Vai al contenuto principale della pagina

Radical theatrics : put-ons, politics, and the sixties / / Craig J. Peariso ; design by Dustin Kilgore



(Visualizza in formato marc)    (Visualizza in BIBFRAME)

Autore: Peariso Craig J. Visualizza persona
Titolo: Radical theatrics : put-ons, politics, and the sixties / / Craig J. Peariso ; design by Dustin Kilgore Visualizza cluster
Pubblicazione: Seattle, Washington ; ; London, England : , : University of Washington Press, , 2014
©2014
Descrizione fisica: 1 online resource (245 p.)
Disciplina: 303.48/4
Soggetto topico: Protest movements - United States - History - 20th century
Radicalism - Social aspects - United States - History - 20th century
Radicals - United States - History - 20th century
Political activists - United States - History - 20th century
Art - Political aspects - United States - History - 20th century
Soggetto genere / forma: Electronic books.
Persona (resp. second.): KilgoreDustin
Note generali: Description based upon print version of record.
Nota di bibliografia: Includes bibliographical references and index.
Nota di contenuto: Introduction: Stereotypes, opposition, and "the sixties" -- Monkey theater -- "Watch out for pigs in queen's clothing" : camp and the image of radical sexuality -- "Erect strong resilient and firm" : Eldridge Cleaver and the performance of "Black" liberation -- Afterword.
Sommario/riassunto: "From burning draft cards to staging nude protests, much left-wing political activism in 1960s America was distinguished by deliberate outrageousness. This theatrical activism, aimed at the mass media and practiced by Abbie Hoffman and the Yippies, the Black Panthers, and the Gay Activists Alliance, among others, is often dismissed as naive and out of touch, or criticized for tactics condemned as silly and off-putting to the general public. In Radical Theatrics, however, Craig Peariso argues that these over-the-top antics were far more than just the spontaneous actions of a self-indulgent radical impulse. Instead, he shows, they were well-considered aesthetic and political responses to a jaded cultural climate in which an unreflective 'tolerance' masked an unwillingness to engage with challenging ideas. Through innovative analysis that links political protest to the art of contemporaries such as Andy Warhol, Peariso reveals how the 'put-on'--the signature activist performance of the radical left--ended up becoming a valuable American political practice, one that continues to influence contemporary radicals such as Occupy Wall Street"--From publisher's website.
Titolo autorizzato: Radical theatrics  Visualizza cluster
ISBN: 0-295-80557-9
Formato: Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione: Inglese
Record Nr.: 9910459940003321
Lo trovi qui: Univ. Federico II
Opac: Controlla la disponibilità qui