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Univ. Federico II (35)
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eBay photos that sell [[electronic resource] ] : taking great product shots for eBay and beyond / / Dan Gookin and Robert Birnbach

Gookin Dan

San Francisco, Calif. ; ; London, : SYBEX, c2005

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eBay photos that sell [[electronic resource] ] : taking great product shots for eBay and beyond / / Dan Gookin and Robert Birnbach

Gookin Dan

San Francisco, Calif. ; ; London, : SYBEX, c2005

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Fotografie mit der Fujifilm X70 / / Antonino Zambito

Zambito Antonino

Haar, [Germany] : , : Franzis, , 2016

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Fotografieren lernen mit marcusfotos.de : Schritt für Schritt zu besserern Bildern / / Marcus Boos

Boos Marcus

Hannover, [Germany] : , : humboldt, , 2017

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Foundations of Photography [[electronic resource] ] : A Treatise on the Technical Aspects of Digital Photography / / by George Pavlidis

Pavlidis George

Cham : , : Springer International Publishing : , : Imprint : Springer, , 2022

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Foundations of Photography : A Treatise on the Technical Aspects of Digital Photography / / by George Pavlidis

Pavlidis George

Cham : , : Springer International Publishing : , : Imprint : Springer, , 2022

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Fujifilm X-T2 : für bessere fotos von anfang an! / / Kyra und Christian Sänger

Sänger Kyra

Passau, [Germany] : , : Bildner Verlag, , 2017

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Generative Bildarbeit : Zum transformativen Potential fotografischer Praxis / / Vera Brandner

Brandner Vera

[Place of publication not identified] : , : Verlag der Österreichischen Akademie der Wissenschaften, , [2020]

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Perspective warps and distorts with adobe tools . Volume 1 : putting a new twist on photoshop / / Jennifer Harder

Harder Jennifer

New York, NY : , : Apress, , [2022]

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Photo finish [[electronic resource] ] : the digital photographer's guide to printing, showing, and selling images / / Jon Canfield, Tim Grey

Canfield Jon

San Francisco, Calif., : SYBEX, c2004

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Autore	Gookin Dan
Pubbl/distr/stampa	San Francisco, Calif. ; ; London, : SYBEX, c2005
Descrizione fisica	1 online resource (189 p.)
Disciplina	775
Altri autori (Persone)	BirnbachRobert
Soggetto topico	Photography - Digital techniques Selling
ISBN	1-280-52131-7 9786610521319 0-7821-5058-6
Formato	Materiale a stampa
Livello bibliografico	Monografia
Lingua di pubblicazione	eng
Nota di contenuto	eBay Photos That Sell: Taking Great Product Shots for eBay and Beyond; Front matter; Acknowledgments; About the Authors; Contents; Introduction; Chapter 1: Selling Your Image; Say "Cheese"; Aunt Flo versus the Professional; All Sales Are Emotional; Rules for Taking the Best Picture; Keep It Simple, Stupid; Less Is More; Choose Your Approach; Thoughtful Setup; Do It Right the First Time; The Results; Chapter 2: Your Own Photo Studio; A Place for Your Studio; Stuff to Get; The Miraculous Shower Curtain Liner; Cheap, Old, Ugly Lamps; Clothespins and Clamps; Drawing Paper; Foam Core Board A Can of AirA Ladder; Helpful Studio Techniques; Creating an Infinite Horizon; Propping Things Up; Lighting Techniques; Chapter 3: Basic Photography; Choosing a Digital Camera; The Megapixel Question; Some Must-Have Camera Features; Get a Good Lens; Get a Tripod!; Finding the Focus; Controlling the Exposure; Setting the Aperture; Using the Correct Shutter Speed; Understanding Depth of Field; Positioning the Camera; Setting the Right Angle; Zooming (or Not); Framing the Image; Setting Image Resolution; Lighting Your Object; Shedding Some Light on Your Subject; Eliminating Reflections and Glare Dealing with ShadowsShooting Objects Outside; Chapter 4: Photo Editing; Basic Photo-Editing Techniques; Zooming Your Image; Rotating Images; Cropping Portions of Images; Resizing Images; Saving in a Specific Image Format; Fixing the Color, Tone, and Balance; The Nifty Auto Smart Fix Command; Fixing Off-Color Images; Setting the Levels; Fixing the Brightness and Contrast; Targeting Brightness and Contrast; Sharpening the Focus; Blurring Stuff You Don't Want Focused; Bye-Bye Background; Compositing an Image; What Is a Composite Image?; Taking the Product Shot; Capturing the Screen Image Creating the Final ResultCreating a Watermark; eBay's Watermark Feature; Creating a Simple Text Watermark; Using Your Company Logo As a Watermark; Chapter 5: Creating Images with the Subjective Approach; Using the Subjective Approach; Shooting Small Objects; Preparing an Environment for Jewelry; Working with Small Jewelry; Midsized Objects (Smaller Than a Breadbox); Incorporating Fantasy Environments; Using Realistic Environments; Avoiding the Hideously Realistic; Borderline Objective Approach; Solving Tough Problems by Having a Bit of Fun; Capturing Large Objects Chapter 6: Creating Images with the Objective ApproachWhen the Objective Connection Comes into Play; It's Flat; Using Infinite Horizon for Collectors' Items; A White Infinite Horizon Example; A Black Infinite Horizon Example; Beyond Black and White Horizons; Give a Little, Take a Little; Shooting Clothes Using the Objective Approach; Chapter 7: Storing Images; From the Camera to Your Computer; Media Card Madness; The Media Card Reader; Mounting the Media Card; Unmounting the Media Card; Building a Place for Your Images; The Main Pictures Folder; Creating a Main Folder for the Stuff You Sell Organizing and Using the Folders
Record Nr.	UNINA-9910784481503321

Autore	Gookin Dan
Edizione	[1st ed.]
Pubbl/distr/stampa	San Francisco, Calif. ; ; London, : SYBEX, c2005
Descrizione fisica	1 online resource (189 p.)
Disciplina	775
Altri autori (Persone)	BirnbachRobert
Soggetto topico	Photography - Digital techniques Selling
ISBN	1-280-52131-7 9786610521319 0-7821-5058-6
Formato	Materiale a stampa
Livello bibliografico	Monografia
Lingua di pubblicazione	eng
Nota di contenuto	eBay Photos That Sell: Taking Great Product Shots for eBay and Beyond; Front matter; Acknowledgments; About the Authors; Contents; Introduction; Chapter 1: Selling Your Image; Say "Cheese"; Aunt Flo versus the Professional; All Sales Are Emotional; Rules for Taking the Best Picture; Keep It Simple, Stupid; Less Is More; Choose Your Approach; Thoughtful Setup; Do It Right the First Time; The Results; Chapter 2: Your Own Photo Studio; A Place for Your Studio; Stuff to Get; The Miraculous Shower Curtain Liner; Cheap, Old, Ugly Lamps; Clothespins and Clamps; Drawing Paper; Foam Core Board A Can of AirA Ladder; Helpful Studio Techniques; Creating an Infinite Horizon; Propping Things Up; Lighting Techniques; Chapter 3: Basic Photography; Choosing a Digital Camera; The Megapixel Question; Some Must-Have Camera Features; Get a Good Lens; Get a Tripod!; Finding the Focus; Controlling the Exposure; Setting the Aperture; Using the Correct Shutter Speed; Understanding Depth of Field; Positioning the Camera; Setting the Right Angle; Zooming (or Not); Framing the Image; Setting Image Resolution; Lighting Your Object; Shedding Some Light on Your Subject; Eliminating Reflections and Glare Dealing with ShadowsShooting Objects Outside; Chapter 4: Photo Editing; Basic Photo-Editing Techniques; Zooming Your Image; Rotating Images; Cropping Portions of Images; Resizing Images; Saving in a Specific Image Format; Fixing the Color, Tone, and Balance; The Nifty Auto Smart Fix Command; Fixing Off-Color Images; Setting the Levels; Fixing the Brightness and Contrast; Targeting Brightness and Contrast; Sharpening the Focus; Blurring Stuff You Don't Want Focused; Bye-Bye Background; Compositing an Image; What Is a Composite Image?; Taking the Product Shot; Capturing the Screen Image Creating the Final ResultCreating a Watermark; eBay's Watermark Feature; Creating a Simple Text Watermark; Using Your Company Logo As a Watermark; Chapter 5: Creating Images with the Subjective Approach; Using the Subjective Approach; Shooting Small Objects; Preparing an Environment for Jewelry; Working with Small Jewelry; Midsized Objects (Smaller Than a Breadbox); Incorporating Fantasy Environments; Using Realistic Environments; Avoiding the Hideously Realistic; Borderline Objective Approach; Solving Tough Problems by Having a Bit of Fun; Capturing Large Objects Chapter 6: Creating Images with the Objective ApproachWhen the Objective Connection Comes into Play; It's Flat; Using Infinite Horizon for Collectors' Items; A White Infinite Horizon Example; A Black Infinite Horizon Example; Beyond Black and White Horizons; Give a Little, Take a Little; Shooting Clothes Using the Objective Approach; Chapter 7: Storing Images; From the Camera to Your Computer; Media Card Madness; The Media Card Reader; Mounting the Media Card; Unmounting the Media Card; Building a Place for Your Images; The Main Pictures Folder; Creating a Main Folder for the Stuff You Sell Organizing and Using the Folders
Record Nr.	UNINA-9910817071703321

Autore	Zambito Antonino
Pubbl/distr/stampa	Haar, [Germany] : , : Franzis, , 2016
Descrizione fisica	1 online resource (225 pages) : color illustrations, photographs
Disciplina	775
Collana	Fotografie mit ..
Soggetto topico	Photography - Digital techniques
ISBN	3-645-20497-0
Formato	Materiale a stampa
Livello bibliografico	Monografia
Lingua di pubblicazione	ger
Nota di contenuto	Fotografie mit der Fujifilm X70 -- Impressum -- Vorwort -- Inhalt -- Inhaltsverzeichnis -- 1. X70 - für die Straße gemacht -- Klein, flach und flexibel -- Fokusring, Blendenring und Zierring -- Einstellräder und Einstelltasten -- Lichtstarkes Objektiv für alles -- Cropfaktor und Kleinbildäquivalent -- Die inneren Werte der Kamera -- APS-C-X-Trans-CMOS-II-Sensor -- Das neue Autofokussystem -- Arbeitsweise des Hybridautofokus -- AF-Modus EINZELPUNKT -- AF-Modus ZONE -- AF-Modus WEIT/VERFOLGUNG -- Gesichtserkennungsautofokus -- Auto-Makro -- Erweiterte manuelle Fokusmodi -- Funktion im Vordergrund -- Präzisionsgefräste Einstellräder -- Anordnung der Funktionstasten -- Vollautomatik mit einem Dreh -- Eingebauter Kamerablitz -- Klappbares Touchdisplay -- Modernste Verschlusstechnik -- Bedienelemente der X70 -- Einstellrad Belichtungskorrektur -- Einstellrad Belichtungszeit -- Fn-Taste -- Q-Taste -- Einstellrad hinten -- Kreuztasten -- MENU/OK -- Löschen-Taste -- DRIVE-Taste -- DISP/BACK-Taste -- AF-L/AE-L-Taste -- Wiedergabetaste -- Einstellräder und Tasten -- 2. Effektive Bedienung -- Konfiguration der X70 -- Kameramenü aufrufen -- HAUPTMENÜ-Einstellungen -- DATUM/ZEIT -- ZEITDIFF. -- RESET -- TON & -- BLITZ AUS -- BILDNUMMER -- STEUERRING einrichten -- FOKUSKONTROLLE -- FOKUS MASSEINHEIT -- TON SETUP -- DISPLAY SETUP -- POWER MANAGEMENT -- FARBRAUM -- BEL.-VORSCHAU MAN. -- VORSCHAU BILDEFFEKT -- Drahtlose Kommunikation -- FUNKEINSTELLUNGEN -- Acht belegbare Funktionstasten -- Schnellmenü neu konfigurieren -- Einfaches Setup Step by Step -- Manuelles Setup Step by Step -- Bilder drahtlos übertragen -- X70 per Smartphone fernbedienen -- Verbindung herstellen -- Mit Geotagging beginnen -- Kamera nach Bildern durchsuchen -- Bilder empfangen -- Mit Fernbedienung -- AUFNAHME-MENÜ-Einstellungen -- AUTOFOKUSEINSTELLUNGEN -- FOKUSSIERBEREICH. Ganz nah dran -- Abbildungsmaßstab nach DIN -- Makromotive richtig scharf stellen -- PRIO. AUSLÖSEN/FOKUS -- EINST. SOFORT-AF -- GESICHTSERKENNUNG -- AUGENERKENNUNG AF -- Einstellungen für die ISO-AUTOMATIK -- PRE-AF -- HILFSLICHT -- ISO -- BILDGRÖSSE -- BILDQUALITÄT -- DYNAMIKBEREICH -- FILMSIMULATION -- INTERVALLAUFN. MIT TIMER -- WEISSABGLEICH und WB VERSCHOBEN -- FARBE, SCHÄRFE & -- Co. -- NR LANGZ. BELICHT. -- BEN.EINST. AUSW. -- WEITWINKELKONV. -- STEUERRING-EINST. -- TOUCHSCREEN-MODUS -- MF-ASSISTENT -- AE/AF LOCK MODUS -- AE/AF-LOCK TASTE -- AE-MESSUNG -- SPERRE SPOT-AE & -- FOKUSS. -- BLITZ HAUPTMENÜ -- VIDEO SETUP -- AUSLÖSERTYP -- WIEDERGABE-MENÜ-Einstellungen -- WIEDERGABE-MENÜ aufrufen -- RAW-KONVERTIERUNG -- LÖSCHEN -- AUSSCHNEIDEN -- GRÖSSE ÄNDERN -- SCHÜTZEN -- BILD DREHEN -- ROTE-AUGEN-KORR. -- AUTO DIASCHAU -- FOTOBUCH ASSIST. -- BILDSUCHE -- Sofortbild! - Digital trifft auf analog -- Bildinformationen auf dem Displayanzeigen -- Filme auf dem Display abspielen -- PC AUTO-SPEICHER -- FOTO ORDERN (DPOF) -- SEITENVERHÄLTNIS -- Hinter der DRIVE-Taste -- Serienbildreihen erstellen -- Serie mit unterschiedlichen Belichtungswerten -- Serie mit unterschiedlichen Filmsimulationen -- Serie mit unterschiedlichen ISO-Werten -- Serie mit unterschiedlichem Weißabgleich -- Serie mit unterschiedlichem Dynamikumfang -- Eine Mehrfachbelichtung erstellen -- Eine Panoramaaufnahme erstellen -- Adv. - erweiterte Filter -- Filmsequenzen aufnehmen -- Tipps für das Filmen mit der X70 -- Mehr Pixel, mehr Bildqualität? -- Bilddateiformate, auf die es ankommt -- 3. Aufnahmemodi und Belichtung -- Halbautomatik oder manuell -- Fotografieren mit der Programmautomatik P -- Fotografieren mit Program Shift P* -- Fotografieren mit der Blendenautomatik S -- Fotografieren mit der Zeitautomatik A -- Fotografieren mit Langzeitbelichtung T und B. Fokusmodus und Motivsituation -- Einzelautofokus AF-S -- Kontinuierlicher Autofokus AF-C -- Manueller Autofokus MF -- Drei erweiterte Fokussiermöglichkeiten -- Fujifilms neuer Augenerkennungs-AF -- Fujifilms neue Auto-Makro-Funktion -- Vorgang der Belichtungsmessung -- Belichtungsmessmethoden der X70 -- Die Mehrfeldmessung -- Die Spotmessung -- Die Integralmessung -- Wie Sie richtig belichten -- Belichtungskorrektur durchführen -- Belichtungskorrektur mit dem Einstellrad -- Ganze Belichtungsserien schießen -- Bildserien mit unterschiedlicher ISO -- Bildserien mit unterschiedlicher Dynamik -- Belichtungswert oder Fokus festhalten -- Benutzerdefinierte Einstellungen -- Blende und Zeit im Zusammenspiel -- Blende einstellen -- Belichtungszeit einstellen -- Blende-Zeit-Kombinationen -- ISO-Empfindlichkeit festlegen -- ISO-AUTOMATIK -- Feinheiten, die Sie beachten müssen -- Bildrauschen ist nicht Filmkorn -- Versuchsreihe: Rauschverhalten der X70 -- Gute Stative für X-Series-Kameras -- FLM-Stativ und Stativkopf -- Manfrotto PIXI - das Immer-dabei-Stativ -- Fotografieren mit Blitzlicht -- Die Blitzmodi der X70 richtig einsetzen -- Porträts mit Rote-Augen-Korrektur -- Blitzen bei Dämmerung oder in der Nacht? -- Die Leitzahl: das Maß der Blitzleistung -- Aufsteckblitze für Standardsituationen -- 4. Schärfentiefe, Weißabgleich, Filmsimulationen -- Das Prinzip der Schärfentiefe -- Faktoren und Objektivtypen -- Kleinbildäquivalenzbrennweite berechnen -- Variable Festbrennweite der X70 -- Abstand zum Motiv -- Auswirkung der Blende -- Schärfentiefe überprüfen -- Stimmiger Weißabgleich -- Lichtquelle und Farbtemperatur -- Messen der Farbtemperatur -- Weißabgleich auf Graukarte -- Manueller Weißabgleich -- Bewertung direkt am Bildvergleich -- Weißabgleich im RAW-Konverter -- Weißabgleich direkt in der Kamera -- Simulation analoger Film. Filmsimulationen und ihre Auswirkung -- Erstellen einer FILMSIMULATION-SERIE -- Erweiterte Filter anwenden -- Pimp your Fuji X70 -- Angelo Pelle Straps - Italien -- Lance Camera Straps - USA -- Barber Shop Bags - Italien -- ARTISAN& -- ARTIST - Japan -- EDDYCAM-Elchledergurt - Deutschland -- Billingham-Fototasche - England -- FUJINON-Konvertierungslinse WCL-X70 -- FUJINON-Lenshood LH-X70 -- 5. Foto-Walk mit der X70 -- Einstellungen vor dem Foto-Walk -- Die richtige Kamerahaltung -- Erprobte Praxistipps -- Landschafts- und Naturmotive -- Die X70 staubdicht machen -- Welche Methode zur Belichtungsmessung? -- Wie man die Belichtungsmessung korrigiert -- Weißabgleich auch in der Natur? -- Prägende Aufnahmestandorte -- Ungewöhnliche Perspektiven -- Ein Schritt nach vorn, einer zur Seite -- Höhe und Winkel bei der Kamerahaltung -- Natürliches Licht, einfach wunderbar ... -- ISO- und Dynamikbereich auf Automatik -- Fototipps: Landschaft und Natur -- Bauwerke und Gebäude abbilden -- Menschen als Maßstab einbeziehen -- Bauwerke in einen neuen Kontext setzen -- Brennweite und Aufnahmestandort -- Linienführung in der Architekturfotografie -- Immer wieder - die Perspektive macht's -- Farbe oder geometrische Formen -- Farben kontrollieren und Weißabgleich -- Bei wenig Licht mit höherem ISO-Wert -- Fototipps: Bauwerke und Gebäude -- Alltagsszenen auf der Straße -- Der entscheidende Augenblick -- Herausforderung Straßenfotografie -- Die X70 - für den Augenblick gemacht -- Die richtige Vorgehensweise -- Kameraeinstellungen für die Straße -- Unbemerkt in die Menge eintauchen -- Farbe oder Schwarz-Weiß? -- Blaue Stunde und Nachtaufnahmen -- Geeignete Standorte am Tag suchen -- Aufnahmen bei Dämmerung -- Herausforderung Weißabgleich -- Scharf stellen ohne ausreichend Licht -- Programmvorwahlen oder manuell -- Fototipps: blaue Stunde und Nachtaufnahmen. En-face- und Charakterporträts -- Gesichter, die Geschichten erzählen -- Grundtypen von Porträts -- En-face-Aufnahmen -- Nachtporträt bei Freiluftveranstaltungen -- Fototipps: Nachtporträts -- Licht verstehen - Licht einsetzen -- Fototipps: Porträts -- RAW-Konvertierung in der X70 -- Starten der RAW-KONVERTIERUNG -- Einfaches JPEG erzeugen -- Umfangreicheres JPEG erzeugen -- Und mit RAW FILE CONVERTER -- In meiner Fototasche -- Index -- Bildnachweis.
Record Nr.	UNINA-9910151843403321

Autore	Pavlidis George
Edizione	[1st ed. 2022.]
Pubbl/distr/stampa	Cham : , : Springer International Publishing : , : Imprint : Springer, , 2022
Descrizione fisica	1 online resource (281 pages)
Disciplina	775
Soggetto topico	Optics Photography Signal processing Electronic circuits Optical materials Applied Optics Signal, Speech and Image Processing Electronic Circuits and Systems Optical Materials
ISBN	9783031062520 9783031062513
Formato	Materiale a stampa
Livello bibliografico	Monografia
Lingua di pubblicazione	eng
Nota di contenuto	From vision to photography -- A brief history of photography -- A photography primer -- Technical aspects of photography -- The shutter -- The imaging sensor -- Digital post-processing.
Record Nr.	UNISA-996495165103316

Autore	Pavlidis George
Edizione	[1st ed. 2022.]
Pubbl/distr/stampa	Cham : , : Springer International Publishing : , : Imprint : Springer, , 2022
Descrizione fisica	1 online resource (281 pages)
Disciplina	775 770
Soggetto topico	Optics Photography Signal processing Electronic circuits Optical materials Applied Optics Signal, Speech and Image Processing Electronic Circuits and Systems Optical Materials
ISBN	9783031062520 9783031062513
Formato	Materiale a stampa
Livello bibliografico	Monografia
Lingua di pubblicazione	eng
Nota di contenuto	From vision to photography -- A brief history of photography -- A photography primer -- Technical aspects of photography -- The shutter -- The imaging sensor -- Digital post-processing.
Record Nr.	UNINA-9910616209303321

Autore	Harder Jennifer
Pubbl/distr/stampa	New York, NY : , : Apress, , [2022]
Descrizione fisica	1 online resource (1035 pages)
Disciplina	775
Soggetto topico	Computer graphics Photography - Digital techniques
ISBN	9781484287101 9781484287095
Formato	Materiale a stampa
Livello bibliografico	Monografia
Lingua di pubblicazione	eng
Nota di contenuto	Intro -- Table of Contents -- About the Author -- About the Technical Reviewer -- Acknowledgments -- Introduction -- Chapter 1: Introduction to Warps -- Photoshop Warps and Distorts -- Resources -- System Requirements -- Setting Up the Workspace and a Review of the Main Panels and Tools -- Tools and Panel Review -- Tools -- Options -- History -- Comments -- Color -- Swatches -- Gradients -- Patterns -- Properties -- Adjustments -- Libraries -- Layers -- Channels -- Paths -- Summary -- Chapter 2: Basic Warping Tools -- Review of Brushes -- Creating Custom Brushes and Brush Settings -- Project: Basic Brush to Custom Brush Settings -- Brush Tool Options -- Brush Settings Options -- Brush Tip Shape -- Shape Dynamics Tab -- Scattering Tab -- Texture Tab -- Dual Brush Tab -- Color Dynamics Tab -- Transfer Tab -- Brush Pose Tab -- Additional Tabs -- Saving the Brush -- Project: Create a Custom Brush -- Saving Your Custom Brush with New Settings -- Additional Custom Brush Ideas -- Brush Options and Blend Modes -- Brush Options Continued -- Using Your Custom Brushes with Other Tools to Warp Your Artwork Further -- Pencil Tool Options (Review) -- Eraser Tool Options (Review) -- Garden Project -- Blur Tool -- Blur Options -- Sharpen Tool -- Sharpen Tool Options -- Smudge Tool -- Smudge Tool Options -- Other Tools to Enhance or Correct Distorts -- Dodge Tool -- Dodge Tool Options -- Burn Tool -- Burn Tool Options -- Sponge Tool -- Sponge Tool Options -- History Brushes -- History Brush -- History Brush Options -- Art History Brush Tool -- Art History Tool Options -- Stamp and Healing Brush-Related Tools -- Clone Stamp Tool -- Clone Stamp Tool Options (Review) -- Pattern Stamp Tool -- Notes on Healing Tools -- Project: A Review of the Perspective Crop Tool -- Perspective Crop Tool Options -- Summary -- Chapter 3: Warping with Patterns. Basic Pattern Creation -- Project: Create a Custom Symmetry Paint Path -- Defining the Custom Pattern -- Vector Shape Patterns -- Pen and Shape Tools Review -- Pen Tools -- Pen Tool (P) -- Pen Tool Options -- Freeform Pen Tool (P) -- Freeform Pen Tool Options -- Content-Aware Tracing Tool (P) -- Content-Aware Tracing Tool Options -- Curvature Pen Tool (P) -- Curvature Pen Tool Options -- Add Anchor, Delete Anchor, and Convert Point Tools -- Path Selection Tools -- Path Selection Tool Options -- Direct Selection Tools Options -- Shape Tools -- Shape Tool Properties -- Rectangle Tool Options and Properties -- Additional Properties Panel Options -- Ellipse Tool Options and Properties -- Triangle Tools Options and Properties -- Polygon Tools Options and Properties -- Line Tool Options and Properties -- Custom Shape Tool Options and Properties -- Project: Create a Custom Shape and Then Turn It into a Pattern or Brush -- Project: Patterns with the Offset Filter -- Offset Filter -- Touching Up the Pattern -- Pattern Preview -- Defining a Pattern -- Libraries Panel: Adobe Sensei Capture Extract from an Image to a Pattern -- Project: Patterns from Cloth Pattern Part 2 -- Adding a Library Pattern to the Patterns Panel -- Reusing Patterns or Textures -- Fill Dialog Box -- Fill Pattern Scripts -- Adjustment Pattern Fill Layers -- Layer Styles with Patterns and Textures -- Bevel and Emboss - Texture -- Stroke -- Pattern Overlay -- Tools That Use Patterns -- Pattern Stamp Tool (S) -- Pattern Stamp Tool Options -- Paint Bucket Tool (G) -- Paint Bucket Tool Options -- Healing Brush Tool (J) -- Healing Brush Tool Options -- Patch Tool (J) -- Patch Tool Options -- Project: Create a Texture for the Filter Gallery -- Summary -- Chapter 4: Transform Your Layers in a Non-Destructive Way with Smart Objects -- Project: The Warped Vase -- Move Tool Review. Free Transform with Rasterized Layers -- Free Transform with a Smart Object Layer -- Free Transform Options -- Scale -- Rotate -- Project Idea: Reference Point -- Continue with Free Transform -- Skew -- Interpolation -- Distort -- Perspective -- Warp -- Warp Transformation Options -- Guide Options -- Should You Create Free Transforms and Warps with Normal or Smart Object Layers? -- Two Kinds of Smart Objects -- Embedded or Linked Smart Objects -- Smart Objects from CMYK to RGB -- Using Layer and Vector Masks with Smart Object Layers and Free Transforms -- Smart Object Layers and Warp -- Vector Masks and Transformation -- Summary -- Chapter 5: Warping Text -- Working with Type Tools to Create a Text Warp -- Project: The Circus Tent Poster -- Horizontal Type and Vertical Type Tool Options -- Another Way to Warp Text -- Warping Text Continued -- Converting Text to a Path or Shape Layer -- Project: Bottle Label Warp -- Convert Text to Smart Object -- Adding Additional Layer Styles and Color to Warped Text -- Converting Text to Frames -- Project: The Circus Clown -- Type on a Curved Path -- Type on a Closed Path -- Summary -- Chapter 6: Working with Puppet Warp -- Project Puppet Warp: Cover a Bowl with a Pattern -- Scale the Pattern -- Using the Puppet Warp Smart Filter -- Puppet Warp Options -- What Are Pins? -- Placing Pins -- Tips About Pins -- Complete the Placing of the Pins -- Return to the Puppet Warp Options -- Smart Objects Smart Filter and Filter Effects Mask -- Adding a Layer Mask -- Using Free Transform Options After a Puppet Warp Has Been Applied -- Situation 1: When a Transform ➤ Warp Has Previously Been Applied -- Situation 2: When a Free Transform of Scale, Rotate, or Skew Has Already Been Applied, but not Warp -- Returning to the Current Project and Working with the Layer Mask -- Blending Modes and Layer Styles -- Blending Options. Bevel and Emboss -- Inner Glow -- Creating and Puppet Warping a Gradient Fill -- Adding Paint Layers -- Puppet Warp for Type and Shape Layers -- Summary -- Chapter 7: Perspective Warp and Content-Aware Scale -- Perspective Warp -- Project: Cherry Blossom Box -- Perspective Warp Options -- Smart Objects Smart Filter and Filter Effects Mask -- Adding a Layer Mask Using the Channels Panel -- Adding a Layer Style to Create Some Shadows -- Project: Cherry Blossom Box Part 2 -- Can You Detach or Delete One Quad Shape Plane? -- Improving the Perspective Warp -- Adding Layer Styles -- Using the Free Transform, Warp, or Puppet Warp Option After Applying Perspective Warp -- Perspective Warp for Type and Shape Layers -- Project: Touch Up Your Images After Using the Perspective Warp with the Content-Aware Move Tool -- Option 1: Use the Original Photo -- Option 2: Content-Aware Fill Workspace -- Option 3: Content-Aware Fill Dialog Box -- Option 4: Content-Aware Move Tool (J) -- Content-Aware Move Tool Options -- Content-Aware Scale -- Content-Aware Scale Options -- Project: Sky Replacement -- Summary -- Chapter 8: Basic Filters and Smart Filters -- Basic Filters -- Project: Working with Various Backgrounds and Filters -- Working in the Filter Gallery -- Artistic Folder -- Brush Strokes Folder -- Distort Folder -- Sketch Folder -- Stylize Folder -- Texture Folder -- Adjusting Textures -- Project: Loading a Custom Texture to Create Another Distortion -- Correcting Textures -- Combining Gallery Filters -- Adjusting Filter Masks -- Isolating a Selection on a Smart Filter Mask -- Smart Filter Blending Modes -- Basic Filters Continued -- Blur (Radial Blur and Shape Blur) -- Radial Blur -- Shape Blur -- Blur Gallery Workspace (Spin Blur, Path Blur) -- Spin Blur -- Effects Panel -- Noise Panel -- Motion Effects Panel -- Path Blur -- Spin and Path Blur Options. Distort Filters -- Displace -- Pinch -- Polar Coordinates -- Ripple -- Shear -- Spherize -- Twirl -- Wave -- ZigZag -- Noise Filters -- Pixelate (Crystalize, Mosaic, and Pointillize) -- Crystalize -- Mosaic -- Pointillize -- Render Filters -- Flame -- Project: Ring of Fire for Clown to Jump Through -- Flame Type -- Picture Frame -- Tree -- Project: Wreath -- Tree Type -- Other Render Filters -- Sharpen Filters -- Stylize Filters (Extrude and Oil Paint) -- Extrude -- Oil Paint -- Video and Other Filters (Maximum, Minimum) -- Combining Smart Filters and Using Masks -- Smart Filters for Shapes and Type Layers -- Project: Create a Simple GIF Animation Using Filter Distortions, The Swirling Tree Painting -- Create GIF Animation with the Timeline Panel -- Summary -- Chapter 9: Advanced Filters and Working with Smart Filters Part 1 -- Advanced Filters -- Adaptive Wide Angle (Correcting Distortion of Structures) -- Project: Straightening Room Dimensions with Adaptive Wide Angle -- Adaptive Wide Angle Tools (From Top to Bottom) -- Cropping an Image for Full Spherical -- Adaptive Wide Angle Options Continued -- Camera Raw Filter (Optics and Geometry) -- Project: Working with Camera Raw to Straighten Room Dimensions -- Edit Panel -- Basic Tab -- Curve Tab -- Detail Tab -- Color Mixer Tab -- Color Grading Tab -- Optics Tab -- Geometry Tab -- Effects Tab -- Calibration Tab -- Other Camera Raw Tool Panels for Photoshop and Bridge -- Crop and Rotate Tool (C) -- Healing (B) -- Masking Tool (M) -- Red Eye (Shift-E) -- Snapshots (Shift+S) -- Presets (Shift-P): -- Lens Correction -- Lens Correction Tools -- Auto Correction Tab -- Custom Tab -- Liquify Filter -- Project: Liquify (Minerals) -- Liquify Tools -- Project 2: Liquify (Human Faces) -- Properties Panel -- Properties for Face-Aware Liquify -- Properties for Load Mesh Options and View Options. Properties For Freeze Mask Options and View Options.
Record Nr.	UNINA-9910637739803321