Engaging the moving image [[electronic resource] /] / No?el Carroll |
Autore | Carroll No?el <1947-> |
Pubbl/distr/stampa | New Haven, : Yale University Press, c2003 |
Descrizione fisica | 1 online resource (449 p.) |
Disciplina | 791.43/01 |
Collana | Yale series in the philosophy and theory of art |
Soggetto topico |
Motion pictures - Philosophy
Motion pictures |
Soggetto genere / forma | Electronic books. |
ISBN |
1-281-73127-7
9786611731274 0-300-13307-3 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Front matter -- Contents -- Foreword -- Introduction -- Chapter 1. Forget the Medium! -- Chapter 2. Film, Attention, and Communication: A Naturalistic Account -- Chapter 3. Film, Emotion, and Genre -- Chapter 4. Ethnicity, Race, and Monstrosity: The Rhetorics of Horror and Humor -- Chapter 5. Is the Medium a (Moral) Message? -- Chapter 6. Film Form: An Argument for a Functional Theory of Style in the Individual Film -- Chapter 7. Introducing Film Evaluation -- Chapter 8. Nonfiction Film and Postmodernist Skepticism -- Chapter 9. Fiction, Nonfiction, and the Film of Presumptive Assertion: Conceptual Analyses -- Chapter 10. Photographic Traces and Documentary Films: Comments for Gregory Currie -- Chapter 12. The Essence of Cinema? -- Chapter 13. TV and Film: A Philosophical Perspective -- Chapter 14. Kracauer's Theory of Film -- Chapter 15. Cinematic Nation Building: Eisenstein's The Old and the New -- Chapter 16. The Professional Western: South of the Border -- Chapter 17. Moving and Moving: From Minimalism to Lives of Performers -- Chapter 18. Prospects for Film Theory: A Personal Assessment -- Credits -- Index |
Record Nr. | UNINA-9910452181503321 |
Carroll No?el <1947-> | ||
New Haven, : Yale University Press, c2003 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Engaging the moving image [[electronic resource] /] / No?el Carroll |
Autore | Carroll No?el <1947-> |
Pubbl/distr/stampa | New Haven, : Yale University Press, c2003 |
Descrizione fisica | 1 online resource (449 p.) |
Disciplina | 791.43/01 |
Collana | Yale series in the philosophy and theory of art |
Soggetto topico |
Motion pictures - Philosophy
Motion pictures |
ISBN |
1-281-73127-7
9786611731274 0-300-13307-3 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Front matter -- Contents -- Foreword -- Introduction -- Chapter 1. Forget the Medium! -- Chapter 2. Film, Attention, and Communication: A Naturalistic Account -- Chapter 3. Film, Emotion, and Genre -- Chapter 4. Ethnicity, Race, and Monstrosity: The Rhetorics of Horror and Humor -- Chapter 5. Is the Medium a (Moral) Message? -- Chapter 6. Film Form: An Argument for a Functional Theory of Style in the Individual Film -- Chapter 7. Introducing Film Evaluation -- Chapter 8. Nonfiction Film and Postmodernist Skepticism -- Chapter 9. Fiction, Nonfiction, and the Film of Presumptive Assertion: Conceptual Analyses -- Chapter 10. Photographic Traces and Documentary Films: Comments for Gregory Currie -- Chapter 12. The Essence of Cinema? -- Chapter 13. TV and Film: A Philosophical Perspective -- Chapter 14. Kracauer's Theory of Film -- Chapter 15. Cinematic Nation Building: Eisenstein's The Old and the New -- Chapter 16. The Professional Western: South of the Border -- Chapter 17. Moving and Moving: From Minimalism to Lives of Performers -- Chapter 18. Prospects for Film Theory: A Personal Assessment -- Credits -- Index |
Record Nr. | UNINA-9910777777603321 |
Carroll No?el <1947-> | ||
New Haven, : Yale University Press, c2003 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Engaging the moving image / / No?el Carroll |
Autore | Carroll No?el <1947-> |
Edizione | [1st ed.] |
Pubbl/distr/stampa | New Haven, : Yale University Press, c2003 |
Descrizione fisica | 1 online resource (449 p.) |
Disciplina | 791.43/01 |
Collana | Yale series in the philosophy and theory of art |
Soggetto topico |
Motion pictures - Philosophy
Motion pictures |
ISBN |
1-281-73127-7
9786611731274 0-300-13307-3 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Front matter -- Contents -- Foreword -- Introduction -- Chapter 1. Forget the Medium! -- Chapter 2. Film, Attention, and Communication: A Naturalistic Account -- Chapter 3. Film, Emotion, and Genre -- Chapter 4. Ethnicity, Race, and Monstrosity: The Rhetorics of Horror and Humor -- Chapter 5. Is the Medium a (Moral) Message? -- Chapter 6. Film Form: An Argument for a Functional Theory of Style in the Individual Film -- Chapter 7. Introducing Film Evaluation -- Chapter 8. Nonfiction Film and Postmodernist Skepticism -- Chapter 9. Fiction, Nonfiction, and the Film of Presumptive Assertion: Conceptual Analyses -- Chapter 10. Photographic Traces and Documentary Films: Comments for Gregory Currie -- Chapter 12. The Essence of Cinema? -- Chapter 13. TV and Film: A Philosophical Perspective -- Chapter 14. Kracauer's Theory of Film -- Chapter 15. Cinematic Nation Building: Eisenstein's The Old and the New -- Chapter 16. The Professional Western: South of the Border -- Chapter 17. Moving and Moving: From Minimalism to Lives of Performers -- Chapter 18. Prospects for Film Theory: A Personal Assessment -- Credits -- Index |
Record Nr. | UNINA-9910809397403321 |
Carroll No?el <1947-> | ||
New Haven, : Yale University Press, c2003 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|