Storytelling in the works of Bunyan, Grimmelshausen, Defoe, and Schnabel / / Janet Bertsch

• Autore: Bertsch Janet <1974->
• Pubblicazione: Suffolk : , : Boydell & Brewer, , 2004
• Descrizione fisica: 1 online resource (152 pages) : digital, PDF file(s)
• Disciplina: 833/.509
• Soggetto topico: Storytelling in literature; German fiction - Early modern, 1500-1700 - History and criticism; German fiction - 18th century - History and criticism; Fiction - 17th century - History and criticism; Fiction - 18th century - History and criticism
• Classificazione: HK 1575
• Note generali: Title from publisher's bibliographic system (viewed on 02 Oct 2015).
• Nota di bibliografia: Includes bibliographical references (p. [141]-145) and index.
• Nota di contenuto: Bunyan's Grace abounding to the chief of sinners -- Bunyan's Pilgrim's progress -- Grimmelshausen's Der Abentheurliche simplicissimus Teutsch and Der seltzame Springinsfeld -- Introduction to the Robinsonade -- Defoe's Robinson Crusoe -- Schnabel's Wunderliche Fata einiger See-fahrer (Insel Felsenburg).
• Sommario/riassunto: The modern novel appeared during the period of secularization and intellectual change that took place between 1660 and 1740. This book examines John Bunyan's'Grace Abounding' and 'The Pilgrim's Progress,' Johann Grimmelshausen's 'Simplicissimus,' Daniel Defoe's 'Robinson Crusoe,' and J. G. Schnabel's 'Insel Felsenburg' as prose works that reflect the stages in this transition. The protagonists in these works try to learn to use language in a pure, uncorrupted way. Their attitudes towards language are founded on their understanding of the Bible, and when they tell their life stories, they follow the structure of the Bible, because they accept it as 'the' paradigmatic story. Thus the Bible becomes a tool to justify the value of telling 'any' story. The authors try to give their own texts some of Scripture's authority by imitating the biblical model, but this leads to problems with closure and other tensions. If Bunyan's explicitly religious works affirm the value of individual narratives as part of a single, universal story, Grimmelshausen's and Defoe's protagonists effectively replace the sacred text with their own powerful, authoritative stories. J. G. Schnabel illustrates the extent of the secularization process in 'Insel Felsenburg' when he defends the entertainment value of escapist fiction and uses the Bible as the fictional foundation of his utopian civilization: arguments about the moral value of narrative give way to the depiction of storytelling as an end in itself. But Bunyan, Grimmelshausen, Defoe, and Schnabel all use positive examples of the transfiguring effect of reading and telling stories, whether sacred or secular, to justify the value of their own works. Janet Bertsch teaches at Wolfson and Trinity College, Cambridge.
• Altri titoli varianti: Storytelling in the Works of Bunyan, Grimmelshausen, Defoe, & Schnabel
• Titolo autorizzato: Storytelling in the works of Bunyan, Grimmelshausen, Defoe, and Schnabel
• ISBN: 1-281-94927-2; 9786611949273; 1-57113-653-3
• Formato: Materiale a stampa
• Livello bibliografico: Monografia
• Lingua di pubblicazione: Inglese
• Record Nr.: 9911008469303321
• Lo trovi qui: Univ. Federico II
• Serie: Studies in German literature, linguistics, and culture (Unnumbered)