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Electronic music machines : the new musical instruments / / Jean-Michel Reveillac
Electronic music machines : the new musical instruments / / Jean-Michel Reveillac
Autore Reveillac Jean-Michel
Pubbl/distr/stampa London, England ; ; Hoboken, New Jersey : , : ISTE : , : Wiley, , [2019]
Descrizione fisica 1 online resource (387 pages)
Disciplina 789.9
Collana Waves series.
THEi Wiley ebooks.
Soggetto topico Electronic musical instruments
ISBN 1-119-61810-X
1-119-61808-8
1-119-61811-8
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione eng
Nota di contenuto ; Chapter 1 Electronic Music ; p. 1 -- ; 1.1 Musique concrète ; p. 1 -- ; 1.2 The beginnings of electronic music ; p. 3 -- ; 1.3 Electroacoustic music ; p. 3 -- ; 1.4 Acousmatic music ; p. 4 -- ; 1.5 And much, much more ; p. 6 -- ; 1.6 Maturity ; p. 6 -- ; 1.7 Different paths to music ; p. 6 -- ; 1.8 Today and tomorrow ; p. 10 -- ; 1.9 Electronic music and counter-culturalism ; p. 11 -- ; Chapter 2 When Revolution Holds Us in Its Grasp ; p. 15 -- ; 2.1 From analog to digital ; p. 15 -- ; 2.2 Popular music and electronic music ; p. 23 -- ; 2.2.1 New wave ; p. 25 -- ; 2.2.2 House music ; p. 26 -- ; 2.2.3 Techno ; p. 28 -- ; 2.2.4 New beat ; p. 29 -- ; 2.2.5 Acid house ; p. 30 -- ; 2.2.6 Acid jazz ; p. 32 -- ; 2.2.7 Ambient ; p. 33 -- ; 2.2.8 Hip-hop and rap ; p. 35 -- ; 2.2.9 Trance ; p. 35 -- ; 2.2.10 Electro or contemporary electro ; p. 36 -- ; Chapter 3 The MIDI Standard ; p. 41 -- ; 3.2 How MIDI works ; p. 42 -- ; 3.2.1 The hardware level ; p. 42 -- ; 3.2.2 The software level ; p. 45 -- ; 3.3 Examples of MIDI transmission ; p. 49 -- ; 3.3.1 Note-on/note-off messages ; p. 49 -- ; 3.3.2 Program change message ; p. 50 -- ; 3.4 The MIDI implementation chart ; p. 51 -- ; 3.5 The General MIDI standard ; p. 52 -- ; 3.6 The General MIDI 2 standard ; p. 54 -- ; 3.7 The GS format ; p. 54 -- ; 3.8 The XG format ; p. 55 -- ; 3.9 The structure of a MIDI file ; p. 56 -- ; 3.9.1 Header chunks ; p. 56 -- ; 3.9.2 Track chunks ; p. 57 -- ; 3.9.3 Example of a MIDI file ; p. 64 -- ; 3.10 MIDI devices ; p. 67 -- ; 3.10.1 MIDI boxes, mergers, and patchers ; p. 67 -- ; 3.10.2 Musical instruments ; p. 69 -- ; 3.10.3 Studio hardware ; p. 70 -- ; 3.10.4 MIDI to computer ; p. 71 -- ; Chapter 4 Sequencers ; p. 75 -- ; 4.1 Mechanical and electrical machines ; p. 75 -- ; 4.1.1 Music boxes ; p. 76 -- ; 4.1.2 Mechanical pianos ; p. 77 -- ; 4.1.3 Barrel organs ; p. 80 -- ; 4.1.4 Fairground organs ; p. 82 -- ; 4.2 Analog sequencers ; p. 83 -- ; 4.3 Digital sequencers ; p. 86 -- ; 4.4 Software sequencers ; p. 88 -- ; Chapter 5 Drum Machines ; p. 93 -- ; 5.1 On the subject of electromechanical rhythm ; p. 93 -- ; 5.2 Drum machines with presets ; p. 97 -- ; 5.3 Programmable drum machines ; p. 103 -- ; 5.4 The MIDI age ; p. 106 -- ; 5.5 Drum machines with sampled sounds ; p. 107 -- ; 5.6 Rhythms, software, and computers ; p. 111 -- ; Chapter 6 Samplers ; p. 117 -- ; 6.1 History of samplers ; p. 117 -- ; 6.1.2 The arrival of the Mellotron ; p. 119 -- ; 6.1.3 Samplers ; p. 123 -- ; 6.1.4 Software samplers ; p. 133 -- ; 6.2 History of musical styles ; p. 139 -- ; 6.3 Architecture and principles ; p. 142 -- ; Chapter 7 Groove Machines ; p. 147 -- ; 7.2 Famous groove machines ; p. 148 -- ; 7.2.1 E-mu SP12 (1985) ; p. 149 -- ; 7.2.2 AKAI MPC-60 (1988) ; p. 150 -- ; 7.2.3 Roland MC-303 (1996) ; p. 151 -- ; 7.2.4 AKAI MPC 2000XL (1999) ; p. 152 -- ; 7.2.5 Roland MC-909 (2003) ; p. 153 -- ; 7.2.6 Elektron Octatrack DPS 1 (2011) ; p. 155 -- ; 7.2.7 Korg Electribe 2 (2014) and Korg Electribe Sampler (2015) ; p. 156 -- ; 7.2.8 Novation Circuit (2015) ; p. 158 -- ; 7.2.9 Teenage Electronics Pocket Operator PO-32 (2017) ; p. 159 -- ; 7.3 Software groove machines ; p. 160 -- ; 7.3.1 Image Line Groove Machine ; p. 162 -- ; 7.3.2 Propellerhead Reason ; p. 163 -- ; 7.3.3 Ableton Live ; p. 169 -- ; 7.4 Controllers and software ; p. 172 -- ; 7.4.1 Native Instruments Maschine (2009) ; p. 172 -- ; 7.4.2 Roland MPC Studio Black (2017) ; p. 174 -- ; 7.5 iGroove machines ; p. 176 -- ; Chapter 8 Vocoders ; p. 179 -- ; 8.2 Working principle of the vocoder ; p. 183 -- ; 8.3 Machines and equipment ; p. 184 -- ; 8.3.1 EMS Vocoder 2000 ; p. 184 -- ; 8.3.2 EMS Vocoder 5000 ; p. 185 -- ; 8.3.3 EMS Vocoder 3000 ; p. 185 -- ; 8.3.4 Roland VP-330 ; p. 186 -- ; 8.3.5 Korg VC-10 ; p. 187 -- ; 8.3.6 Moog Vocoder ; p. 188 -- ; 8.3.7 Roland SVC-350 ; p. 188 -- ; 8.3.8 Electrix Warp Factory ; p. 189 -- ; 8.3.9 Korg MS2000 ; p. 189 -- ; 8.3.10 Microkorg ; p. 190 -- ; 8.3.11 Roland VP-550 ; p. 191 -- ; 8.3.12 The Music and More VF11 ; p. 192 -- ; 8.3.13 Novation Mininova ; p. 192 -- ; 8.3.14 Digitech Talker ; p. 193 -- ; 8.3.15 Electro-Harmonix V256 ; p. 194 -- ; 8.3.16 A few more unusual examples ; p. 194 -- ; 8.4 Software vocoders ; p. 195 -- ; 8.5 One step further ; p. 196 -- ; 8.5.1 Talkbox ; p. 196 -- ; 8.5.2 Auto-Tune ; p. 198 -- ; Chapter 9 Octatrack: Maintenance, Repairs, and Tips ; p. 201 -- ; 9.1 Updating the software ; p. 201 -- ; 9.1.1 Updating the operating system ; p. 203 -- ; 9.2 Testing the OT ; p. 206 -- ; 9.2.1 Testing the push buttons ; p. 207 -- ; 9.2.2 Testing the dials ; p. 210 -- ; 9.2.3 Testing the x-fader ; p. 211 -- ; 9.2.4 Analysis and results ; p. 211 -- ; 9.3 Hardware repairs ; p. 211 -- ; 9.3.1 Opening up the OT ; p. 212 -- ; 9.3.2 Replacing the push buttons ; p. 215 -- ; 9.3.3 Replacing the battery ; p. 220 -- ; 9.3.4 Replacing the x-fader ; p. 222 -- ; 9.3.5 Replacing an incremental encoder ; p. 225 -- ; Chapter 10 Octatrack: MIDI Sequences and Arpeggios ; p. 229 -- ; 10.1 Setup and configuration ; p. 229 -- ; 10.1.1 Connections and software settings ; p. 229 -- ; 10.1.2 Creating a new project ; p. 231 -- ; 10.1.3 Creating a THRU device (machine) ; p. 231 -- ; 10.1.4 Setting up the MIDI connection between the OT and the instrument ; p. 232 -- ; 10.2 Creating a MIDI sequence using triggers ; p. 234 -- ; 10.2.1 MIDI track ; p. 234 -- ; 10.2.2 Creating a musical sequence ; p. 235 -- ; 10.2.3 A multi-page sequence ; p. 238 -- ; 10.3 Creating a sequence with the arpeggiator ; p. 240 -- ; 10.3.1 Presentation of the arpeggiator ; p. 241 -- ; 10.3.2 A simple arpeggio ; p. 242 -- ; 10.3.3 Defining an arpeggio graphically ; p. 244 -- ; 10.3.4 More complex arpeggios ; p. 246 -- ; 10.3.5 Triggers in chromatic mode ; p. 247 -- ; 10.3.6 Saving a MIDI sequence from an external instrument ; p. 248 -- ; 10.4 Creating a MIDI sequence with a drum machine ; p. 251 -- ; 10.5 MIDI sequences, rhythms, and CC codes ; p. 255 -- ; Chapter 11 Korg Electribe: Maintenance and Hardware Tips ; p. 263 -- ; 11.1.1 Electribe 2 ; p. 264 -- ; 11.1.2 Electribe Sampler ; p. 266 -- ; 11.2 MIDI cables ; p. 267 -- ; 11.2.3 Male 3.5 mm jack to female 5-pin DIN adapter ; p. 267 -- ; 11.2.2 Male 3.5 mm jack to male 5-pin DIN cable ; p. 268 -- ; 11.3 Updating the operating system ; p. 269 -- ; 11.4 Electribe 2 to Electribe Sampler ; p. 272 -- ; 11.4.1 Migrating to the Electribe Sampler ; p. 274 -- ; 11.4.2 Reverting to the Electribe 2 ; p. 276 -- ; 11.4.3 Downgrading the Electribe ; p. 277 -- ; 11.4.4 Editing the operating system files ; p. 277 -- ; 11.4.5 Major operating system versions of the Electribe 2 ; p. 280 -- ; Chapter 12 Korg Electribe: Software Tips ; p. 281 -- ; 12.1 Menu tree of the Electribe 2 and the Electribe Sampler ; p. 281 -- ; 12.2 Shortcuts ; p. 295 -- ; 12.3 Using the audio input ; p. 295 -- ; 12.3.1 Through the Electribe ; p. 296 -- ; 12.3.2 Saving a carrier pattern ; p. 297 -- ; 12.3.3 Filtering and applying effects ; p. 300 -- ; 12.3.4 Sending commands to the synthesizer using triggers ; p. 302 -- ; 12.3.5 Sequencer, synthesizer, filters, and effects ; p. 304 -- ; 12.4 Extra tips ; p. 305 -- ; 12.4.1 Octave switching ; p. 305 -- ; 12.4.2 Viewing the current settings of a PART ; p. 305 -- ; 12.4.3 Controlling two different synthesizers from the MIDI out ; p. 305.
Record Nr. UNINA-9910554847403321
Reveillac Jean-Michel  
London, England ; ; Hoboken, New Jersey : , : ISTE : , : Wiley, , [2019]
Materiale a stampa
Lo trovi qui: Univ. Federico II
Opac: Controlla la disponibilità qui
Electronic music machines : the new musical instruments / / Jean-Michel Reveillac
Electronic music machines : the new musical instruments / / Jean-Michel Reveillac
Autore Reveillac Jean-Michel
Pubbl/distr/stampa London, England ; ; Hoboken, New Jersey : , : ISTE : , : Wiley, , [2019]
Descrizione fisica 1 online resource (387 pages)
Disciplina 789.9
Collana Waves series.
THEi Wiley ebooks.
Soggetto topico Electronic musical instruments
ISBN 1-119-61810-X
1-119-61808-8
1-119-61811-8
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione eng
Nota di contenuto ; Chapter 1 Electronic Music ; p. 1 -- ; 1.1 Musique concrète ; p. 1 -- ; 1.2 The beginnings of electronic music ; p. 3 -- ; 1.3 Electroacoustic music ; p. 3 -- ; 1.4 Acousmatic music ; p. 4 -- ; 1.5 And much, much more ; p. 6 -- ; 1.6 Maturity ; p. 6 -- ; 1.7 Different paths to music ; p. 6 -- ; 1.8 Today and tomorrow ; p. 10 -- ; 1.9 Electronic music and counter-culturalism ; p. 11 -- ; Chapter 2 When Revolution Holds Us in Its Grasp ; p. 15 -- ; 2.1 From analog to digital ; p. 15 -- ; 2.2 Popular music and electronic music ; p. 23 -- ; 2.2.1 New wave ; p. 25 -- ; 2.2.2 House music ; p. 26 -- ; 2.2.3 Techno ; p. 28 -- ; 2.2.4 New beat ; p. 29 -- ; 2.2.5 Acid house ; p. 30 -- ; 2.2.6 Acid jazz ; p. 32 -- ; 2.2.7 Ambient ; p. 33 -- ; 2.2.8 Hip-hop and rap ; p. 35 -- ; 2.2.9 Trance ; p. 35 -- ; 2.2.10 Electro or contemporary electro ; p. 36 -- ; Chapter 3 The MIDI Standard ; p. 41 -- ; 3.2 How MIDI works ; p. 42 -- ; 3.2.1 The hardware level ; p. 42 -- ; 3.2.2 The software level ; p. 45 -- ; 3.3 Examples of MIDI transmission ; p. 49 -- ; 3.3.1 Note-on/note-off messages ; p. 49 -- ; 3.3.2 Program change message ; p. 50 -- ; 3.4 The MIDI implementation chart ; p. 51 -- ; 3.5 The General MIDI standard ; p. 52 -- ; 3.6 The General MIDI 2 standard ; p. 54 -- ; 3.7 The GS format ; p. 54 -- ; 3.8 The XG format ; p. 55 -- ; 3.9 The structure of a MIDI file ; p. 56 -- ; 3.9.1 Header chunks ; p. 56 -- ; 3.9.2 Track chunks ; p. 57 -- ; 3.9.3 Example of a MIDI file ; p. 64 -- ; 3.10 MIDI devices ; p. 67 -- ; 3.10.1 MIDI boxes, mergers, and patchers ; p. 67 -- ; 3.10.2 Musical instruments ; p. 69 -- ; 3.10.3 Studio hardware ; p. 70 -- ; 3.10.4 MIDI to computer ; p. 71 -- ; Chapter 4 Sequencers ; p. 75 -- ; 4.1 Mechanical and electrical machines ; p. 75 -- ; 4.1.1 Music boxes ; p. 76 -- ; 4.1.2 Mechanical pianos ; p. 77 -- ; 4.1.3 Barrel organs ; p. 80 -- ; 4.1.4 Fairground organs ; p. 82 -- ; 4.2 Analog sequencers ; p. 83 -- ; 4.3 Digital sequencers ; p. 86 -- ; 4.4 Software sequencers ; p. 88 -- ; Chapter 5 Drum Machines ; p. 93 -- ; 5.1 On the subject of electromechanical rhythm ; p. 93 -- ; 5.2 Drum machines with presets ; p. 97 -- ; 5.3 Programmable drum machines ; p. 103 -- ; 5.4 The MIDI age ; p. 106 -- ; 5.5 Drum machines with sampled sounds ; p. 107 -- ; 5.6 Rhythms, software, and computers ; p. 111 -- ; Chapter 6 Samplers ; p. 117 -- ; 6.1 History of samplers ; p. 117 -- ; 6.1.2 The arrival of the Mellotron ; p. 119 -- ; 6.1.3 Samplers ; p. 123 -- ; 6.1.4 Software samplers ; p. 133 -- ; 6.2 History of musical styles ; p. 139 -- ; 6.3 Architecture and principles ; p. 142 -- ; Chapter 7 Groove Machines ; p. 147 -- ; 7.2 Famous groove machines ; p. 148 -- ; 7.2.1 E-mu SP12 (1985) ; p. 149 -- ; 7.2.2 AKAI MPC-60 (1988) ; p. 150 -- ; 7.2.3 Roland MC-303 (1996) ; p. 151 -- ; 7.2.4 AKAI MPC 2000XL (1999) ; p. 152 -- ; 7.2.5 Roland MC-909 (2003) ; p. 153 -- ; 7.2.6 Elektron Octatrack DPS 1 (2011) ; p. 155 -- ; 7.2.7 Korg Electribe 2 (2014) and Korg Electribe Sampler (2015) ; p. 156 -- ; 7.2.8 Novation Circuit (2015) ; p. 158 -- ; 7.2.9 Teenage Electronics Pocket Operator PO-32 (2017) ; p. 159 -- ; 7.3 Software groove machines ; p. 160 -- ; 7.3.1 Image Line Groove Machine ; p. 162 -- ; 7.3.2 Propellerhead Reason ; p. 163 -- ; 7.3.3 Ableton Live ; p. 169 -- ; 7.4 Controllers and software ; p. 172 -- ; 7.4.1 Native Instruments Maschine (2009) ; p. 172 -- ; 7.4.2 Roland MPC Studio Black (2017) ; p. 174 -- ; 7.5 iGroove machines ; p. 176 -- ; Chapter 8 Vocoders ; p. 179 -- ; 8.2 Working principle of the vocoder ; p. 183 -- ; 8.3 Machines and equipment ; p. 184 -- ; 8.3.1 EMS Vocoder 2000 ; p. 184 -- ; 8.3.2 EMS Vocoder 5000 ; p. 185 -- ; 8.3.3 EMS Vocoder 3000 ; p. 185 -- ; 8.3.4 Roland VP-330 ; p. 186 -- ; 8.3.5 Korg VC-10 ; p. 187 -- ; 8.3.6 Moog Vocoder ; p. 188 -- ; 8.3.7 Roland SVC-350 ; p. 188 -- ; 8.3.8 Electrix Warp Factory ; p. 189 -- ; 8.3.9 Korg MS2000 ; p. 189 -- ; 8.3.10 Microkorg ; p. 190 -- ; 8.3.11 Roland VP-550 ; p. 191 -- ; 8.3.12 The Music and More VF11 ; p. 192 -- ; 8.3.13 Novation Mininova ; p. 192 -- ; 8.3.14 Digitech Talker ; p. 193 -- ; 8.3.15 Electro-Harmonix V256 ; p. 194 -- ; 8.3.16 A few more unusual examples ; p. 194 -- ; 8.4 Software vocoders ; p. 195 -- ; 8.5 One step further ; p. 196 -- ; 8.5.1 Talkbox ; p. 196 -- ; 8.5.2 Auto-Tune ; p. 198 -- ; Chapter 9 Octatrack: Maintenance, Repairs, and Tips ; p. 201 -- ; 9.1 Updating the software ; p. 201 -- ; 9.1.1 Updating the operating system ; p. 203 -- ; 9.2 Testing the OT ; p. 206 -- ; 9.2.1 Testing the push buttons ; p. 207 -- ; 9.2.2 Testing the dials ; p. 210 -- ; 9.2.3 Testing the x-fader ; p. 211 -- ; 9.2.4 Analysis and results ; p. 211 -- ; 9.3 Hardware repairs ; p. 211 -- ; 9.3.1 Opening up the OT ; p. 212 -- ; 9.3.2 Replacing the push buttons ; p. 215 -- ; 9.3.3 Replacing the battery ; p. 220 -- ; 9.3.4 Replacing the x-fader ; p. 222 -- ; 9.3.5 Replacing an incremental encoder ; p. 225 -- ; Chapter 10 Octatrack: MIDI Sequences and Arpeggios ; p. 229 -- ; 10.1 Setup and configuration ; p. 229 -- ; 10.1.1 Connections and software settings ; p. 229 -- ; 10.1.2 Creating a new project ; p. 231 -- ; 10.1.3 Creating a THRU device (machine) ; p. 231 -- ; 10.1.4 Setting up the MIDI connection between the OT and the instrument ; p. 232 -- ; 10.2 Creating a MIDI sequence using triggers ; p. 234 -- ; 10.2.1 MIDI track ; p. 234 -- ; 10.2.2 Creating a musical sequence ; p. 235 -- ; 10.2.3 A multi-page sequence ; p. 238 -- ; 10.3 Creating a sequence with the arpeggiator ; p. 240 -- ; 10.3.1 Presentation of the arpeggiator ; p. 241 -- ; 10.3.2 A simple arpeggio ; p. 242 -- ; 10.3.3 Defining an arpeggio graphically ; p. 244 -- ; 10.3.4 More complex arpeggios ; p. 246 -- ; 10.3.5 Triggers in chromatic mode ; p. 247 -- ; 10.3.6 Saving a MIDI sequence from an external instrument ; p. 248 -- ; 10.4 Creating a MIDI sequence with a drum machine ; p. 251 -- ; 10.5 MIDI sequences, rhythms, and CC codes ; p. 255 -- ; Chapter 11 Korg Electribe: Maintenance and Hardware Tips ; p. 263 -- ; 11.1.1 Electribe 2 ; p. 264 -- ; 11.1.2 Electribe Sampler ; p. 266 -- ; 11.2 MIDI cables ; p. 267 -- ; 11.2.3 Male 3.5 mm jack to female 5-pin DIN adapter ; p. 267 -- ; 11.2.2 Male 3.5 mm jack to male 5-pin DIN cable ; p. 268 -- ; 11.3 Updating the operating system ; p. 269 -- ; 11.4 Electribe 2 to Electribe Sampler ; p. 272 -- ; 11.4.1 Migrating to the Electribe Sampler ; p. 274 -- ; 11.4.2 Reverting to the Electribe 2 ; p. 276 -- ; 11.4.3 Downgrading the Electribe ; p. 277 -- ; 11.4.4 Editing the operating system files ; p. 277 -- ; 11.4.5 Major operating system versions of the Electribe 2 ; p. 280 -- ; Chapter 12 Korg Electribe: Software Tips ; p. 281 -- ; 12.1 Menu tree of the Electribe 2 and the Electribe Sampler ; p. 281 -- ; 12.2 Shortcuts ; p. 295 -- ; 12.3 Using the audio input ; p. 295 -- ; 12.3.1 Through the Electribe ; p. 296 -- ; 12.3.2 Saving a carrier pattern ; p. 297 -- ; 12.3.3 Filtering and applying effects ; p. 300 -- ; 12.3.4 Sending commands to the synthesizer using triggers ; p. 302 -- ; 12.3.5 Sequencer, synthesizer, filters, and effects ; p. 304 -- ; 12.4 Extra tips ; p. 305 -- ; 12.4.1 Octave switching ; p. 305 -- ; 12.4.2 Viewing the current settings of a PART ; p. 305 -- ; 12.4.3 Controlling two different synthesizers from the MIDI out ; p. 305.
Record Nr. UNINA-9910816169303321
Reveillac Jean-Michel  
London, England ; ; Hoboken, New Jersey : , : ISTE : , : Wiley, , [2019]
Materiale a stampa
Lo trovi qui: Univ. Federico II
Opac: Controlla la disponibilità qui
Evolutionary and Biologically Inspired Music, Sound, Art and Design [[electronic resource] ] : 5th International Conference, EvoMUSART 2016, Porto, Portugal, March 30 -- April 1, 2016, Proceedings / / edited by Colin Johnson, Vic Ciesielski, João Correia, Penousal Machado
Evolutionary and Biologically Inspired Music, Sound, Art and Design [[electronic resource] ] : 5th International Conference, EvoMUSART 2016, Porto, Portugal, March 30 -- April 1, 2016, Proceedings / / edited by Colin Johnson, Vic Ciesielski, João Correia, Penousal Machado
Edizione [1st ed. 2016.]
Pubbl/distr/stampa Cham : , : Springer International Publishing : , : Imprint : Springer, , 2016
Descrizione fisica 1 online resource (X, 241 p. 124 illus.)
Disciplina 789.9
Collana Theoretical Computer Science and General Issues
Soggetto topico User interfaces (Computer systems)
Human-computer interaction
Algorithms
Artificial intelligence
Digital humanities
Computer science—Mathematics
User Interfaces and Human Computer Interaction
Artificial Intelligence
Digital Humanities
Mathematics of Computing
ISBN 3-319-31008-9
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione eng
Nota di contenuto Intro -- Preface -- Organization -- Contents -- Computer-Aided Musical Orchestration Using an Artificial Immune System -- 1 Introduction -- 2 Computer-Aided Musical Orchestration (CAMO) -- 2.1 Overview -- 2.2 Sound Database -- 2.3 Feature Database -- 2.4 Pre-processing -- 2.5 Representation -- 2.6 Combination Functions -- 2.7 Fitness Function -- 3 Immune Inspired Musical Orchestration -- 3.1 Opt-aiNet: An Artificial Immune System for Optimization -- 3.2 Phase Vocoder -- 3.3 Graphical Interface -- 4 Evaluation -- 5 Results and Discussion -- 5.1 Subjective Evaluation -- 5.2 Objective Evaluation -- 6 Conclusions and Perspectives -- References -- Evolving Atomic Aesthetics and Dynamics -- 1 Introduction -- 2 danceroom Spectroscopy -- 3 Interactive Evolutionary Computation (IEC) -- 4 Evolving Atomic Aesthetics -- 4.1 Representation -- 4.2 Evaluation and Selection -- 4.3 Mutation -- 5 Experimentation -- 5.1 Single-User IEC Interface -- 5.2 Collaborative IEC Interface -- 6 Conclusion -- References -- Augmenting Live Coding with Evolved Patterns -- 1 Introduction -- 2 Methodology -- 2.1 Tidal -- 2.2 Grammar and Parser -- 2.3 Evolutionary Algorithm -- 3 Evalutation -- 3.1 Is the System Generating Legal Tidal Patterns? -- 3.2 What Is the Relative Level of Complexity of the Generated Patterns? -- 3.3 How Does the Generated Audio Compare with Tidal? -- 3.4 How Does the Fitness of the Population Change? -- 4 Conclusion -- 4.1 On the Experience of Live Coding with Evolved Patterns -- 4.2 On the Need for a Quantitative Evaluation -- 4.3 Closing Remarks -- References -- Towards Adaptive Evolutionary Architecture -- 1 Introduction -- 1.1 Research Design and Goal -- 2 Background -- 2.1 Interdisciplinary Scope: Philosophy, Architecture and ALife -- 2.2 Interactive Evolution -- 3 EvoCurtain: The Evolutionary Window Curtain -- 3.1 Set-Up and Spatial Layout.
3.2 Genetic Representation -- 3.3 Interactive Evolutionary Setup -- 4 Experiments -- 4.1 Genetic Experimental Parameters -- 5 Results -- 5.1 Disagreement and Reconciliation -- 5.2 Control and Preconceptions -- 5.3 Time -- 5.4 Interdisciplinary Perspective -- 6 Discussion -- 7 Conclusion -- References -- Plecto: A Low-Level Interactive Genetic Algorithm for the Evolution of Audio -- 1 Introduction -- 2 Background -- 2.1 Genetic Algorithms -- 2.2 Creative Potential of Lower-Level Audio Engines -- 3 A Low-Level Audio Engine -- 4 Growing the Population -- 5 Searching the Population -- 5.1 Meaningful Representation of the Population -- 5.2 Creating GA Landscapes -- 5.3 Descriptive Icons -- 5.4 A Navigational Tool for Plecto's Scatterplot Interface -- 5.5 Refining Population Search -- 6 Conclusion -- References -- Correlation Between Human Aesthetic Judgement and Spatial Complexity Measure -- 1 Introduction -- 2 Informational Theories of Aesthetics -- 3 Spatial Complexity Measure -- 4 Analysis -- 5 Conclusions -- References -- Exploring the Visual Styles of Arcade Game Assets -- 1 Introduction -- 2 Related Work -- 2.1 Procedural Content Generation -- 2.2 Constrained Optimization and Constrained Novelty Search -- 3 Methodology -- 3.1 Spaceship Representation -- 3.2 Spaceship Evolution -- 3.3 Spaceship Evaluation -- 4 Experiments -- 4.1 Quality of Generated Results -- 4.2 Diversity of Generated Results -- 5 Discussion -- 6 Conclusion -- References -- Grammatical Music Composition with Dissimilarity Driven Hill Climbing -- 1 Introduction -- 2 Related Work -- 2.1 Composing with Evolutionary Computation -- 2.2 Musical Fitness -- 3 Method -- 3.1 Grammar -- 3.2 Fitness Measurement -- 3.3 Operators -- 4 Experiments -- 4.1 Melody Shapes -- 4.2 Experimental Variations -- 5 Results -- 5.1 Analysis of the Operators -- 5.2 Melodies -- 5.3 Discussion.
6 Conclusion and Future Work -- References -- Animating Typescript Using Aesthetically Evolved Images -- 1 Introduction -- 2 Aesthetic Evolution Basis -- 3 Animating Aesthetically Evolved Images -- 4 Mapping of Animated Functions to Typefaces -- 5 Compositing Animated Typefaces into Animated Typescript -- 6 Discussion and Conclusion -- References -- An Evolutionary Composer for Real-Time Background Music -- 1 Introduction -- 2 Environment and Musical States -- 2.1 Environment State -- 2.2 Musical State -- 3 EvoBackMusic Components -- 3.1 The Observer Agent -- 3.2 The Composer Agent -- 3.3 The Sound Agent -- 4 Evaluation Study -- 4.1 Methodology -- 4.2 Results -- 5 Conclusions -- References -- Iterative Brush Path Extraction Algorithm for Aiding Flock Brush Simulation of Stroke-Based Painterl ... -- Abstract -- 1 Introduction -- 2 Related Works -- 2.1 Stroke-Based Rendering Techniques -- 2.2 Brush Stroke Extraction -- 2.3 Flock Brush Simulation -- 3 Iterative Brush Stroke Path Extraction -- 3.1 Algorithm Overview -- 3.2 Implementation Aspects -- 4 Results and Discussions -- 5 Conclusion and Future Work -- References -- A Comparison Between Representations for Evolving Images -- 1 Introduction -- 2 Representation, Fitness Landscapes and Locality -- 3 Short Review of Existing Representations for Images -- 4 The Proposed Representations -- 5 Experimental Study -- 5.1 Test Cases -- 5.2 Experimental Settings -- 5.3 Experimental Results Obtained on the Shapes Test Case -- 5.4 Experimental Results Obtained on the Shaded Shapes Test Case -- 5.5 Experimental Results Obtained on the Yin and Yang Test Case -- 5.6 Experimental Results Obtained on the Shaded Yin and Yang Test Case -- 5.7 Experimental Results Obtained on the Lena Test Case -- 5.8 Experimental Results on the Locality of the Representations -- 5.9 Best Evolved Individuals.
6 Conclusions and Future Work -- References -- Evolving L-Systems with Musical Notes -- 1 Introduction -- 2 Background -- 2.1 L-Systems -- 2.2 Evolutionary Algorithms -- 2.3 Musical Concepts -- 3 Related Work -- 4 System's Architecture -- 4.1 General Overview -- 4.2 Audiovisual Interpretation and Mappings -- 4.3 The Evolutionary Algorithm -- 4.4 Auxiliary Tools -- 5 Experimental Results and Discussion -- 6 Conclusion and Further Work -- References -- MetaCompose: A Compositional Evolutionary Music Composer -- 1 Introduction -- 2 Background -- 2.1 Procedurally Generated Music -- 2.2 Multi-Objective Optimization -- 2.3 Feasible/Infeasible 2-Population Genetic Algorithm -- 3 MetaCompose -- 4 Non-dominated Sorting Feasible-Infeasible 2 Populations -- 5 Composition Generation -- 5.1 Chord Sequence Generation -- 5.2 Melody Generation -- 5.3 Accompaniment Generation -- 6 Experiment Design -- 6.1 Music Clip Generation -- 7 Results and Analysis -- 7.1 Complete Generator Against All Other Groups -- 7.2 Complete Generator Against Random Chord Sequence Generation -- 7.3 Complete Generator Against Unconstrained Melody Generation -- 7.4 Complete Generator Against Constrained Melody Generation -- 7.5 Complete Generator Against Random Accompaniment Generation -- 8 Conclusion and Future Work -- References -- 'Turingalila' Visual Music on the Theme of Morphogenesis -- Abstract -- 1 Introduction -- 2 The Magic of Morphogenesis -- 3 Creating 'Turingalila' as Visual Music -- 4 Conclusion: Patterns of Change -- References -- Fitness and Novelty in Evolutionary Art -- 1 Introduction -- 2 State of the Art -- 3 Proposed Algorithm -- 3.1 Archive Assessment -- 3.2 Selection Mechanism -- 4 Evolving Figurative Images -- 5 Evolving Context Free Design Grammars -- 6 Results -- 6.1 Experimental Setup -- 6.2 Results -- 7 Conclusions and Future Work -- References -- Author Index.
Record Nr. UNISA-996466003303316
Cham : , : Springer International Publishing : , : Imprint : Springer, , 2016
Materiale a stampa
Lo trovi qui: Univ. di Salerno
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Evolutionary and Biologically Inspired Music, Sound, Art and Design : 5th International Conference, EvoMUSART 2016, Porto, Portugal, March 30 -- April 1, 2016, Proceedings / / edited by Colin Johnson, Vic Ciesielski, João Correia, Penousal Machado
Evolutionary and Biologically Inspired Music, Sound, Art and Design : 5th International Conference, EvoMUSART 2016, Porto, Portugal, March 30 -- April 1, 2016, Proceedings / / edited by Colin Johnson, Vic Ciesielski, João Correia, Penousal Machado
Edizione [1st ed. 2016.]
Pubbl/distr/stampa Cham : , : Springer International Publishing : , : Imprint : Springer, , 2016
Descrizione fisica 1 online resource (X, 241 p. 124 illus.)
Disciplina 789.9
Collana Theoretical Computer Science and General Issues
Soggetto topico User interfaces (Computer systems)
Human-computer interaction
Algorithms
Artificial intelligence
Digital humanities
Computer science—Mathematics
User Interfaces and Human Computer Interaction
Artificial Intelligence
Digital Humanities
Mathematics of Computing
ISBN 3-319-31008-9
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione eng
Nota di contenuto Intro -- Preface -- Organization -- Contents -- Computer-Aided Musical Orchestration Using an Artificial Immune System -- 1 Introduction -- 2 Computer-Aided Musical Orchestration (CAMO) -- 2.1 Overview -- 2.2 Sound Database -- 2.3 Feature Database -- 2.4 Pre-processing -- 2.5 Representation -- 2.6 Combination Functions -- 2.7 Fitness Function -- 3 Immune Inspired Musical Orchestration -- 3.1 Opt-aiNet: An Artificial Immune System for Optimization -- 3.2 Phase Vocoder -- 3.3 Graphical Interface -- 4 Evaluation -- 5 Results and Discussion -- 5.1 Subjective Evaluation -- 5.2 Objective Evaluation -- 6 Conclusions and Perspectives -- References -- Evolving Atomic Aesthetics and Dynamics -- 1 Introduction -- 2 danceroom Spectroscopy -- 3 Interactive Evolutionary Computation (IEC) -- 4 Evolving Atomic Aesthetics -- 4.1 Representation -- 4.2 Evaluation and Selection -- 4.3 Mutation -- 5 Experimentation -- 5.1 Single-User IEC Interface -- 5.2 Collaborative IEC Interface -- 6 Conclusion -- References -- Augmenting Live Coding with Evolved Patterns -- 1 Introduction -- 2 Methodology -- 2.1 Tidal -- 2.2 Grammar and Parser -- 2.3 Evolutionary Algorithm -- 3 Evalutation -- 3.1 Is the System Generating Legal Tidal Patterns? -- 3.2 What Is the Relative Level of Complexity of the Generated Patterns? -- 3.3 How Does the Generated Audio Compare with Tidal? -- 3.4 How Does the Fitness of the Population Change? -- 4 Conclusion -- 4.1 On the Experience of Live Coding with Evolved Patterns -- 4.2 On the Need for a Quantitative Evaluation -- 4.3 Closing Remarks -- References -- Towards Adaptive Evolutionary Architecture -- 1 Introduction -- 1.1 Research Design and Goal -- 2 Background -- 2.1 Interdisciplinary Scope: Philosophy, Architecture and ALife -- 2.2 Interactive Evolution -- 3 EvoCurtain: The Evolutionary Window Curtain -- 3.1 Set-Up and Spatial Layout.
3.2 Genetic Representation -- 3.3 Interactive Evolutionary Setup -- 4 Experiments -- 4.1 Genetic Experimental Parameters -- 5 Results -- 5.1 Disagreement and Reconciliation -- 5.2 Control and Preconceptions -- 5.3 Time -- 5.4 Interdisciplinary Perspective -- 6 Discussion -- 7 Conclusion -- References -- Plecto: A Low-Level Interactive Genetic Algorithm for the Evolution of Audio -- 1 Introduction -- 2 Background -- 2.1 Genetic Algorithms -- 2.2 Creative Potential of Lower-Level Audio Engines -- 3 A Low-Level Audio Engine -- 4 Growing the Population -- 5 Searching the Population -- 5.1 Meaningful Representation of the Population -- 5.2 Creating GA Landscapes -- 5.3 Descriptive Icons -- 5.4 A Navigational Tool for Plecto's Scatterplot Interface -- 5.5 Refining Population Search -- 6 Conclusion -- References -- Correlation Between Human Aesthetic Judgement and Spatial Complexity Measure -- 1 Introduction -- 2 Informational Theories of Aesthetics -- 3 Spatial Complexity Measure -- 4 Analysis -- 5 Conclusions -- References -- Exploring the Visual Styles of Arcade Game Assets -- 1 Introduction -- 2 Related Work -- 2.1 Procedural Content Generation -- 2.2 Constrained Optimization and Constrained Novelty Search -- 3 Methodology -- 3.1 Spaceship Representation -- 3.2 Spaceship Evolution -- 3.3 Spaceship Evaluation -- 4 Experiments -- 4.1 Quality of Generated Results -- 4.2 Diversity of Generated Results -- 5 Discussion -- 6 Conclusion -- References -- Grammatical Music Composition with Dissimilarity Driven Hill Climbing -- 1 Introduction -- 2 Related Work -- 2.1 Composing with Evolutionary Computation -- 2.2 Musical Fitness -- 3 Method -- 3.1 Grammar -- 3.2 Fitness Measurement -- 3.3 Operators -- 4 Experiments -- 4.1 Melody Shapes -- 4.2 Experimental Variations -- 5 Results -- 5.1 Analysis of the Operators -- 5.2 Melodies -- 5.3 Discussion.
6 Conclusion and Future Work -- References -- Animating Typescript Using Aesthetically Evolved Images -- 1 Introduction -- 2 Aesthetic Evolution Basis -- 3 Animating Aesthetically Evolved Images -- 4 Mapping of Animated Functions to Typefaces -- 5 Compositing Animated Typefaces into Animated Typescript -- 6 Discussion and Conclusion -- References -- An Evolutionary Composer for Real-Time Background Music -- 1 Introduction -- 2 Environment and Musical States -- 2.1 Environment State -- 2.2 Musical State -- 3 EvoBackMusic Components -- 3.1 The Observer Agent -- 3.2 The Composer Agent -- 3.3 The Sound Agent -- 4 Evaluation Study -- 4.1 Methodology -- 4.2 Results -- 5 Conclusions -- References -- Iterative Brush Path Extraction Algorithm for Aiding Flock Brush Simulation of Stroke-Based Painterl ... -- Abstract -- 1 Introduction -- 2 Related Works -- 2.1 Stroke-Based Rendering Techniques -- 2.2 Brush Stroke Extraction -- 2.3 Flock Brush Simulation -- 3 Iterative Brush Stroke Path Extraction -- 3.1 Algorithm Overview -- 3.2 Implementation Aspects -- 4 Results and Discussions -- 5 Conclusion and Future Work -- References -- A Comparison Between Representations for Evolving Images -- 1 Introduction -- 2 Representation, Fitness Landscapes and Locality -- 3 Short Review of Existing Representations for Images -- 4 The Proposed Representations -- 5 Experimental Study -- 5.1 Test Cases -- 5.2 Experimental Settings -- 5.3 Experimental Results Obtained on the Shapes Test Case -- 5.4 Experimental Results Obtained on the Shaded Shapes Test Case -- 5.5 Experimental Results Obtained on the Yin and Yang Test Case -- 5.6 Experimental Results Obtained on the Shaded Yin and Yang Test Case -- 5.7 Experimental Results Obtained on the Lena Test Case -- 5.8 Experimental Results on the Locality of the Representations -- 5.9 Best Evolved Individuals.
6 Conclusions and Future Work -- References -- Evolving L-Systems with Musical Notes -- 1 Introduction -- 2 Background -- 2.1 L-Systems -- 2.2 Evolutionary Algorithms -- 2.3 Musical Concepts -- 3 Related Work -- 4 System's Architecture -- 4.1 General Overview -- 4.2 Audiovisual Interpretation and Mappings -- 4.3 The Evolutionary Algorithm -- 4.4 Auxiliary Tools -- 5 Experimental Results and Discussion -- 6 Conclusion and Further Work -- References -- MetaCompose: A Compositional Evolutionary Music Composer -- 1 Introduction -- 2 Background -- 2.1 Procedurally Generated Music -- 2.2 Multi-Objective Optimization -- 2.3 Feasible/Infeasible 2-Population Genetic Algorithm -- 3 MetaCompose -- 4 Non-dominated Sorting Feasible-Infeasible 2 Populations -- 5 Composition Generation -- 5.1 Chord Sequence Generation -- 5.2 Melody Generation -- 5.3 Accompaniment Generation -- 6 Experiment Design -- 6.1 Music Clip Generation -- 7 Results and Analysis -- 7.1 Complete Generator Against All Other Groups -- 7.2 Complete Generator Against Random Chord Sequence Generation -- 7.3 Complete Generator Against Unconstrained Melody Generation -- 7.4 Complete Generator Against Constrained Melody Generation -- 7.5 Complete Generator Against Random Accompaniment Generation -- 8 Conclusion and Future Work -- References -- 'Turingalila' Visual Music on the Theme of Morphogenesis -- Abstract -- 1 Introduction -- 2 The Magic of Morphogenesis -- 3 Creating 'Turingalila' as Visual Music -- 4 Conclusion: Patterns of Change -- References -- Fitness and Novelty in Evolutionary Art -- 1 Introduction -- 2 State of the Art -- 3 Proposed Algorithm -- 3.1 Archive Assessment -- 3.2 Selection Mechanism -- 4 Evolving Figurative Images -- 5 Evolving Context Free Design Grammars -- 6 Results -- 6.1 Experimental Setup -- 6.2 Results -- 7 Conclusions and Future Work -- References -- Author Index.
Record Nr. UNINA-9910483383203321
Cham : , : Springer International Publishing : , : Imprint : Springer, , 2016
Materiale a stampa
Lo trovi qui: Univ. Federico II
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Models and Analysis of Vocal Emissions for Biomedical Applications : 12th International Workshop, December, 14-16, 2021 / / edited by Claudia Manfredi
Models and Analysis of Vocal Emissions for Biomedical Applications : 12th International Workshop, December, 14-16, 2021 / / edited by Claudia Manfredi
Pubbl/distr/stampa Firenze : , : Firenze University Press, , 2021
Descrizione fisica 1 online resource (188 pages)
Disciplina 789.9
Soggetto topico Electronic music
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione eng
Altri titoli varianti Models and analysis of vocal emissions for biomedical applications
Record Nr. UNINA-9910774828803321
Firenze : , : Firenze University Press, , 2021
Materiale a stampa
Lo trovi qui: Univ. Federico II
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Music Technology with Swing [[electronic resource] ] : 13th International Symposium, CMMR 2017, Matosinhos, Portugal, September 25-28, 2017, Revised Selected Papers / / edited by Mitsuko Aramaki, Matthew E. P. Davies, Richard Kronland-Martinet, Sølvi Ystad
Music Technology with Swing [[electronic resource] ] : 13th International Symposium, CMMR 2017, Matosinhos, Portugal, September 25-28, 2017, Revised Selected Papers / / edited by Mitsuko Aramaki, Matthew E. P. Davies, Richard Kronland-Martinet, Sølvi Ystad
Edizione [1st ed. 2018.]
Pubbl/distr/stampa Cham : , : Springer International Publishing : , : Imprint : Springer, , 2018
Descrizione fisica 1 online resource (XIII, 678 p. 248 illus., 151 illus. in color.)
Disciplina 789.9
Collana Information Systems and Applications, incl. Internet/Web, and HCI
Soggetto topico User interfaces (Computer systems)
Artificial intelligence
Optical data processing
Software engineering
User Interfaces and Human Computer Interaction
Artificial Intelligence
Computer Imaging, Vision, Pattern Recognition and Graphics
Software Engineering/Programming and Operating Systems
ISBN 3-030-01692-7
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione eng
Nota di contenuto Music information retrieval -- automatic recognition -- estimation and classification -- electronic dance music and rhythm -- computational musicology -- sound in practice: auditory guidance and feedback in the context of motor learning and motor adaptation -- human perception in multimodal context -- cooperative music networks and musical HCIs -- virtual and augmented reality -- research and creation: spaces and modalities.
Record Nr. UNISA-996466211003316
Cham : , : Springer International Publishing : , : Imprint : Springer, , 2018
Materiale a stampa
Lo trovi qui: Univ. di Salerno
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Music Technology with Swing : 13th International Symposium, CMMR 2017, Matosinhos, Portugal, September 25-28, 2017, Revised Selected Papers / / edited by Mitsuko Aramaki, Matthew E. P. Davies, Richard Kronland-Martinet, Sølvi Ystad
Music Technology with Swing : 13th International Symposium, CMMR 2017, Matosinhos, Portugal, September 25-28, 2017, Revised Selected Papers / / edited by Mitsuko Aramaki, Matthew E. P. Davies, Richard Kronland-Martinet, Sølvi Ystad
Edizione [1st ed. 2018.]
Pubbl/distr/stampa Cham : , : Springer International Publishing : , : Imprint : Springer, , 2018
Descrizione fisica 1 online resource (XIII, 678 p. 248 illus., 151 illus. in color.)
Disciplina 789.9
780.285
Collana Information Systems and Applications, incl. Internet/Web, and HCI
Soggetto topico User interfaces (Computer systems)
Artificial intelligence
Optical data processing
Software engineering
User Interfaces and Human Computer Interaction
Artificial Intelligence
Computer Imaging, Vision, Pattern Recognition and Graphics
Software Engineering/Programming and Operating Systems
ISBN 3-030-01692-7
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione eng
Nota di contenuto Music information retrieval -- automatic recognition -- estimation and classification -- electronic dance music and rhythm -- computational musicology -- sound in practice: auditory guidance and feedback in the context of motor learning and motor adaptation -- human perception in multimodal context -- cooperative music networks and musical HCIs -- virtual and augmented reality -- research and creation: spaces and modalities.
Record Nr. UNINA-9910349390703321
Cham : , : Springer International Publishing : , : Imprint : Springer, , 2018
Materiale a stampa
Lo trovi qui: Univ. Federico II
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Musica ex machina / Fred K. Prieberg
Musica ex machina / Fred K. Prieberg
Autore Prieberg, Fred K.
Pubbl/distr/stampa Torino : Einaudi, 1963
Descrizione fisica X, 311 p. : ill. ; 22 cm
Disciplina 789.9
Altri autori (Persone) Tonini, Paola
Collana Saggi ; 322
Soggetto topico Musica elettronica
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione ita
Record Nr. UNISALENTO-991001044149707536
Prieberg, Fred K.  
Torino : Einaudi, 1963
Materiale a stampa
Lo trovi qui: Univ. del Salento
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Musical applications of microprocessors / Hal Chamberlin
Musical applications of microprocessors / Hal Chamberlin
Autore CHAMBERLIN, Hal
Pubbl/distr/stampa Rochelle Park : Hayden Book company, copyr. 1980
Descrizione fisica 661 p. ; 22 cm
Disciplina 789.9
Soggetto topico Elaboratori elettronici musicali - Registrazioni musicali
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione eng
Record Nr. UNISA-990003320380203316
CHAMBERLIN, Hal  
Rochelle Park : Hayden Book company, copyr. 1980
Materiale a stampa
Lo trovi qui: Univ. di Salerno
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Perception, representations, image, sound, music : 14th International Symposium, CMMR 2019, Marseille, France, October 14-18, 2019, revised selected papers / / Richard Kronland-Martinet, Sølvi Ystad, Mitsuko Aramaki (editors)
Perception, representations, image, sound, music : 14th International Symposium, CMMR 2019, Marseille, France, October 14-18, 2019, revised selected papers / / Richard Kronland-Martinet, Sølvi Ystad, Mitsuko Aramaki (editors)
Edizione [1st ed. 2021.]
Pubbl/distr/stampa Cham, Switzerland : , : Springer, , [2021]
Descrizione fisica 1 online resource (XVII, 726 p. 121 illus., 1 illus. in color.)
Disciplina 789.9
Collana Lecture notes in computer science
Soggetto topico Computer music
Musical analysis - Data processing
Information storage and retrieval systems - Music
ISBN 3-030-70210-3
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione eng
Nota di contenuto Music Information Retrieval - Music, Emotion and Representation -- Computational Musicology -- Audio Signal Processing - Music Structure, Analysis, Synthesis and Composition Tools -- Notation and Instruments Distributed on Mobile Devices -- Auditory Perception and Cognition - From the Ear to the Body -- The Process of Sound Design -- Sonic Interaction for Immersive Media - Virtual and Augmented Reality -- Musical Interaction: Embodiment, Improvisation, Collaboration -- Jean-Claude Risset and Beyond.
Record Nr. UNINA-9910484804103321
Cham, Switzerland : , : Springer, , [2021]
Materiale a stampa
Lo trovi qui: Univ. Federico II
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