Performing Russia : folk revival and Russian identity / / Laura J. Olson |
Autore | Olson Laura J. <1962, > |
Pubbl/distr/stampa | New York : , : RoutledgeCurzon, , 2004 |
Descrizione fisica | 1 online resource (295 p.) |
Disciplina |
306.4/84
306.4840947 390.0947 |
Collana | BASEES/RoutledgeCurzon series on Russian and East European studies |
Soggetto topico |
Folk music - Russia (Federation) - History and criticism
Folk music - Social aspects - Russia (Federation) |
ISBN |
1-134-34107-5
0-203-38989-1 1-134-34108-3 1-280-02519-0 0-203-31757-2 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Book Cover; Title; Contents; Illustrations; Acknowledgements; Introduction; The Invention and Re-invention of Folk Music in Pre-Revolutionary Russia; A Unified National Style: Folklore Performance in the Soviet Context; The Origins of the Russian Folk Revival Movement; Revival and Identity after Socialism; Power and Ritual: Russian Nationalism and Representations of the Folk, Orthodoxy, Imperial Russia and the Cossackry; Performing Masculinity: Cossack Myth and Reality in Post-Soviet Revival Movements; The Village Revives
Making Memory: How Urban Intellectuals Reinvent Russian Village TraditionsConclusion: Folklore and Popular Culture; Appendix: List of Interviews, by interviewee and by location; Notes; Index |
Record Nr. | UNINA-9910783976803321 |
Olson Laura J. <1962, >
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New York : , : RoutledgeCurzon, , 2004 | ||
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Lo trovi qui: Univ. Federico II | ||
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Performing Russia : folk revival and Russian identity / / Laura J. Olson |
Autore | Olson Laura J. <1962, > |
Pubbl/distr/stampa | New York : , : RoutledgeCurzon, , 2004 |
Descrizione fisica | 1 online resource (295 p.) |
Disciplina |
306.4/84
306.4840947 390.0947 |
Collana | BASEES/RoutledgeCurzon series on Russian and East European studies |
Soggetto topico |
Folk music - Russia (Federation) - History and criticism
Folk music - Social aspects - Russia (Federation) |
ISBN |
1-134-34107-5
0-203-38989-1 1-134-34108-3 1-280-02519-0 0-203-31757-2 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Book Cover; Title; Contents; Illustrations; Acknowledgements; Introduction; The Invention and Re-invention of Folk Music in Pre-Revolutionary Russia; A Unified National Style: Folklore Performance in the Soviet Context; The Origins of the Russian Folk Revival Movement; Revival and Identity after Socialism; Power and Ritual: Russian Nationalism and Representations of the Folk, Orthodoxy, Imperial Russia and the Cossackry; Performing Masculinity: Cossack Myth and Reality in Post-Soviet Revival Movements; The Village Revives
Making Memory: How Urban Intellectuals Reinvent Russian Village TraditionsConclusion: Folklore and Popular Culture; Appendix: List of Interviews, by interviewee and by location; Notes; Index |
Record Nr. | UNINA-9910820836703321 |
Olson Laura J. <1962, >
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New York : , : RoutledgeCurzon, , 2004 | ||
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Lo trovi qui: Univ. Federico II | ||
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Recorded music in American life [[electronic resource] ] : the phonograph and popular memory, 1890-1945 / / William Howland Kenney |
Autore | Kenney William Howland |
Pubbl/distr/stampa | New York, : Oxford University Press, 1999 |
Descrizione fisica | 1 online resource (279 p.) |
Disciplina | 306.4/84 |
Soggetto topico |
Popular music - Social aspects - United States
Phonograph - Social aspects - United States Sound recording industry - United States - History Popular culture - United States - History - 20th century |
Soggetto genere / forma | Electronic books. |
ISBN |
0-19-988014-X
0-19-534678-5 1-282-36697-1 0-19-802604-8 9786612366970 0-19-517177-2 1-60256-489-2 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Contents; Introduction: Recorded Music and Collective Memory; 1 Two ""Circles of Resonance"": Audience Uses of Recorded Music; 2 ""The Coney Island Crowd"": The Phonograph and Popular Recordings before World War I; 3 ""His Master's Voice"": The Victor Talking Machine Company and the Social Reconstruction of the Phonograph; 4 The Phonograph and the Evolution of ""Foreign"" and ""Ethnic"" Records; 5 The Gendered Phonograph: Women and Recorded Sound, 1890-1930; 6 African American Blues and the Phonograph: From Race Records to Rhythm and Blues
7 Economics and the Invention of Hillbilly Records in the South8 A Renewed Flow of Memories: The Depression and the Struggle over ""Hit Records""; 9 Popular Recorded Music within the Context of National Life; Notes; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; Y; Z |
Record Nr. | UNINA-9910465778203321 |
Kenney William Howland
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New York, : Oxford University Press, 1999 | ||
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Lo trovi qui: Univ. Federico II | ||
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Recorded music in American life [[electronic resource] ] : the phonograph and popular memory, 1890-1945 / / William Howland Kenney |
Autore | Kenney William Howland |
Pubbl/distr/stampa | New York, : Oxford University Press, 1999 |
Descrizione fisica | 1 online resource (279 p.) |
Disciplina | 306.4/84 |
Soggetto topico |
Popular music - Social aspects - United States
Phonograph - Social aspects - United States Sound recording industry - United States - History Popular culture - United States - History - 20th century |
ISBN |
0-19-988014-X
0-19-534678-5 1-282-36697-1 0-19-802604-8 9786612366970 0-19-517177-2 1-60256-489-2 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Contents; Introduction: Recorded Music and Collective Memory; 1 Two ""Circles of Resonance"": Audience Uses of Recorded Music; 2 ""The Coney Island Crowd"": The Phonograph and Popular Recordings before World War I; 3 ""His Master's Voice"": The Victor Talking Machine Company and the Social Reconstruction of the Phonograph; 4 The Phonograph and the Evolution of ""Foreign"" and ""Ethnic"" Records; 5 The Gendered Phonograph: Women and Recorded Sound, 1890-1930; 6 African American Blues and the Phonograph: From Race Records to Rhythm and Blues
7 Economics and the Invention of Hillbilly Records in the South8 A Renewed Flow of Memories: The Depression and the Struggle over ""Hit Records""; 9 Popular Recorded Music within the Context of National Life; Notes; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; Y; Z |
Record Nr. | UNINA-9910792228603321 |
Kenney William Howland
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New York, : Oxford University Press, 1999 | ||
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Lo trovi qui: Univ. Federico II | ||
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Recorded music in American life [[electronic resource] ] : the phonograph and popular memory, 1890-1945 / / William Howland Kenney |
Autore | Kenney William Howland |
Edizione | [1st ed.] |
Pubbl/distr/stampa | New York, : Oxford University Press, 1999 |
Descrizione fisica | 1 online resource (279 p.) |
Disciplina | 306.4/84 |
Soggetto topico |
Popular music - Social aspects - United States
Phonograph - Social aspects - United States Sound recording industry - United States - History Popular culture - United States - History - 20th century |
ISBN |
0-19-988014-X
0-19-534678-5 1-282-36697-1 0-19-802604-8 9786612366970 0-19-517177-2 1-60256-489-2 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Contents; Introduction: Recorded Music and Collective Memory; 1 Two ""Circles of Resonance"": Audience Uses of Recorded Music; 2 ""The Coney Island Crowd"": The Phonograph and Popular Recordings before World War I; 3 ""His Master's Voice"": The Victor Talking Machine Company and the Social Reconstruction of the Phonograph; 4 The Phonograph and the Evolution of ""Foreign"" and ""Ethnic"" Records; 5 The Gendered Phonograph: Women and Recorded Sound, 1890-1930; 6 African American Blues and the Phonograph: From Race Records to Rhythm and Blues
7 Economics and the Invention of Hillbilly Records in the South8 A Renewed Flow of Memories: The Depression and the Struggle over ""Hit Records""; 9 Popular Recorded Music within the Context of National Life; Notes; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; Y; Z |
Record Nr. | UNINA-9910814440103321 |
Kenney William Howland
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New York, : Oxford University Press, 1999 | ||
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Lo trovi qui: Univ. Federico II | ||
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The rhetoric of moral protest : public campaigns, celebrity endorsement, and political mobilization / / Christian Lahusen |
Autore | Lahusen Christian |
Edizione | [Reprint 2013] |
Pubbl/distr/stampa | Berlin ; ; New York : , : W. de Gruyter, , 1996 |
Descrizione fisica | 1 online resource (444 pages) : illustrations, music |
Disciplina | 306.4/84 |
Collana |
de Gruyter Studies in Organization
De Gruyter studies in organization |
Soggetto topico |
Popular music - Political aspects
Music - Social aspects Advertising campaigns Social movements |
Soggetto genere / forma | Electronic books. |
ISBN | 3-11-081325-4 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | part I. Towards a theory of political mobilization -- part II. Investing in popular music : the opportunities for campaigning -- part III. Designing and composing protest simulacra : the campaign events and artifacts -- part IV. Understanding and explaining mobilization : campaign strategies and organized collective action -- part V. The globalization of collective action : international campaigns in context. |
Record Nr. | UNINA-9910465046503321 |
Lahusen Christian
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Berlin ; ; New York : , : W. de Gruyter, , 1996 | ||
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Lo trovi qui: Univ. Federico II | ||
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The rhetoric of moral protest : public campaigns, celebrity endorsement, and political mobilization / / Christian Lahusen |
Autore | Lahusen Christian |
Edizione | [Reprint 2013] |
Pubbl/distr/stampa | Berlin ; ; New York : , : W. de Gruyter, , 1996 |
Descrizione fisica | 1 online resource (444 pages) : illustrations, music |
Disciplina | 306.4/84 |
Collana |
de Gruyter Studies in Organization
De Gruyter studies in organization |
Soggetto topico |
Popular music - Political aspects
Music - Social aspects Advertising campaigns Social movements |
ISBN | 3-11-081325-4 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | part I. Towards a theory of political mobilization -- part II. Investing in popular music : the opportunities for campaigning -- part III. Designing and composing protest simulacra : the campaign events and artifacts -- part IV. Understanding and explaining mobilization : campaign strategies and organized collective action -- part V. The globalization of collective action : international campaigns in context. |
Record Nr. | UNINA-9910789149403321 |
Lahusen Christian
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Berlin ; ; New York : , : W. de Gruyter, , 1996 | ||
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Lo trovi qui: Univ. Federico II | ||
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The rhetoric of moral protest : public campaigns, celebrity endorsement, and political mobilization / / Christian Lahusen |
Autore | Lahusen Christian |
Edizione | [Reprint 2013] |
Pubbl/distr/stampa | Berlin ; ; New York : , : W. de Gruyter, , 1996 |
Descrizione fisica | 1 online resource (444 pages) : illustrations, music |
Disciplina | 306.4/84 |
Collana |
de Gruyter Studies in Organization
De Gruyter studies in organization |
Soggetto topico |
Popular music - Political aspects
Music - Social aspects Advertising campaigns Social movements |
ISBN | 3-11-081325-4 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | part I. Towards a theory of political mobilization -- part II. Investing in popular music : the opportunities for campaigning -- part III. Designing and composing protest simulacra : the campaign events and artifacts -- part IV. Understanding and explaining mobilization : campaign strategies and organized collective action -- part V. The globalization of collective action : international campaigns in context. |
Record Nr. | UNINA-9910828723903321 |
Lahusen Christian
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Berlin ; ; New York : , : W. de Gruyter, , 1996 | ||
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Lo trovi qui: Univ. Federico II | ||
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Samba : resistance in motion |
Autore | Browning Barbara <1961-> |
Pubbl/distr/stampa | [Place of publication not identified], : Indiana University Press, 1995 |
Descrizione fisica | 1 online resource (xxv, 189 p. ) : ill. |
Disciplina | 306.4/84 |
Collana |
Arts and politics of the everyday Samba
Arts and politics of the everyday |
Soggetto topico |
Dance - Social aspects - Brazil
Dance, Black - Brazil Music, Dance, Drama & Film Dance |
ISBN | 0-585-00131-6 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Record Nr. | UNISA-996248035203316 |
Browning Barbara <1961->
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[Place of publication not identified], : Indiana University Press, 1995 | ||
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Lo trovi qui: Univ. di Salerno | ||
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Theatre at the crossroads of culture / / Patrice Pavis ; translated by Loren Kruger |
Autore | Pavis Patrice <1947, > |
Pubbl/distr/stampa | London ; ; New York : , : Routledge : , : Taylor & Francis Group, , 2001 |
Descrizione fisica | 1 online resource (219 p.) |
Disciplina |
306.4/84
306.484 |
Altri autori (Persone) | KrugerLoren |
Soggetto topico |
Drama
Intercultural communication Theater and society |
Soggetto genere / forma | Electronic books. |
ISBN |
1-134-92810-6
1-138-15363-X 0-203-35933-X 1-280-05393-3 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
BOOK COVER; HALF-TITLE; TITLE; COPYRIGHT; CONTENTS; PREFACE; 1 TOWARD A THEORY OF CULTURE AND MISE EN SCÈNE; A SATURATED THEORY; AN HOURGLASS READY FOR EVERYTHING; CAVITY, CRUCIBLE, CROSSING, CROSSROADS; CULTURE AND ITS DOUBLES; Culturalist premises; Definition 1; Definition 2; Definition 3; Definition 4; Definition 5; Sociohistorical premises ; NOTES; BIBLIOGRAPHY; 2 FROM PAGE TO STAGE: A DIFFICULT BIRTH ; PRELIMINARY REMARKS; DENIALS; MISE EN SCÈNE AS A MEANS OF MODULATING THE RELATIONSHIP BETWEEN TEXT AND PERFORMANCE; Stage enunciation and the concretization circuit
Verbal and non-verbal: Reading actualizedChange in perspective; Metatext or discourse of the mise en scène; Mise en scène as discourse on emptiness and ambiguity: Imaginary solution and parodic discourse; A TYPOLOGY OF MISES EN SCÈNE? ; (PROVISIONAL) CONCLUSIONS ; MARGINS; Margin 1; Margin 2; Margin 3; Margin 4; Margin 5; Margin 6; Margin 7; Margin 8; Margin 9; Margin 10; Margin 11; NOTE; BIBLIOGRAPHY; 3 THE CLASSICAL HERITAGE OF MODERN DRAMA: THE CASE OF POSTMODERN THEATRE; CLASSICAL WORK OR MODERN TEXT?; The Work and the Text; The impossible unitary space New relationship to the classical work Infusing, decentering, undoing the rhythm; INHERITANCE OR MEMORY; Bourgeois or socialist heritage; Tradition and traditions; The heritage of postmodern theatre; MODERN OR POSTMODERN THEATRE; The postmodernization of works; Some tendencies in postmodern theatre; NOTES; BIBLIOGRAPHY; 4 ON THEORY AS ONE OF THE FINE ARTS AND ITS LIMITED INFLUENCE ON CONTEMPORARY DRAMA WHETHER MAJORITY OR MINORITY...; THEORY AND MINORITY; Meaning of 'theory'; Meaning of 'minority'; Theory: minoritarian or minor art?; New majorities in contemporary theatre theory THEORY AS ONE OF THE FINE ARTS The pleasures of theory; The place of theory; Crisis of semiotics; Theory overflowing into practice; LIMITED BUT PERCEPTIBLE INFLUENCE; Influence on majority dramaturgy; Commercial majority; Ideological majority; National majority in the mise en scène of classics; Influence on minority dramaturgy; Minority of the avant-garde; Cultural minority; APPENDIX; NOTES; BIBLIOGRAPHY; 5 THEATRE AND THE MEDIA; SPECIFICITY AND INTERFERENCE; THEATRE WITHIN A THEORY OF MEDIA; Mediatization of theatre; Media in relation to theatre; Quantification and massification Theatre, media and the spectacular The double game of the media and theatre; DRAMATURGY AND SPECIFICITY OF THE MEDIA; The damaturgy of radio; The dramaturgy of television; The dramaturgy of video; Specificity of radio; Specificity of television; Specificity of video; Fictional status of the media; INTERFERENCES BETWEEN MEDIA ; Theatre == Radio ; Theatre - - Radio ; Radio == Theatre ; Radio - - Theatre ; Radio == Cinema ; Radio - - Cinema ; Cinema ==; Radio ; Cinema - - Radio ; Cinema == Video ; Cinema - - Video ; Video == Cinema ; Video - - Cinema Video == Television/Video - -Television |
Record Nr. | UNINA-9910451254603321 |
Pavis Patrice <1947, >
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London ; ; New York : , : Routledge : , : Taylor & Francis Group, , 2001 | ||
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Lo trovi qui: Univ. Federico II | ||
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