The castrato : reflections on natures and kinds / / Martha Feldman

• Autore: Feldman Martha
• Pubblicazione: Oakland, California : , : University of California Press, , 2015; ©2015
• Descrizione fisica: 1 online resource (496 p.)
• Disciplina: 782.8/6
• Soggetto topico: Castrati
• Soggetto non controllato: 16th century practices; bel canto; bodily mutations; castrated for music; castrated males; castrated singers; castrati and eunuchs; castrati musicians; castrati vocalists; castrati; castration; castrato voices; castrato; catholic blood sacrifice; cavalli; eunuch singers; handel; high male voices; historical body mutations; history of castration; history of music; history of singing; mozart; music history; music; nonsexual castration; pergolesi; pulcinella; rossini
• Note generali: Description based upon print version of record.
• Nota di bibliografia: Includes bibliographical references and index.
• Nota di contenuto: Front matter -- Contents -- Preface -- Note on Textual Transcription, Translations, Lexicon, and Musical Nomenclature -- 1. Of Strange Births and Comic Kin -- 2 The Man Who Pretended to Be Who He Was -- 3. Red Hot Voice -- 4 Castrato De Luxe -- 5. Cold Man, Money Man, Big Man Too -- 6. Shadow Voices, Castrato and Non -- Acknowledgments -- Abbreviations -- Notes -- Bibliography -- Illustrations -- Index
• Sommario/riassunto: The Castrato is a nuanced exploration of why innumerable boys were castrated for singing between the mid-sixteenth and late-nineteenth centuries. It shows that the entire foundation of Western classical singing, culminating in bel canto, was birthed from an unlikely and historically unique set of desires, public and private, aesthetic, economic, and political. In Italy, castration for singing was understood through the lens of Catholic blood sacrifice as expressed in idioms of offering and renunciation and, paradoxically, in satire, verbal abuse, and even the symbolism of the castrato's comic cousin Pulcinella. Sacrifice in turn was inseparable from the system of patriarchy-involving teachers, patrons, colleagues, and relatives-whereby castrated males were produced not as nonmen, as often thought nowadays, but as idealized males. Yet what captivated audiences and composers-from Cavalli and Pergolesi to Handel, Mozart, and Rossini-were the extraordinary capacities of castrato voices, a phenomenon ultimately unsettled by Enlightenment morality. Although the castrati failed to survive, their musicality and vocality have persisted long past their literal demise.
• Titolo autorizzato: The castrato
• ISBN: 0-520-29244-8; 0-520-96203-6
• Formato: Materiale a stampa
• Livello bibliografico: Monografia
• Lingua di pubblicazione: Inglese
• Record Nr.: 9910787222003321
• Lo trovi qui: Univ. Federico II
• Serie: Ernest Bloch lectures.