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Rival queens [[electronic resource] ] : actresses, performance, and the eighteenth-century British theater / / Felicity Nussbaum



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Autore: Nussbaum Felicity Visualizza persona
Titolo: Rival queens [[electronic resource] ] : actresses, performance, and the eighteenth-century British theater / / Felicity Nussbaum Visualizza cluster
Pubblicazione: Philadelphia, : University of Pennsylvania Press, c2010
Descrizione fisica: 1 online resource (392 p.)
Disciplina: 792.02/8082094109033
Soggetto topico: Women in the theater - Great Britain - History - 18th century
Theater and society - Great Britain - History - 18th century
Actresses - Great Britain
Soggetto non controllato: Cultural Studies
Gender Studies
Literature
Women's Studies
Note generali: Bibliographic Level Mode of Issuance: Monograph
Nota di bibliografia: Includes bibliographical references (p. [339]-363) and index.
Nota di contenuto: Introduction: at stage's edge -- The economics of celebrity -- Real, beautiful women: rival queens -- Actresses' memoirs: exceptional virtue -- Actresses and patrons: the theatrical contract -- The actress and performative property: Catherine Clive -- The actress, travesty, and nation: Margaret Woffington -- The actress and material femininity: Frances Abington -- Epilogue: contracted virtue.
Sommario/riassunto: In eighteenth-century England, actresses were frequently dismissed as mere prostitutes trading on their sexual power rather than their talents. Yet they were, Felicity Nussbaum argues, central to the success of a newly commercial theater. Urban, recently moneyed, and thoroughly engaged with their audiences, celebrated actresses were among the first women to achieve social mobility, cultural authority, and financial independence. In fact, Nussbaum contends, the eighteenth century might well be called the "age of the actress" in the British theater, given women's influence on the dramatic repertory and, through it, on the definition of femininity.Treating individual star actresses who helped spark a cult of celebrity-especially Anne Oldfield, Susannah Cibber, Catherine Clive, Margaret Woffington, Frances Abington, and George Anne Bellamy-Rival Queens reveals the way these women animated issues of national identity, property, patronage, and fashion in the context of their dramatic performances. Actresses intentionally heightened their commercial appeal by catapulting the rivalries among themselves to center stage. They also boldly challenged in importance the actor-managers who have long dominated eighteenth-century theater history and criticism. Felicity Nussbaum combines an emphasis on the actresses themselves with close analysis of their diverse roles in works by major playwrights, including George Farquhar, Nicholas Rowe, Colley Cibber, Arthur Murphy, David Garrick, Isaac Bickerstaff, and Richard Sheridan. Hers is a comprehensive and original argument about the importance of actresses as the first modern subjects, actively shaping their public identities to make themselves into celebrated properties.
Titolo autorizzato: Rival queens  Visualizza cluster
ISBN: 1-283-89801-2
0-8122-0689-4
Formato: Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione: Inglese
Record Nr.: 9910788595603321
Lo trovi qui: Univ. Federico II
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