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The art of digital audio recording [[electronic resource] ] : a practical guide for home and studio / / Steve Savage ; with photos by Robert Johnson and diagrams by Iain Fergusson
| The art of digital audio recording [[electronic resource] ] : a practical guide for home and studio / / Steve Savage ; with photos by Robert Johnson and diagrams by Iain Fergusson |
| Autore | Savage Steve |
| Pubbl/distr/stampa | Oxford ; ; New York, : Oxford University Press, 2011 |
| Descrizione fisica | 1 online resource (284 p.) |
| Disciplina | 621.389/3 |
| Altri autori (Persone) |
JohnsonRobert
FergussonIain |
| Soggetto topico |
Sound studios
Sound - Recording and reproducing - Digital techniques |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-283-13650-3
9786613136503 0-19-987523-5 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Contents; Introduction; 1 The Starting Point: Sound Meets the Computer; 2 The Essentials: Where and How Recordings Are Made; 3 Recording Sessions: A Practical Guide; 4 Editing: The New Frontier; 5 Three Fundamentals: Techniques Every Recordist Needs to Know; 6 Mixing: The Most Creative and the Most Challenging Stage; 7 Mastering: One Last Session; 8 Three Best Practices: Easy Ways to Raise the Level of Your Sessions; Addendum 1 How to Walk into a Commercial Studio and Be the Engineer; Addendum 2 Researching and Buying Gear: Internet vs. Brick and Mortar
Appendix: Digital Audio Formats, Delivery, and StorageOnline Glossary Link; Index |
| Record Nr. | UNINA-9910461328303321 |
Savage Steve
|
||
| Oxford ; ; New York, : Oxford University Press, 2011 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The art of digital audio recording [[electronic resource] ] : a practical guide for home and studio / / Steve Savage ; with photos by Robert Johnson and diagrams by Iain Fergusson
| The art of digital audio recording [[electronic resource] ] : a practical guide for home and studio / / Steve Savage ; with photos by Robert Johnson and diagrams by Iain Fergusson |
| Autore | Savage Steve |
| Pubbl/distr/stampa | Oxford ; ; New York, : Oxford University Press, 2011 |
| Descrizione fisica | xii, 271 p. : ill |
| Disciplina | 621.389/3 |
| Altri autori (Persone) |
JohnsonRobert
FergussonIain |
| Soggetto topico |
Sound studios
Sound - Recording and reproducing - Digital techniques |
| ISBN |
9786613136503
0-19-991050-2 1-283-13650-3 0-19-987523-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910795751403321 |
|
Savage Steve
|
||
| Oxford ; ; New York, : Oxford University Press, 2011 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The art of digital audio recording : a practical guide for home and studio / / Steve Savage ; with photos by Robert Johnson and diagrams by Iain Fergusson
| The art of digital audio recording : a practical guide for home and studio / / Steve Savage ; with photos by Robert Johnson and diagrams by Iain Fergusson |
| Autore | Savage Steve |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Oxford ; ; New York, : Oxford University Press, 2011 |
| Descrizione fisica | xii, 271 p. : ill |
| Disciplina | 621.389/3 |
| Altri autori (Persone) |
JohnsonRobert
FergussonIain |
| Soggetto topico |
Sound studios
Sound - Recording and reproducing - Digital techniques |
| ISBN |
9786613136503
0-19-991050-2 1-283-13650-3 0-19-987523-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Cover -- Contents -- Introduction -- 1 The Starting Point: Sound Meets the Computer -- 1.1 Why Computers -- 1.2 What Does It Sound Like? -- 1.3 Signal Path -- 2 The Essentials: Where and How Recordings Are Made -- 2.1 Recording Rooms and Control Rooms -- 2.2 Studio Monitors -- 2.3 Microphones and Mic Placement -- 2.4 Mixing Boards and Control Surfaces -- 2.5 EQ: General Information -- 2.6 Dynamics (Compressors and Noise Gates) -- 2.7 FX: Delays -- 2.8 FX: Reverb -- 2.9 Beyond Traditional DSP -- 3 Recording Sessions: A Practical Guide -- 3.1 Setup -- 3.2 Headphone Mixes -- 3.3 Survey of Recording Techniques for Instruments and Voice -- 3.4 Beyond -- 4 Editing: The New Frontier -- 4.1 Editing Features -- 4.2 Screen "Real Estate -- 4.3 Virtual Tracks (Playlists) -- 4.4 Advanced Editing -- 5 Three Fundamentals: Techniques Every Recordist Needs to Know -- 5.1 Inserts/Plug-ins -- 5.2 Send and Return -- 5.3 Auto-switching (Auto-input) -- 6 Mixing: The Most Creative and the Most Challenging Stage -- 6.1 Mixing Requirements -- 6.2 Building a Mix -- 6.3 Automation and Recall -- 6.4 Mix Collaboration, Communication, and Delivery -- 7 Mastering: One Last Session -- 7.1 What, Why, How, and Where -- 8 Three Best Practices: Easy Ways to Raise the Level of Your Sessions -- 8.1 Session Flow -- 8.2 Talkback -- 8.3 Playback Volume -- Addendum 1 How to Walk into a Commercial Studio and Be the Engineer -- Addendum 2 Researching and Buying Gear: Internet vs. Brick and Mortar -- Appendix: Digital Audio Formats, Delivery, and Storage -- Online Glossary Link -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- X -- Z. |
| Record Nr. | UNINA-9910822892903321 |
|
Savage Steve
|
||
| Oxford ; ; New York, : Oxford University Press, 2011 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||