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Renaissance theories of vision / / edited by John Shannon Hendrix and Charles H. Carman



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Titolo: Renaissance theories of vision / / edited by John Shannon Hendrix and Charles H. Carman Visualizza cluster
Pubblicazione: London ; ; New York : , : Routledge, , 2016
Descrizione fisica: 1 online resource (258 pages) : illustrations
Disciplina: 701.8
Soggetto topico: Visual perception - History
Vision - History
Perspective - History
Art - Philosophy
Art, Renaissance
Altri autori: CarmanCharles H  
HendrixJohn  
Note generali: "An Ashgate book"--Cover.
First published 2010 by Ashgate Publishing.
Nota di bibliografia: Includes bibliographical references and index.
Nota di contenuto: Introduction / John S. Hendrix and Charles H. Carman -- Classical optics and the perspectivae traditions leading to the Renaissance / Nader El-Bizri -- Meanings of perspective in the Renaissance : tensions and resolution / Charles Carman -- Criminal vision in early modern Florence : Fra Angelico's altarpiece for "Il Tempio" and the Magdalenian gaze / Allie Terry -- Donatello's Chellini Madonna, light, and vision / Amy R. Bloch -- Perception as a function of desire in the Renaissance / John Hendrix -- Leonardo da Vinci's theory of vision and creativity : the Uffizi Annunciation / Liana De Girolami Cheney -- At the boundaries of sight : the Italian Renaissance cloud putto / Christian Kleinbub -- Gesture and perspective in Raphael's School of Athens / Nicholas Temple -- Seeing and the transfer of spirits in early modern art theory / Thijs Weststeijn -- "All in him selfe as in a glass he sees" : mirrors and vision in the Renaissance / Faye Tudor -- "Nearest the tangible earth" : Rembrandt, Samuel van Hoogstraten, George Berkeley, and the optics of touch / Alice Crawford Berghof.
Sommario/riassunto: How are processes of vision, perception, and sensation conceived in the Renaissance? How are those conceptions made manifest in the arts? The essays in this volume address these and similar questions to establish important theoretical and philosophical bases for artistic production in the Renaissance and beyond. The essays also attend to the views of historically significant writers from the ancient classical period to the eighteenth century, including Plato, Aristotle, Plotinus, St Augustine, Ibn Sina (Avicenna), Ibn al-Haytham (Alhazen), Ibn Sahl, Marsilio Ficino, Nicholas of Cusa, Leon Battista Alberti, Gian Paolo Lomazzo, Gregorio Comanini, John Davies, Rene Descartes, Samuel van Hoogstraten, and George Berkeley.
Titolo autorizzato: Renaissance theories of vision  Visualizza cluster
ISBN: 1-4094-2399-9
1-317-06639-1
9786612892752
1-315-60531-7
1-282-89275-4
1-4094-0024-7
Formato: Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione: Inglese
Record Nr.: 9910800174203321
Lo trovi qui: Univ. Federico II
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Serie: Visual culture in early modernity.