Oye como va! [[electronic resource] ] : hybridity and identity in Latino popular music / / Deborah Pacini Hernandez

• Autore: Pacini Hernandez Deborah
• Pubblicazione: Philadelphia, : Temple University Press, c2010
• Descrizione fisica: 1 online resource (238 p.)
• Disciplina: 781.64089/68073
• Soggetto topico: Hispanic Americans - Social aspects; Popular music - Social aspects - United States
• Soggetto genere / forma: Electronic books.
• Note generali: Description based upon print version of record.
• Nota di bibliografia: Includes bibliographical references and index.
• Nota di contenuto: Contents; Preface; 1 Introduction: Hybridity, Identity, and Latino Popular Music; 2 Historical Perspectives on Latinos and the Latin Music Industry; 3 To Rock or Not to Rock: Cultural Nationalism and Latino Engagement with Rock 'n' Roll; 4 Turning the Tables: Musical Mixings, Border Crossings, and New Sonic Circuitries; 5 New Immigrants, New Layerings: Tradition and Transnationalism in U.S. Dominican Popular Music; 6 From Cumbia Colombiana to Cumbia Cosmopolatina: Roots, Routes, Race, and Mestizaje; 7 Marketing Latinidad in a Global Era; Notes; Selected Bibliography; Index
• Sommario/riassunto: Listen Up! When the New York-born Tito Puente composed ""Oye Como Va!"" in the 1960's, his popular song was called ""Latin"" even though it was a fusion of Afro-Cuban and New York Latino musical influences. A decade later, Carlos Santana, a Mexican immigrant, blended Puente's tune with rock and roll, which brought it to the attention of national audiences. Like Puente and Santana, Latino/a musicians have always blended musics from their homelands with other sounds in our multicultural society, challenging ideas of what ""Latin"" music is or ought to be. Waves of immigrants...
• Titolo autorizzato: Oye como va
• ISBN: 1-282-50591-2; 9786612505911; 1-4399-0091-4
• Formato: Materiale a stampa
• Livello bibliografico: Monografia
• Lingua di pubblicazione: Inglese
• Record Nr.: 9910456621503321
• Lo trovi qui: Univ. Federico II