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Bronstijd : Griekenland en Creta / samenstelling [by] F. T. Van Straten
| Bronstijd : Griekenland en Creta / samenstelling [by] F. T. Van Straten |
| Autore | Straten, Folkert T. : van |
| Pubbl/distr/stampa | Leiden : Rijksuniversiteit, Archeologisch institut, 1979 |
| Descrizione fisica | VIII, 374 p., [40] c. di tav. : ill. ; 30 cm |
| Disciplina | 709.38 |
| Soggetto topico |
Scultura greca - Bronzo - Creta
Antichità - Creta |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNISALENTO-991003113789707536 |
Straten, Folkert T. : van
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| Leiden : Rijksuniversiteit, Archeologisch institut, 1979 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. del Salento | ||
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Capturing Troy : the narrative functions of landscape in archaic and early classical Greek art / Guy Hedreen
| Capturing Troy : the narrative functions of landscape in archaic and early classical Greek art / Guy Hedreen |
| Autore | HEDREEN, Guy |
| Pubbl/distr/stampa | Ann Arbor : The University og Michigan Press, copyr. 2001 |
| Descrizione fisica | VI, 297 p., [28] p. di tav. : ill. ; 23 cm |
| Disciplina | 709.38 |
| Soggetto topico | Arte greca |
| ISBN | 0-472-11163-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNISA-990001382170203316 |
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HEDREEN, Guy
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| Ann Arbor : The University og Michigan Press, copyr. 2001 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
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Capturing Troy : the narrative functions of landscape in archaic and early classical Greek art / Guy Hedreen
| Capturing Troy : the narrative functions of landscape in archaic and early classical Greek art / Guy Hedreen |
| Autore | Hedreen, Guy Michael |
| Pubbl/distr/stampa | Ann Arbor : University of Michigan Press, c2001 |
| Descrizione fisica | VI, 297 p. : ill. ; 24 cm. |
| Disciplina | 709.38 |
| Soggetto topico | Arte - Grecia antica |
| ISBN | 0472111639 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNISALENTO-991003180139707536 |
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Hedreen, Guy Michael
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| Ann Arbor : University of Michigan Press, c2001 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. del Salento | ||
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Classical art and the cultures of Greece and Rome / John Onians
| Classical art and the cultures of Greece and Rome / John Onians |
| Autore | Onians, John |
| Pubbl/distr/stampa | New Haven ; London, : Yale University, c1999 |
| Descrizione fisica | 306 p. : ill. ; 27 cm |
| Disciplina | 709.38 |
| ISBN | 0-300-07533-2 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-990006419490403321 |
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Onians, John
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| New Haven ; London, : Yale University, c1999 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Classical art from Greece to Rome / Mary Beard and John Henderson
| Classical art from Greece to Rome / Mary Beard and John Henderson |
| Autore | BEARD, Mary |
| Pubbl/distr/stampa | Oxford, : Oxford University press, 2001 |
| Descrizione fisica | 298 p. : ill. ; 24 cm |
| Disciplina | 709.38 |
| Altri autori (Persone) | HENDERSON, John <1949-> |
| Collana | Oxford History of art |
| Soggetto topico | Arte classica |
| ISBN | 978-0-19-284237-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNISA-990002675470203316 |
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BEARD, Mary
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| Oxford, : Oxford University press, 2001 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
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La collezione Collisani = Die Sammlung Collisani / Archäologisches Institut der Universität Zürich ; herausgegeben von Hans Peter Isler und Michel Sguaitamatti
| La collezione Collisani = Die Sammlung Collisani / Archäologisches Institut der Universität Zürich ; herausgegeben von Hans Peter Isler und Michel Sguaitamatti |
| Autore | Universität <Zurigo>.Archäologisches Institut |
| Pubbl/distr/stampa | Zürich : [Archäologisches Institut der Universität], c1990 |
| Descrizione fisica | 219 p., 42, 2 p. di tav. : ill. ; 27 cm |
| Disciplina | 709.38 |
| Altri autori (Persone) |
Isler, Hans Peter
Sguaitamatti, Michel |
| Soggetto topico | Arte greca - Collezione Collisani - Zurigo - Università - Cataloghi |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | ger |
| Record Nr. | UNISALENTO-991003070549707536 |
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Universität <Zurigo>.Archäologisches Institut
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| Zürich : [Archäologisches Institut der Universität], c1990 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. del Salento | ||
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A companion to Greek art [[electronic resource] /] / edited by Tyler Jo Smith and Dimitris Plantzos
| A companion to Greek art [[electronic resource] /] / edited by Tyler Jo Smith and Dimitris Plantzos |
| Pubbl/distr/stampa | Malden, Mass. ; ; Oxford, : Wiley-Blackwell, 2012 |
| Descrizione fisica | 1 online resource (863 p.) |
| Disciplina | 709.38 |
| Collana |
Blackwell companions to the ancient world. Literature and culture
Companion to Greek art |
| Soggetto topico | Art, Greek - History |
| ISBN |
1-118-27331-1
1-118-27358-3 9786613616517 1-78268-962-1 1-118-27328-1 1-280-58668-0 1-118-27337-0 |
| Classificazione | ART015060 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Part I Introduction -- Chapter 1 The Greeks and their Art -- 1.1 Greek Art and Classical Archaeology -- 1.2 Greek Art after the Greeks -- 1.3 A Companion to Greek Art -- Part II Forms, Times, and Places -- Chapter 2 Chronology and Topography -- 2.1 Chronology -- 2.2 Topography -- 2.3 Conclusion -- Further Reading -- Chapter 3 Greek Decorated Pottery I: Athenian Vase-painting -- 3.1 Introduction -- 3.2 Late Bronze Age and Sub-Mycenaean -- 3.3 Protogeometric -- 3.4 Geometric -- 3.5 Protoattic -- 3.6 Painters and Techniques -- 3.7 Black-figure -- 3.8 Red-figure -- 3.9 Trade and Distribution -- 3.10 Pictures -- 3.11 Shapes -- 3.12 Chronology -- Further Reading -- Chapter 4 Greek Decorated Pottery II: Regions and Workshops -- 4.1 Introduction -- 4.2 Corinthian -- 4.3 Boeotian -- 4.4 Euboean -- 4.5 Lakonian -- 4.6 Elean -- 4.7 Cycladic -- 4.8 Cretan -- 4.9 East Greek -- 4.10 Northern Greek -- 4.11 Conclusion -- Acknowledgments -- Further Reading -- Chapter 5 Free-standing and Relief Sculpture -- 5.1 Introduction -- 5.2 The Geometric Period -- 5.3 The Archaic Period -- 5.4 The Classical Period -- 5.5 The Hellenistic Period -- Further Reading -- Chapter 6 Architecture in City and Sanctuary -- 6.1 Early Development in Greek Architecture -- 6.2 Forms and Conventions -- 6.3 The Temples -- 6.4 Other Buildings in Sanctuaries -- 6.5 City Planning -- 6.6 Public Structures in Greek Cities -- 6.7 Residential Structures -- 6.8 Tombs -- Further Reading -- Chapter 7 Architectural Sculpture -- 7.1 Introduction -- 7.2 Polychromy -- 7.3 Pediments -- 7.4 Friezes -- 7.5 Metopes -- 7.6 Acroteria -- 7.7 Sculptured Column Drums -- 7.8 Sculptured Ceiling Coffers -- 7.9 Caryatids and Telamons -- 7.10 Parapets -- 7.11 Medallion Busts -- 7.12 Testimonia -- Further Reading -- Chapter 8 Wall- and Panel-painting -- 8.1 Introduction -- 8.2 Techniques and Pigments -- 8.3 Tetrachromy, Polychromy, Skiagraphia -- 8.4 From Mimesis to Visual Trickery -- 8.5 The Evidence from Macedonian Tombs -- 8.6 Painting at the Time of Alexander and Later -- 8.7 Skenographia and the Invention of the Landscape -- 8.8 Art Criticism -- Further Reading -- Chapter 9 Mosaics -- 9.1 Pebble Mosaics: Origins, Function, and Design -- 9.2 Style and Chronology of Pebble Mosaics -- 9.3 Alternative Techniques, and the Development of Tessellated Mosaic -- 9.4 Tessellated Mosaics: Function and Meaning -- Further Reading -- Chapter 10 Luxury Arts -- 10.1 Introduction -- 10.2 Jewelry -- 10.3 Metal Vessels -- 10.4 Engraved Gems -- 10.5 Finger Rings -- Further Reading -- Chapter 11 Terracottas -- 11.1 Introduction -- 11.2 Technology -- 11.3 Types and Functions of Terracotta Figures -- 11.4 Terracottas, Bronzes, and Other Sculpture -- Further Reading -- Chapter 12 Coinages -- 12.1 Availability -- 12.2 Iconography -- 12.3 Opportunities -- 12.4 Weaknesses -- 12.5 The Die-engravers -- 12.6 Conclusion -- Further Reading -- Chapter 13 Workshops and Technology -- 13.1 Craft Workshops and the Community in the Greek World -- 13.2 The Potter's Workshop -- 13.3 The Smith's Workshop -- 13.4 The Sculptor's Workshop -- 13.5 Workshops -- 13.6 Borrowings and Breakthroughs -- 13.7 Social Standing and Appreciation -- Further Reading -- Chapter 14 Ancient Writers on Art -- 14.1 Introduction -- 14.2 Inscriptions -- 14.3 Artists' Treatises -- 14.4 Pliny and Pausanias -- 14.5 Homer and the Poets -- 14.6 Orators, Rhetoricians, and Essayists -- 14.7 Philosophers -- 14.8 Historians and Others -- 14.9 Conclusion -- Further Reading -- Part III Contacts and Colonies -- Chapter 15 Egypt and North Africa -- 15.1 Greeks in Egypt: Pre-Archaic Contacts (before 7th century BCE) -- 15.2 Greeks in Egypt: Archaic Contact -- 15.3 Naukratis -- 15.4 Other Sites -- 15.5 Decorated Pottery and Transport Amphorae -- 15.6 The Persian Conquest to the Ptolemies -- 15.7 Greek Colonies in North Africa -- 15.8 Conclusion -- Further Reading -- Chapter 16 Cyprus and the Near East -- 16.1 Introduction -- 16.2 The Greeks in Cyprus -- 16.3 The Greeks in Syria and the Levant -- 16.4 The Greeks in Persia -- 16.5 Conclusion -- Further Reading -- Chapter 17 Asia Minor -- 17.1 Introduction -- 17.2 Ionian Migration -- 17.3 Temples: An Exemplary Form of Greek Art and Architecture -- 17.4 Ionian, Phrygian, and Lydian Sculpture and Art -- 17.5 The Classical Period -- 17.6 The Hellenization of Dynastic Lycia -- 17.7 Alexander the Great and the Hellenistic Kingdoms -- 17.8 Sagalassos: From Rural Settlement to Hellenized Greek City -- Further Reading -- Chapter 18 The Black Sea -- 18.1 Introduction -- 18.2 First Traces of Greek Contacts -- 18.3 Foundation of Colonies and Greek Pottery Finds -- 18.4 Constitutions, Public Life, and Coinage -- 18.5 Agriculture, Handicrafts, and Fishing -- 18.6 Art and Warfare -- 18.7 Religion -- 18.8 Architecture -- 18.9 Sculpture, Painting, and Minor Arts -- 18.10 Graves and Burials -- 18.11 Greeks and Scythians -- 18.12 Greeks and Thracians -- 18.13 Eastern and Southern Black Sea -- Further Reading -- Chapter 19 Sicily and South Italy -- 19.1 Introduction -- 19.2 Late Geometric and Orientalizing -- 19.3 Archaic -- 19.4 Early Classical -- 19.5 High Classical -- 19.6 Late Classical -- 19.7 Hellenistic -- 19.8 Conclusion -- Further Reading -- Part IV Contacts and Colonies -- Chapter 20 Olympian Gods at Home and Abroad -- 20.1 Introduction -- 20.2 The Gods on the Parthenon Frieze -- 20.3 Gods on Earth: The Wedding of Peleus and Theti -- 0.4 Warfare and the Gods -- 20.5 A Hero Among the Gods -- 20.6 Epilogue: Gods and Mortals on the Parthenon -- Further Reading -- Chapter 21 Politics and Society -- 21.1 Introduction -- 21.2 Burial and Cultic Evidence, Iconography, and Iron Age Society -- 21.3 Tyrants, Aristocrats, and their Impact on Art in the Archaic Period -- 21.4 Images and Dedications of Famous and Anonymous People -- 21.5 The Impact of the Persian Wars on Early Classical Art (c. 490-450 bc) -- 21.6 Interaction of Civic Life and Visual Arts during the Classical Period -- 21.7 Epilogue: Hellenistic Art, Rulers, and Society -- Further Reading -- Chapter 22 Personification: Not Just a Symbolic Mode -- 22.1 Introduction -- 22.2 Personification in Greek Art -- 22.3 Personification and Agency -- Further Reading -- Chapter 23 The Non-Greek in Greek Art -- 23.1 Introduction -- 23.2 Encountering the Uncivilized -- 23.3 Pre-Classical Amazons -- 23.4 Legendary Trojans -- 23.5 Encountering Non-Greeks -- 23.6 Greeks versus Persians: Non-Greek Others in Monumental Art of the Classical Period -- 23.7 Conclusion -- Further Reading -- Chapter 24 Birth, Marriage, and Death -- 24.1 Introduction -- 24.2 Birth -- 24.3 Marriage -- 24.4 Death -- Further Reading -- Chapter 25 Age, Gender, and Social Identity -- 24.1 Introduction -- 24.2 Birth -- 24.3 Marriage -- 24.4 Death -- Further Reading -- Chapter 25 Age, Gender, and Social Identity -- 25.1 Introduction -- 25.2 Geometric to Archaic -- 25.3 Classical -- 25.4 Hellenistic -- Further Reading -- Chapter 26 Sex, Gender, and Sexuality -- 26.1 Introduction -- 26.2 The Seeming Transparency of Greek Art -- 26.3 Sex -- 26.4 Gender -- 26.5 Sexuality -- 26.6 Heterosexuality -- 26.7 Homosexuality -- 26.8 Conclusion -- Further Reading -- Chapter 27 Drinking and Dining -- 27.1 Introduction.27.2 The Changing Role of Dining from the Bronze Age to the Classical Period -- 27.3 The Symposion: A Definition -- 27.4 The Development of the Symposion -- 27.5 Sympotic Equipment -- 27.6 Decoration on Sympotic Vases -- 27.7 The Export Market -- 27.8 Drinking, Dining, and Greek Culture -- Further Reading -- Chapter 28 Competition, Festival, and Performance -- 28.1 Introduction -- 28.2 Athlete, Sport, and Games -- 28.3 Dance, Drama, and Dithyramb -- 28.4 'Tenella Kallinike' ('Hurrah, Fair Victor!') -- Further Reading -- Chapter 29 Figuring Religious Ritual -- 29.1 Introduction -- 29.2 Sacrifice, Procession, Consumption -- 29.3 Space, Gestures, Time -- 29.4 Dionysian Imagery -- Further Reading -- Chapter 30 Agency in Greek Art -- 30.1 Introduction: Agency and Pausanias -- 30.2 Concepts of Agency -- 30.3 From the François Vase to the Euphronios Krater -- 30.4 Myron's Diskobolos -- 30.5 Conclusion -- Acknowledgements -- Further Reading -- Part V Greek Art: Ancient to Antique -- Chapter 31 Greek Art through Roman Eyes -- 31.1 Introduction -- 31.2 Greek Art as Roman Art, and Vice Versa: The Tabula Iliaca Capitolina -- 31.3 Greek Art as Roman Cultural Capital: 'Cubiculum B' in the Villa Farnesina -- 31.4 Greek Art and Roman Decor: The Sperlonga Grotto -- 31.5 Conclusion: Greek Art through Roman Eyes -- Further Reading -- Chapter 32 Greek Art in Late Antiquity and Byzantium -- 32.1 Introduction -- 32.2 Athens -- 32.3 Constantinople -- Further Reading -- Chapter 33 The Antique Legacy from the Middle Ages to the Enlightenment -- 33.1 Introduction -- 33.2 The Medieval Period -- 33.3 The Renaissance -- 33.4 The Age of Enlightenment -- 33.5 Conclusion -- Acknowledgement -- Further Reading -- Chapter 34 Greek Art and the Grand Tour -- 34.1 The Grand Tour in Outline -- 34.2 Greek Art in Italy -- 34.3 What They Saw on the Grand Tour -- 34.4 Emma Hamilton's Attitudes. |
| Record Nr. | UNISA-996441543603316 |
| Malden, Mass. ; ; Oxford, : Wiley-Blackwell, 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
| ||
A companion to Greek art [[electronic resource] /] / edited by Tyler Jo Smith and Dimitris Plantzos
| A companion to Greek art [[electronic resource] /] / edited by Tyler Jo Smith and Dimitris Plantzos |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Malden, Mass. ; ; Oxford, : Wiley-Blackwell, 2012 |
| Descrizione fisica | 1 online resource (863 p.) |
| Disciplina | 709.38 |
| Collana |
Blackwell companions to the ancient world. Literature and culture
Companion to Greek art |
| Soggetto topico | Art, Greek - History |
| ISBN |
1-118-27331-1
1-118-27358-3 9786613616517 1-78268-962-1 1-118-27328-1 1-280-58668-0 1-118-27337-0 |
| Classificazione | ART015060 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Part I Introduction -- Chapter 1 The Greeks and their Art -- 1.1 Greek Art and Classical Archaeology -- 1.2 Greek Art after the Greeks -- 1.3 A Companion to Greek Art -- Part II Forms, Times, and Places -- Chapter 2 Chronology and Topography -- 2.1 Chronology -- 2.2 Topography -- 2.3 Conclusion -- Further Reading -- Chapter 3 Greek Decorated Pottery I: Athenian Vase-painting -- 3.1 Introduction -- 3.2 Late Bronze Age and Sub-Mycenaean -- 3.3 Protogeometric -- 3.4 Geometric -- 3.5 Protoattic -- 3.6 Painters and Techniques -- 3.7 Black-figure -- 3.8 Red-figure -- 3.9 Trade and Distribution -- 3.10 Pictures -- 3.11 Shapes -- 3.12 Chronology -- Further Reading -- Chapter 4 Greek Decorated Pottery II: Regions and Workshops -- 4.1 Introduction -- 4.2 Corinthian -- 4.3 Boeotian -- 4.4 Euboean -- 4.5 Lakonian -- 4.6 Elean -- 4.7 Cycladic -- 4.8 Cretan -- 4.9 East Greek -- 4.10 Northern Greek -- 4.11 Conclusion -- Acknowledgments -- Further Reading -- Chapter 5 Free-standing and Relief Sculpture -- 5.1 Introduction -- 5.2 The Geometric Period -- 5.3 The Archaic Period -- 5.4 The Classical Period -- 5.5 The Hellenistic Period -- Further Reading -- Chapter 6 Architecture in City and Sanctuary -- 6.1 Early Development in Greek Architecture -- 6.2 Forms and Conventions -- 6.3 The Temples -- 6.4 Other Buildings in Sanctuaries -- 6.5 City Planning -- 6.6 Public Structures in Greek Cities -- 6.7 Residential Structures -- 6.8 Tombs -- Further Reading -- Chapter 7 Architectural Sculpture -- 7.1 Introduction -- 7.2 Polychromy -- 7.3 Pediments -- 7.4 Friezes -- 7.5 Metopes -- 7.6 Acroteria -- 7.7 Sculptured Column Drums -- 7.8 Sculptured Ceiling Coffers -- 7.9 Caryatids and Telamons -- 7.10 Parapets -- 7.11 Medallion Busts -- 7.12 Testimonia -- Further Reading -- Chapter 8 Wall- and Panel-painting -- 8.1 Introduction -- 8.2 Techniques and Pigments -- 8.3 Tetrachromy, Polychromy, Skiagraphia -- 8.4 From Mimesis to Visual Trickery -- 8.5 The Evidence from Macedonian Tombs -- 8.6 Painting at the Time of Alexander and Later -- 8.7 Skenographia and the Invention of the Landscape -- 8.8 Art Criticism -- Further Reading -- Chapter 9 Mosaics -- 9.1 Pebble Mosaics: Origins, Function, and Design -- 9.2 Style and Chronology of Pebble Mosaics -- 9.3 Alternative Techniques, and the Development of Tessellated Mosaic -- 9.4 Tessellated Mosaics: Function and Meaning -- Further Reading -- Chapter 10 Luxury Arts -- 10.1 Introduction -- 10.2 Jewelry -- 10.3 Metal Vessels -- 10.4 Engraved Gems -- 10.5 Finger Rings -- Further Reading -- Chapter 11 Terracottas -- 11.1 Introduction -- 11.2 Technology -- 11.3 Types and Functions of Terracotta Figures -- 11.4 Terracottas, Bronzes, and Other Sculpture -- Further Reading -- Chapter 12 Coinages -- 12.1 Availability -- 12.2 Iconography -- 12.3 Opportunities -- 12.4 Weaknesses -- 12.5 The Die-engravers -- 12.6 Conclusion -- Further Reading -- Chapter 13 Workshops and Technology -- 13.1 Craft Workshops and the Community in the Greek World -- 13.2 The Potter's Workshop -- 13.3 The Smith's Workshop -- 13.4 The Sculptor's Workshop -- 13.5 Workshops -- 13.6 Borrowings and Breakthroughs -- 13.7 Social Standing and Appreciation -- Further Reading -- Chapter 14 Ancient Writers on Art -- 14.1 Introduction -- 14.2 Inscriptions -- 14.3 Artists' Treatises -- 14.4 Pliny and Pausanias -- 14.5 Homer and the Poets -- 14.6 Orators, Rhetoricians, and Essayists -- 14.7 Philosophers -- 14.8 Historians and Others -- 14.9 Conclusion -- Further Reading -- Part III Contacts and Colonies -- Chapter 15 Egypt and North Africa -- 15.1 Greeks in Egypt: Pre-Archaic Contacts (before 7th century BCE) -- 15.2 Greeks in Egypt: Archaic Contact -- 15.3 Naukratis -- 15.4 Other Sites -- 15.5 Decorated Pottery and Transport Amphorae -- 15.6 The Persian Conquest to the Ptolemies -- 15.7 Greek Colonies in North Africa -- 15.8 Conclusion -- Further Reading -- Chapter 16 Cyprus and the Near East -- 16.1 Introduction -- 16.2 The Greeks in Cyprus -- 16.3 The Greeks in Syria and the Levant -- 16.4 The Greeks in Persia -- 16.5 Conclusion -- Further Reading -- Chapter 17 Asia Minor -- 17.1 Introduction -- 17.2 Ionian Migration -- 17.3 Temples: An Exemplary Form of Greek Art and Architecture -- 17.4 Ionian, Phrygian, and Lydian Sculpture and Art -- 17.5 The Classical Period -- 17.6 The Hellenization of Dynastic Lycia -- 17.7 Alexander the Great and the Hellenistic Kingdoms -- 17.8 Sagalassos: From Rural Settlement to Hellenized Greek City -- Further Reading -- Chapter 18 The Black Sea -- 18.1 Introduction -- 18.2 First Traces of Greek Contacts -- 18.3 Foundation of Colonies and Greek Pottery Finds -- 18.4 Constitutions, Public Life, and Coinage -- 18.5 Agriculture, Handicrafts, and Fishing -- 18.6 Art and Warfare -- 18.7 Religion -- 18.8 Architecture -- 18.9 Sculpture, Painting, and Minor Arts -- 18.10 Graves and Burials -- 18.11 Greeks and Scythians -- 18.12 Greeks and Thracians -- 18.13 Eastern and Southern Black Sea -- Further Reading -- Chapter 19 Sicily and South Italy -- 19.1 Introduction -- 19.2 Late Geometric and Orientalizing -- 19.3 Archaic -- 19.4 Early Classical -- 19.5 High Classical -- 19.6 Late Classical -- 19.7 Hellenistic -- 19.8 Conclusion -- Further Reading -- Part IV Contacts and Colonies -- Chapter 20 Olympian Gods at Home and Abroad -- 20.1 Introduction -- 20.2 The Gods on the Parthenon Frieze -- 20.3 Gods on Earth: The Wedding of Peleus and Theti -- 0.4 Warfare and the Gods -- 20.5 A Hero Among the Gods -- 20.6 Epilogue: Gods and Mortals on the Parthenon -- Further Reading -- Chapter 21 Politics and Society -- 21.1 Introduction -- 21.2 Burial and Cultic Evidence, Iconography, and Iron Age Society -- 21.3 Tyrants, Aristocrats, and their Impact on Art in the Archaic Period -- 21.4 Images and Dedications of Famous and Anonymous People -- 21.5 The Impact of the Persian Wars on Early Classical Art (c. 490-450 bc) -- 21.6 Interaction of Civic Life and Visual Arts during the Classical Period -- 21.7 Epilogue: Hellenistic Art, Rulers, and Society -- Further Reading -- Chapter 22 Personification: Not Just a Symbolic Mode -- 22.1 Introduction -- 22.2 Personification in Greek Art -- 22.3 Personification and Agency -- Further Reading -- Chapter 23 The Non-Greek in Greek Art -- 23.1 Introduction -- 23.2 Encountering the Uncivilized -- 23.3 Pre-Classical Amazons -- 23.4 Legendary Trojans -- 23.5 Encountering Non-Greeks -- 23.6 Greeks versus Persians: Non-Greek Others in Monumental Art of the Classical Period -- 23.7 Conclusion -- Further Reading -- Chapter 24 Birth, Marriage, and Death -- 24.1 Introduction -- 24.2 Birth -- 24.3 Marriage -- 24.4 Death -- Further Reading -- Chapter 25 Age, Gender, and Social Identity -- 24.1 Introduction -- 24.2 Birth -- 24.3 Marriage -- 24.4 Death -- Further Reading -- Chapter 25 Age, Gender, and Social Identity -- 25.1 Introduction -- 25.2 Geometric to Archaic -- 25.3 Classical -- 25.4 Hellenistic -- Further Reading -- Chapter 26 Sex, Gender, and Sexuality -- 26.1 Introduction -- 26.2 The Seeming Transparency of Greek Art -- 26.3 Sex -- 26.4 Gender -- 26.5 Sexuality -- 26.6 Heterosexuality -- 26.7 Homosexuality -- 26.8 Conclusion -- Further Reading -- Chapter 27 Drinking and Dining -- 27.1 Introduction.27.2 The Changing Role of Dining from the Bronze Age to the Classical Period -- 27.3 The Symposion: A Definition -- 27.4 The Development of the Symposion -- 27.5 Sympotic Equipment -- 27.6 Decoration on Sympotic Vases -- 27.7 The Export Market -- 27.8 Drinking, Dining, and Greek Culture -- Further Reading -- Chapter 28 Competition, Festival, and Performance -- 28.1 Introduction -- 28.2 Athlete, Sport, and Games -- 28.3 Dance, Drama, and Dithyramb -- 28.4 'Tenella Kallinike' ('Hurrah, Fair Victor!') -- Further Reading -- Chapter 29 Figuring Religious Ritual -- 29.1 Introduction -- 29.2 Sacrifice, Procession, Consumption -- 29.3 Space, Gestures, Time -- 29.4 Dionysian Imagery -- Further Reading -- Chapter 30 Agency in Greek Art -- 30.1 Introduction: Agency and Pausanias -- 30.2 Concepts of Agency -- 30.3 From the François Vase to the Euphronios Krater -- 30.4 Myron's Diskobolos -- 30.5 Conclusion -- Acknowledgements -- Further Reading -- Part V Greek Art: Ancient to Antique -- Chapter 31 Greek Art through Roman Eyes -- 31.1 Introduction -- 31.2 Greek Art as Roman Art, and Vice Versa: The Tabula Iliaca Capitolina -- 31.3 Greek Art as Roman Cultural Capital: 'Cubiculum B' in the Villa Farnesina -- 31.4 Greek Art and Roman Decor: The Sperlonga Grotto -- 31.5 Conclusion: Greek Art through Roman Eyes -- Further Reading -- Chapter 32 Greek Art in Late Antiquity and Byzantium -- 32.1 Introduction -- 32.2 Athens -- 32.3 Constantinople -- Further Reading -- Chapter 33 The Antique Legacy from the Middle Ages to the Enlightenment -- 33.1 Introduction -- 33.2 The Medieval Period -- 33.3 The Renaissance -- 33.4 The Age of Enlightenment -- 33.5 Conclusion -- Acknowledgement -- Further Reading -- Chapter 34 Greek Art and the Grand Tour -- 34.1 The Grand Tour in Outline -- 34.2 Greek Art in Italy -- 34.3 What They Saw on the Grand Tour -- 34.4 Emma Hamilton's Attitudes. |
| Record Nr. | UNINA-9910208842803321 |
| Malden, Mass. ; ; Oxford, : Wiley-Blackwell, 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Corinto antica : i musei di Corinto, Istmia e Sicione / Nikos Papahatzis
| Corinto antica : i musei di Corinto, Istmia e Sicione / Nikos Papahatzis |
| Autore | Papahatzis, Nikos |
| Pubbl/distr/stampa | Atene : Athenon, 1985 |
| Descrizione fisica | 112 p., [2] c. di tav. : ill. ; 24 cm |
| Disciplina | 709.38 |
| Soggetto topico | Arte greca - Corinto |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | ita |
| Record Nr. | UNISALENTO-991003092589707536 |
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Papahatzis, Nikos
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| Atene : Athenon, 1985 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. del Salento | ||
| ||
La cultura ellenistica : le arti figurative / di Roland Martin ... [et al.]
| La cultura ellenistica : le arti figurative / di Roland Martin ... [et al.] |
| Autore | Bianchi Bandinelli, Ranuccio |
| Pubbl/distr/stampa | Milano : Bompiani, c1977 |
| Descrizione fisica | P. 378-592, LXXXIV, 80 p. di tav. : ill. ; 23 cm |
| Disciplina | 709.38 |
| Altri autori (Persone) | Martin, Rolandauthor |
| Collana | Storia e civiltà dei Greci ; 10 |
| Soggetto topico | Arte ellenistica |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | ita |
| Record Nr. | UNISALENTO-991002857379707536 |
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Bianchi Bandinelli, Ranuccio
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| Milano : Bompiani, c1977 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. del Salento | ||
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