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Return to Troy : new essays on the Hollywood epic / / edited by Martin M. Winkler ; contributors, Horst-Dieter Blume [and nine others]
| Return to Troy : new essays on the Hollywood epic / / edited by Martin M. Winkler ; contributors, Horst-Dieter Blume [and nine others] |
| Pubbl/distr/stampa | Leiden, Netherlands ; ; Boston, [Massachusetts]b : , : Brill, , 2015 |
| Descrizione fisica | 1 online resource (294 pages) : colour illustrations, photographs |
| Disciplina | 791.43/72 |
| Collana | Metaforms : Studies in the Reception of Classical Antiquity |
| Soggetto topico | Trojan War - Motion pictures and the war |
| ISBN | 90-04-29608-5 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Preliminary Material / Martin M. Winkler -- Introduction: Troy Revisited / Martin M. Winkler -- Wolfgang Petersen on Homer and Troy / Martin M. Winkler -- Live from Troy: Embedded in the Trojan War / Daniel Petersen -- In the Footsteps of Homeric Narrative: Anachronisms and Other Supposed Mistakes in Troy / Eleonora Cavallini -- Petersen’s Epic Technique: Troy and Its Homeric Model / Wolfgang Kofler and Florian Schaffenrath -- Troy and the Cinematic Afterlife of Homeric Gods / Martin M. Winkler -- Achilles and Patroclus in Troy / Horst-Dieter Blume -- Odysseus in Troy / Bruce Louden -- A New Briseis in Troy / Barbara P. Weinlich -- The Fall of Troy: Intertextual Presences in Wolfgang Petersen’s Film / Antonio M. Martín-Rodríguez -- Homer’s Iliad in Popular Culture: The Roads to Troy / Jon Solomon -- Coda: On Cinematic Tributes to Homer and the Iliad / Martin M. Winkler -- Bibliography / Martin M. Winkler -- Index of Films and Television Productions / Martin M. Winkler -- General Index / Martin M. Winkler. |
| Record Nr. | UNINA-9910823548403321 |
| Leiden, Netherlands ; ; Boston, [Massachusetts]b : , : Brill, , 2015 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
A revolution for the screen : Abel Gance's Napoleon / / Paul Cuff [[electronic resource]]
| A revolution for the screen : Abel Gance's Napoleon / / Paul Cuff [[electronic resource]] |
| Autore | Cuff Paul |
| Pubbl/distr/stampa | Amsterdam : , : Amsterdam University Press, , 2015 |
| Descrizione fisica | 1 online resource (272 pages) : digital, PDF file(s) |
| Disciplina | 791.43/72 |
| Collana | Film culture in transition |
| ISBN | 90-485-2487-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover -- Table of contents -- Acknowledgements -- Foreword -- Preface: Critical perspective -- 1. Napoleonic ambition and historical imagination -- 1.1 Introduction -- 1.2 Messiahs of the nineteenth century -- 1.3 Towards a new era -- 1.4 Cinema and the Napoleonic project -- 1.5 Historiography as ritual -- 1.6 Summary -- 2. Shaping expectations: The young Napoléon Bonaparte -- 2.1 Introduction -- 2.2 Cinema as experiential art -- 2.3 Multiplying perspective -- 2.4 Father to the man -- 2.5 Invoking the future -- 2.6 Iconic isolation -- 2.7 Summary -- 3. Civilization and savagery: Visions of the French Revolution -- 3.1 Introduction -- 3.2 Reasoning with chaos -- 3.3 Community and spectatorship -- 3.4 Fire and phoenix -- 3.5 Summary -- 4. Mortal gods: Voices of power and of providence -- 4.1 Introduction -- 4.2 Communicating authority -- 4.3 Chaos and providence -- 4.4 Orchestrating murder -- 4.5 The rhetoric of the Terror -- 4.6 Summary -- 5. The dark light of Napoleonic cinema -- 5.1 Introduction -- 5.2 'Bonaparte' and 'Napoléon' -- 5.3 Visual antitheses -- 5.4 Inheritance -- 5.5 The expansion of visual language -- 5.6 Summary -- 6. A view from the margins of history -- 6.1 Introduction -- 6.2 Oblivion and remembrance -- 6.3 Parallel lives -- 6.4 Documentation and survival -- 6.5 Forlorn recognition -- 6.6 Summary -- 7. Melodrama and the formulations of family -- 7.1 Introduction -- 7.2 Incomplete families -- 7.3 Fate and fortune -- 7.4 Flirtation and observation -- 7.5 Negotiating the future -- 7.6 Love and war -- 7.7 Summary -- 8. Worlds in transition: Class, consumption, corruption -- 8.1 Introduction -- 8.2 Corrupting powers -- 8.3 New femininities -- 8.4 The Victims' Ball -- 8.5 Summary -- 9. Death and transfiguration -- 9.1 Introduction -- 9.2 From history to legend -- 9.3 From individualism to universalism -- 9.4 Summary.
Conclusion: The case for enthusiasm -- Filmography and bibliography -- Index -- List of illustrations -- Note on formatting. |
| Record Nr. | UNINA-9910460803503321 |
Cuff Paul
|
||
| Amsterdam : , : Amsterdam University Press, , 2015 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
A revolution for the screen : Abel Gance's Napoleon / / Paul Cuff [[electronic resource]]
| A revolution for the screen : Abel Gance's Napoleon / / Paul Cuff [[electronic resource]] |
| Autore | Cuff Paul |
| Pubbl/distr/stampa | Amsterdam : , : Amsterdam University Press, , 2015 |
| Descrizione fisica | 1 online resource (272 pages) : digital, PDF file(s) |
| Disciplina | 791.43/72 |
| Collana | Film culture in transition |
| Soggetto topico | ART / Film & Video |
| Soggetto non controllato | Abel Gance, Napoleon, |
| ISBN | 90-485-2487-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover -- Table of contents -- Acknowledgements -- Foreword -- Preface: Critical perspective -- 1. Napoleonic ambition and historical imagination -- 1.1 Introduction -- 1.2 Messiahs of the nineteenth century -- 1.3 Towards a new era -- 1.4 Cinema and the Napoleonic project -- 1.5 Historiography as ritual -- 1.6 Summary -- 2. Shaping expectations: The young Napoléon Bonaparte -- 2.1 Introduction -- 2.2 Cinema as experiential art -- 2.3 Multiplying perspective -- 2.4 Father to the man -- 2.5 Invoking the future -- 2.6 Iconic isolation -- 2.7 Summary -- 3. Civilization and savagery: Visions of the French Revolution -- 3.1 Introduction -- 3.2 Reasoning with chaos -- 3.3 Community and spectatorship -- 3.4 Fire and phoenix -- 3.5 Summary -- 4. Mortal gods: Voices of power and of providence -- 4.1 Introduction -- 4.2 Communicating authority -- 4.3 Chaos and providence -- 4.4 Orchestrating murder -- 4.5 The rhetoric of the Terror -- 4.6 Summary -- 5. The dark light of Napoleonic cinema -- 5.1 Introduction -- 5.2 'Bonaparte' and 'Napoléon' -- 5.3 Visual antitheses -- 5.4 Inheritance -- 5.5 The expansion of visual language -- 5.6 Summary -- 6. A view from the margins of history -- 6.1 Introduction -- 6.2 Oblivion and remembrance -- 6.3 Parallel lives -- 6.4 Documentation and survival -- 6.5 Forlorn recognition -- 6.6 Summary -- 7. Melodrama and the formulations of family -- 7.1 Introduction -- 7.2 Incomplete families -- 7.3 Fate and fortune -- 7.4 Flirtation and observation -- 7.5 Negotiating the future -- 7.6 Love and war -- 7.7 Summary -- 8. Worlds in transition: Class, consumption, corruption -- 8.1 Introduction -- 8.2 Corrupting powers -- 8.3 New femininities -- 8.4 The Victims' Ball -- 8.5 Summary -- 9. Death and transfiguration -- 9.1 Introduction -- 9.2 From history to legend -- 9.3 From individualism to universalism -- 9.4 Summary.
Conclusion: The case for enthusiasm -- Filmography and bibliography -- Index -- List of illustrations -- Note on formatting. |
| Record Nr. | UNINA-9910797448203321 |
|
Cuff Paul
|
||
| Amsterdam : , : Amsterdam University Press, , 2015 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
A revolution for the screen : Abel Gance's Napoleon / / Paul Cuff [[electronic resource]]
| A revolution for the screen : Abel Gance's Napoleon / / Paul Cuff [[electronic resource]] |
| Autore | Cuff Paul |
| Pubbl/distr/stampa | Amsterdam : , : Amsterdam University Press, , 2015 |
| Descrizione fisica | 1 online resource (272 pages) : digital, PDF file(s) |
| Disciplina | 791.43/72 |
| Collana | Film culture in transition |
| Soggetto topico | ART / Film & Video |
| Soggetto non controllato | Abel Gance, Napoleon, |
| ISBN | 90-485-2487-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover -- Table of contents -- Acknowledgements -- Foreword -- Preface: Critical perspective -- 1. Napoleonic ambition and historical imagination -- 1.1 Introduction -- 1.2 Messiahs of the nineteenth century -- 1.3 Towards a new era -- 1.4 Cinema and the Napoleonic project -- 1.5 Historiography as ritual -- 1.6 Summary -- 2. Shaping expectations: The young Napoléon Bonaparte -- 2.1 Introduction -- 2.2 Cinema as experiential art -- 2.3 Multiplying perspective -- 2.4 Father to the man -- 2.5 Invoking the future -- 2.6 Iconic isolation -- 2.7 Summary -- 3. Civilization and savagery: Visions of the French Revolution -- 3.1 Introduction -- 3.2 Reasoning with chaos -- 3.3 Community and spectatorship -- 3.4 Fire and phoenix -- 3.5 Summary -- 4. Mortal gods: Voices of power and of providence -- 4.1 Introduction -- 4.2 Communicating authority -- 4.3 Chaos and providence -- 4.4 Orchestrating murder -- 4.5 The rhetoric of the Terror -- 4.6 Summary -- 5. The dark light of Napoleonic cinema -- 5.1 Introduction -- 5.2 'Bonaparte' and 'Napoléon' -- 5.3 Visual antitheses -- 5.4 Inheritance -- 5.5 The expansion of visual language -- 5.6 Summary -- 6. A view from the margins of history -- 6.1 Introduction -- 6.2 Oblivion and remembrance -- 6.3 Parallel lives -- 6.4 Documentation and survival -- 6.5 Forlorn recognition -- 6.6 Summary -- 7. Melodrama and the formulations of family -- 7.1 Introduction -- 7.2 Incomplete families -- 7.3 Fate and fortune -- 7.4 Flirtation and observation -- 7.5 Negotiating the future -- 7.6 Love and war -- 7.7 Summary -- 8. Worlds in transition: Class, consumption, corruption -- 8.1 Introduction -- 8.2 Corrupting powers -- 8.3 New femininities -- 8.4 The Victims' Ball -- 8.5 Summary -- 9. Death and transfiguration -- 9.1 Introduction -- 9.2 From history to legend -- 9.3 From individualism to universalism -- 9.4 Summary.
Conclusion: The case for enthusiasm -- Filmography and bibliography -- Index -- List of illustrations -- Note on formatting. |
| Record Nr. | UNINA-9910816550103321 |
|
Cuff Paul
|
||
| Amsterdam : , : Amsterdam University Press, , 2015 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Roberto Rossellini's Rome open city / / edited by Sidney Gottlieb [[electronic resource]]
| Roberto Rossellini's Rome open city / / edited by Sidney Gottlieb [[electronic resource]] |
| Pubbl/distr/stampa | Cambridge : , : Cambridge University Press, , 2004 |
| Descrizione fisica | 1 online resource (xii, 193 pages) : digital, PDF file(s) |
| Disciplina | 791.43/72 |
| Collana | Cambridge University Press film handbooks series |
| ISBN |
1-139-08604-9
0-511-83831-X 0-511-61713-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction: Open city : reappropriating the old, making the new / Sidney Gottlieb -- Rossellini, Open city, and neorealism / Sidney Gottlieb -- The making of Roma città aperta : the legacy of fascism and the birth of neorealism / Peter Bondanella -- Celluloide and the palimpsest of cinematic memory : Carlo Lizzani's film of the story behind Open city / Millicent Marcus -- Diverting clichés : femininity, masculinity, melodrama, and neorealism in Open city / Marcia Landy -- Space, rhetoric, and the divided city in Roma città aperta / David Forgacs -- Mourning, melancholia, and the popular front : Roberto Rossellini's beautiful revolution / Michael P. Rogin -- Reviews of Open city. |
| Altri titoli varianti | Rome open city |
| Record Nr. | UNISA-996248125903316 |
| Cambridge : , : Cambridge University Press, , 2004 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
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Sam Peckinpah's The wild bunch / / edited by Stephen Prince
| Sam Peckinpah's The wild bunch / / edited by Stephen Prince |
| Pubbl/distr/stampa | [Place of publication not identified], : Cambridge University Press, 1998 |
| Disciplina | 791.43/72 |
| Altri autori (Persone) | PrinceStephen <1955-2020.> |
| Collana | Cambridge film handbooks series |
| Soggetto topico |
Film
Music, Dance, Drama & Film |
| ISBN |
0-511-82370-3
0-511-62440-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNISA-996247976503316 |
| [Place of publication not identified], : Cambridge University Press, 1998 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
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Shoah / / Sue Vice
| Shoah / / Sue Vice |
| Autore | Vice Sue <1961-> |
| Pubbl/distr/stampa | London : , : Palgrave Macmillan on behalf of the British Film Institute, , 2011 |
| Descrizione fisica | 1 online resource (100 pages) : color illustrations, photographs |
| Disciplina | 791.43/72 |
| Collana | BFI film classics |
| Soggetto topico | Holocaust, Jewish (1939-1945), in motion pictures |
| ISBN |
1-83871-340-9
1-84457-564-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Lanzmann as film-maker -- Documentary or 'fiction of the real'? -- Archive footage -- 'Reincarnating' the past -- Mise en scène -- Lanzmann as interviewer -- Poland: the ethics of filming -- Testimony -- Appendix: overview of Shoah. |
| Record Nr. | UNINA-9910468039803321 |
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Vice Sue <1961->
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| London : , : Palgrave Macmillan on behalf of the British Film Institute, , 2011 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Shoah / / Sue Vice
| Shoah / / Sue Vice |
| Autore | Vice Sue <1961-> |
| Pubbl/distr/stampa | London : , : Palgrave Macmillan on behalf of the British Film Institute, , 2011 |
| Descrizione fisica | 1 online resource (100 pages) : color illustrations, photographs |
| Disciplina | 791.43/72 |
| Collana | BFI film classics |
| Soggetto topico | Holocaust, Jewish (1939-1945), in motion pictures |
| ISBN |
1-83871-340-9
1-84457-564-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Lanzmann as film-maker -- Documentary or 'fiction of the real'? -- Archive footage -- 'Reincarnating' the past -- Mise en scène -- Lanzmann as interviewer -- Poland: the ethics of filming -- Testimony -- Appendix: overview of Shoah. |
| Record Nr. | UNINA-9910794822103321 |
|
Vice Sue <1961->
|
||
| London : , : Palgrave Macmillan on behalf of the British Film Institute, , 2011 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Shoah / / Sue Vice
| Shoah / / Sue Vice |
| Autore | Vice Sue <1961-> |
| Pubbl/distr/stampa | London : , : Palgrave Macmillan on behalf of the British Film Institute, , 2011 |
| Descrizione fisica | 1 online resource (100 pages) : color illustrations, photographs |
| Disciplina | 791.43/72 |
| Collana | BFI film classics |
| Soggetto topico | Holocaust, Jewish (1939-1945), in motion pictures |
| ISBN |
1-83871-340-9
1-84457-564-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Lanzmann as film-maker -- Documentary or 'fiction of the real'? -- Archive footage -- 'Reincarnating' the past -- Mise en scène -- Lanzmann as interviewer -- Poland: the ethics of filming -- Testimony -- Appendix: overview of Shoah. |
| Record Nr. | UNINA-9910817639103321 |
|
Vice Sue <1961->
|
||
| London : , : Palgrave Macmillan on behalf of the British Film Institute, , 2011 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The Slumdog phenomenon : a critical anthology / / edited by Ajay Gehlawat [[electronic resource]]
| The Slumdog phenomenon : a critical anthology / / edited by Ajay Gehlawat [[electronic resource]] |
| Pubbl/distr/stampa | London : , : Anthem Press, , 2013 |
| Descrizione fisica | 1 online resource (xxiii, 218 pages) : digital, PDF file(s) |
| Disciplina | 791.43/72 |
| Collana | New Perspectives on World Cinema |
| ISBN |
0-85728-295-6
1-299-20181-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction / Ajay Gehlawat -- SLUMDOG AND THE NATION. National Allegory / Brian Larkin -- Slumdog and the Emerging Centrality of India / Sharmila Mukherjee -- Slumlord Aesthetics and the Question of Indian Poverty / Nandini Chandra -- Watching Time: Slumdog Millionaire and National Ontology / Lakshmi Padmanabhan -- SLUNDOG AND THE SLUM. Slumdog Millionaire and Epistemologies of the City / Ulka Anjaria and Jonathan Shapiro Anjaria -- A Million Dollar Exit from the Slum-world: Slumdog Millionaire's Troubling Formula for Social Justice / Mitu Sengupta -- Slumdogs and Millionaires: Facts and Fictions of Indian (under)Development / Snehal Shingavi -- SLUMDOG AND BOLLYWOOD. Slumdogs, Coolies and Gangsters: Amitabh Bachchan and the Legacy of 1970s Bollywood in Slumdog Millionaire / Claus Tieber -- "It is Written" (in Invisible Ink): Slumdog Millionaire's SFX and the Realist Overwriting of Bollywood Spectacle / Samhita Sunya -- SLUMDOG'S RECEPTIONS. Why the Sun Shines on Slumdog / Anandam Kavoori -- Slumdog Celebrities / Priya Jaikumar -- Slumdog Millionaire and the New Middlebrow / Robert Koehler -- Slumdog Comprador: Coming to Terms with the Slumdog Phenomenon / Ajay Gehlawat -- The Life-Cycle of Slumdog Millionaire on the Web / Thomas Elsaesser and Warren Buckland -- Conclusion: Jai Who? |
| Record Nr. | UNINA-9910453119003321 |
| London : , : Anthem Press, , 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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