Chapter 1 The International Classroom Lexicon Project |
Pubbl/distr/stampa | Taylor & Francis |
Descrizione fisica | 1 online resource (374 p.) : ill |
Disciplina | 510.71 |
Soggetto non controllato | Mathematics |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Altri titoli varianti | Teachers Talking About Their Classrooms |
Record Nr. | UNINA-9910774621503321 |
Taylor & Francis | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
|
Tippett Studies [[electronic resource]] |
Autore | Clarke David |
Pubbl/distr/stampa | Cambridge, : Cambridge University Press, 1999 |
Descrizione fisica | 1 online resource (250 p.) |
Disciplina |
780
780.92 |
Collana | Cambridge Composer Studies |
Soggetto topico |
Composers -- England -- Correspondence
Composers -- Great Britain -- Correspondence Tippett, Michael, 1905-1998 -- Correspondence Tippett, Michael, 1905-1998 -- Criticism and interpretation |
Soggetto genere / forma | Electronic books. |
ISBN |
1-107-17296-9
0-511-37020-2 0-511-48199-3 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Cover; Half-title; Title; Copyright; Dedication; Contents; Preface; References to Tippett's scores and essays; 1 'Only half rebelling': tonal strategies, folksong and 'Englishness' in Tippett's Concerto for Double String Orchestra; I; II; III; IV; 2 From pastiche to free composition: R.O.Morris, Tippett, and the development of pitch resources in the Fantasia Concertante on a Theme of Corelli; I; II; III; IV; 3 'Is there a choice at all?'King Priam and motives for analysis; I; II; III; IV; V
4 Tippett's Second Symphony, Stravinsky and the language of neoclassicism: towards a critical frameworkI; II; III; 5 Tippett,sequence and metaphor; 6 Tonal elements and their significance in Tippett's Sonata No.3 for Piano; I; II; III; IV; V; VI; 7 'Significant gestures to the past': formal processes and visionary moments in Tippett's Triple Concerto; I; II; III; 8 Tippett's King Priam and 'the tragic vision'; I; II; III; IV; 9 Tippett at the millennium: a personal memoir; 10 Decline or renewal in late Tippett? The Fifth String Quartet in perspective; I; II; III; IV; V Appendix: glossary of terms used in pitch-class set theoryIndex |
Record Nr. | UNINA-9910459181103321 |
Clarke David
![]() |
||
Cambridge, : Cambridge University Press, 1999 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
|