Musical symbolism in the operas of Debussy and Bartok : trauma, gender, and the unfolding of the unconscious / / Elliott Antokoletz with the collaboration of Juana Canabal Antokoletz
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| Autore: |
Antokoletz Elliott
|
| Titolo: |
Musical symbolism in the operas of Debussy and Bartok : trauma, gender, and the unfolding of the unconscious / / Elliott Antokoletz with the collaboration of Juana Canabal Antokoletz
|
| Pubblicazione: | Oxford ; ; New York, : Oxford University Press, 2004 |
| Edizione: | 1st ed. |
| Descrizione fisica: | 1 online resource (xiv, 346 p. ) : ill |
| Disciplina: | 782.1/092/2 |
| Soggetto topico: | Symbolism in music |
| Altri autori: |
AntokoletzJuana Canabal
|
| Note generali: | Originally published: 2004. |
| Nota di bibliografia: | Includes bibliographical references (p. 331-340) and index. |
| Nota di contenuto: | Intro -- Contents -- 1. Backgrounds and Development: The New Musical Language and Its Correspondence with Psycho-Dramatic Principles of Symbolist Opera -- 2. The New Musical Language -- 3. Trauma, Gender, and the Unfolding of the Unconscious -- 4. Pelléas et Mélisande: Polarity of Characterizations: Human Beings as Real-Life Individuals and Instruments of Fate -- 5. Pelléas et Mélisande: Fate and the Unconscious: Transformational Function of the Dominant Ninth Chord -- Symbolism of Sonority -- 6. Pelléas et Mélisande: Musico-Dramatic Turning Point: Intervallic Expansion as Symbol of Dramatic Tension and Change of Mood -- 7. Pelléas et Mélisande: Mélisande as Christ Symbol-Life, Death, and Resurrection-and Motivic Reinterpretations of the Whole-Tone Dyad -- 8. Pelléas et Mélisande: Circuity of Fate and Resolution of Mélisande's Dissonant Pentatonic-Whole-Tone Conflict -- 9. Duke Bluebeard's Castle: Psychological Motivation: Symbolic Interaction of Diatonic, Whole-Tone, and Chromatic Extremes -- 10. Duke Bluebeard's Castle: Toward Character Reversal: Reassignment of Pentatonic and Whole-Tone Spheres -- 11. Duke Bluebeard's Castle: The Nietzschean Condition and Polarity of Characterizations: Diatonic-Chromatic Extremes -- 12. Duke Bluebeard's Castle: Final Transformation and Retreat into Eternal Darkness: Synthesis of Pentatonic/Diatonic and Whole-Tone Spheres -- 13. Symbolism and Expressionism in Other Early Twentieth-Century Operas -- Epilogue -- Notes -- Works Cited -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- Y -- Z. |
| Titolo autorizzato: | Musical symbolism in the operas of Debussy and Bartok |
| ISBN: | 1-280-45250-1 |
| 9786610452507 | |
| 0-19-535595-4 | |
| 1-4237-2631-6 | |
| 1-60256-109-5 | |
| Formato: | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione: | Inglese |
| Record Nr.: | 9910821781103321 |
| Lo trovi qui: | Univ. Federico II |
| Opac: | Controlla la disponibilità qui |