “Ordinary Women” as Perpetrators in 21st Century Holocaust Cinema -- 9. Part III Female Victims in Holocaust Films: From Universalised Portrayals to Recovered Memory 9. Universalised Victims: Jewish Women in Early Holocaust Films -- 10. The Jewish Woman as Epitome of Holocaust Victimhood in the 1960s -- 11. Newcomers to Holocaust Cinema: Women in Crisis, Second Generation, Sexual Abuse and Other Victims of Persecution -- 12. The Trauma of (Post)Memory: Women’s Memories in the Holocaust Cinema of the New Millennium -- 13. Part IV Gendering Heroism: The Role of Women in Filmic Discourses About Resistance 13. Patriarchal Perspectives on Jewish Female Heroism -- 14. The Role of Heroines in Coming to Terms with the Past in Germany and France -- 15. Gendered Disparities in the Portrayal of Rescuers -- 16. Conclusion. |
Record Nr. | UNINA-9910255450503321 |
Lewis Ingrid | ||
Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2017 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|