Info
- Utilizzare la checkbox di selezione a fianco di ciascun documento per attivare le funzionalità di stampa, invio email, download nei formati disponibili del (i) record.
The cinema dreams its rivals [[electronic resource] ] : media fantasy films from radio to the Internet / / Paul Young
| The cinema dreams its rivals [[electronic resource] ] : media fantasy films from radio to the Internet / / Paul Young |
| Autore | Young Paul <1968-> |
| Pubbl/distr/stampa | Minneapolis, : University of Minnesota Press, c2006 |
| Descrizione fisica | 1 online resource (350 p.) |
| Disciplina | 791.43/6552 |
| Soggetto topico |
Mass media in motion pictures
Fantasy films - History and criticism |
| Soggetto genere / forma | Electronic books. |
| ISBN | 0-8166-9168-1 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Contents; Introduction: The Perpetual Reinvention of Film; 1. Rubes, Camera Fiends, Filmmakers, and Other Amateurs: The Intermedia Imagination of Early Films; 2. A Cinema without Wires; 3. Eating the Other Medium: Sound Film in the Age of Broadcasting; 4. The Glass Web: Unraveling the Videophobia of Postwar Hollywood Cinema; 5. The Negative Reinvention of Cinema: Late Hollywood in the Early Digital Age; Acknowledgments; Notes; Filmography; Index |
| Record Nr. | UNINA-9910451726803321 |
Young Paul <1968->
|
||
| Minneapolis, : University of Minnesota Press, c2006 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The cinema dreams its rivals [[electronic resource] ] : media fantasy films from radio to the Internet / / Paul Young
| The cinema dreams its rivals [[electronic resource] ] : media fantasy films from radio to the Internet / / Paul Young |
| Autore | Young Paul <1968-> |
| Pubbl/distr/stampa | Minneapolis, : University of Minnesota Press, c2006 |
| Descrizione fisica | 1 online resource (350 p.) |
| Disciplina | 791.43/6552 |
| Soggetto topico |
Mass media in motion pictures
Fantasy films - History and criticism |
| ISBN | 0-8166-9168-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Contents; Introduction: The Perpetual Reinvention of Film; 1. Rubes, Camera Fiends, Filmmakers, and Other Amateurs: The Intermedia Imagination of Early Films; 2. A Cinema without Wires; 3. Eating the Other Medium: Sound Film in the Age of Broadcasting; 4. The Glass Web: Unraveling the Videophobia of Postwar Hollywood Cinema; 5. The Negative Reinvention of Cinema: Late Hollywood in the Early Digital Age; Acknowledgments; Notes; Filmography; Index |
| Record Nr. | UNINA-9910784395403321 |
|
Young Paul <1968->
|
||
| Minneapolis, : University of Minnesota Press, c2006 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The cinema dreams its rivals : media fantasy films from radio to the Internet / / Paul Young
| The cinema dreams its rivals : media fantasy films from radio to the Internet / / Paul Young |
| Autore | Young Paul <1968-> |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Minneapolis, : University of Minnesota Press, c2006 |
| Descrizione fisica | 1 online resource (350 p.) |
| Disciplina | 791.43/6552 |
| Soggetto topico |
Mass media in motion pictures
Fantasy films - History and criticism |
| ISBN | 0-8166-9168-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Contents; Introduction: The Perpetual Reinvention of Film; 1. Rubes, Camera Fiends, Filmmakers, and Other Amateurs: The Intermedia Imagination of Early Films; 2. A Cinema without Wires; 3. Eating the Other Medium: Sound Film in the Age of Broadcasting; 4. The Glass Web: Unraveling the Videophobia of Postwar Hollywood Cinema; 5. The Negative Reinvention of Cinema: Late Hollywood in the Early Digital Age; Acknowledgments; Notes; Filmography; Index |
| Record Nr. | UNINA-9910808105603321 |
|
Young Paul <1968->
|
||
| Minneapolis, : University of Minnesota Press, c2006 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Dames in the driver's seat [[electronic resource] ] : rereading film noir / / Jans B. Wager
| Dames in the driver's seat [[electronic resource] ] : rereading film noir / / Jans B. Wager |
| Autore | Wager Jans B. <1958-> |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Austin, : University of Texas Press, c2005 |
| Descrizione fisica | 1 online resource (203 p.) |
| Disciplina | 791.43/6552 |
| Soggetto topico |
Film noir - History and criticism
Sex role in motion pictures Race in motion pictures Social classes in motion pictures |
| Soggetto genere / forma | Electronic books. |
| ISBN | 0-292-79684-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910451659503321 |
|
Wager Jans B. <1958->
|
||
| Austin, : University of Texas Press, c2005 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Dames in the driver's seat [[electronic resource] ] : rereading film noir / / Jans B. Wager
| Dames in the driver's seat [[electronic resource] ] : rereading film noir / / Jans B. Wager |
| Autore | Wager Jans B. <1958-> |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Austin, : University of Texas Press, c2005 |
| Descrizione fisica | 1 online resource (203 p.) |
| Disciplina | 791.43/6552 |
| Soggetto topico |
Film noir - History and criticism
Sex role in motion pictures Race in motion pictures Social classes in motion pictures |
| ISBN | 0-292-79684-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- CONTENTS -- ACKNOWLEDGMENTS -- Introduction. DAMES AND DRIVING -- Part 1: Contents and Contexts -- 1. Manning the Posts: Classic Noir, Postclassic Noir, and Postmodernism -- 2. Sexing the Paradigm: Women and Men in Noir -- 3. Racing the Paradigm: The Whiteness of Film Noir -- Part 2: Prototypes in Classic Noir -- 4. The Killers (1946): Quintessential Noir? -- 5. Out of the Past (1947): Passive Masculinity and Active Femininities -- 6. Kiss Me Deadly (1955): Apocalyptic Femmes -- Part 3: Return of the Repressed in Retro-Noir -- 7. L.A. Confidential (1997) and Casablanca (1942): Does Anything Change as Time Goes By? -- 8. Mulholland Falls (1996): Nuclear Noir as Numbskull Noir -- 9. Fight Club (1999): Retro-Noir Masquerades as Neo-Noir -- Part 4: Revision of the Repressed in Neo-Noir -- 10. Twilight (1998): Age, Beauty, and Star Power-Survival of the Fittest -- 11. Fargo (1996): A Woman Who Is Not Herself Mean- Snow-swept Highways and Margie -- 12. Jackie Brown (1997): Gender, Race, Class, and Genre -- Conclusion. Doing It for bell: Cultural Criticism and Social Change -- Notes -- Works Cited -- Index |
| Record Nr. | UNINA-9910777573803321 |
|
Wager Jans B. <1958->
|
||
| Austin, : University of Texas Press, c2005 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Dames in the driver's seat : rereading film noir / / Jans B. Wager
| Dames in the driver's seat : rereading film noir / / Jans B. Wager |
| Autore | Wager Jans B. <1958-> |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Austin, : University of Texas Press, c2005 |
| Descrizione fisica | 1 online resource (203 p.) |
| Disciplina | 791.43/6552 |
| Soggetto topico |
Film noir - History and criticism
Sex role in motion pictures Race in motion pictures Social classes in motion pictures |
| ISBN | 0-292-79684-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- CONTENTS -- ACKNOWLEDGMENTS -- Introduction. DAMES AND DRIVING -- Part 1: Contents and Contexts -- 1. Manning the Posts: Classic Noir, Postclassic Noir, and Postmodernism -- 2. Sexing the Paradigm: Women and Men in Noir -- 3. Racing the Paradigm: The Whiteness of Film Noir -- Part 2: Prototypes in Classic Noir -- 4. The Killers (1946): Quintessential Noir? -- 5. Out of the Past (1947): Passive Masculinity and Active Femininities -- 6. Kiss Me Deadly (1955): Apocalyptic Femmes -- Part 3: Return of the Repressed in Retro-Noir -- 7. L.A. Confidential (1997) and Casablanca (1942): Does Anything Change as Time Goes By? -- 8. Mulholland Falls (1996): Nuclear Noir as Numbskull Noir -- 9. Fight Club (1999): Retro-Noir Masquerades as Neo-Noir -- Part 4: Revision of the Repressed in Neo-Noir -- 10. Twilight (1998): Age, Beauty, and Star Power-Survival of the Fittest -- 11. Fargo (1996): A Woman Who Is Not Herself Mean- Snow-swept Highways and Margie -- 12. Jackie Brown (1997): Gender, Race, Class, and Genre -- Conclusion. Doing It for bell: Cultural Criticism and Social Change -- Notes -- Works Cited -- Index |
| Record Nr. | UNINA-9910814101703321 |
|
Wager Jans B. <1958->
|
||
| Austin, : University of Texas Press, c2005 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Disney's most notorious film [[electronic resource] ] : race, convergence, and the hidden histories of Song of the South / / by Jason Sperb
| Disney's most notorious film [[electronic resource] ] : race, convergence, and the hidden histories of Song of the South / / by Jason Sperb |
| Autore | Sperb Jason <1978-> |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Austin, : University of Texas Press, 2012 |
| Descrizione fisica | 1 online resource (295 p.) |
| Disciplina | 791.43/6552 |
| Soggetto topico |
Race relations in motion pictures
African Americans in motion pictures Stereotypes (Social psychology) in motion pictures Motion picture audiences - United States Convergence (Telecommunication) |
| Soggetto genere / forma | Electronic books. |
| ISBN | 0-292-73975-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction -- Conditions of possibility: the Disney Studios, postwar "thermidor," and the ambivalent origins of Song of the South -- "Put down the mint julep, Mr. Disney": postwar racial consciousness and Disney's critical legacy in the 1946 reception of Song of the South -- "Our most requested movie": media convergence, black ambivalence, and the reconstruction of Song of the South -- A past that never existed: coonskin, post-racial whiteness, and rewriting history in the era of Reaganism -- On tar babies and honey pots: Splash Mountain, "Zip-a-dee-doo-dah," and the transmedia dissipation of Song of the South -- Reassuring convergence: new media, nostalgia, and the internet fandom of Song of the South -- Conclusion. |
| Record Nr. | UNINA-9910461884203321 |
|
Sperb Jason <1978->
|
||
| Austin, : University of Texas Press, 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Disney's most notorious film [[electronic resource] ] : race, convergence, and the hidden histories of Song of the South / / by Jason Sperb
| Disney's most notorious film [[electronic resource] ] : race, convergence, and the hidden histories of Song of the South / / by Jason Sperb |
| Autore | Sperb Jason <1978-> |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Austin, : University of Texas Press, 2012 |
| Descrizione fisica | 1 online resource (295 p.) |
| Disciplina | 791.43/6552 |
| Soggetto topico |
Race relations in motion pictures
African Americans in motion pictures Stereotypes (Social psychology) in motion pictures Motion picture audiences - United States Convergence (Telecommunication) |
| ISBN | 0-292-73975-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction -- Conditions of possibility: the Disney Studios, postwar "thermidor," and the ambivalent origins of Song of the South -- "Put down the mint julep, Mr. Disney": postwar racial consciousness and Disney's critical legacy in the 1946 reception of Song of the South -- "Our most requested movie": media convergence, black ambivalence, and the reconstruction of Song of the South -- A past that never existed: coonskin, post-racial whiteness, and rewriting history in the era of Reaganism -- On tar babies and honey pots: Splash Mountain, "Zip-a-dee-doo-dah," and the transmedia dissipation of Song of the South -- Reassuring convergence: new media, nostalgia, and the internet fandom of Song of the South -- Conclusion. |
| Record Nr. | UNINA-9910785933103321 |
|
Sperb Jason <1978->
|
||
| Austin, : University of Texas Press, 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Disney's most notorious film : race, convergence, and the hidden histories of Song of the South / / by Jason Sperb
| Disney's most notorious film : race, convergence, and the hidden histories of Song of the South / / by Jason Sperb |
| Autore | Sperb Jason <1978-> |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Austin, : University of Texas Press, 2012 |
| Descrizione fisica | 1 online resource (295 p.) |
| Disciplina | 791.43/6552 |
| Soggetto topico |
Race relations in motion pictures
African Americans in motion pictures Stereotypes (Social psychology) in motion pictures Motion picture audiences - United States Convergence (Telecommunication) |
| ISBN | 0-292-73975-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction -- Conditions of possibility: the Disney Studios, postwar "thermidor," and the ambivalent origins of Song of the South -- "Put down the mint julep, Mr. Disney": postwar racial consciousness and Disney's critical legacy in the 1946 reception of Song of the South -- "Our most requested movie": media convergence, black ambivalence, and the reconstruction of Song of the South -- A past that never existed: coonskin, post-racial whiteness, and rewriting history in the era of Reaganism -- On tar babies and honey pots: Splash Mountain, "Zip-a-dee-doo-dah," and the transmedia dissipation of Song of the South -- Reassuring convergence: new media, nostalgia, and the internet fandom of Song of the South -- Conclusion. |
| Record Nr. | UNINA-9910807815603321 |
|
Sperb Jason <1978->
|
||
| Austin, : University of Texas Press, 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Firestorm [[electronic resource] ] : American film in the age of terrorism / / Stephen Prince
| Firestorm [[electronic resource] ] : American film in the age of terrorism / / Stephen Prince |
| Autore | Prince Stephen <1955-2020.> |
| Pubbl/distr/stampa | New York, : Columbia University Press, c2009 |
| Descrizione fisica | 1 online resource (401 p.) |
| Disciplina | 791.43/6552 |
| Soggetto topico |
Motion pictures - United States - History - 21st century
September 11 Terrorist Attacks, 2001 - Influence Motion pictures - Political aspects - United States Terrorism in motion pictures Psychic trauma in motion pictures War films - History and criticism |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-280-59920-0
9786613629036 0-231-52008-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction -- Theater of mass destruction -- Shadows once removed -- Ground Zero in focus -- Battleground Iraq -- Terrorism on the small screen -- No end in sight. |
| Record Nr. | UNINA-9910461858003321 |
|
Prince Stephen <1955-2020.>
|
||
| New York, : Columbia University Press, c2009 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
