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Black Sabbath & philosophy [[electronic resource] ] : mastering reality / / edited by William Irwin
| Black Sabbath & philosophy [[electronic resource] ] : mastering reality / / edited by William Irwin |
| Pubbl/distr/stampa | Chichester, West Sussex ; ; Malden, MA, : Wiley-Blackwell, 2012, c2013 |
| Descrizione fisica | 1 online resource (219 p.) |
| Disciplina | 782.42166092/2 |
| Altri autori (Persone) | IrwinWilliam <1970-> |
| Collana | The Blackwell philosophy and pop culture series |
| Soggetto topico |
Music and philosophy
Rock music - History and criticism |
| ISBN |
1-118-52308-3
1-283-64600-5 1-118-39761-4 1-118-49380-X |
| Classificazione | PHI000000 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Black Sabbath & Philosophy: Mastering Reality; Copyright; Contents; Introduction: "What Is This That Stands Before Me?"; Acknowledgments: They Sold Their Souls for Rock 'n' Roll; Part I Necessary Evil; 1 Beyond Good and Evil: Facing Your Demons With Black Sabbath and Existentialism; "Life Has No Meaning, and Death's His Only Friend"; "I've Seen the Future and I've Left It Behind"; "I Just Believe in Myself, 'Cause No One Else Is True"; Unfinished Symphonies; Notes; 2 Masters of a Better Possible Reality: Conquering Evil With Love; Evil Is a Problem; Pictures of Evil
Imagining a Better RealityEvil on Stage; Notes; 3 "Is It the End, My Friend?" Black Sabbath's Apocalypse of Horror; Birmingham Apocalypse; Last Things; Satan Smiling: War and Judgment; Sabbath Bloody Sabbath: Death and Deliverance; Planet Caravan: Journeys of Time and Space; The End Is Near; Notes; Part II Playing Devil's Advocate; 4 Black Sabbath and the Sound of Evil; Sinister Sounds; Ask Sabbath; (Fretting) Hand of Doom; "Going Through (Key) Changes . . ."; Sabbath Matters; Notes; 5 The Worst of All Possible Worlds: Schopenhauer Meets Sabbath; One Shot at Glory; But Against All Odds ... For Those Who Sow in Flames, an ExplanationThe Original Diabolus in Musica; Some Final Seeds of Hate; Notes; 6 Tony Iommi's Hand of Doom: From Plastic Fingertips to Creative Freedom; The Phenomenology of Minds, Bodies, and Little Bits of Plastic; Tony Iommi's Creative Freedom and the Birth of Heavy Metal; Notes; Part III The Dark Art of Metal; 7 The Art of Black Sabbath: Aristotle Joins the Band; Bringing Aristotle up to Date; Aristotle Joins Black Sabbath; The Need for Dark Art; The Need to Shake up Your Mind; Sweet Leaf?; Notes; 8 Black Sabbath and the Problem of Defining Metal Why Do We Need Categories?Metal Conditions?; All in the Sabbath Family; Black Sabbath as a Prototype for Heavy Metal; Go Forth and Find New Prototypes; Notes; 9 Saint Vitus Dance: The Art of Doom; The Devil's Dictionary; What About Paint Vomited onto a Canvas?; Coughing Art; Was Doom in the Air?; Standards of Doom; Sons of Sabbath; Notes; 10 Gods, Drugs, and Ghosts: Finding Dionysus and Apollo in Black Sabbath and the Birth of Heavy Metal; In Praise of Sweet Leaf and COKE-Cola; The Birth of Tragedy and the Birth of Heavy Metal; Goat Songs and Clowns; A Satanic Interlude If Nietzsche Had Been a Black Sabbath FanWhat Is This That Stands Before Me?; Warning: Not for Mere Mortals; Notes; Part IV Is It Still Sabbath Without Ozzy?; 11 It's Not Sabbath Unless Ozzy's the Singer (But It's Fine If You Disagree); Mastering Metaphysical Reality: Why Geezer Butler Isn't a Plank of Wood; Behind the Wall of Thought Experiments; Avoiding the Fictional Seduction of Bad Metaphysics; Notes; 12 Fightin' Words: Sabbath Doesn't Need the Ozzman; Bands vs Line-Ups; A Sabbath By Any Other Name Would Be as Black; Going Through Changes; Criteria, Bloody Criteria How Essential Is the Ozzman? |
| Record Nr. | UNINA-9910141386703321 |
| Chichester, West Sussex ; ; Malden, MA, : Wiley-Blackwell, 2012, c2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Black Sabbath & philosophy [[electronic resource] ] : mastering reality / / edited by William Irwin
| Black Sabbath & philosophy [[electronic resource] ] : mastering reality / / edited by William Irwin |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Chichester, West Sussex ; ; Malden, MA, : Wiley-Blackwell, 2012, c2013 |
| Descrizione fisica | 1 online resource (219 p.) |
| Disciplina | 782.42166092/2 |
| Altri autori (Persone) | IrwinWilliam <1970-> |
| Collana | The Blackwell philosophy and pop culture series |
| Soggetto topico |
Music and philosophy
Rock music - History and criticism |
| ISBN |
1-118-52308-3
1-283-64600-5 1-118-39761-4 1-118-49380-X |
| Classificazione | PHI000000 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Black Sabbath & Philosophy: Mastering Reality; Copyright; Contents; Introduction: "What Is This That Stands Before Me?"; Acknowledgments: They Sold Their Souls for Rock 'n' Roll; Part I Necessary Evil; 1 Beyond Good and Evil: Facing Your Demons With Black Sabbath and Existentialism; "Life Has No Meaning, and Death's His Only Friend"; "I've Seen the Future and I've Left It Behind"; "I Just Believe in Myself, 'Cause No One Else Is True"; Unfinished Symphonies; Notes; 2 Masters of a Better Possible Reality: Conquering Evil With Love; Evil Is a Problem; Pictures of Evil
Imagining a Better RealityEvil on Stage; Notes; 3 "Is It the End, My Friend?" Black Sabbath's Apocalypse of Horror; Birmingham Apocalypse; Last Things; Satan Smiling: War and Judgment; Sabbath Bloody Sabbath: Death and Deliverance; Planet Caravan: Journeys of Time and Space; The End Is Near; Notes; Part II Playing Devil's Advocate; 4 Black Sabbath and the Sound of Evil; Sinister Sounds; Ask Sabbath; (Fretting) Hand of Doom; "Going Through (Key) Changes . . ."; Sabbath Matters; Notes; 5 The Worst of All Possible Worlds: Schopenhauer Meets Sabbath; One Shot at Glory; But Against All Odds ... For Those Who Sow in Flames, an ExplanationThe Original Diabolus in Musica; Some Final Seeds of Hate; Notes; 6 Tony Iommi's Hand of Doom: From Plastic Fingertips to Creative Freedom; The Phenomenology of Minds, Bodies, and Little Bits of Plastic; Tony Iommi's Creative Freedom and the Birth of Heavy Metal; Notes; Part III The Dark Art of Metal; 7 The Art of Black Sabbath: Aristotle Joins the Band; Bringing Aristotle up to Date; Aristotle Joins Black Sabbath; The Need for Dark Art; The Need to Shake up Your Mind; Sweet Leaf?; Notes; 8 Black Sabbath and the Problem of Defining Metal Why Do We Need Categories?Metal Conditions?; All in the Sabbath Family; Black Sabbath as a Prototype for Heavy Metal; Go Forth and Find New Prototypes; Notes; 9 Saint Vitus Dance: The Art of Doom; The Devil's Dictionary; What About Paint Vomited onto a Canvas?; Coughing Art; Was Doom in the Air?; Standards of Doom; Sons of Sabbath; Notes; 10 Gods, Drugs, and Ghosts: Finding Dionysus and Apollo in Black Sabbath and the Birth of Heavy Metal; In Praise of Sweet Leaf and COKE-Cola; The Birth of Tragedy and the Birth of Heavy Metal; Goat Songs and Clowns; A Satanic Interlude If Nietzsche Had Been a Black Sabbath FanWhat Is This That Stands Before Me?; Warning: Not for Mere Mortals; Notes; Part IV Is It Still Sabbath Without Ozzy?; 11 It's Not Sabbath Unless Ozzy's the Singer (But It's Fine If You Disagree); Mastering Metaphysical Reality: Why Geezer Butler Isn't a Plank of Wood; Behind the Wall of Thought Experiments; Avoiding the Fictional Seduction of Bad Metaphysics; Notes; 12 Fightin' Words: Sabbath Doesn't Need the Ozzman; Bands vs Line-Ups; A Sabbath By Any Other Name Would Be as Black; Going Through Changes; Criteria, Bloody Criteria How Essential Is the Ozzman? |
| Record Nr. | UNINA-9910813216003321 |
| Chichester, West Sussex ; ; Malden, MA, : Wiley-Blackwell, 2012, c2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Introducing philosophy through pop culture [[electronic resource] ] : from Socrates to South Park, Hume to House / / edited by William Irwin and David Kyle Johnson
| Introducing philosophy through pop culture [[electronic resource] ] : from Socrates to South Park, Hume to House / / edited by William Irwin and David Kyle Johnson |
| Pubbl/distr/stampa | Chichester, West Sussex ; ; Malden, MA, : Wiley-Blackwell, 2010 |
| Descrizione fisica | 1 online resource (380 p.) |
| Disciplina | 100 |
| Altri autori (Persone) |
IrwinWilliam <1970->
JohnsonDavid Kyle |
| Soggetto topico |
Philosophy and civilization
Popular culture - Philosophy |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-282-71230-6
9786612712302 1-4443-9097-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introducing Philosophy through Pop Culture; Contents; Acknowledgments; Introduction; Part I What is Philosophy?; Part II Epistemology; Part III Metaphysics; Part IV Philosophy of Religion; Part V Ethics; Part VI Challenges to Traditional Ethics; Part VII Social and Political Philosophy; Part VIII Eastern Views; Part IX The Meaning of Life; Glossary; Notes on Contributors; Sources; Index |
| Record Nr. | UNINA-9910460033403321 |
| Chichester, West Sussex ; ; Malden, MA, : Wiley-Blackwell, 2010 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Introducing philosophy through pop culture [[electronic resource] ] : from Socrates to South Park, Hume to House / / edited by William Irwin and David Kyle Johnson
| Introducing philosophy through pop culture [[electronic resource] ] : from Socrates to South Park, Hume to House / / edited by William Irwin and David Kyle Johnson |
| Pubbl/distr/stampa | Chichester, West Sussex ; ; Malden, MA, : Wiley-Blackwell, 2010 |
| Descrizione fisica | viii, 368 p |
| Disciplina | 100 |
| Altri autori (Persone) |
IrwinWilliam <1970->
JohnsonDavid Kyle |
| Soggetto topico |
Philosophy and civilization
Popular culture - Philosophy |
| ISBN |
1-4443-9098-8
1-282-71230-6 9786612712302 1-4443-9097-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910795974903321 |
| Chichester, West Sussex ; ; Malden, MA, : Wiley-Blackwell, 2010 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Introducing philosophy through pop culture [[electronic resource] ] : from Socrates to South Park, Hume to House / / edited by William Irwin and David Kyle Johnson
| Introducing philosophy through pop culture [[electronic resource] ] : from Socrates to South Park, Hume to House / / edited by William Irwin and David Kyle Johnson |
| Pubbl/distr/stampa | Chichester, West Sussex ; ; Malden, MA, : Wiley-Blackwell, 2010 |
| Descrizione fisica | viii, 368 p |
| Disciplina | 100 |
| Altri autori (Persone) |
IrwinWilliam <1970->
JohnsonDavid Kyle |
| Soggetto topico |
Philosophy and civilization
Popular culture - Philosophy |
| ISBN |
1-4443-9098-8
1-282-71230-6 9786612712302 1-4443-9097-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910808961403321 |
| Chichester, West Sussex ; ; Malden, MA, : Wiley-Blackwell, 2010 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Philosophy and the interpretation of pop culture / / edited by William Irwin and Jorge J. E. Gracia
| Philosophy and the interpretation of pop culture / / edited by William Irwin and Jorge J. E. Gracia |
| Pubbl/distr/stampa | Lanham, Maryland ; ; Plymouth, England : , : Rowman & Littlefield Publishers, Inc., , 2007 |
| Descrizione fisica | 1 online resource (305 p.) |
| Disciplina | 306.01 |
| Soggetto topico |
Philosophy and civilization
Popular culture - Philosophy Popular culture - United States |
| Soggetto genere / forma | Electronic books. |
| ISBN |
0-7425-5175-X
1-4616-4084-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Title Page; Copyright Page; Contents; Acknowledgments; 1 Philosophy Engages Popular Culture: An Introduction William Irwin; Part I: Philosophy and Popular Culture; 2 Philosophy and the Probable Impossible Carolyn Korsmeyer; 3 Philosophy as/arid/of Popular Culture William Irwin; 4 Allusion and Intention in Popular Art Theodore Gracyk; 5 On the Ties That Bind: Characters, the Emotions, and Popular Fictions Noël Carroll; 6 Liking What's Good: Why Should We? Ted Cohen; 7 Popular Art and Entertainment Value Richard Shusterman; Part II: Interpretation and Popular Art Forms
8 Popular Culture and Spontaneous Order, or How I Learned To Stop Worrying and Love the Tube Paul A. Cantor9 From Horror to Hero: Film Interpretations of Stoker's Dracula Jorge J. E. Gracia; 10 Socrates at Story Hour: Philosophy as a Subversive Motif in Children's Literature Gareth B. Matthews; 11 Of Batcaves and Clock Towers: Living Damaged Lives in Gotham City James B. Sout; 12 ""American Pie"" and the Self-critique of Rock 'n' Roll Michael Baur; 13 Photography, Popular Epistemology, Flexible Realism, and Holistic Pragmatism Peter H. Hare; About the Editors and Contributors |
| Record Nr. | UNINA-9910452631503321 |
| Lanham, Maryland ; ; Plymouth, England : , : Rowman & Littlefield Publishers, Inc., , 2007 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Philosophy and the interpretation of pop culture / / edited by William Irwin and Jorge J. E. Gracia
| Philosophy and the interpretation of pop culture / / edited by William Irwin and Jorge J. E. Gracia |
| Pubbl/distr/stampa | Lanham, Maryland ; ; Plymouth, England : , : Rowman & Littlefield Publishers, Inc., , 2007 |
| Descrizione fisica | 1 online resource (305 p.) |
| Disciplina | 306.01 |
| Soggetto topico |
Philosophy and civilization
Popular culture - Philosophy Popular culture - United States |
| ISBN |
0-7425-5175-X
1-4616-4084-9 |
| Classificazione | 71.50 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Title Page; Copyright Page; Contents; Acknowledgments; 1 Philosophy Engages Popular Culture: An Introduction William Irwin; Part I: Philosophy and Popular Culture; 2 Philosophy and the Probable Impossible Carolyn Korsmeyer; 3 Philosophy as/arid/of Popular Culture William Irwin; 4 Allusion and Intention in Popular Art Theodore Gracyk; 5 On the Ties That Bind: Characters, the Emotions, and Popular Fictions Noël Carroll; 6 Liking What's Good: Why Should We? Ted Cohen; 7 Popular Art and Entertainment Value Richard Shusterman; Part II: Interpretation and Popular Art Forms
8 Popular Culture and Spontaneous Order, or How I Learned To Stop Worrying and Love the Tube Paul A. Cantor9 From Horror to Hero: Film Interpretations of Stoker's Dracula Jorge J. E. Gracia; 10 Socrates at Story Hour: Philosophy as a Subversive Motif in Children's Literature Gareth B. Matthews; 11 Of Batcaves and Clock Towers: Living Damaged Lives in Gotham City James B. Sout; 12 ""American Pie"" and the Self-critique of Rock 'n' Roll Michael Baur; 13 Photography, Popular Epistemology, Flexible Realism, and Holistic Pragmatism Peter H. Hare; About the Editors and Contributors |
| Record Nr. | UNINA-9910790590803321 |
| Lanham, Maryland ; ; Plymouth, England : , : Rowman & Littlefield Publishers, Inc., , 2007 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Philosophy and the interpretation of pop culture / / edited by William Irwin and Jorge J. E. Gracia
| Philosophy and the interpretation of pop culture / / edited by William Irwin and Jorge J. E. Gracia |
| Pubbl/distr/stampa | Lanham, Maryland ; ; Plymouth, England : , : Rowman & Littlefield Publishers, Inc., , 2007 |
| Descrizione fisica | 1 online resource (305 p.) |
| Disciplina | 306.01 |
| Soggetto topico |
Philosophy and civilization
Popular culture - Philosophy Popular culture - United States |
| ISBN |
0-7425-5175-X
1-4616-4084-9 |
| Classificazione | 71.50 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Title Page; Copyright Page; Contents; Acknowledgments; 1 Philosophy Engages Popular Culture: An Introduction William Irwin; Part I: Philosophy and Popular Culture; 2 Philosophy and the Probable Impossible Carolyn Korsmeyer; 3 Philosophy as/arid/of Popular Culture William Irwin; 4 Allusion and Intention in Popular Art Theodore Gracyk; 5 On the Ties That Bind: Characters, the Emotions, and Popular Fictions Noël Carroll; 6 Liking What's Good: Why Should We? Ted Cohen; 7 Popular Art and Entertainment Value Richard Shusterman; Part II: Interpretation and Popular Art Forms
8 Popular Culture and Spontaneous Order, or How I Learned To Stop Worrying and Love the Tube Paul A. Cantor9 From Horror to Hero: Film Interpretations of Stoker's Dracula Jorge J. E. Gracia; 10 Socrates at Story Hour: Philosophy as a Subversive Motif in Children's Literature Gareth B. Matthews; 11 Of Batcaves and Clock Towers: Living Damaged Lives in Gotham City James B. Sout; 12 ""American Pie"" and the Self-critique of Rock 'n' Roll Michael Baur; 13 Photography, Popular Epistemology, Flexible Realism, and Holistic Pragmatism Peter H. Hare; About the Editors and Contributors |
| Record Nr. | UNINA-9910826225803321 |
| Lanham, Maryland ; ; Plymouth, England : , : Rowman & Littlefield Publishers, Inc., , 2007 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||