Edizione	[1st ed. 2021.]
Pubbl/distr/stampa	Cham, Switzerland : , : Springer, , [2021]
Descrizione fisica	1 online resource (XVII, 726 p. 121 illus., 1 illus. in color.)
Disciplina	789.9
Collana	Lecture notes in computer science
Soggetto topico	Computer music Musical analysis - Data processing Information storage and retrieval systems - Music
ISBN	3-030-70210-3
Formato	Materiale a stampa
Livello bibliografico	Monografia
Lingua di pubblicazione	eng
Nota di contenuto	Music Information Retrieval - Music, Emotion and Representation -- Computational Musicology -- Audio Signal Processing - Music Structure, Analysis, Synthesis and Composition Tools -- Notation and Instruments Distributed on Mobile Devices -- Auditory Perception and Cognition - From the Ear to the Body -- The Process of Sound Design -- Sonic Interaction for Immersive Media - Virtual and Augmented Reality -- Musical Interaction: Embodiment, Improvisation, Collaboration -- Jean-Claude Risset and Beyond.
Record Nr.	UNISA-996464430903316

Pubbl/distr/stampa	Bern : , : Peter Lang International Academic Publishing Group, , 2018
Descrizione fisica	1 online resource (156 pages)
Disciplina	789.9
Collana	Zürcher Musikstudien
Soggetto topico	Electronic music
Formato	Materiale a stampa
Livello bibliografico	Monografia
Lingua di pubblicazione	eng
Nota di contenuto	Historically informed performance in electroacoustic music? The Studio di Fonologia years as a case study / Germa´n Toro Pe´rez -- Some problems of the present-day realisation of historical electronic pieces / Ulrich Mosch -- The beginnings of the Studio di Fonologia Musicale and Bruno Maderna's Notturno / Angela Ida De Benedictis -- <>. On the ambivalent relation between sound and notation in some early electroacoustic music, and the problems of modern editions / Veniero Rizzardi -- A question of <>!? Three case studies about <> tape compositions of the 1950s (taken from the European repertoire) -- The revision of Henri Pousseur's Rimes at Tempo Reale / Kilian Schwoon -- Auctorial Tradition and Contemporary Practice: Performing Musica su due dimensioni by Bruno Maderna / Germa´n Toro Pe´rez -- Sound direction of 1950s and 1960s tape pieces from the Studio di Fonologia / Alvise Vidolin -- Henri Posseur. Three source texts concerning Rime.
Altri titoli varianti	Performance Practice of Electroacoustic Music
Record Nr.	UNINA-9910720899203321

Pubbl/distr/stampa	Paris : , : Éditions de la Sorbonne, , 2019
Descrizione fisica	1 online resource (105 pages)
Disciplina	789.9
Soggetto topico	Electronic music
Formato	Materiale a stampa
Livello bibliografico	Monografia
Lingua di pubblicazione	fre
Record Nr.	UNINA-9910725013403321

Pubbl/distr/stampa	Basel, Switzerland : , : MDPI - Multidisciplinary Digital Publishing Institute, , 2018
Descrizione fisica	1 online resource (620 pages)
Disciplina	789.9
Soggetto topico	Computer music Sound - Recording and reproducing - Digital techniques Music - Data processing Electronic music
Formato	Materiale a stampa
Livello bibliografico	Monografia
Lingua di pubblicazione	eng
Record Nr.	UNINA-9910597906003321

Edizione	[1st ed. 2014.]
Pubbl/distr/stampa	Cham : , : Springer International Publishing : , : Imprint : Springer, , 2014
Descrizione fisica	1 online resource (XIV, 684 p. 287 illus.)
Disciplina	789.9
Collana	Information Systems and Applications, incl. Internet/Web, and HCI
Soggetto topico	Information storage and retrieval Music Multimedia information systems Application software User interfaces (Computer systems) Special purpose computers Information Storage and Retrieval Multimedia Information Systems Computer Appl. in Arts and Humanities User Interfaces and Human Computer Interaction Special Purpose and Application-Based Systems
ISBN	3-319-12976-7
Formato	Materiale a stampa
Livello bibliografico	Monografia
Lingua di pubblicazione	eng
Nota di contenuto	Augmented Musical Instruments and Gesture Recognition -- Investigation of the Harpist/Harp Interaction -- Sonically Augmented Artifacts: Design Methodology Through Participatory Workshops -- Vibrotactile Feedback for an Open Air Music Controller -- Automatic Classification of Guitar Playing Modes -- Extracting Commands From Gestures: Gesture Spotting and Recognition for Real-time Music Performance -- Music and Emotions: Representation, Recognition, and Audience/Performers Studies -- Making Explicit the Formalism Underlying Evaluation in Music Information Retrieval Research: A Look at the MIREX Automatic Mood Classification Task -- On the Perception of Affect in the Singing Voice: a Study of Acoustic Cues -- Novel Methods in Facilitating Audience and Performer Interaction using the Mood Conductor Framework -- The Art of Sonification -- Making Data Sing: Embodied Approaches to Sonification -- Seismic Sound Lab: Sights, Sounds and Perception of the Earth as an Acoustic Space -- Music with Unconventional Computing: A System for Physarum Polycephalum Sound Synthesis -- When Auditory Cues Shape Human Sensorimotor Performance -- Intensity Shaping in Sustained Notes Encodes Metrical Cues for Synchronization in Ensemble Performance -- Moving with Beats and Loops: the Structure of Auditory Events and Sensorimotor Timing -- Learning Movement Kinematics with a Targeted Sound -- Audio-motor Synchronization: the Effect of Mapping Between -- Kinematics and Acoustic Cues on Geometric Motor Features -- Movement Sonification for the Diagnosis and the Rehabilitation of Graphomotor Disorders -- Music and Sound Data Mining -- MidiFind: Fast and Effective Similarity Searching in Large MIDI Databases -- Finding Repeated Patterns in Music: State of Knowledge, Challenges, Perspectives -- Fragmentations with Pitch, Rhythm and Parallelism Constraints for Variation Matching -- Predicting Agreement and Disagreement in the Perception of Tempo -- Interactive Sound Synthesis -- Music: Ars Bene Movandi -- A Virtual Reality Platform for Musical Creation: GENESIS-RT -- Interactive Sound Texture Synthesis through Semi-Automatic User Annotations -- Intonaspacio: A Digital Musical Instrument for Exploring Site-Specificities in Sound -- Non-stationarity, Dynamics and Mathematical Modeling -- The Large Time-Frequency Analysis Toolbox 2.0 -- Sparse Gabor Multiplier Estimation for Identification of Sound Objects in Texture Sound -- Waveform-Aligned Adaptive Windows for Spectral Component Tracking and Noise Rejection -- Image-Sound Interaction -- Sound and Gesture -- Changing the Interval Content of Algorithmically Generated Music Changes the Emotional Interpretation of Visual Images -- The Perception of Sound Movements as Expressive Gestures -- Musical Sonification of Avatar Physiologies, Virtual Flight and Gesture -- IX - Auditory Perception and Cognitive Inspiration Understanding Coarticulation in Musical Experience -- Symbolic Segmentation: A Corpus-Based Analysis of Melodic Phrases -- Non-Verbal Imitations as a Sketching Tool for Sound Design -- Influence of Rehearsal in an Auditory Memory Model for Audio Feature Estimation -- X - Modeling of Sound and Music – Computational Musicology -- Cognitive Similarity Grounded by Tree Distance from the Analysis of K.265/300e -- Group Delay Function from All-Pole Models for Musical Instrument Recognition -- A Multiple-Expert Framework for Instrument Recognition -- Syncopation as Transformation -- Cent Filter-banks and its Relevance to Identifying the Main Song in Carnatic Music.
Record Nr.	UNISA-996211266303316