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Titolo: | Captive audience : prison and captivity in contemporary theater / / edited by Thomas Fahy and Kimball King |
Pubblicazione: | New York : , : Routledge, , 2003 |
Descrizione fisica: | 1 online resource (207 p.) |
Disciplina: | 809.2/9355 |
809.29355 | |
Soggetto topico: | Drama - 20th century - History and criticism |
Prisons in literature | |
Prisoners in literature | |
Imprisonment in literature | |
Altri autori: | FahyThomas Richard KingKimball |
Note generali: | Description based upon print version of record. |
Nota di bibliografia: | Includes bibliographical references and index. |
Nota di contenuto: | Book Cover; Title; Contents; General Editor's Note; CAPTIVE AUDIENCE: AN INTRODUCTION; THE CONFESSIONAL VOICE: MEDEA'S BRUTAL IMAGINATION; EMOTIONAL CONTRABAND: PRISON AS METAPHOR AND MEANINGIN U.S. LATINA DRAMA; SEEING ETHNICITY: THE IMPACT OF RACE AND CLASS ON THE CRITICAL RECEPTION OF MIGUEL PIERO'S SHORT EYES; ON PRISONS IN THE UNITED STATES: EXTRACT FROM A SPEECH DELIVERED TO THE CONFEDERATION OF ANALYTICAL PSYCHOLOGISTS, LONDON, 25 JUNE 1999; HAROLD PINTER'S PRISON HOUSE: THE SCREENPLAY OF KAFKA'S THE TRIAL; HAROLD PINTER'S THE HANDMAID'S TALE: FREEDOM, PRISON, AND A HIJACKED SCRIPT |
~A WORLD OF BODIES~: PERFORMING FLESH IN MARAT/SADETHE DISPOSAL: WILLIAM INGE'S ABJECT DRAMA; ~IN DARK CORNERS~: MASCULINITY AND ART IN TENNESSEE WILLIAMS'S NOTABOUT NIGHTINGALES; PHYSICAL PRISONS: NAOMI WALLACE'S DRAMA OF CAPTIVITY; NO EXIT AND WAITING FOR GODOT: PERFORMANCES IN CONTRAST; Contributors; Index | |
Sommario/riassunto: | This all-new collection examines the social, gendered, ethnic, and cultural problems of incarceration as explored in contemporary theatre. |
Titolo autorizzato: | Captive audience |
ISBN: | 1-85411-148-5 |
1-135-88894-9 | |
1-135-88895-7 | |
0-415-76258-8 | |
1-280-04794-1 | |
0-203-49485-7 | |
Formato: | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione: | Inglese |
Record Nr.: | 9910783900803321 |
Lo trovi qui: | Univ. Federico II |
Opac: | Controlla la disponibilità qui |