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Music, authorship, and the book in the first century of print / / Kate van Orden



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Autore: Van Orden Kate Visualizza persona
Titolo: Music, authorship, and the book in the first century of print / / Kate van Orden Visualizza cluster
Pubblicazione: Berkeley : , : University of California Press, , [2014]
©2014
Descrizione fisica: 1 online resource (257 p.)
Disciplina: 070.5/79409031
Soggetto topico: Music printing - History - 16th century
Music publishing - History - 16th century
Music - 16th century - History and criticism
Soggetto non controllato: 16th century
art
artists
beauty
classical music
composers
cultural history
dance
engaging
famous composers
history of music
music history
music printing
nobility
page turner
paintings
performance scripts
performers
performing arts
polyphony
publishing sacred music
renaissance period
retrospective
romance
romantic
royalty
western music
writers
Classificazione: MUS006000
Note generali: Description based upon print version of record.
Nota di bibliografia: Includes bibliographical references and index.
Nota di contenuto: The world of books -- Music books and their authors -- Authors of lyric -- The book of poetry becomes a book of music -- Resisting the press : performance.
Sommario/riassunto: What does it mean to author a piece of music? What transforms the performance scripts written down by musicians into authored books? In this fascinating cultural history of Western music's adaptation to print, Kate van Orden looks at how musical authorship first developed through the medium of printing. When music printing began in the sixteenth century, publication did not always involve the composer: printers used the names of famous composers to market books that might include little or none of their music. Publishing sacred music could be career-building for a composer, while some types of popular song proved too light to support a reputation in print, no matter how quickly they sold. Van Orden addresses the complexities that arose for music and musicians in the burgeoning cultures of print, concluding that authoring books of polyphony gained only uneven cultural traction across a century in which composers were still first and foremost performers.
Titolo autorizzato: Music, authorship, and the book in the first century of print  Visualizza cluster
ISBN: 0-520-95711-3
Formato: Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione: Inglese
Record Nr.: 9910790521203321
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