La trama delle arti : parole, musica, immagini / G. P. Minardi, G. Silvani, V. Strukelj |
Autore | MINARDI, Gian Paolo |
Pubbl/distr/stampa | Parma : MUP, copyr. 2004 |
Descrizione fisica | 230 p. : ill. ; 24 cm |
Disciplina |
704.9484
398.2 |
Altri autori (Persone) |
SILVANI, Giovanna
STRUKELJ, Vanja |
Soggetto (Persona) | Rossetti, Dante Gabriele Poesia |
Soggetto topico |
Salomé - Iconografia
Salomé - Mito - Sec. 19 Tannhauser - Mito - Sec. 19 |
ISBN | 88-887-1088-4 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | ita |
Record Nr. | UNISA-990002698060203316 |
MINARDI, Gian Paolo
![]() |
||
Parma : MUP, copyr. 2004 | ||
![]() | ||
Lo trovi qui: Univ. di Salerno | ||
|
Le grandi donne della Bibbia / introduzione di Gianfranco ravasi ; testi di Elena Bosetti... et al. ; tavole originali di Salvatore Fiume |
Pubbl/distr/stampa | Cinisello Balsamo : San Paolo, 1995 |
Descrizione fisica | 237 p. : ill. ; 31 cm |
Disciplina | 704.9484 |
Soggetto topico | Bibbia - Donne |
ISBN | 88-215-3041-8 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | ita |
Record Nr. | UNISA-990000691070203316 |
Cinisello Balsamo : San Paolo, 1995 | ||
![]() | ||
Lo trovi qui: Univ. di Salerno | ||
|
Picturing the apocalypse : the book of revelation in the arts over two millennia / / Natasha O'Hear, Anthony O'Hear |
Autore | O'Hear Natasha |
Edizione | [First edition.] |
Pubbl/distr/stampa | Oxford, England : , : Oxford University Press, , 2015 |
Descrizione fisica | 1 online resource (388 p.) |
Disciplina | 704.9484 |
Soggetto topico | Apocalypse in art |
Soggetto genere / forma | Electronic books. |
ISBN |
0-19-100296-8
0-19-100295-X |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Cover; Picturing the Apocalypse: The Book of Revelation in the Arts Over two Millennia; Copyright; Dedication; Acknowledgements; Contents; List of Illustrations; List of Plates; List of Tables; Introduction: Revelation: Meanings and Interpretations; Revelation: relevant for today? ; Outline of Revelation; One narrative or many? Finding a way into Revelation; Revelation and the end times; Revelation as an inspiration to art; Key works of art referred to in this book; The Trier Apocalypse; The Beatus Apocalypses; The Anglo-Norman Apocalypses; The Angers Apocalypse Tapestry
The Flemish ApocalypseThe Ghent Altarpiece; Memling's St John Altarpiece; The Apocalypse series of Albrecht Dürer and Lucas Cranach ; William Blake's Apocalypse images; Max Beckmann; 1: The Angel of the Apocalypse: John's Journey and his Angelic Guides; John's prophetic commission; The vision of the heavenly throne room; The mighty angel (Rev. 10); Warrior angels; Angels in the New Jerusalem; Conclusion; 2: The Lamb ; The Lamb in Revelation; The Lamb in visual imagery; Medieval visualizations of the Lamb; Later visualizations of the Lamb; The Lamb in music; Conclusion; 3: The Four Horsemen The Four Horsemen in RevelationThe Four Horsemen in visual imagery; Medieval images; Dürer and Cranach and the Four Horsemen; The Four Horsemen in the eighteenth and nineteenth centuries; The Four Horsemen in twentieth-century satire; Conclusion; 4: The Seven Seals: Angelic Destruction; Revelation's sequences of seven; Depictions of the sequences of seven; The Seven Seals; The Trinity Apocalypse; El Greco; Danby's The Opening of the Sixth Seal; The Seventh Seal; The Seven Trumpets; The Trinity Apocalypse; Dürer and the Seven Trumpets; Coppola's Apocalypse Now; The Seven Bowls The Flemish ApocalypseConclusion; 5: The Woman Clothed with the Sun ; The Woman Clothed with the Sun in Revelation ; Imagery of the Woman Clothed with the Sun ; Medieval visualizations; The fourteenth and fifteenth centuries; Velázquez, Blake, Redon; Twentieth-century visualizations; Conclusion; 6: The Satanic Trinity ; Interpreting the Beasts; The Beasts in visual imagery; Medieval Beasts; The Beasts in the Renaissance: Antichrist and the church; The papal Beast: the Beasts and the Reformation; William Blake and the Beasts of Revelation; The Beasts and modernity; Conclusion 7: The Whore of BabylonInterpreting the Whore of Babylon; The Whore of Babylon in visual imagery; Medieval interpretations; Renaissance and Reformation visualizations; Blake and modern interpretations; Conclusion; 8: Armageddon, the Millennium, and the Last Judgement ; Armageddon; Images of Armageddon; Medieval visualizations of Armageddon; Modern visualizations of Armageddon; The Millennium; Images of the Millennium; The Last Judgement; Images of the Last Judgement; Conclusion; 9: The New Jerusalem; The meaning of the New Jerusalem; Visualizations of the New Jerusalem The New Jerusalem as cathedral |
Record Nr. | UNINA-9910460972803321 |
O'Hear Natasha
![]() |
||
Oxford, England : , : Oxford University Press, , 2015 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
|
Picturing the apocalypse : the book of revelation in the arts over two millennia / / Natasha O'Hear, Anthony O'Hear |
Autore | O'Hear Natasha |
Edizione | [First edition.] |
Pubbl/distr/stampa | Oxford, England : , : Oxford University Press, , 2015 |
Descrizione fisica | 1 online resource (388 p.) |
Disciplina | 704.9484 |
Soggetto topico | Apocalypse in art |
ISBN |
0-19-100296-8
0-19-100295-X |
Classificazione | 20.21 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Cover; Picturing the Apocalypse: The Book of Revelation in the Arts Over two Millennia; Copyright; Dedication; Acknowledgements; Contents; List of Illustrations; List of Plates; List of Tables; Introduction: Revelation: Meanings and Interpretations; Revelation: relevant for today? ; Outline of Revelation; One narrative or many? Finding a way into Revelation; Revelation and the end times; Revelation as an inspiration to art; Key works of art referred to in this book; The Trier Apocalypse; The Beatus Apocalypses; The Anglo-Norman Apocalypses; The Angers Apocalypse Tapestry
The Flemish ApocalypseThe Ghent Altarpiece; Memling's St John Altarpiece; The Apocalypse series of Albrecht Dürer and Lucas Cranach ; William Blake's Apocalypse images; Max Beckmann; 1: The Angel of the Apocalypse: John's Journey and his Angelic Guides; John's prophetic commission; The vision of the heavenly throne room; The mighty angel (Rev. 10); Warrior angels; Angels in the New Jerusalem; Conclusion; 2: The Lamb ; The Lamb in Revelation; The Lamb in visual imagery; Medieval visualizations of the Lamb; Later visualizations of the Lamb; The Lamb in music; Conclusion; 3: The Four Horsemen The Four Horsemen in RevelationThe Four Horsemen in visual imagery; Medieval images; Dürer and Cranach and the Four Horsemen; The Four Horsemen in the eighteenth and nineteenth centuries; The Four Horsemen in twentieth-century satire; Conclusion; 4: The Seven Seals: Angelic Destruction; Revelation's sequences of seven; Depictions of the sequences of seven; The Seven Seals; The Trinity Apocalypse; El Greco; Danby's The Opening of the Sixth Seal; The Seventh Seal; The Seven Trumpets; The Trinity Apocalypse; Dürer and the Seven Trumpets; Coppola's Apocalypse Now; The Seven Bowls The Flemish ApocalypseConclusion; 5: The Woman Clothed with the Sun ; The Woman Clothed with the Sun in Revelation ; Imagery of the Woman Clothed with the Sun ; Medieval visualizations; The fourteenth and fifteenth centuries; Velázquez, Blake, Redon; Twentieth-century visualizations; Conclusion; 6: The Satanic Trinity ; Interpreting the Beasts; The Beasts in visual imagery; Medieval Beasts; The Beasts in the Renaissance: Antichrist and the church; The papal Beast: the Beasts and the Reformation; William Blake and the Beasts of Revelation; The Beasts and modernity; Conclusion 7: The Whore of BabylonInterpreting the Whore of Babylon; The Whore of Babylon in visual imagery; Medieval interpretations; Renaissance and Reformation visualizations; Blake and modern interpretations; Conclusion; 8: Armageddon, the Millennium, and the Last Judgement ; Armageddon; Images of Armageddon; Medieval visualizations of Armageddon; Modern visualizations of Armageddon; The Millennium; Images of the Millennium; The Last Judgement; Images of the Last Judgement; Conclusion; 9: The New Jerusalem; The meaning of the New Jerusalem; Visualizations of the New Jerusalem The New Jerusalem as cathedral |
Record Nr. | UNINA-9910797390403321 |
O'Hear Natasha
![]() |
||
Oxford, England : , : Oxford University Press, , 2015 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
|
Picturing the apocalypse : the book of revelation in the arts over two millennia / / Natasha O'Hear, Anthony O'Hear |
Autore | O'Hear Natasha |
Edizione | [First edition.] |
Pubbl/distr/stampa | Oxford, England : , : Oxford University Press, , 2015 |
Descrizione fisica | 1 online resource (388 p.) |
Disciplina | 704.9484 |
Soggetto topico | Apocalypse in art |
ISBN |
0-19-100296-8
0-19-100295-X |
Classificazione | 20.21 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Cover; Picturing the Apocalypse: The Book of Revelation in the Arts Over two Millennia; Copyright; Dedication; Acknowledgements; Contents; List of Illustrations; List of Plates; List of Tables; Introduction: Revelation: Meanings and Interpretations; Revelation: relevant for today? ; Outline of Revelation; One narrative or many? Finding a way into Revelation; Revelation and the end times; Revelation as an inspiration to art; Key works of art referred to in this book; The Trier Apocalypse; The Beatus Apocalypses; The Anglo-Norman Apocalypses; The Angers Apocalypse Tapestry
The Flemish ApocalypseThe Ghent Altarpiece; Memling's St John Altarpiece; The Apocalypse series of Albrecht Dürer and Lucas Cranach ; William Blake's Apocalypse images; Max Beckmann; 1: The Angel of the Apocalypse: John's Journey and his Angelic Guides; John's prophetic commission; The vision of the heavenly throne room; The mighty angel (Rev. 10); Warrior angels; Angels in the New Jerusalem; Conclusion; 2: The Lamb ; The Lamb in Revelation; The Lamb in visual imagery; Medieval visualizations of the Lamb; Later visualizations of the Lamb; The Lamb in music; Conclusion; 3: The Four Horsemen The Four Horsemen in RevelationThe Four Horsemen in visual imagery; Medieval images; Dürer and Cranach and the Four Horsemen; The Four Horsemen in the eighteenth and nineteenth centuries; The Four Horsemen in twentieth-century satire; Conclusion; 4: The Seven Seals: Angelic Destruction; Revelation's sequences of seven; Depictions of the sequences of seven; The Seven Seals; The Trinity Apocalypse; El Greco; Danby's The Opening of the Sixth Seal; The Seventh Seal; The Seven Trumpets; The Trinity Apocalypse; Dürer and the Seven Trumpets; Coppola's Apocalypse Now; The Seven Bowls The Flemish ApocalypseConclusion; 5: The Woman Clothed with the Sun ; The Woman Clothed with the Sun in Revelation ; Imagery of the Woman Clothed with the Sun ; Medieval visualizations; The fourteenth and fifteenth centuries; Velázquez, Blake, Redon; Twentieth-century visualizations; Conclusion; 6: The Satanic Trinity ; Interpreting the Beasts; The Beasts in visual imagery; Medieval Beasts; The Beasts in the Renaissance: Antichrist and the church; The papal Beast: the Beasts and the Reformation; William Blake and the Beasts of Revelation; The Beasts and modernity; Conclusion 7: The Whore of BabylonInterpreting the Whore of Babylon; The Whore of Babylon in visual imagery; Medieval interpretations; Renaissance and Reformation visualizations; Blake and modern interpretations; Conclusion; 8: Armageddon, the Millennium, and the Last Judgement ; Armageddon; Images of Armageddon; Medieval visualizations of Armageddon; Modern visualizations of Armageddon; The Millennium; Images of the Millennium; The Last Judgement; Images of the Last Judgement; Conclusion; 9: The New Jerusalem; The meaning of the New Jerusalem; Visualizations of the New Jerusalem The New Jerusalem as cathedral |
Record Nr. | UNINA-9910808014303321 |
O'Hear Natasha
![]() |
||
Oxford, England : , : Oxford University Press, , 2015 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
|
Pontius Pilate, anti-semitism, and the Passion in medieval art / Colum Hourihane |
Autore | HOURIHANE, Colum |
Pubbl/distr/stampa | Princeton and Oxford : Princeton University Press, 2009 |
Descrizione fisica | XIII, 464 p. : ill. ; 27 cm |
Disciplina | 704.9484 |
Soggetto topico | Iconografia - Temi [:] Pilato, Ponzio - Sec. 6.-15 |
ISBN | 978-0-691-13956-2 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Record Nr. | UNISA-990002087580203316 |
HOURIHANE, Colum
![]() |
||
Princeton and Oxford : Princeton University Press, 2009 | ||
![]() | ||
Lo trovi qui: Univ. di Salerno | ||
|
S. Angelo in Formis : il tempio, la basilica, gli angeli : la Bibbia che parla attraverso le immagini / Francesco Duonnolo |
Autore | DUONNOLO, Francesco |
Pubbl/distr/stampa | [s.l.] : Lavieri, 2004 |
Descrizione fisica | 103 p. : ill. ; 24 cm. |
Disciplina | 704.9484 |
Collana | Imago |
Soggetto topico | S. Angelo in Formis - Iconografia |
ISBN | 88-89312-00-9 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | ita |
Record Nr. | UNISA-990002190140203316 |
DUONNOLO, Francesco
![]() |
||
[s.l.] : Lavieri, 2004 | ||
![]() | ||
Lo trovi qui: Univ. di Salerno | ||
|
Salomè : immagini di un mito / Eleonora Bairati |
Autore | BAIRATI, Eleonora |
Pubbl/distr/stampa | Nuoro : Ilisso, copyr. 1998 |
Descrizione fisica | 206 p. : ill. ; 25 cm |
Disciplina | 704.9484 |
Collana | Appunti d'arte |
Soggetto (Persona) | Salomè Iconografia |
ISBN | 88-85098-70-3 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | ita |
Record Nr. | UNISA-990003038400203316 |
BAIRATI, Eleonora
![]() |
||
Nuoro : Ilisso, copyr. 1998 | ||
![]() | ||
Lo trovi qui: Univ. di Salerno | ||
|
Simbolo e narrazione : linee di sviluppo formali e ideologiche dell'iconografia di Giona tra III e VI secolo / Nicoletta Bonansea |
Autore | BONANSEA, Nicoletta |
Pubbl/distr/stampa | Spoleto : Fondazione Centro italiano di studi sull'alto Medioevo, 2013 |
Descrizione fisica | XII, 272 p., [4] carte di tav. : ill. ; 24 cm |
Disciplina | 704.9484 |
Collana | Istituzioni e società |
Soggetto topico | Giona - Iconografia - Sec. 3.-6. |
ISBN | 978-88-7988-988-9 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | ita |
Record Nr. | UNISA-990005982980203316 |
BONANSEA, Nicoletta
![]() |
||
Spoleto : Fondazione Centro italiano di studi sull'alto Medioevo, 2013 | ||
![]() | ||
Lo trovi qui: Univ. di Salerno | ||
|
William Blake's illustrations to the book of job / Bo Lindberg |
Autore | Lindberg, Bo |
Pubbl/distr/stampa | Åbo : Åbo Akademi, 1973 |
Descrizione fisica | 70 p. : ill. ; 25 cm |
Disciplina | 704.9484 |
Collana | Acta Academiae Aboensis. Series A, Humaniora ; 46 |
Soggetto topico | Blake, William (1757-1827) - Illustrazioni alla Bibbia |
ISBN | 9516480535 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Record Nr. | UNISALENTO-991002854199707536 |
Lindberg, Bo
![]() |
||
Åbo : Åbo Akademi, 1973 | ||
![]() | ||
Lo trovi qui: Univ. del Salento | ||
|