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Screening early modern drama : beyond Shakespeare / / Pascale Aebischer [[electronic resource]]
| Screening early modern drama : beyond Shakespeare / / Pascale Aebischer [[electronic resource]] |
| Autore | Aebischer Pascale <1970-> |
| Pubbl/distr/stampa | Cambridge : , : Cambridge University Press, , 2013 |
| Descrizione fisica | 1 online resource (xi, 274 pages) : digital, PDF file(s) |
| Disciplina | 791.43/657 |
| Soggetto topico |
Film adaptations - History and criticism
English drama - Early modern and Elizabethan, 1500-1600 - Film adaptations Motion pictures and literature Motion pictures - Great Britain - History - 20th century |
| ISBN |
1-139-88919-2
1-107-24145-6 1-107-25101-X 1-107-55944-8 1-107-25018-8 1-107-24852-3 1-107-24769-1 1-139-17619-6 1-107-24935-X |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction: beyond Shakespeare: the contemporary Jacobean film -- Derek Jarman's queer contemporary Jacobean aesthetic: Caravaggio and Edward II -- The preposterous contemporary Jacobean film: Peter Greenaway's Cook, heritage Shakespeare and sexual exploitation in Mike Figgis's Hotel -- Third cinema, urban regeneration and heritage Shakespeare in Alex Cox's Revengers tragedy -- Early modern performance and digital media: remediation and the evolving archival canon -- Bend it like Nagra: mainstreaming the changeling in Sarah Harding's Compulsion -- Conclusion: early modern dramatists on twenty-first century screens. |
| Record Nr. | UNINA-9910452470003321 |
Aebischer Pascale <1970->
|
||
| Cambridge : , : Cambridge University Press, , 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Screening early modern drama : beyond Shakespeare / / Pascale Aebischer [[electronic resource]]
| Screening early modern drama : beyond Shakespeare / / Pascale Aebischer [[electronic resource]] |
| Autore | Aebischer Pascale <1970-> |
| Pubbl/distr/stampa | Cambridge : , : Cambridge University Press, , 2013 |
| Descrizione fisica | 1 online resource (xi, 274 pages) : digital, PDF file(s) |
| Disciplina | 791.43/657 |
| Soggetto topico |
Film adaptations - History and criticism
English drama - Early modern and Elizabethan, 1500-1600 - Film adaptations Motion pictures and literature Motion pictures - Great Britain - 20th century - History |
| ISBN |
1-139-88919-2
1-107-24145-6 1-107-25101-X 1-107-55944-8 1-107-25018-8 1-107-24852-3 1-107-24769-1 1-139-17619-6 1-107-24935-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction: beyond Shakespeare: the contemporary Jacobean film -- Derek Jarman's queer contemporary Jacobean aesthetic: Caravaggio and Edward II -- The preposterous contemporary Jacobean film: Peter Greenaway's Cook, heritage Shakespeare and sexual exploitation in Mike Figgis's Hotel -- Third cinema, urban regeneration and heritage Shakespeare in Alex Cox's Revengers tragedy -- Early modern performance and digital media: remediation and the evolving archival canon -- Bend it like Nagra: mainstreaming the changeling in Sarah Harding's Compulsion -- Conclusion: early modern dramatists on twenty-first century screens. |
| Record Nr. | UNINA-9910790405803321 |
|
Aebischer Pascale <1970->
|
||
| Cambridge : , : Cambridge University Press, , 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Screening early modern drama : beyond Shakespeare / / Pascale Aebischer [[electronic resource]]
| Screening early modern drama : beyond Shakespeare / / Pascale Aebischer [[electronic resource]] |
| Autore | Aebischer Pascale <1970-> |
| Pubbl/distr/stampa | Cambridge : , : Cambridge University Press, , 2013 |
| Descrizione fisica | 1 online resource (xi, 274 pages) : digital, PDF file(s) |
| Disciplina | 791.43/657 |
| Soggetto topico |
Film adaptations - History and criticism
English drama - Early modern and Elizabethan, 1500-1600 - Film adaptations Motion pictures and literature Motion pictures - Great Britain - 20th century - History |
| ISBN |
1-139-88919-2
1-107-24145-6 1-107-25101-X 1-107-55944-8 1-107-25018-8 1-107-24852-3 1-107-24769-1 1-139-17619-6 1-107-24935-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction: beyond Shakespeare: the contemporary Jacobean film -- Derek Jarman's queer contemporary Jacobean aesthetic: Caravaggio and Edward II -- The preposterous contemporary Jacobean film: Peter Greenaway's Cook, heritage Shakespeare and sexual exploitation in Mike Figgis's Hotel -- Third cinema, urban regeneration and heritage Shakespeare in Alex Cox's Revengers tragedy -- Early modern performance and digital media: remediation and the evolving archival canon -- Bend it like Nagra: mainstreaming the changeling in Sarah Harding's Compulsion -- Conclusion: early modern dramatists on twenty-first century screens. |
| Record Nr. | UNINA-9910809792503321 |
|
Aebischer Pascale <1970->
|
||
| Cambridge : , : Cambridge University Press, , 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Verse, voice, and vision : poetry and the cinema / / edited by Marlisa Santos
| Verse, voice, and vision : poetry and the cinema / / edited by Marlisa Santos |
| Pubbl/distr/stampa | Lanham, Maryland ; ; Toronto, [Ontario] ; ; Plymouth, England : , : The Scarecrow Press, Inc., , 2013 |
| Descrizione fisica | 1 online resource (216 pages) |
| Disciplina | 791.43/657 |
| Soggetto topico |
Motion pictures and literature
Poets in motion pictures Poetry in motion pictures |
| Soggetto genere / forma | Electronic books. |
| ISBN | 0-8108-9210-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910157799003321 |
| Lanham, Maryland ; ; Toronto, [Ontario] ; ; Plymouth, England : , : The Scarecrow Press, Inc., , 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Verse, voice, and vision : poetry and the cinema / / edited by Marlisa Santos
| Verse, voice, and vision : poetry and the cinema / / edited by Marlisa Santos |
| Pubbl/distr/stampa | Lanham, Maryland ; ; Toronto, [Ontario] ; ; Plymouth, England : , : The Scarecrow Press, Inc., , 2013 |
| Descrizione fisica | 1 online resource (216 pages) |
| Disciplina | 791.43/657 |
| Soggetto topico |
Motion pictures and literature
Poets in motion pictures Poetry in motion pictures |
| ISBN | 0-8108-9210-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction -- Poets on film. "Besides, there's no such thing as poets anymore": poetic relevance in Neil LaBute's Possession / by Susan Redington Bobby -- Rudolph's Mrs. Parker and the vicious circle: film form and Parker's poetic legacy / by Carolyn Kelley -- "A thing of beauty": art, commerce, and poetry in cinema in Bright star and Love and death on Long Island / by Ellen Moll -- This aura sucks: narrative cinema and popular poetry criticism in So I married an axe murderer / by Liz Faber -- Star/poet/director: poetry and image in Guru Dutt's Pyaasa / by Carrie Messenger -- Chicken poets and rough poetry: figuring the poet and his subject(s) in independent Chinese cinema / by Qi Wang -- Poetry as film. "Some are born to endless night": the Blakean vision of Jim Jarmusch's Dead man / by Hugh Davis -- Into the woods: William Shakespeare's A midsummer night's dream and Peter Weir's Dead poets society / by Nichole DeWall -- "Whither is fled the visionary gleam?": Wordsworth and consumption in Splendor in the grass / by Marlisa Santos -- Film as poetry. "Qualcosa di concreto": mimetic fiction and spectrality in Pier Paolo Pasolini's Cinema of poetry / by Roberto Cavallini -- Terrence Malick's intimations of immortality: The tree of life as cinematic ode / by Suzanne Ferriss -- A step away from the cinema: Hollywood and the poetry of Frank O'Hara / by Walter Metz -- Poetic dialogue-lyrical speech in the work of Hal Hartley and Jim Jarmusch / by Jennifer O'Meara -- The written verse in cinematic verse: Eliseo Subiela's El lado oscuro del corazón as a metapoetic text / by Juan G. Ramos. |
| Record Nr. | UNINA-9910792656003321 |
| Lanham, Maryland ; ; Toronto, [Ontario] ; ; Plymouth, England : , : The Scarecrow Press, Inc., , 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Verse, voice, and vision : poetry and the cinema / / edited by Marlisa Santos
| Verse, voice, and vision : poetry and the cinema / / edited by Marlisa Santos |
| Pubbl/distr/stampa | Lanham, Maryland ; ; Toronto, [Ontario] ; ; Plymouth, England : , : The Scarecrow Press, Inc., , 2013 |
| Descrizione fisica | 1 online resource (216 pages) |
| Disciplina | 791.43/657 |
| Soggetto topico |
Motion pictures and literature
Poets in motion pictures Poetry in motion pictures |
| ISBN | 0-8108-9210-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction -- Poets on film. "Besides, there's no such thing as poets anymore": poetic relevance in Neil LaBute's Possession / by Susan Redington Bobby -- Rudolph's Mrs. Parker and the vicious circle: film form and Parker's poetic legacy / by Carolyn Kelley -- "A thing of beauty": art, commerce, and poetry in cinema in Bright star and Love and death on Long Island / by Ellen Moll -- This aura sucks: narrative cinema and popular poetry criticism in So I married an axe murderer / by Liz Faber -- Star/poet/director: poetry and image in Guru Dutt's Pyaasa / by Carrie Messenger -- Chicken poets and rough poetry: figuring the poet and his subject(s) in independent Chinese cinema / by Qi Wang -- Poetry as film. "Some are born to endless night": the Blakean vision of Jim Jarmusch's Dead man / by Hugh Davis -- Into the woods: William Shakespeare's A midsummer night's dream and Peter Weir's Dead poets society / by Nichole DeWall -- "Whither is fled the visionary gleam?": Wordsworth and consumption in Splendor in the grass / by Marlisa Santos -- Film as poetry. "Qualcosa di concreto": mimetic fiction and spectrality in Pier Paolo Pasolini's Cinema of poetry / by Roberto Cavallini -- Terrence Malick's intimations of immortality: The tree of life as cinematic ode / by Suzanne Ferriss -- A step away from the cinema: Hollywood and the poetry of Frank O'Hara / by Walter Metz -- Poetic dialogue-lyrical speech in the work of Hal Hartley and Jim Jarmusch / by Jennifer O'Meara -- The written verse in cinematic verse: Eliseo Subiela's El lado oscuro del corazón as a metapoetic text / by Juan G. Ramos. |
| Record Nr. | UNINA-9910811687603321 |
| Lanham, Maryland ; ; Toronto, [Ontario] ; ; Plymouth, England : , : The Scarecrow Press, Inc., , 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Vocal Apparitions : The Attraction of Cinema to Opera / / Michal Grover-Friedlander
| Vocal Apparitions : The Attraction of Cinema to Opera / / Michal Grover-Friedlander |
| Autore | Grover-Friedlander Michal |
| Pubbl/distr/stampa | Princeton, NJ : , : Princeton University Press, , [2014] |
| Descrizione fisica | 1 online resource (201 p.) |
| Disciplina | 791.43/657 |
| Collana | Princeton Studies in Opera |
| Soggetto topico |
Music - Philosophy and aesthetics
Voice in motion pictures Motion pictures and opera |
| Soggetto genere / forma | Electronic books. |
| ISBN | 1-4008-6674-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- List of Illustrations -- Acknowledgments -- Introduction -- Part I. Silent Voices -- CHAPTER 1. The Phantom of the Opera: The Lost Voice of Opera in Silent Film -- CHAPTER 2. Brothers at the Opera -- PART II. VISIONS OF VOICES -- CHAPTER 3. Otello's One Voice -- CHAPTER 4. Falstaff 's Free Voice -- PART III. REMAINS OF THE VOICE -- CHAPTER 5. Opera on the Phone: The Call of the Human Voice -- CHAPTER 6. Fellini's Ashes -- NOTES -- INDEX |
| Record Nr. | UNISA-996338049003316 |
|
Grover-Friedlander Michal
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| Princeton, NJ : , : Princeton University Press, , [2014] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
| ||
Vocal Apparitions : The Attraction of Cinema to Opera / / Michal Grover-Friedlander
| Vocal Apparitions : The Attraction of Cinema to Opera / / Michal Grover-Friedlander |
| Autore | Grover-Friedlander Michal |
| Pubbl/distr/stampa | Princeton, NJ : , : Princeton University Press, , [2014] |
| Descrizione fisica | 1 online resource (201 p.) |
| Disciplina | 791.43/657 |
| Collana | Princeton Studies in Opera |
| Soggetto topico |
Music - Philosophy and aesthetics
Voice in motion pictures Motion pictures and opera |
| Soggetto genere / forma | Electronic books. |
| ISBN | 1-4008-6674-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- List of Illustrations -- Acknowledgments -- Introduction -- Part I. Silent Voices -- CHAPTER 1. The Phantom of the Opera: The Lost Voice of Opera in Silent Film -- CHAPTER 2. Brothers at the Opera -- PART II. VISIONS OF VOICES -- CHAPTER 3. Otello's One Voice -- CHAPTER 4. Falstaff 's Free Voice -- PART III. REMAINS OF THE VOICE -- CHAPTER 5. Opera on the Phone: The Call of the Human Voice -- CHAPTER 6. Fellini's Ashes -- NOTES -- INDEX |
| Record Nr. | UNINA-9910383859203321 |
|
Grover-Friedlander Michal
|
||
| Princeton, NJ : , : Princeton University Press, , [2014] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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