Derrick Puffett on music / / compiled and edited by Kathryn Bailey Puffett |
Autore | Puffett Derrick |
Pubbl/distr/stampa | London : , : Routledge, , 2016 |
Descrizione fisica | 1 online resource (780 pages) : illustrations |
Disciplina | 780/.9 |
Soggetto topico | Music - History and criticism |
ISBN |
1-351-56973-2
1-315-09498-3 1-351-56974-0 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | part PART I: THE ANALYST SPEAKS -- chapter 1 Editorial: In Defence of Formalism -- chapter 2 Schenker's 'Eroica' -- part PART II: LINER AND PROGRAMME NOTES -- chapter 3 Wagner: Overtures and Orchestral Music -- chapter 4 Richard Strauss: Tod und Verkliirung and Don Quixote -- chapter 5 Richard Strauss: Symphonia Domestica and Parergon -- chapter 6 The 'Tawdriness' of Salome -- part PART III: ENGLISH MUSIC -- chapter 7 A Nietzschean Libretto: Delius and the Text for A Mass of Life -- chapter 8 In the Garden of Fand: Arnold Bax and the 'Celtic Twilight' -- chapter 9 The Fugue from Tippett's Second String Quartet -- chapter 10 Tippett and the Retreat from Mythology -- chapter 11. an Analytical Offering (A. G. 1992). On Goehr's Homage to Bach -- part PART IV: RUSSIAN AND FRENCH MUSIC -- chapter 12 A Graphic Analysis of Musorgsky's 'Catacombs' -- chapter 13 Eight Bars of Stravinsky: The Septet Revisited -- chapter 14 Debussy's Ostinato Machine -- part PART V: OPERA -- chapter 15 Siegfried in the Context of Wagner's Operatic Writing -- chapter 16 Schoeck's Operas: A Question of Genre -- chapter 17 Some Reflections onLiteraturoper -- chapter 18 Berg and German Opera -- chapter 19 Salome: an Introduction -- chapter 20 Images of Salome -- chapter 21 Strauss's Scenario for the 'Dance of the Seven Veils' -- chapter 22 Salome as Music Drama -- chapter 23 Elektra: Beginnings -- chapter 24 The Music of Elektra: Some Preliminary Thoughts -- chapter 25 An Introduction to der Rosenkavalier -- part PART VI: VIENNA -- chapter 26 Transcription and Recomposition: The Strange Case of Zemlinsky's Maeterlinck Songs -- chapter 27 A Notational Peculiarity in Early Webem and its Implications -- chapter 28 Gone with the Summer Wmd; or, What Webem Lost -- chapter 29 'Music that Echoes within One' for a Lifetime: Berg's Reception of Schoenberg's Pelleas und Melisande -- chapter THEMATIC ANALYSIS -- chapter EPILOGUE -- chapter 30 Berg, Mahler and the Three Orchestral Pieces, Op. 6 -- part PART VII: GERMAN MUSIC -- chapter 31 'Lasser die Musi, wo sie ist': Pitch Specificity in Strauss -- chapter 32 Bruckner's Way: The Adagio of the Ninth Symphony -- chapter Sources. |
Record Nr. | UNINA-9910796548003321 |
Puffett Derrick | ||
London : , : Routledge, , 2016 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Derrick Puffett on music / / compiled and edited by Kathryn Bailey Puffett |
Autore | Puffett Derrick |
Pubbl/distr/stampa | London : , : Routledge, , 2016 |
Descrizione fisica | 1 online resource (780 pages) : illustrations |
Disciplina | 780/.9 |
Soggetto topico | Music - History and criticism |
ISBN |
1-351-56973-2
1-315-09498-3 1-351-56974-0 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | part PART I: THE ANALYST SPEAKS -- chapter 1 Editorial: In Defence of Formalism -- chapter 2 Schenker's 'Eroica' -- part PART II: LINER AND PROGRAMME NOTES -- chapter 3 Wagner: Overtures and Orchestral Music -- chapter 4 Richard Strauss: Tod und Verkliirung and Don Quixote -- chapter 5 Richard Strauss: Symphonia Domestica and Parergon -- chapter 6 The 'Tawdriness' of Salome -- part PART III: ENGLISH MUSIC -- chapter 7 A Nietzschean Libretto: Delius and the Text for A Mass of Life -- chapter 8 In the Garden of Fand: Arnold Bax and the 'Celtic Twilight' -- chapter 9 The Fugue from Tippett's Second String Quartet -- chapter 10 Tippett and the Retreat from Mythology -- chapter 11. an Analytical Offering (A. G. 1992). On Goehr's Homage to Bach -- part PART IV: RUSSIAN AND FRENCH MUSIC -- chapter 12 A Graphic Analysis of Musorgsky's 'Catacombs' -- chapter 13 Eight Bars of Stravinsky: The Septet Revisited -- chapter 14 Debussy's Ostinato Machine -- part PART V: OPERA -- chapter 15 Siegfried in the Context of Wagner's Operatic Writing -- chapter 16 Schoeck's Operas: A Question of Genre -- chapter 17 Some Reflections onLiteraturoper -- chapter 18 Berg and German Opera -- chapter 19 Salome: an Introduction -- chapter 20 Images of Salome -- chapter 21 Strauss's Scenario for the 'Dance of the Seven Veils' -- chapter 22 Salome as Music Drama -- chapter 23 Elektra: Beginnings -- chapter 24 The Music of Elektra: Some Preliminary Thoughts -- chapter 25 An Introduction to der Rosenkavalier -- part PART VI: VIENNA -- chapter 26 Transcription and Recomposition: The Strange Case of Zemlinsky's Maeterlinck Songs -- chapter 27 A Notational Peculiarity in Early Webem and its Implications -- chapter 28 Gone with the Summer Wmd; or, What Webem Lost -- chapter 29 'Music that Echoes within One' for a Lifetime: Berg's Reception of Schoenberg's Pelleas und Melisande -- chapter THEMATIC ANALYSIS -- chapter EPILOGUE -- chapter 30 Berg, Mahler and the Three Orchestral Pieces, Op. 6 -- part PART VII: GERMAN MUSIC -- chapter 31 'Lasser die Musi, wo sie ist': Pitch Specificity in Strauss -- chapter 32 Bruckner's Way: The Adagio of the Ninth Symphony -- chapter Sources. |
Record Nr. | UNINA-9910807293703321 |
Puffett Derrick | ||
London : , : Routledge, , 2016 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|