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Mio nonno Gennaro : la vicenda artistica di Gennaro Pasquariello nella storia della canzone napoletana / Gennaro Pasquariello Jr. ; prefazione di Francesco Canessa
| Mio nonno Gennaro : la vicenda artistica di Gennaro Pasquariello nella storia della canzone napoletana / Gennaro Pasquariello Jr. ; prefazione di Francesco Canessa |
| Autore | PASQUARIELLO, Gennaro, jr. |
| Pubbl/distr/stampa | Napoli, : Gallina, c1999 |
| Descrizione fisica | 99 p., [4] c. di tav. : ill. ; 24 cm |
| Disciplina | 782.42164092(Forme vocali profane. Canzoni di musica leggera occidentale. Persone) |
| Soggetto topico |
PASQUARIELLO GENNARO
CANTANTI NAPOLETANI - Sec. 20 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | ita |
| Record Nr. | UNIOR-UON00257598 |
PASQUARIELLO, Gennaro, jr.
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| Napoli, : Gallina, c1999 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. L'Orientale | ||
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Misogyny, toxic masculinity, and heteronormativity in post-2000 popular music / / Glenn Fosbraey, Nicola Puckey, editors
| Misogyny, toxic masculinity, and heteronormativity in post-2000 popular music / / Glenn Fosbraey, Nicola Puckey, editors |
| Pubbl/distr/stampa | Cham, Switzerland : , : Palgrave Macmillan, , [2021] |
| Descrizione fisica | 1 online resource |
| Disciplina | 782.42164092 |
| Collana | Palgrave Studies in (Re)Presenting Gender |
| Soggetto topico |
Popular music - 2001-2010 - History and criticism
Popular music - 2011-2020 - History and criticism Popular music - Social aspects Misogyny in music Masculinity in music |
| ISBN | 3-030-65189-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Intro -- Contents -- Notes on Contributors -- List of Figures -- List of Tables -- Introduction -- Unpacking the Title -- Misogyny -- Toxic Masculinity -- Heteronormativity -- Concluding Thoughts -- References -- Chapter 1: Should Real Love Hurt? The Eroticisation of Dominance, Submission and Coercive Control in Contemporary Pop Music -- Introduction -- Autobiographical Note -- Literature Review -- Domestic Abuse and Coercive Control -- Existing Research on Pop Music Lyrics, Gender and Sex -- Methods -- Findings -- Pleasure and Pain -- Ignoring the Advice of Others -- Attempting to Re-assert Power -- Cycle of Violence -- Control Complete -- Discussion -- Voluntary Masochism -- Female Empowerment -- Looking Forward: Thinking in New Ways -- References -- Chapter 2: Featuring...Nicki Minaj -- Biography, Message, and Voice -- Shared Responsibility? -- Control? -- Body Ideals -- Objectification? -- Conclusion -- References -- Songs -- Chapter 3: Misogyny and Erotic Pleasure in Bollywood's "Item Numbers" -- Introduction -- Analyzing Women's Representation in Films -- Globalization and Changes in Women's Representation in Bollywood Cinema -- Item Numbers: A Hybrid Global-Local Site for Gender Performance -- Method -- Findings and Discussion -- Themes Within the Lyrics of Item Numbers -- Sexual Objectification of Women in Item Numbers -- Women in Cameo Roles -- Single Woman, Ogling Men -- Uncovering Women, Covering Men -- Fragmented Bodies: Gyrating Hips, Undulating Navels, and Heaving Bosoms -- White Bodies as Objects of Desire -- Sexual Objectification Through the Use of Earthly Elements -- References -- Chapter 4: From Pimpology to Pimpologia: A Comparative Analysis of Pimp Rap in the United States and Italy -- Introduction -- The Rise of the Pimp Myth in American Rap -- A Comparative Analysis of Pimp Rap in Italy and the United States -- Conclusion.
References -- Discography -- Filmography -- Chapter 5: How Female is the Future? Undoing Sexism in Contemporary Metal Music -- A Note on Methodology, Definitions and Limitations -- Act Like a Man: Adaptations of Masculine Metal Personas -- Adding a New Voice: Tribute Bands and the Digital Sphere -- Adapting Drag: Transforming Clichéd Notions of Femininity -- A Female Future? Gender Evolution in Metal Music -- References -- Chapter 6: See the Signs-Justin Timberlake and the Pretence of Romance -- References -- Chapter 7: Immortal Technique and the Radical Reimagining of Masculinity on the Street -- Background Context: Toxic Formations of Masculinity in Urban Contexts and Representations in Mainstream Hip-Hop -- A Notable Exception: Immortal Technique and Alternative Masculinities -- Resisting the Pull of the Mainstream -- Conclusion -- References -- Chapter 8: The Initiation: Re-negotiating Masculinity in Queer Music Video -- References -- Chapter 9: Let It Enfold You: Screaming, Masculinity, and the Loss of Emotional Control in Post-millennium Emo -- Introduction -- A Little Emo-tology: Marking the Subordinate -- Screaming as a Loss of Emotional Control -- Screaming and the Symbolic Gendered Power Dynamics of Emo -- References -- Chapter 10: The Power of Boy Pussy: The Dichotomy Between Liberation and Objectification in Queer Hip-Hop/Rap in the 2000s -- Liberation Identity and Hip-Hop -- The Tools of MAN -- MISSY -- Bounce Music, Male ownership, and Shakin' -- Shakin' -- Dichotomy of Visibility and Objectification -- The dark side of liberation -- Deep Dickollective from 2001 to 2007 -- Conclusion -- References -- Chapter 11: "All Of My Life, Just Like I Was One Of Them": Trans itioning Punk -- Introduction -- The Obnoxious Punk -- A Stifling Orthodoxy -- New Wave -- True Trans Soul Rebel -- Trans Romance -- Conclusion -- References. Chapter 12: Lady Lazarus: The Death (and Rebirth) of a Gender Revolutionary -- Questions of Identity -- The Great Pretender -- Famous Last Words -- Lines of Succession -- Straight Outta Brixton -- Lines of Resistance -- Looking Backward -- References -- Chapter 13: Like a Lollipop: Toxic Masculinity and Female Sexual Pleasure in Hip-Hop -- Sexual Scripts -- Sex Positivity -- Narratives Around Cunnilingus -- Misogyny and Toxic Masculinity -- Cunnilingus in Hip-Hop -- Women Rappers -- Shifting the Narrative -- Media as a Script Changer? -- Conclusion -- References -- Afterword -- Index. |
| Record Nr. | UNINA-9910484582903321 |
| Cham, Switzerland : , : Palgrave Macmillan, , [2021] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Morrissey [[electronic resource] ] : fandom, representations and identities / / edited by Eoin Devereux, Aileen Dillane and Martin J. Power
| Morrissey [[electronic resource] ] : fandom, representations and identities / / edited by Eoin Devereux, Aileen Dillane and Martin J. Power |
| Pubbl/distr/stampa | Bristol, : Intellect, 2011 |
| Descrizione fisica | 1 online resource (346 p.) |
| Disciplina |
782.4216
782.42164092 |
| Altri autori (Persone) |
DevereuxEoin
DillaneAileen PowerMartin J |
| Soggetto topico |
Singers - Great Britain
Fans (Persons) |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-283-26508-7
9786613265081 1-84150-580-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
FrontCover; Half-Title; Title; Copyright; Contents; Acknowledgements; Preface; Introduction: But Don't Forget the Songs that Made You Cry and the Songs that Saved Your Life ...; Chapter 1: 'Suedehead': Paving the Pilgrimage Path to Morrissey's and Dean's Fairmount, Indiana; Chapter 2: ""The Seaside Town that They Forgot to Bomb"": Morrissey and Betjeman on Urban Regeneration and British Identity; Chapter 3: In the Spirit of '69? Morrissey and the Skinhead Cult; Chapter 4: Fanatics, Apostles and NMEs
Chapter 5: The ""Teenage Dad"" and ""Slum Mums"" are Just ""Certain People I Know"": Counter Hegemonic Representations of the Working/Underclass in the Works of MorrisseyChapter 6: In Our DiHerent Ways We are the Same: Morrissey and Representations of Disability; Chapter 7: ""My So Friendly Lens"": Morrissey as Mediated through His Public Image; Chapter 8: ""Because I've only got Two Hands"": Western Art Undercurrents in the Poses and Gestures of Morrissey; Chapter 9: Moz: art: Adorno Meets Morrissey in the Cultural Divisions Chapter 10: Speedway for Beginners: Morrissey, Martyrdom and AmbiguityChapter 11: No Love in Modern Life: Matters of Performance and Production in a Morrissey Song; Chapter 12: 'Vicar In A Tutu': Dialogism, Iconicity and the Carnivalesque in Morrissey; Chapter 13: Smiths Night: A Dream World Created Through Other People's Music; Chapter 14: Talent Borrows, Genius Steals: Morrissey and the Art of Appropriation; Chapter 15: 'I'm Not The Man You Think I Am': Morrissey's Negotiation of Dominant Gender and Sexuality Codes Chapter 16: Melodramatic Morrissey: Kill Uncle, Cavell and the Question of the Human VoiceChapter 17: 'You Have Killed Me' - Tropes of Hyperbole and Sentimentality in Morrissey's Musical Expression; Notes on Contributors; Index; BackCover |
| Record Nr. | UNINA-9910461476603321 |
| Bristol, : Intellect, 2011 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Morrissey [[electronic resource] ] : fandom, representations and identities / / edited by Eoin Devereux, Aileen Dillane and Martin J. Power
| Morrissey [[electronic resource] ] : fandom, representations and identities / / edited by Eoin Devereux, Aileen Dillane and Martin J. Power |
| Pubbl/distr/stampa | Bristol, : Intellect, 2011 |
| Descrizione fisica | 1 online resource (346 p.) |
| Disciplina |
782.4216
782.42164092 |
| Altri autori (Persone) |
DevereuxEoin
DillaneAileen PowerMartin J |
| Soggetto topico |
Singers - Great Britain
Fans (Persons) |
| ISBN |
1-283-26508-7
9786613265081 1-84150-580-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
FrontCover; Half-Title; Title; Copyright; Contents; Acknowledgements; Preface; Introduction: But Don't Forget the Songs that Made You Cry and the Songs that Saved Your Life ...; Chapter 1: 'Suedehead': Paving the Pilgrimage Path to Morrissey's and Dean's Fairmount, Indiana; Chapter 2: ""The Seaside Town that They Forgot to Bomb"": Morrissey and Betjeman on Urban Regeneration and British Identity; Chapter 3: In the Spirit of '69? Morrissey and the Skinhead Cult; Chapter 4: Fanatics, Apostles and NMEs
Chapter 5: The ""Teenage Dad"" and ""Slum Mums"" are Just ""Certain People I Know"": Counter Hegemonic Representations of the Working/Underclass in the Works of MorrisseyChapter 6: In Our DiHerent Ways We are the Same: Morrissey and Representations of Disability; Chapter 7: ""My So Friendly Lens"": Morrissey as Mediated through His Public Image; Chapter 8: ""Because I've only got Two Hands"": Western Art Undercurrents in the Poses and Gestures of Morrissey; Chapter 9: Moz: art: Adorno Meets Morrissey in the Cultural Divisions Chapter 10: Speedway for Beginners: Morrissey, Martyrdom and AmbiguityChapter 11: No Love in Modern Life: Matters of Performance and Production in a Morrissey Song; Chapter 12: 'Vicar In A Tutu': Dialogism, Iconicity and the Carnivalesque in Morrissey; Chapter 13: Smiths Night: A Dream World Created Through Other People's Music; Chapter 14: Talent Borrows, Genius Steals: Morrissey and the Art of Appropriation; Chapter 15: 'I'm Not The Man You Think I Am': Morrissey's Negotiation of Dominant Gender and Sexuality Codes Chapter 16: Melodramatic Morrissey: Kill Uncle, Cavell and the Question of the Human VoiceChapter 17: 'You Have Killed Me' - Tropes of Hyperbole and Sentimentality in Morrissey's Musical Expression; Notes on Contributors; Index; BackCover |
| Record Nr. | UNINA-9910789755403321 |
| Bristol, : Intellect, 2011 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Morrissey : fandom, representations and identities / / edited by Eoin Devereux, Aileen Dillane and Martin J. Power
| Morrissey : fandom, representations and identities / / edited by Eoin Devereux, Aileen Dillane and Martin J. Power |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Bristol, : Intellect, 2011 |
| Descrizione fisica | 1 online resource (346 p.) |
| Disciplina |
782.4216
782.42164092 |
| Altri autori (Persone) |
DevereuxEoin
DillaneAileen PowerMartin J |
| Soggetto topico |
Singers - Great Britain
Fans (Persons) |
| ISBN |
1-283-26508-7
9786613265081 1-84150-580-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
FrontCover; Half-Title; Title; Copyright; Contents; Acknowledgements; Preface; Introduction: But Don't Forget the Songs that Made You Cry and the Songs that Saved Your Life ...; Chapter 1: 'Suedehead': Paving the Pilgrimage Path to Morrissey's and Dean's Fairmount, Indiana; Chapter 2: ""The Seaside Town that They Forgot to Bomb"": Morrissey and Betjeman on Urban Regeneration and British Identity; Chapter 3: In the Spirit of '69? Morrissey and the Skinhead Cult; Chapter 4: Fanatics, Apostles and NMEs
Chapter 5: The ""Teenage Dad"" and ""Slum Mums"" are Just ""Certain People I Know"": Counter Hegemonic Representations of the Working/Underclass in the Works of MorrisseyChapter 6: In Our DiHerent Ways We are the Same: Morrissey and Representations of Disability; Chapter 7: ""My So Friendly Lens"": Morrissey as Mediated through His Public Image; Chapter 8: ""Because I've only got Two Hands"": Western Art Undercurrents in the Poses and Gestures of Morrissey; Chapter 9: Moz: art: Adorno Meets Morrissey in the Cultural Divisions Chapter 10: Speedway for Beginners: Morrissey, Martyrdom and AmbiguityChapter 11: No Love in Modern Life: Matters of Performance and Production in a Morrissey Song; Chapter 12: 'Vicar In A Tutu': Dialogism, Iconicity and the Carnivalesque in Morrissey; Chapter 13: Smiths Night: A Dream World Created Through Other People's Music; Chapter 14: Talent Borrows, Genius Steals: Morrissey and the Art of Appropriation; Chapter 15: 'I'm Not The Man You Think I Am': Morrissey's Negotiation of Dominant Gender and Sexuality Codes Chapter 16: Melodramatic Morrissey: Kill Uncle, Cavell and the Question of the Human VoiceChapter 17: 'You Have Killed Me' - Tropes of Hyperbole and Sentimentality in Morrissey's Musical Expression; Notes on Contributors; Index; BackCover |
| Record Nr. | UNINA-9910819593003321 |
| Bristol, : Intellect, 2011 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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The music of Joni Mitchell [[electronic resource] /] / Lloyd Whitesell
| The music of Joni Mitchell [[electronic resource] /] / Lloyd Whitesell |
| Autore | Whitesell Lloyd |
| Pubbl/distr/stampa | Oxford ; ; New York, : Oxford University Press, 2008 |
| Descrizione fisica | 1 online resource (289 p.) |
| Disciplina | 782.42164092 |
| Soggetto topico | Popular music - Criticism and interpretation |
| Soggetto genere / forma | Electronic books. |
| ISBN |
0-19-971909-8
0-19-530757-7 9786611515065 1-281-51506-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Contents; Abbreviations; 1 Introduction: Pop Song and Art Song; 2 Sound and Style; 3 Voices and Personae; 4 Thematic Threads; 5 Harmonic Palette; 6 Melodic Turns; 7 Collections and Cycles; 8 A Tribute; Appendix; Notes; Bibliography; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; Y; Z |
| Record Nr. | UNINA-9910465789403321 |
|
Whitesell Lloyd
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| Oxford ; ; New York, : Oxford University Press, 2008 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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The music of Joni Mitchell [[electronic resource] /] / Lloyd Whitesell
| The music of Joni Mitchell [[electronic resource] /] / Lloyd Whitesell |
| Autore | Whitesell Lloyd |
| Pubbl/distr/stampa | Oxford ; ; New York, : Oxford University Press, 2008 |
| Descrizione fisica | 1 online resource (289 p.) |
| Disciplina | 782.42164092 |
| Soggetto topico | Popular music - Criticism and interpretation |
| ISBN |
0-19-988577-X
0-19-971909-8 0-19-530757-7 9786611515065 1-281-51506-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Contents; Abbreviations; 1 Introduction: Pop Song and Art Song; 2 Sound and Style; 3 Voices and Personae; 4 Thematic Threads; 5 Harmonic Palette; 6 Melodic Turns; 7 Collections and Cycles; 8 A Tribute; Appendix; Notes; Bibliography; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; Y; Z |
| Record Nr. | UNINA-9910792228503321 |
|
Whitesell Lloyd
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| Oxford ; ; New York, : Oxford University Press, 2008 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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The music of Joni Mitchell / / Lloyd Whitesell
| The music of Joni Mitchell / / Lloyd Whitesell |
| Autore | Whitesell Lloyd |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Oxford ; ; New York, : Oxford University Press, 2008 |
| Descrizione fisica | 1 online resource (289 p.) |
| Disciplina | 782.42164092 |
| Soggetto topico | Popular music - Criticism and interpretation |
| ISBN |
0-19-988577-X
0-19-971909-8 0-19-530757-7 9786611515065 1-281-51506-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Contents; Abbreviations; 1 Introduction: Pop Song and Art Song; 2 Sound and Style; 3 Voices and Personae; 4 Thematic Threads; 5 Harmonic Palette; 6 Melodic Turns; 7 Collections and Cycles; 8 A Tribute; Appendix; Notes; Bibliography; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; Y; Z |
| Record Nr. | UNINA-9910807898903321 |
|
Whitesell Lloyd
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| Oxford ; ; New York, : Oxford University Press, 2008 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Não,Não me arrependo de nada : Vida e Canções de Edith Piaf / / Lázaro Droznes ; traduzido por Rodrigo Santos
| Não,Não me arrependo de nada : Vida e Canções de Edith Piaf / / Lázaro Droznes ; traduzido por Rodrigo Santos |
| Autore | Droznes Lázaro |
| Pubbl/distr/stampa | [Place of publication not identified] : , : UNITEXTO Digital Publishing, , [2018] |
| Descrizione fisica | 1 online resource (53 pages) |
| Disciplina | 782.42164092 |
| ISBN | 1-5475-8692-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | por |
| Record Nr. | UNINA-9910793800103321 |
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Droznes Lázaro
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| [Place of publication not identified] : , : UNITEXTO Digital Publishing, , [2018] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Não,Não me arrependo de nada : Vida e Canções de Edith Piaf / / Lázaro Droznes ; traduzido por Rodrigo Santos
| Não,Não me arrependo de nada : Vida e Canções de Edith Piaf / / Lázaro Droznes ; traduzido por Rodrigo Santos |
| Autore | Droznes Lázaro |
| Pubbl/distr/stampa | [Place of publication not identified] : , : UNITEXTO Digital Publishing, , [2018] |
| Descrizione fisica | 1 online resource (53 pages) |
| Disciplina | 782.42164092 |
| ISBN | 1-5475-8692-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | por |
| Record Nr. | UNINA-9910810947103321 |
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Droznes Lázaro
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| [Place of publication not identified] : , : UNITEXTO Digital Publishing, , [2018] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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