Vai al contenuto principale della pagina
Titolo: |
Inhabiting the meta visual : contemporary performance themes / / edited by Helene Gee Markstein and Arthur Maria Steijn
![]() |
Pubblicazione: | Oxford, United Kingdom : , : Inter-Disciplinary Press, , [2016] |
©2016 | |
Descrizione fisica: | 1 online resource |
Disciplina: | 792.0223 |
Soggetto topico: | Experimental theater - History |
Performing arts - Social aspects | |
Soggetto genere / forma: | Electronic books. |
Persona (resp. second.): | MarksteinHelene Gee <1947-> |
SteijnArthur Maria | |
Nota di bibliografia: | Includes bibliographical references. |
Nota di contenuto: | Preliminary Material / Helene Gee Markstein and Arthur Maria Steijn -- In Pursuit of the Social in Site-Specific Performance / Artemis Sierra -- The Dramaturgy of Wine, the Terroir of Performance: Multi-Sensory Performance-Making in Through the Grapevine / Roanna Mitchell and Krysta Dennis -- The Theatricality of the Human Body in Performance Art / Pnina Porter -- Facing Things / Andrew Cope -- Psychical Distance as a Basis for Perception and Creative Participation / Tereza Sluková -- Theatrical Performance in Light of Jean Paul Sartre’s Theory of the Imagination / Mahdi Ansari -- Is that a Watermelon on Your Head or a Basket of Fruits? Orthodox Masculinity in Sports and the Paradoxical Erotic Experience of the Roughriders Male Fans’ Drag Expressions / Jorge Sandoval -- Live from New York: Movement Performance and the Representation of American Heteronormativity / Colleen Culley -- American Showgirl: Ziegfeld to J Lo / Virginia L. Vogel -- Reduction as a Means to Enhance Choreographic Potential in Musical Performance / Falk Hübner -- Songs for an Injured Environment: Creating Visual Metaphors From a Theatre of Nature / Lisa Parkins -- Symbolic Use of Dress: Related Ritual in English and Spanish Oral Traditions / Ana Belén Martínez García -- Utzon’s Use of Light to Influence the Audience’s Perception of the Sydney Opera House / Simon Dwyer -- iPad Svoboda: The Physical Theatre of Projected Light / Andy Hurst and Judita Vivas -- Experimental Music Theatre and Its Investigation: Dieter Schnebel’s Körper-Sprache / Christa Brüstle -- Set the Machine into Motion: On Hotel Pro Forma’s Performance Laughter in the Dark / Maria Carneiro -- A Live-Time Relation: Motion Graphics Meets Classical Music / Arthur Maria Steijn. |
Sommario/riassunto: | Theatre and the many varied expressions of performance practice in live and mediated performance forms, are by their nature inter-disciplinary. The goal of this volume is to develop discussion with a focus on the visual aspects of performance brought up by artists and researchers in various performance disciplines and practices. The volume facilitates inter-personal communication and the exchange of global perspectives, to engage a community in meaningful dialogue. Scenography describes the discipline of performing arts, which include all elements of theatrical presentation. As a definition here it is useful for this volume, because it outlines the understanding of scenographic practice as a combination of numerous theatre-practices that collaborate and include: architecture, lighting, costume, make-up, sound, settings and stage properties, movement, as well as audience participation. |
Titolo autorizzato: | Inhabiting the meta visual ![]() |
ISBN: | 1-84888-532-6 |
Formato: | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione: | Inglese |
Record Nr.: | 9910511892703321 |
Lo trovi qui: | Univ. Federico II |
Opac: | Controlla la disponibilità qui |