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Autore: | Cohen Tom <1953-> |
Titolo: | War machines [[electronic resource] /] / Tom Cohen |
Pubblicazione: | Minneapolis, : University of Minnesota Press, c2005 |
Descrizione fisica: | 1 online resource (318 p.) |
Disciplina: | 791.4302/33 |
Soggetto topico: | Spy films - History and criticism |
War films - History and criticism | |
Note generali: | Description based upon print version of record. |
Nota di bibliografia: | Includes bibliographical references and index. |
Nota di contenuto: | Contents; Acknowledgments; Preface; Introduction: Hitchcock's Esperanto; Part I. Travel Service Window; 1. Transports; 2. Combined Ops: The Postal Politics of Bon Voyage!; Part II. Prehistory of the Afterlife of Cinema; 3. A Performativity without Frame; 4. ""How Old Is Mae West?""; 5. Phoenix Rex: The Passing of Oedipus in Hitchcock; Part III. Jump Cuts; 6. Time Machines; 7. Matrixide; Part IV. The Black Sun; 8. Prosthesis of the Visible; 9. Upping the Ante: A Deauratic Cinema; 10. Hitchcock's Light Touch; Coda: Trouble at the Séance; Notes; Index of Films; A; B; D; E; F; I; J; L; M; N; P; R |
ST; V; W; Y | |
Sommario/riassunto: | This second volume of Hitchcock's Cryptonomies presents the director's works as a radical collage of images and absences, letters and numbers, citations and sounds that together mark Hitchcock as a knowing figure who was entirely aware of his-and cinema's-place at the dawn of a global media culture, as well as of the cinema's revolutionary impact on perception and memory. |
Titolo autorizzato: | War machines |
ISBN: | 0-8166-9491-5 |
Formato: | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione: | Inglese |
Record Nr.: | 9910784115003321 |
Lo trovi qui: | Univ. Federico II |
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