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Mind Models [[electronic resource]]
| Mind Models [[electronic resource]] |
| Autore | Reynolds Roger |
| Edizione | [2nd ed.] |
| Pubbl/distr/stampa | Hoboken, : Taylor and Francis, 2013 |
| Descrizione fisica | 1 online resource (360 p.) |
| Disciplina |
780.904
780/.9/04 |
| Soggetto topico |
Music -- 20th century -- History and criticism
Music -- 21st century -- History and criticism Music -- Social aspects Music Music, Dance, Drama & Film Music History & Criticism, General |
| ISBN |
0-203-03619-0
1-299-46017-8 1-136-09178-5 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Half Title; Full Title; Copyright; Contents; Introduction; Preface; Acknowledgments; PART I Rates of Change; Permanence; Acceleration and Pace; Diversity; Capability; Acceptance of Context; New Models; PART II The States of Art; Commerce and Excellence; Subgroups in Society; The General Event; PART III The Public and Private Realms; Alternate Forms of Art; Alternate Approaches to Art; PART IV Sound; Natural Sound and Its Limits; Synthesis; The Last Dimension: Space; PART V Time; Short Intervals, Duration, and Temporal Perspective; Experimental Approaches to Measurement; Some Pitfalls
Altered Time FramesPART VI Notation; The Creative Continuum; The Function of Notation; Good Notational Practice; PART VII Morphology in Music; Computers: The Necessity of Foresight; The Implications of Abundance; Changing Views of Experience; Index |
| Record Nr. | UNINA-9910779691103321 |
Reynolds Roger
|
||
| Hoboken, : Taylor and Francis, 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Mind Models [[electronic resource]]
| Mind Models [[electronic resource]] |
| Autore | Reynolds Roger |
| Edizione | [2nd ed.] |
| Pubbl/distr/stampa | Hoboken, : Taylor and Francis, 2013 |
| Descrizione fisica | 1 online resource (360 p.) |
| Disciplina |
780.904
780/.9/04 |
| Soggetto topico |
Music -- 20th century -- History and criticism
Music -- 21st century -- History and criticism Music -- Social aspects Music Music, Dance, Drama & Film Music History & Criticism, General |
| ISBN |
0-203-03619-0
1-299-46017-8 1-136-09178-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Half Title; Full Title; Copyright; Contents; Introduction; Preface; Acknowledgments; PART I Rates of Change; Permanence; Acceleration and Pace; Diversity; Capability; Acceptance of Context; New Models; PART II The States of Art; Commerce and Excellence; Subgroups in Society; The General Event; PART III The Public and Private Realms; Alternate Forms of Art; Alternate Approaches to Art; PART IV Sound; Natural Sound and Its Limits; Synthesis; The Last Dimension: Space; PART V Time; Short Intervals, Duration, and Temporal Perspective; Experimental Approaches to Measurement; Some Pitfalls
Altered Time FramesPART VI Notation; The Creative Continuum; The Function of Notation; Good Notational Practice; PART VII Morphology in Music; Computers: The Necessity of Foresight; The Implications of Abundance; Changing Views of Experience; Index |
| Record Nr. | UNINA-9910814646903321 |
|
Reynolds Roger
|
||
| Hoboken, : Taylor and Francis, 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Music after the fall : modern composition and culture since 1989 / Tim Rutherford- Johnson
| Music after the fall : modern composition and culture since 1989 / Tim Rutherford- Johnson |
| Autore | RUTHERFORD- JOHNSON, Tim |
| Pubbl/distr/stampa | Oakland : University of California Press, 2017 |
| Descrizione fisica | XI, 348 p. : ill. ; 23 cm |
| Disciplina | 780.904 |
| Soggetto topico | Musica - Sec. 20.- 21 |
| ISBN | 978-0-520-28315-2 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNISA-996246750303316 |
|
RUTHERFORD- JOHNSON, Tim
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||
| Oakland : University of California Press, 2017 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
| ||
Musica e musicisti nella storia : il Novecento / Roberto Iovino ; contributi di Dario Bonuccelli ... [et al.]
| Musica e musicisti nella storia : il Novecento / Roberto Iovino ; contributi di Dario Bonuccelli ... [et al.] |
| Autore | IOVINO, Roberto <1953- > |
| Pubbl/distr/stampa | Milano : Ledizioni, 2014 |
| Descrizione fisica | 231 p. ; 24 cm |
| Disciplina | 780.904 |
| Soggetto topico | Musica - Sec. 20 |
| ISBN | 978-88-6705-257-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | ita |
| Record Nr. | UNISA-990003183920203316 |
|
IOVINO, Roberto <1953- >
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| Milano : Ledizioni, 2014 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
| ||
La musica moderna : da Debussy agli anni cinquanta / H. H. Stuckenschmidt
| La musica moderna : da Debussy agli anni cinquanta / H. H. Stuckenschmidt |
| Autore | Stuckenschmidt, Hans Heinz |
| Pubbl/distr/stampa | Torino : Einaudi, 1975 |
| Descrizione fisica | 306 p. : es. mus. ; 19 cm |
| Disciplina | 780.904 |
| Collana | Piccola biblioteca Einaudi |
| Soggetto topico | Musica - Storia |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | ita |
| Record Nr. | UNISALENTO-991001093859707536 |
|
Stuckenschmidt, Hans Heinz
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| Torino : Einaudi, 1975 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. del Salento | ||
| ||
La musica negata / Salvatore Colazzo
| La musica negata / Salvatore Colazzo |
| Autore | Colazzo, Salvatore |
| Pubbl/distr/stampa | Cavallino : Capone, 1988 |
| Descrizione fisica | 139 p. ; 21 cm. |
| Disciplina | 780.904 |
| Collana | I Nodi ; 8 |
| Soggetto topico | Musica |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | ita |
| Record Nr. | UNISALENTO-991003787439707536 |
|
Colazzo, Salvatore
|
||
| Cavallino : Capone, 1988 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. del Salento | ||
| ||
Musical Composition in the Context of Globalization : New Perspectives on Music History in the 20th and 21st Century / Christian Utz, Laurence Sinclair Willis
| Musical Composition in the Context of Globalization : New Perspectives on Music History in the 20th and 21st Century / Christian Utz, Laurence Sinclair Willis |
| Autore | Utz Christian (Kunstuniversität Graz, Österreich) |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Bielefeld, : transcript Verlag, 2021 |
| Descrizione fisica | 1 online resource (528 p.) |
| Disciplina | 780.904 |
| Collana | Musik und Klangkultur |
| Soggetto topico | Contemporary Music; 20th Century; Globalization; Transnationalism; Entangled Histories; Asia; China; Japan; Korea; Music; Musicology; Interculturalism; Cultural Studies; Cultural History |
| Soggetto non controllato |
20th Century
Asia China Cultural History Cultural Studies Entangled Histories Globalization Interculturalism Japan Korea Music Musicology Transnationalism |
| ISBN | 3-8394-5095-0 |
| Classificazione | LP 19507 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Table of Contents -- Preface -- Preface to the Revised and Expanded English Edition -- Acknowledgements -- List of Examples, Figures, and Tables -- I. Introduction: Art Music, Identity, and Reflexive Globalization -- 1. Art Music in a Global Context -- 2. Identity Criticism and Reflexive Globalization -- 3. Discourses of Intercultural Composition -- II. Toward an Entangled History of Twentieth-Century Music in a Global Context -- 1. Preliminaries of an Intercultural Music Historiography -- 2. Internationalism and Universalism: Repercussions of Political and Cultural History -- 3. The Ambivalence of the Local in Twentieth-Century Music -- 4. Modernist Reception of Japanese and Indian Traditional Music between 1910 and 1945: Delage, Cowell, Mitsukuri, and Hayasaka -- 5. Re-Reading the Impact of the "Cultural Cold War" on Music History: Cowell, Mayuzumi, Berio -- 6. Categories of Intercultural Reception in Western Composition -- III. Studies on the History and Analysis of New East Asian Music -- 1. The Reception of Western Modernism in the Music of China and Japan Since the Late Nineteenth Century -- 2. Triggering Musical Modernism in China: The Work of Wolfgang Fraenkel in Shanghai Exile -- 3. The Travels of a Jasmine Flower: A Chinese Folk Song, Its Prehistory, and Tan Dun's Symphony 1997 -- 4. Probing the Compositional Relevance of Cultural Difference: Key Tendencies of East Asian New Music Since the 1950s -- 5. Intercultural Narrativity in East Asian Art Music since the 1990s -- 6. The Impact of Traditional Music on Composition in Taiwan since the Postwar Period -- IV. The shō Context -- 1. Transformation and Myth Criticism in Works for the Japanese Mouth Organ -- 2. The shō as a Medium of Alterity and Self-Referentiality in Helmut Lachenmann's Music -- V. New Music and Beyond: Music-Historical and Cultural Entanglements -- 1. The Rediscovery of Presence: Intercultural Passages Through Vocal Spaces Between Speech and Song -- 2. Space-Time Movements in György Ligeti's Piano Concerto: Polymeter and Conflicting Meter in Historical and Intercultural Perspective -- 3. Intercultural Tension in Music by Chaya Czernowin and Isabel Mundry: Variations on Identity and Musical Meaning -- VI. Reflections on My Own Composing as a Search for Traces in the In-Between -- 1. Layered Fabric, Intertextuality, and Cultural Context: From Striated to Open Space -- 2. Stratification and Analysis -- 3. Intercultural and Multilingual Trajectories of the Human Voice -- 4. Composition as Polyphony: Creating, Performing, and Perceiving Music Non-Hierarchically -- Bibliography -- Appendix -- Index |
| Record Nr. | UNISA-996418939403316 |
|
Utz Christian (Kunstuniversität Graz, Österreich)
|
||
| Bielefeld, : transcript Verlag, 2021 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
| ||
Musical Composition in the Context of Globalization : New Perspectives on Music History in the 20th and 21st Century / Christian Utz, Laurence Sinclair Willis
| Musical Composition in the Context of Globalization : New Perspectives on Music History in the 20th and 21st Century / Christian Utz, Laurence Sinclair Willis |
| Autore | Utz Christian (Kunstuniversität Graz, Österreich) |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Bielefeld, : transcript Verlag, 2021 |
| Descrizione fisica | 1 online resource (528 p.) |
| Disciplina | 780.904 |
| Collana | Musik und Klangkultur |
| Soggetto topico | Contemporary Music; 20th Century; Globalization; Transnationalism; Entangled Histories; Asia; China; Japan; Korea; Music; Musicology; Interculturalism; Cultural Studies; Cultural History |
| Soggetto non controllato |
20th Century
Asia China Cultural History Cultural Studies Entangled Histories Globalization Interculturalism Japan Korea Music Musicology Transnationalism |
| ISBN | 3-8394-5095-0 |
| Classificazione | LP 19507 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Table of Contents -- Preface -- Preface to the Revised and Expanded English Edition -- Acknowledgements -- List of Examples, Figures, and Tables -- I. Introduction: Art Music, Identity, and Reflexive Globalization -- 1. Art Music in a Global Context -- 2. Identity Criticism and Reflexive Globalization -- 3. Discourses of Intercultural Composition -- II. Toward an Entangled History of Twentieth-Century Music in a Global Context -- 1. Preliminaries of an Intercultural Music Historiography -- 2. Internationalism and Universalism: Repercussions of Political and Cultural History -- 3. The Ambivalence of the Local in Twentieth-Century Music -- 4. Modernist Reception of Japanese and Indian Traditional Music between 1910 and 1945: Delage, Cowell, Mitsukuri, and Hayasaka -- 5. Re-Reading the Impact of the "Cultural Cold War" on Music History: Cowell, Mayuzumi, Berio -- 6. Categories of Intercultural Reception in Western Composition -- III. Studies on the History and Analysis of New East Asian Music -- 1. The Reception of Western Modernism in the Music of China and Japan Since the Late Nineteenth Century -- 2. Triggering Musical Modernism in China: The Work of Wolfgang Fraenkel in Shanghai Exile -- 3. The Travels of a Jasmine Flower: A Chinese Folk Song, Its Prehistory, and Tan Dun's Symphony 1997 -- 4. Probing the Compositional Relevance of Cultural Difference: Key Tendencies of East Asian New Music Since the 1950s -- 5. Intercultural Narrativity in East Asian Art Music since the 1990s -- 6. The Impact of Traditional Music on Composition in Taiwan since the Postwar Period -- IV. The shō Context -- 1. Transformation and Myth Criticism in Works for the Japanese Mouth Organ -- 2. The shō as a Medium of Alterity and Self-Referentiality in Helmut Lachenmann's Music -- V. New Music and Beyond: Music-Historical and Cultural Entanglements -- 1. The Rediscovery of Presence: Intercultural Passages Through Vocal Spaces Between Speech and Song -- 2. Space-Time Movements in György Ligeti's Piano Concerto: Polymeter and Conflicting Meter in Historical and Intercultural Perspective -- 3. Intercultural Tension in Music by Chaya Czernowin and Isabel Mundry: Variations on Identity and Musical Meaning -- VI. Reflections on My Own Composing as a Search for Traces in the In-Between -- 1. Layered Fabric, Intertextuality, and Cultural Context: From Striated to Open Space -- 2. Stratification and Analysis -- 3. Intercultural and Multilingual Trajectories of the Human Voice -- 4. Composition as Polyphony: Creating, Performing, and Perceiving Music Non-Hierarchically -- Bibliography -- Appendix -- Index |
| Record Nr. | UNINA-9910476917603321 |
|
Utz Christian (Kunstuniversität Graz, Österreich)
|
||
| Bielefeld, : transcript Verlag, 2021 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Musik im Ns-Staat / Fred K. Prieberg
| Musik im Ns-Staat / Fred K. Prieberg |
| Autore | PRIEBERG, Fred K. |
| Pubbl/distr/stampa | Frankfurt am Main : Fischer Taschenbuch, 1982 |
| Descrizione fisica | 449 p. ; 19 cm. |
| Disciplina | 780.904 |
| Collana | Fischer Taschenbucher |
| Soggetto topico | Musica tedesca - 1933-1945 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | ger |
| Record Nr. | UNISA-990005640180203316 |
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PRIEBERG, Fred K.
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| Frankfurt am Main : Fischer Taschenbuch, 1982 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
| ||
The names of minimalism : authorship, art music and historiography in dispute / / Patrick Nickleson
| The names of minimalism : authorship, art music and historiography in dispute / / Patrick Nickleson |
| Autore | Nickleson Patrick |
| Edizione | [First edition.] |
| Pubbl/distr/stampa | Ann Arbor, Michigan : , : University of Michigan Press, , 2023 |
| Descrizione fisica | 1 online resource (272 pages) |
| Disciplina | 780.904 |
| Soggetto topico |
Minimal music - Authorship
Minimal music - Historiography Music - 20th century - History and criticism |
| Soggetto genere / forma | Criticism, interpretation, etc. |
| ISBN | 0-472-90300-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Intro -- Contents -- List of Illustrations -- Acknowledgments -- Introduction. "La Monte Young Does Not Understand 'His' Work" -- 1. Policing Process: Music as a Gradual Process and Pendulum Music -- 2. Writing Minimalism: The Theatre of Eternal Music and the Historiography of Drones -- 3. The Lessons of Minimalism: The Big Four and the Pedagogic Myth -- 4. Indistinct Minimalisms: Punk, No Wave, and the Death of Minimalism -- Conclusion: The Names of Minimalism -- Notes -- Works Cited -- Index. |
| Record Nr. | UNINA-9910634000803321 |
|
Nickleson Patrick
|
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| Ann Arbor, Michigan : , : University of Michigan Press, , 2023 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
